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Savannah Film Fest: 10 Top 2026 Documentaries Set for ‘Docs to Watch’ Panel

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The SCAD Savannah Film Festival and The Hollywood Reporter have announced the 10 standout 2026 documentaries that will be represented by their directors on the 13th annual edition of Docs to Watch, the fest’s panel that has become an important stop on the road to the Oscars for nonfiction films.

This year’s selections: Poh Si Teng’s American Doctor (Watermelon), Ron Howard’s Avedon (Netflix), Alysa Nahmias’s Cookie Queens (Roadside), Jimmy Chin and Elizabeth Chai Vasarhelyi’s Everest: The Other Side (Nat Geo), Amir Bar-Lev’s The Last First: Winter K2 (Apple), Julia Loktev’s My Undesirable Friends: Part II – Exile (MUBI), William Greaves and David Greaves’s Once Upon a Time in Harlem (Neon), Itab Azzam & Jack MacInnes’s One in a Million (Frontline), Rory Kennedy’s The Trial of Alec Baldwin (Abramorama) and Nathan Fielder and Lance Oppenheim’s You Can See Everything (A24).

Over the past 12 years, 27 films that were represented on the panel went on to receive an Oscar nomination for best documentary feature, and eight ultimately won that award: 2015’s Amy, 2016’s O.J.: Made in America, 2017’s Icarus, 2018’s Free Solo, 2019’s American Factory, 2021’s Summer of Soul, 2022’s Navalny and 2023’s 20 Days in Mariupol.

The 2026 panel will take place over 90 minutes at the Lucas Theatre on the afternoon of Wednesday, Oct. 28, and will be moderated by yours truly.

“This year’s Docs to Watch selections reflect a range of films that take us somewhere we didn’t expect to go, whether that’s into a hidden chapter of history, the life of an extraordinary individual, or a story unfolding in front of us right now,” Christina Routhier, the senior executive director of SCAD Theaters and Festivals, said in a statement. “We’re excited to partner with Scott Feinberg and The Hollywood Reporter to bring these filmmakers and their films to Savannah and give our students and audiences the chance to experience the work, meet the artists behind it, and be part of the conversation.”

Here are some brief loglines about each of 2026’s Docs to Watch:

• American Doctor, a film independently financed and directed by a Malaysian-born American journalist, follows three American physicians — one Jewish, one Palestinian and one Zoroastrian — as they volunteer at a hospital in Gaza amid the ongoing war

• Avedon, from Oscar-winning director Ron Howard, explores the life, work and legacy of the American portrait photographer Richard Avedon, drawing upon unprecedented access to his personal archives and including never-before-seen stills and behind-the-lens footage

• Cookie Queens, the year’s highest-grossing non-celebrity doc, is a heartwarming chronicle of four young girls’ efforts, in the face of varying forms of adversity, to meet their sales goals during Girl Scouts cookie-selling season

• Everest: The Other Side, from the Oscar-winning directors of Free Solo, is another film about extreme outdoor athletes, in this case a man and a woman who fall in love and share a dream of climbing and then skiing down the north face of Mt. Everest

• The Last First: Winter K2 follows a team of mountaineers as they strive to achieve something never previously accomplished, namely, climbing K2, the second-highest mountain in the world after Mt. Everest, in winter

• My Undesirable Friends: Part II – Exile is the six-hour second installment, following a five-hour first, in an epic portrait of independent Russian journalists whose coverage amid Vladimir Putin’s authoritarian crackdown forces them to flee their homeland

• Once Upon a Time in Harlem is a miraculous achievement, featuring remarkable footage of a gathering of Harlem Renaissance luminaries that was shot by one filmmaker in 1972 but not turned into a film until that filmmaker’s son completed it more than a half-century later

• One in a Million, the winner of the Sundance Film Festival’s audience award, chronicles a tumultuous decade in the life of a young Syrian girl who, along with her family, flees her war-torn country and seeks refuge in Europe

• The Trial of Alec Baldwin is the result of exclusive access to the titular star following a 2021 accidental shooting during the making of the film Rust, and includes powerful footage from the set, from Baldwin’s police interrogation and from the legal proceedings that followed

• You Can See Everything, a film unlike any other, follows The Rehearsal’s Nathan Fielder as he is welcomed into the home of Theranos’ Elizabeth Holmes over the 34 days before begins serving a prison sentence, and tries to figure out what she’s really about

The 29th SCAD Savannah Film Festival will take place Oct. 24-31. Presented by the Savannah College of Art and Design, it is the largest university-run film festival in the world. Each year, some 75,000 people attend the eight-day event, which attracts some of the biggest names in Hollywood and world cinema, and which features exclusive screenings, panel discussions and workshops. Tickets for this year’s fest are now on sale.

