Entertainment
Stephen A. Smith Gets Thumbs Down Award for ‘Disparaging’ Black Women
Stephen A. Smith was rebuked by the National Association of Black Journalists on Saturday evening, as the organization named the ESPN personality as a recipient of its Thumbs Down award for his “recurring public pattern of disparaging commentary directed at prominent Black women across politics, sports, and media.”
The dishonor’s recipients were named during the NABJ’s Salute to Excellence gala in Atlanta, Ga.
“Smith has established a recurring public pattern of disparaging commentary directed at prominent Black women across politics, sports and media,” said a commentator announcing Smith as a recipient during the gala. “Such commentary reinforces harmful narratives, undermines the fair and respectful representation of Black women in public discourse and stands in direct conflict with NABJ’s longstanding commitment to accurate, responsible and inclusive portrayals of Black communities.”
Along with Smith, this year’s other recipients included FCC chairman Brendan Carr, CBS News, The Washington Post and DuJuan McCoy, the owner and CEO of the Indianapolis-based Circle City Broadcasting.
“NABJ presents the Thumbs Down award to an individual or organization whose actions, reporting or institutional practices have significantly undermined fair, accurate and inclusive journalism about Black communities, or have otherwise acted in ways fundamentally at odds with NABJ’s mission and values,” a commentator explained during a segment introducing the award category during the gala. “The award recognizes conduct that harms Black journalists, weakens newsroom equity or editorial independence, reinforces damaging portrayals of Black people or compromises the public service mission of journalism.”
Smith, who has previously attended NABJ events, responded to the award later Saturday evening, writing in a social media post that the NABJ “started something” and that the award was “the epitome of Christmas arriving early.”
“You had your turn, now mine is coming. And make no mistake…..,I’m coming,” Smith wrote. “Let’s see who REALLY deserves a Thumbs Down award when it comes to the Black Community, afterI say my peace!”
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movies
‘‘Widow’s Bay Creator Katie Dippold & Star Matthew Rhys Tease Season 2
Widow’s Bay fans rejoice! Creator-showrunner Kate Dippold has a progress report on the Season 2 writers’ room.
“It’s great,” she said during a panel at Deadline’s Contenders Television: The Nominees Studio. “Week 3, feeling great. I think it’s fun. I feel like I always look at Season 1 — what was really hard with that is having to lay all the groundwork. ‘Haunted Island’ sounds silly and terrible, honestly. I’m still happy they all signed up. It’s a tough pitch. I feel like a lot of groundwork was laid in Season 1 so you can buy it. So, it’s making Season 2 much more fun.”
Then, with a glance at her fellow panelist and lead actor Matthew Rhys, she deadpanned, “But no Loftis.”
In addition to Dippold and Rhys, the panel chat included executive producer/director Hira Murai and co-stars Kate O’Flynn, Stephen Root, Dale Dickey and Jeff Hiller. Watch their conversation below and scroll down for photos from the event.
In Apple TV comedy series Widow’s Bay, Rhys stars as Tom Loftis, the slightly desperate mayor of an island off the coast of Massachusetts. Along with the town’s hard-drinking fisherman Wyck (Root), and the town hall staff of Patricia (O’Flynn), Rosemary (Dickey) and Dale (Hiller), Loftis tries to ignore a centuries-old island curse while attracting tourists to the island.
RELATED: Contenders Television: The Nominees Studio – Deadline’s Complete Coverage
Murai recalled facing one of the show’s key challenges going into it. “The immediate thing I thought of is, if you had the wrong actor, this whole thing falls apart. And I’m only saying this because I know Matthew hates getting compliments on-camera. And I honestly wasn’t sure it was going to work until we met Matthew.”
Rhys, who also signed on as an EP, said he was on board from the get-go: “I always knew I wanted to do it because I’d never read anything like it. And it was so ‘other’. It was so needed. It was sort of refreshing. But the most important thing to me is I desperately wanted to know how it would end. Because I was like, “Yes, I know.” And yes, and I was like, “But what’s going to happen?” When so much was teed up in the planning, I was like, “Okay, what’s going to happen here because I need to know. And the only way that’ll happen is if I’m in it.”
He also joked that his friends back home in Wales see exactly why he warmed to Widow’s Bay. “They said, ‘That is Wales. It’s like that’s just a busman’s holiday for you. There’s nothing different about that. That’s like an average afternoon in Fishguard [Wales].’ So yeah, they were like, ‘Well, of course you did that. That’s where you came from.’”
O’Flynn’s character of Patricia has become something of a popular phenomenon. Why does she think people relate so much to Patricia? “She’s like people that are a bit annoying that don’t do the right thing, and then sometimes they step up and they’re brave, and sometimes you see them loving and sometimes you see them being a bit bitchy… That I find comforting TV, which is, real people. And I think that’s what everyone’s responding to. And I’d say that they’re responding to all our characters because all of them are so well written.”
