Entertainment
YouTube Music Guru Shreds NYT Critic Panel’s ’30 Greatest’ Songwriters List: ‘Pretentious, Cork-Sniffing, Smug People’
YouTube musicologist Rick Beato, the internet’s music professor, furiously shredded the New York Times music critics “30 Greatest Living American Songwriters” list – a creation that irked him so deeply he posted a second video this week attacking the “pretentious, cork-Sniffing, smug people” who made it.
Beato, the classically-trained multi-instrumentalist and former session player, engineer, producer and educator – who began building the 5.4 million followers and 6 billion lifetime views on his “Everything Music” channel in 2015 – first took aim at the panel’s list earlier this month with a video titled “The NYT ‘Greatest Songwriters’ List is an Absolute Disaster.”
Beato’s followers knew they were in for a barnburner. The genre-spanning music guru, though certainly known for extra-salty takes, has a broad appreciation for virtually all types of music, respects others’ opinions and rarely, if ever, attacks individuals.
Then, in the days after that episode aired, someone sent Beato the May 7 episode of the Times’ podcast “Cannonball With Wesley Morris,” in which the paper’s music critics gathered to defend their choices. Beato went ballistic.
“It drove me nuts watching it,” he said in the Monday episode, which you can watch below. “I have to make a video about this.”
“Here’s four Ivy League educated people,” Beato snarled. “You’ve got two from Yale, one from Princeton, and Mr. Harvard there, that are the most pretentious, cork-sniffing, smug people that are all music critics with no background in music.”
Their list is an eclectic mix for sure, with some indisputable greats (Stevie Wonder, Paul Simon, Dolly Parton) and more than a few disputable ones (Fiona Apple, Stephin Merritt, Young Thug), but it was the thinking behind the inclusions – and omissions – with which Beato took particular issue. He zeroed in on Times critic Jon Caramanica, who argued that songwriting is often defined as “a heroic white man with a guitar struggling through his emotions.”
“Exactly what you would expect from a New York Times music critic,” Beato said. Responding to the panel’s discussion of why Billy Joel was excluded, he asked: “You hear these guys competing for the worst take?”
Beato, whose long-running “What Makes This Song Great?” series helped establish him as a household name among musicians, producers and music fans, concluded by saying he’s “not going to sit here and say this is a definitive list of the greatest living American songwriters. It’s ridiculous. … That’s why I always say at the end of these videos, this is my personal opinion.”
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movies
‘Final Payment’, ‘Congo Boy’ Win Top Awards At Pingyao Film Festival
Chinese director Niu Niu’s Final Payment scooped the Best Film Award in the Fei Mu Awards of this year’s Pingyao International Film Festival (PYIFF), while Rafiki Fariala’s Congo Boy won Best Film in the festival’s Roberto Rossellini Awards.
Final Payment, which also won Best Actor for Niu Jianrong’s performance, revolves around a homeowner clashing with a contractor over the final payment following a set of renovations on his home. PYIFF’s competition jury stated: “Tearing through a very small rip, the film leads us into a reality and emotional landscape so expansive, where we sigh, lament, and reflect. The director’s approach is concise, unpretentious, and masterful, earning the wholehearted recognition of the entire jury.”
The Best Film award came with a cash prize of $150,000 (RMB1m) with half given to the director for the development of their next film, and half given to the distributor in China. Niu Niu previously directed Mr Junjun, which was awarded with the Jury Award and Youth Jury Award at PYIFF in 2023.
Also in the Fei Mu Awards, Xu Zao won Best Director for Light Pillar, while Best Actress went to Sun Yi for Wang Xiaozhen’s A Joke. The Jury Award was presented to Dong Jie’s Zoom In, Zoom Out, which had its world premiere in Venice Critics Week, while a special mention went to Cai Chengjie’s Suzhou Quartet.
The Fei Mu awards are focused on the festival’s Hidden Dragons section, which selects first, second and third films from emerging directors making Chinese-language films, while the Roberto Rossellini Awards focus on the Crouching Tigers section for emerging international directors.
Congo Boy, which took Best Film in the Roberto Rossellini Awards, also won Best Actor when it premiered in Un Certain Regard at this year’s Cannes film festival. The PYIFF award came with a cash prize of $20,000, with half given to the director for the development of their next film, and half given to the distributor in China.
The PYIFF jury stated: “The Jury unanimously has been moved by this autobiographical story, told in a simple style that echoes the great tradition of neorealism. For a film focusing on a character that confronts his world with optimism despite dark times and takes on his shoulders the destiny of his entire family.”
Also in this section, the Philippines’ Rafael Manuel won Best Director for Filipiñana, while the Jury Award went to Ben’imana, directed by Marie-Clémentine Dusabejambo, which won the Camera d’Or at this year’s Cannes. The jury also awarded Rakan Mayasi’s Yesterday The Eye Didn’t Sleep a Special Mention.
Hong Kong filmmaker Ann Hui received the Crouching Tiger Hidden Dragon East-West Award, shortly before she receives the Camellia Award at Busan International Film Festival next week.
Pingyao’s International Contribution To Chinese Cinema Award went to Marco Müller, who founded the festival with Chinese auteur Jia Zhangke and currently serves as Artistic Director of the Film Art Research Centre at Shanghai University, and veteran producer, director and former chairman of China Film Group Han Sanping. Hello Group chairman Tang Yan was presented with a 10th Anniversary Award.
This year’s PYIFF opened on September 24 with a screening of the 4K restoration of Fei Mu’s Spring In A Small Town; closed with Good Trip, co-directed by Hong Kong filmmakers Norris Wong and Hoi Wong, and also screened Jia’s short film Torino Shadow, which premiered at this year’s Cannes.
PINGYAO INTERNATIONAL FILM FESTIVAL 2026 AWARDS:
FEI MU AWARDS:
Best Film: Final Payment, dir: Niu Niu
Best Director: Xu Zao, Light Pillar
Best Actress: Sun Yi, A Joke, dir: Wang Xiaozhen
Best Actor: Niu Jianrong, Final Payment, dir: Niu Niu
Jury Award: Zoom In, Zoom Out, dir: Dong Jie
Special Mention: Suzhou Quartet, dir: Cai Chengjie
ROBERTO ROSSELLINI AWARDS:
Best Film: Congo Boy, dir: Rafiki Fariala
Best Director: Filipiñana, dir: Rafael Manuel
Jury Award: Ben’imana, dir: Marie-Clémentine Dusabejambo
Special Mention: Yesterday The Eye Didn’t Sleep, dir: Rakan Mayasi
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Entertainment
Chad Lowe and Kim Painter’s Daughter Fiona Dies at 13
Actor Chad Lowe and producer Kim Painter’s 13-year-old daughter, Fiona, has died, according to a statement from the teen’s family.
“We are deeply heartbroken by the loss of our beloved Fiona,” the Lowe family said in a statement to media Tuesday evening. As the family went on, they remembered Fiona as “a loving young girl who was smart, creative, and loved to dance.”
“She was adored by her sisters and she was deeply loved by her parents,” the family’s statement added. “In fact, she was the light of our lives.”
While a cause of death was not immediately shared, the Lowes alluded to Fiona’s mental health struggles, writing, “Her passing is devastating for our entire family and we ask for prayers and privacy at this time. If you or someone you know is struggling with mental health, please reach out to the 988 Suicide & Crisis Lifeline by calling or texting 988.”
More to come…
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Entertainment
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