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Threats Against ‘NAZA’ Directors Must Stop, IDA Tells Israel

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The International Documentary Association is coming to the defense of NAZA filmmakers Yuval Abraham and Rachel Szor.

The nonprofit organization posted a letter to its website urging the Israeli government to stop what the IDA terms a “campaign of threats” against the directors, whose film is sharply critical of Israel’s conduct of the war in Gaza which has killed tens of thousands of Palestinian civilians.

“IDA calls on the Israeli government to withdraw its threats against filmmakers Yuval Abraham and Rachel Szor,” the letter says. “We also call for an end to the public campaign of intimidation against them.”

The letter continues, “Since NAZA won the Special Jury Prize at the Venice Film Festival, senior Israeli officials have moved against its directors. The Culture Minister has accused them of treason and sought to revoke their citizenship. The Prime Minister has announced bills to revoke the citizenship of anyone who ‘slanders IDF soldiers’ and to raise defamation damages twentyfold.” (Read the full letter form the IDA below).

'NAZA'

‘NAZA’

The Guardian/mk2

The documentary, which holds its North American premiere Saturday at the New York Film Festival, is based on the account of 24 Israeli military intelligence officers and soldiers, who were interviewed at the height of Israeli military operations in Gaza. The military personnel, whose identities are concealed to protect their anonymity, describe callous disregard for Palestinian civilian life as the Israel Defense Forces pursued Hamas targets in the occupied territory. Whistleblowers allege the IDF set acceptable totals of civilian Palestinian deaths in attacks targeting suspected Hamas militants, in one case authorizing the killing of up to 500 civilians in pursuit of one target.

The IDF, as Deadline has reported, has denied allegations in the film. The International Documentary Association writes, “The Israeli military disputes the film’s account, and it is entitled to do so. But as a party to the International Covenant on Civil and Political Rights, Israel is bound by Article 19, under which restrictions on expression must be provided by law and be necessary and proportionate to a legitimate aim. Revoking citizenship, imposing punitive damages, or opening security investigations in response to a documentary does not meet that test. The UN Human Rights Committee recognizes the protection of journalistic sources as part of freedom of expression, and the filmmakers’ right not to disclose the identities of their sources must be upheld.”

The letter has gained more than 250 signatories so far, including from actors Javier Bardem and Mark Ruffalo, as well as many prominent figures in the documentary field including Oscar winners Laura Poitras, Rob Epstein, Dan Cogan, Alex Gibney, Roger Ross Williams, Sharmeen Obaid-Chinoy, Orlando von Einsiedel, Dan Lindsay, and Ezra Edelman, and Oscar nominees Geeta Gandbhir, Liz Garbus, Connie Field, Guy Davidi, Rémi Grellety, Kellen Quinn, Joe Berlinger, Kirstine Barfod, Laura Nix, Sam Bisbee, Alexander Nanau, Joslyn Barnes, Raoul Peck, Kirby Dick, Amy Ziering, Carl Deal, and Tia Lessin, as well as former Sundance Film Festival director Tabitha Jackson, filmmakers Kirsten Johnson, Susan Lacy, Robert Bahar, Alison Klayman, producer Ina Fichman, and many others.

The IDA’s letter includes several bullet-pointed items: “IDA calls on the Government of Israel to:

  • “withdraw the threats to revoke Abraham’s and Szor’s citizenship, and abandon the proposed legislation;
  • “respect the filmmakers’ journalistic right to refuse to disclose the identities of confidential sources
  • “reject changes to public film funding that penalize filmmakers for critical work or international recognition.

“We also call on everyone taking part in the public debate to reject the intimidation of the filmmakers and their families.”

Deadline has been alerted to a planned protest against NAZA outside Lincoln Center in New York City, where the film will screen on Saturday. According to organizers of the demonstration, they intend to “show documented footage from the October 7 massacre, alongside material challenging the film’s claims.” A nor’easter storm moving up the east coast may complicate any plans for an outdoor demonstration.

Here’s the IDA letter, from the organization’s executive director, Dominic Asmall Willsdon.

IDA calls on the Israeli government to withdraw its threats against filmmakers Yuval Abraham and Rachel Szor. We also call for an end to the public campaign of intimidation against them.

Since NAZA won the Special Jury Prize at the Venice Film Festival, senior Israeli officials have moved against its directors. The Culture Minister has accused them of treason and sought to revoke their citizenship. The Prime Minister has announced bills to revoke the citizenship of anyone who “slanders IDF soldiers” and to raise defamation damages twentyfold.

This official rhetoric has been accompanied by a public campaign against the filmmakers. Graffiti branding them “traitors” has appeared, and protesters have gathered outside the home of Szor’s parents. Israeli filmmakers and human rights groups have warned that it could lead to violence. Disagreement with a film must not become a threat to the people who made it.