As for what she wishes she could take from Patricia into her own life, O’Flynn says, “I wish I was as smart as her when it comes to the final girl montage creative problem-solving that she does. If I could knit that into my life, that would make it a hundred times better.”
Dickey said she immediately responded to the script and her character of Rosemary. “I was laughing out loud, and I don’t usually do that. It was just, my god. I could picture the people in my head in this world. I could visualize them. And I related to her laidback-ness and her just self-assurance just to be who she is and say what she wants to say, whether it’s annoying or not.”
As for what the cast would like to see in Season 2, Root said, “I would love to know more about the backstory. What made Wyck Wyck? What kind of scenes did he see when he was a kid or a young man to make him to want to be a protector of the island to get him to the point where he couldn’t stand it anymore and he said, ‘No, I’m not sitting back anymore. I’m going to tell this mayor that I don’t respect, that I’m going to come out and I’m going to sound the [warning] siren.’”
Hiller said of playing Dale that his longtime background doing improv with Dippold came into play at times, even when it wasn’t meant to. “That was actually very tempting. And I didn’t always succeed. They said, ‘We’ll cut around that.’”
He did however, sneak a bit of improv into the final cut. “One that I think I’m weirdly proud of that literally no one has said that they liked is when Tom is talking and saying, ‘I don’t think this microphone is on.’ And then I say, ‘I can hear you.’”
He also enjoyed that the town pub, The Salty Whale, became a sort of de facto green room for the cast. “We would sit around in little director’s chairs and it’s just very exciting to be around other actors and especially actors like Dale and Steven are. You just said how many roles they’ve been in, and every role comes with a story. And so, hearing those stories was really good.”
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Entertainment
Matthew Rhys’ ‘Girls’ #MeToo Episode Was Inspired by Lena Dunham’s Real Life
Matthew Rhys shared that his memorable guest role as an author accused of sexual misconduct on HBO’s “Girls” was inspired by an interaction that showrunner and star Lena Dunham said had happened to her.
“I hope I’m not speaking out of turn on (Dunham’s) behalf, but she kind of explained what had happened to her. So it was drawn from truth,” Rhys told Lulu Garcia-Navarro on the New York Times’ podcast “The Interview.” “She gave me the background to where that piece of fictional writing came from in a very detailed way, which helped enormously … We went to the location and rehearsed and rehearsed and rehearsed, which is utterly luxurious in television, where there is no time. I just remember thinking, ‘Wow, we have all this time to get this right because it definitely needs to be got right.’”
Rhys’ “Girls” character, Chuck Palmer, is featured in the third episode of Season 6, titled “American Bitch.” In the episode, Hannah (Dunham) meets with Chuck, an author whose credibility has tanked amidst allegations of sexual misconduct. After a spirited conversation, Chuck exposes himself to Hannah. The episode was released in February 2017, just months before the #MeToo movement rose to prominence in the entertainment industry, foregrounding experiences of sexual abuse.
“(Dunham) was interested in the real discussion of it — that he couldn’t just be kind of villainized off the bat,” Rhys continued. “There had to be some kind of true discussion or discourse within this event that leads to it. She wanted the push and pull of both sides for it to land in a very real place … All that kind of ‘discussion’ and back-and-forth is meaningless once that happens, because ultimately that’s all he wants.”
Rhys joined “The Interview” to discuss his career, with a focus on his recent roles in “The Beast in Me” and “Widow’s Bay,” both of which he has earned an Emmy nomination for.
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movies
Sam Mendes’ Beatles Biopic Recreates ‘Abbey Road’ Album Cover — Watch
The Beatles have returned home to Abbey Road as Sam Mendes creates a piece of music history for his upcoming four-part biopic.
This weekend, drone footage circulated on social media from above the set of The Beatles — A Four-Film Cinematic Event, where the director recreated the Abbey Road (1969) album cover at the now iconic crosswalk outside Abbey Road Studios in London.
Paul Mescal, Joseph Quinn, Barry Keoghan and Harris Dickinson could be seen crossing the street multiple times during production in the clip.
Deadline reported last week that production was heading to Abbey Road for a scene that “involves approximately 80 extras and some vintage vehicles.”
Last February, Deadline exclusively revealed that Mendes is set to direct each installment of The Beatles — A Four-Film Cinematic Event, through his Neal Street Productions and Sony Pictures Entertainment. Each film will connect, telling the band’s story from each member’s point of view.
The film has since cast Paul Mescal as Paul McCartney, Joseph Quinn as George Harrison, Barry Keoghan as Ringo Starr and Harris Dickinson as John Lennon.
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