Anime
Episode 4 – Ramparts of Ice

© 阿賀沢紅茶/集英社・TVアニメ「氷の城壁」製作委員会
Just what was Igarashi’s relationship to Koyuki?
That’s the mystery that appears to be at the heart of Ramparts of Ice as it currently stands. That’s the root of Koyuki’s trauma, as something that happened between them seems to have been the flashpoint of teasing turning into bullying. When she found out Minato knew him through sports, I assumed she was upset partially because she wanted to avoid anyone involved with her trauma. We’ve seen wordless shots of Igarashi reaching for her hand; it’s only natural she’d want to stay away from someone so central to that conflict.
Now, however, it seems like Igarashi wasn’t just the spark that turned the hostility-disguised-as-friendliness into open animus. Hints are sprinkled throughout the episode that there was more to the situation than we yet know. The most prominent of these is when Minato innocently asks Koyuki what she does in her spare time, since she isn’t in any clubs and only works sporadic shifts. As she thinks through her hobbies, with such shocking inclusions as “reading,” and “watching movies,” she remembers Igarashi’s sneering face, belittling her taste in exactly these.
The jeering is hardly surprising; she could have liked the most basic of blockbusters, and if he wanted to make her feel bad about it, he’d find a way. What I find interesting is that in one shot, he appears to be sitting in a movie theater chair. Did they actually date? If I’m right about this, it takes Igarashi’s shittiness to a whole new level. The word “abuse” gets thrown around quite easily these days, enough so that I’m hesitant to apply it to this situation at risk of contributing to its overuse. However you choose to describe it, though, what he did to Koyuki is inexcusable: he took someone he was in an intimate relationship with and used his knowledge of her to cut her down and make her feel small, metaphorically as well as literally. Koyuki was lonely and vulnerable and he wormed his way into her inner life, only to cut her down further and make her feel small, metaphorically on top of literally.
Meanwhile, as we see, rumors were flying around their middle school. Invasive questions about how far they’d gone, her clubmates on the basketball team calling her a “pick me” behind her back, and other relentless casual cruelties that famously can make her life hell. She endured this without even a loving partner as a shield against or refuge from the psychological damage, only someone who used their supposed closeness to continue to pile on more hurt.
Koyuki wonders why people gossip. I firmly believe that a degree of gossip is baked into human behavior and part of our nature as a social species. We want to know what’s going on with the people around us, process our thoughts and feelings about others, and connect to one another through the common ground that is our relationships with others. The flip side is that you do so knowing you can cause hurt, whether you’re gossiping out of cruelty or curiosity. I’ve been in Koyuki’s position, listening from the other side of the wall while people said unkind things about you. I caught my own twin doing it while I was in the room. I’ve sat and listened, I’ve silently walked away, and I’ve stuck my head in to tell them to cut it out. The wisdom of age tells me that there is simply no good response, and even now, with a rock-solid marriage and support network of friends, it cuts through me every time I remember it.
We also get to meet present-day Igarashi when his soccer team comes to the school for joint practice, and I have to say… This guy sucks. He’s constantly scowling, insults Miki’s looks when his classmate calls her cute, and seems to look down on everything and everyone around him. Minato makes some friendly chitchat with him, but as the series has well established, he’s like that with everyone. What is his problem? Is there some deeper cause at the root, or is he just rancid?
The other source of intrigue in this episode: Miki’s role in this whole thing. We know that her current image is very different from how she was seen by her peers in middle school, and the peppy school idol is a new development. But Igarashi asks about broken windows, connecting her to a flashback from the first couple episodes. She also cryptically mentions not wanting to “cause more trouble” for Koyuki, phrasing that Minato immediately picks up on but she does not elaborate on.
On a lighter note, Asagawa continues to be delightfully accurate in how she portrays teenagers hanging out and goofing around. Left alone in the classroom, Koyuki and Yota try out the classic barely-disguised flirtation technique of comparing hand sizes. Of course he has huge hands and she has tiny hands; that’s how it always goes in fiction. (Though not in real life, or at least not for me.) When the group goes out to off-brand Saizeriya, they play a spot-the-difference game meant to occupy young kids. Between this and You and I Are Polar Opposites, I don’t know if there’s anyone else in the manga game who’s better at depicting the distinctive way teens can be playful, still children in many ways when they’re not focused on surviving the pangs of adolescence and whatnot.
Ramparts of Ice has such a delicate touch when it comes to examining the tangled webs of teen socialization at a critical period, it’s no wonder that Asagawa is one of the biggest up-and-comers of the industry. The balance between answering questions, but using those answers to lead to further questions is just delicious.
Rating:
Ramparts of Ice is currently streaming on
Netflix.
The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.
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Anime
Millennium Family TV Anime Casts Lynn – News
The staff for the television anime of Sho Kasugai‘s Millennium Family (Odoru Sennen Kazoku) manga announced on Sunday that Lynn will voice the character Eve, the eldest daughter of the Benfield family.

