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As Letterboxd Come In From The New York Times Co., A24 And Others, One Of Its Bankers Calls It “A Phenomenon”

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With Letterboxd acquisition talks heating up, dealmakers touted the company as “a phenomenon” and a key to the 2026 box office revival.

A report in the New York Times said its corporate parent is among the suitors for the online film community, along with A24, Netflix, Paramount, Sony and others. Canada-based private equity firm Tiny is selling Letterboxd four years after it acquired it, with a hefty return on its investment in store as the platform’s valuation appears set to surpass $300 million.

Alex Michael, senior managing director at boutique investment bank LionTree, which is advising Letterboxd in its M&A process, raved about the company Thursday just as the Times report on itself was being published. During a panel discussion at an L.A. conference hosted by the Financial Times, he compared it with Fandango or Rotten Tomatoes, but said it is “a little different.” He called it “a phenomenon” that it draws “movie fans who come and consume people’s reviews, and they discover content.” Letterboxd attracts 30 million monthly users – “with zero paid marketing,” Michael added.

“What I think is most interesting and relevant to this conversation is that the biggest cohort, the biggest user group, is ages 18 to 24,” Michael said, raising the company’s name during a broader conversation about the 2026 revival of movie box office. “Maybe this isn’t just sort of a dead-cat bounce or sort of a death bloom before the end of theatrical. In fact, if younger audiences, and we sit also with younger content, are actually consuming and engaged then maybe this can last.”

Aaron Sobel, private equity partner at Apollo Global Management, followed up by citing a stat that 20% of 18-to-34-year olds have gone to a movie over the past two weeks, a period with overperforming wide-audience draws like Resident Evil and specialty breakouts like Buddy. “That’s an incredible statistic,” he said. “Obviously, that percentage declines as people get older, but it’s certainly supportive of what you’re saying” about Letterboxd.

Versant Media, which owns Fandango and Rotten Tomatoes, took a look at the company’s books earlier this year but ultimately decided against making a bid, sources have told Deadline.

Reps from reported bidders, including the New York Times Co., did not immediately reply to Deadline’s request for comment.

Along with many interested corporate parties, one alternative scenario has also emerged thanks to the grass-roots DNA of the company. Social benefit corporation Intrinsic, with support from indie film stalwart Ted Hope and a crowdfunding campaign, has been in touch with New Zealand-based co-founders Matthew Buchanan and Karl von Randow.

With anxiety in the Letterboxd community about Netflix or another large company taking over a platform members hold dear, Intrinsic head Elizabeth Joyce feels her bid has more than just a long shot.

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Berlanti/Schechter To Produce Amazon MGM’s ‘Hang The Decorators’

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EXCLUSIVE: Greg Berlanti and Sarah Schechter are producing the Amazon MGM Studios dark comedy feature Hang the Decorators from scribe Mike Makowsky (Death by Lightning, Bad Education).

Amazon MGM Studios optioned the rights for the project which is in current development.

Based on a true story, Hang the Decorators follows Alexander Blarek and Frank Pellecchia, two gay interior designers who find love, freedom and unexpected power while designing extravagant mega-homes for the world’s most dangerous drug kingpin and his beguiling wife. But when their glamorous world begins to crumble, the two designers are forced to confront just how much they’re willing to risk — and their refusal to turn against one another could ultimately cost them everything.

Berlanti/Schechter Films are producing alongside Makowsky and Yan Fisher for Invisible String Films.

Michael McGrath, Berlanti/Schechter’s EVP, brought the project to the company.

Makowsky most recently created and wrote all episodes of Netflix’s Gotham, AFI and TCA-award winning limited series Death by Lightning, which received four Emmy nominations. He also wrote and produced Bad Education, starring Hugh Jackman and Allison Janney. That project world premiered at TIFF in 2019 and was acquired by HBO in a global deal for $20 million. Makowsky received a Primetime Emmy Award for Outstanding Television Movie. He is represented by CAA and Jackoway.

Berlanti/Schechter Films is currently in post-production on rom-com Red, White & Royal Wedding.

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Stand-Up Comedian Invades Weather Forecast On Local L.A. TV Station

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You can catch comedian Jo Koy‘s latest special on Netflix, or you can just catch him on your local newscast.

On Thursday, Koy basically took over the morning weather segment on L.A.’s ABC 7 Eyewitness News.

“So we’re looking at Downtown L.A., very easy. What’s going on?” ABC 7 weather presenter Niku Kazori asked the comedian.

“Well, it looks like it’s cloudy,” began Koy, looking at the screen before continuing, “There’s an 84% chance of humidity.”

That wasn’t his only mistake.

At one point he stops and tells Kazori, “This is so hard! I don’t know how you do this.”

You can watch his antics below.

This wasn’t the first time Kazori has been interrupted on air. A few years ago while doing traffic on KENS 5 in San Antonio, she was joined by the Spurs’ coyote mascot.