The Israeli military disputes the film’s account, and it is entitled to do so. But as a party to the International Covenant on Civil and Political Rights, Israel is bound by Article 19, under which restrictions on expression must be provided by law and be necessary and proportionate to a legitimate aim. Revoking citizenship, imposing punitive damages, or opening security investigations in response to a documentary does not meet that test. The UN Human Rights Committee recognizes the protection of journalistic sources as part of freedom of expression, and the filmmakers’ right not to disclose the identities of their sources must be upheld.

The Israel Film Council has also proposed ending credit for international festival selection in public film funding and creating a dedicated funding track for films celebrating IDF soldiers.

Threats of this kind are a risk documentary makers face in the course of their work. More than 1,500 Israeli film professionals, 43 Israeli human rights organizations, and the directors of major international festivals have defended Abraham and Szor.

IDA calls on the Government of Israel to:

· withdraw the threats to revoke Abraham’s and Szor’s citizenship, and abandon the proposed legislation;
· respect the filmmakers’ journalistic right to refuse to disclose the identities of confidential sources
· reject changes to public film funding that penalize filmmakers for critical work or international recognition.

We also call on everyone taking part in the public debate to reject the intimidation of the filmmakers and their families.

We stand with Yuval Abraham and Rachel Szor. IDA is ready to support them through our Emergency Assistance Program, as we support other documentarians facing threats for their work

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‘SNL’ Promotes Keri Powers & Rebecca Schwartz

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There’s some changes behind the scenes at Saturday Night Live.

The show has promoted two of its long-running figures: Keri Powers and Rebecca Schwartz.

Powers has been promoted to sole head of its talent department and is responsible for host, musical guest and guest star bookings for the NBC show. She joined the show in 2014 and had previously worked for Paramount Pictures and CAA.

Her promotion follows the departure of Brian Siedlecki, who was the booker and spent 30 years in the role.

Separately, Rebecca Schwartz has been promoted to producer. She was part of the talent team and has been with the show since 2015.

The moves come as SNL returns for Season 52 on Saturday with Jalen Brunson as host and Katseye as musical guest.

There wasn’t a huge amount of change coming into the season. Chloe Fineman left, as revealed by Deadline, and Saidah Belo-Osagie and Grace Reiter joined as featured players. Ashley Padilla and Jane Wickline were promoted to reparatory status.

The cast now includes Michael Che, Mikey Day, Andrew Dismukes, Marcello Hernandez, James Austin Johnson, Colin Jost, Ashley Padilla, Sarah Sherman, Kenan Thompson and Jane Wickline with Belo-Osagie, Reiter, Tommy Brennan, Jeremy Culhane, Ben Marshall, Kam Patterson and Veronika Slowikowska as featured players.

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Melissa Barrera Would Return To ‘Scream’ If Rights “Leave” Spyglass

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Although she was unceremoniously fired from the franchise three years ago, Melissa Barrera remains a Scream fan.

The actress, who was fired for supporting “Free Palestine” in 2023, recently explained that her issue is with Spyglass Media Group, whose leadership “never apologized” for accusing her of antisemitism over her response to the Oct. 7 Hamas attack on Israel.

“Not with the company that currently holds the rights,” she said on JustWatch of whether she would return. “I love the franchise. I had an amazing time making those movies. But a lot of the hate and the difficulty that I’ve faced in the last years is because the leadership of that company made it a point to label me something that I’m not, and they never apologized, even when I was proven right.”

Barrera continued, “Even with an apology, I wouldn’t go back to work with them. So, not that I’m holding my breath. I don’t think they have that ability. But if the franchise were ever to leave those hands and go into hands that I think honor Wes Craven’s legacy more, I think yeah.”

Spyglass fired Barrera in November 2023 over her social media posts on the Israel-Hamas conflict and the “atrocities being committed against Palestinians,” with the company explaining they have “zero tolerance for antisemitism or the incitement of hate in any form, including false references to genocide, ethnic cleansing, Holocaust distortion or anything that flagrantly crosses the line into hate speech.”

Following her ousting, Jenna Ortega also exited the franchise, later noting that the sequel “was all kind of falling apart” without Barrera to play its new “final girl” Sam Carpenter. Director Christopher Landon dropped out of the project as well, citing “highly aggressive and really scary” death threats targeting his children.

Neve Campbell was then brought back to reprise her role as OG “final girl” Sidney Campbell for Scream 7 in March 2024, with original Scream (1996) writer Williamson on board to direct. She previously sat out Scream VI (2023) over a low pay offer.

As the seventh installment of the slasher franchise premiered at Paramount Studios in February, “Free Palestine” protesters lined up outside the entrance to the lot. Back when the first trailer for Scream 7 was released last October, fans quickly began slamming the movie on social media, calling for a boycott.

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