As Kazori tried to keep a straight face, Coyote proceeded to rip his velcro eyes off, breaking the presenter into a fit of laughter. As she walked off screen, Kazori said, “I cannot believe it!”:

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Savannah Film Fest: 10 Top 2026 Documentaries Set for ‘Docs to Watch’ Panel

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The SCAD Savannah Film Festival and The Hollywood Reporter have announced the 10 standout 2026 documentaries that will be represented by their directors on the 13th annual edition of Docs to Watch, the fest’s panel that has become an important stop on the road to the Oscars for nonfiction films.

This year’s selections: Poh Si Teng’s American Doctor (Watermelon), Ron Howard’s Avedon (Netflix), Alysa Nahmias’s Cookie Queens (Roadside), Jimmy Chin and Elizabeth Chai Vasarhelyi’s Everest: The Other Side (Nat Geo), Amir Bar-Lev’s The Last First: Winter K2 (Apple), Julia Loktev’s My Undesirable Friends: Part II – Exile (MUBI), William Greaves and David Greaves’s Once Upon a Time in Harlem (Neon), Itab Azzam & Jack MacInnes’s One in a Million (Frontline), Rory Kennedy’s The Trial of Alec Baldwin (Abramorama) and Nathan Fielder and Lance Oppenheim’s You Can See Everything (A24).

Over the past 12 years, 27 films that were represented on the panel went on to receive an Oscar nomination for best documentary feature, and eight ultimately won that award: 2015’s Amy, 2016’s O.J.: Made in America, 2017’s Icarus, 2018’s Free Solo, 2019’s American Factory, 2021’s Summer of Soul, 2022’s Navalny and 2023’s 20 Days in Mariupol.

The 2026 panel will take place over 90 minutes at the Lucas Theatre on the afternoon of Wednesday, Oct. 28, and will be moderated by yours truly.

“This year’s Docs to Watch selections reflect a range of films that take us somewhere we didn’t expect to go, whether that’s into a hidden chapter of history, the life of an extraordinary individual, or a story unfolding in front of us right now,” Christina Routhier, the senior executive director of SCAD Theaters and Festivals, said in a statement. “We’re excited to partner with Scott Feinberg and The Hollywood Reporter to bring these filmmakers and their films to Savannah and give our students and audiences the chance to experience the work, meet the artists behind it, and be part of the conversation.”

Here are some brief loglines about each of 2026’s Docs to Watch:

• American Doctor, a film independently financed and directed by a Malaysian-born American journalist, follows three American physicians — one Jewish, one Palestinian and one Zoroastrian — as they volunteer at a hospital in Gaza amid the ongoing war

• Avedon, from Oscar-winning director Ron Howard, explores the life, work and legacy of the American portrait photographer Richard Avedon, drawing upon unprecedented access to his personal archives and including never-before-seen stills and behind-the-lens footage

• Cookie Queens, the year’s highest-grossing non-celebrity doc, is a heartwarming chronicle of four young girls’ efforts, in the face of varying forms of adversity, to meet their sales goals during Girl Scouts cookie-selling season

• Everest: The Other Side, from the Oscar-winning directors of Free Solo, is another film about extreme outdoor athletes, in this case a man and a woman who fall in love and share a dream of climbing and then skiing down the north face of Mt. Everest

• The Last First: Winter K2 follows a team of mountaineers as they strive to achieve something never previously accomplished, namely, climbing K2, the second-highest mountain in the world after Mt. Everest, in winter

• My Undesirable Friends: Part II – Exile is the six-hour second installment, following a five-hour first, in an epic portrait of independent Russian journalists whose coverage amid Vladimir Putin’s authoritarian crackdown forces them to flee their homeland

• Once Upon a Time in Harlem is a miraculous achievement, featuring remarkable footage of a gathering of Harlem Renaissance luminaries that was shot by one filmmaker in 1972 but not turned into a film until that filmmaker’s son completed it more than a half-century later

• One in a Million, the winner of the Sundance Film Festival’s audience award, chronicles a tumultuous decade in the life of a young Syrian girl who, along with her family, flees her war-torn country and seeks refuge in Europe

• The Trial of Alec Baldwin is the result of exclusive access to the titular star following a 2021 accidental shooting during the making of the film Rust, and includes powerful footage from the set, from Baldwin’s police interrogation and from the legal proceedings that followed

• You Can See Everything, a film unlike any other, follows The Rehearsal’s Nathan Fielder as he is welcomed into the home of Theranos’ Elizabeth Holmes over the 34 days before begins serving a prison sentence, and tries to figure out what she’s really about

The 29th SCAD Savannah Film Festival will take place Oct. 24-31. Presented by the Savannah College of Art and Design, it is the largest university-run film festival in the world. Each year, some 75,000 people attend the eight-day event, which attracts some of the biggest names in Hollywood and world cinema, and which features exclusive screenings, panel discussions and workshops. Tickets for this year’s fest are now on sale.

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