©春日井晶・少年画報社/「踊る千年家族」製作委員会

©春日井晶・少年画報社/「踊る千年家族」製作委員会
The anime will air on TBS and other stations.
The anime will star:
- Rikuya Yasuda as Theo
- Katsuyuki Konishi as Hayden
- Ryōta Suzuki as Hugo
Masato Jinbo (Fate/kaleid liner Prisma Illya 2wei!/2wei Herz!/3rei!!, Chaos;Child, The Rising of The Shield Hero Season 2) is directing the anime at PartsCraft, and is also supervising the scripts. Hiroshi Yoneda (Fate/kaleid liner Prisma Illya: Vow in the Snow) is the character designer and chief animation director.
AI localization company Orange Inc.‘s e-bookstore service emaqi licensed the manga, and it describes the story:
Seven immortal siblings born in England possess humanity’s ultimate dream: eternal life. But their gift makes them targets for the criminal underworld, corrupt hospitals, and international military organizations!
After centuries apart, this extraordinary family reunites for a thrilling new chapter in their lives.
Kasugai launched the manga in Shōnengahōsha‘s Young King Ours magazine in March 2021. Shōnengahōsha released the manga’s ninth compiled book volume on July 30.
Source: Press release
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Anime
Space Battleship Yamato Film Director Toshio Masuda Dies at 98 – News
Newspapers Mainichi Shimbun and Yomiuri Shimbun both reported on Thursday that film director and screenwriter Toshio Masuda died of old age on August 26. He was 98.
Masuda was born in Kobe in October 1927. He made his directorial debut in 1958 with the film Kokoro to Nikutai no Tabi while working at Nikkatsu, which he joined in 1954 after working for Shintoho. At Nikkatsu he also directed such films as Rusty Knife, Red Handkerchief, and Red Quay.
He is perhaps best known outside of Japan for co-directing the Japanese sequences of the 1970 Japanese-American war film Tora! Tora! Tora!. Some of his other famous works include High Teen Boogie, Katayoku Dake no Tenshi, and Prophecies of Nostradamus, and he was nominated for the Best Director Award at the 4th and 13th Japan Academy Film Prizes for his films The Battle of Port Arthur and Company Executives, respectively.
In anime, Masuda oversaw the scripts and supervised the 1974 Star Blazers TV series. He later directed the 1977 Space Battleship Yamato film compilation of the series. He was one of the directors and scriptwriters for the 1978 film Farewell to Space Battleship Yamato, the 1979 film Space Battleship Yamato: The New Voyage, and the 1980 film Be Forever Yamato.
Additionally he was the chief supervisor and one of the scriptwriters of the 1983 film Final Yamato, and was the general supervisor for the 2009 film Space Battleship Yamato Resurrection.
He also co-directed the Future War Year 198X film, and was the chief director and one of the screenwriters for the Odin – Starlight Mutiny film.
Masuda directed 82 total films in his career, and was praised as “a craftsman among craftsmen.” He received the Award for Distinguished Service from the Chairman at the 41st Japan Academy Prizes in 2018. He was awarded with the Medal of Honor with Purple Ribbon in 1993, and with The Order of the Sacred Treasure, Gold Rays with Rosette in 1999.
The Japan Academy Film Prize Association posted its condolences on Friday.
舛田利雄監督の訃報に接し、謹んでご冥福をお祈り申し上げます。
1950年新東宝入社し、54年に日活に移籍。58年「心と肉体の旅」で監督デビュー。「赤いハンカチ」「紅の流れ星」などを手掛け、日活アクション映画の全盛時代を築きました。68年「トラ・トラ・トラ!」以降フリーとなりました。 pic.twitter.com/ayVn33WtUc
— 日本アカデミー賞協会 (@japanacademy) September 25, 2026
Sources: Mainichi Shimbun, Yomiuri Shimbun via MyAnimeList
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Anime
Gantz Creator Hiroya Oku Confirms He Drew Thunder 3 Manga Under Pen Name Yuki Ikeda – News
Series ended on June 5

©Yuki Ikeda, Kodansha
Manga creator Hiroya Oku (Gantz, Inuyashiki, GIGANT) confirmed on social media on Thursday that he created the Thunder 3 manga under the pen name Yuki Ikeda. He said that he wrote the series under a pen name in order to maintain a story surprise in the first chapter for first-time readers, a surprise that would have been lessened if readers saw the Hiroya Oku name.
Kodansha USA publishes the series in English and describes the story:
Three ordinary schoolboys come into possession of a DVD that supposedly opens a gateway to a parallel universe, but when their backs are turned Pyontaro’s little sister Futaba passes through and gets kidnapped by the aliens that have overrun that version of Earth! Discovering that their cartoonish bodies make them supermen in the hyper-realistic parallel universe, the boys set out to rescue Futaba.
Ikeda launched the series in Kodansha‘s Monthly Shonen Magazine in May 2022. The series entered its climax in January 2025, then went on hiatus in March that same year due to Ikeda’s health. The manga returned from its hiatus in February. The manga ended on June 5. Kodansha published the manga’s 10th volume on August 17. Kodansha USA shipped the eighth volume on February 10.
The anime premiered on the +Ultra programming block on Fuji TV and other channels on July 8 at 24:45 JST (effectively July 9 at 12:45 a.m. JST). The anime is exclusively streaming worldwide on Netflix starting on July 8.
Oku announced in an interview with Courrier Japon in August that he plans to retire after he finishes his latest manga Kanrekihime (The Sweet Sixty Princess).
Oku launched the Kanrekihime (The Sweet Sixty Princess) manga in Shogakukan‘s Big Comic Superior magazine in December 2025. Shogakukan published the manga’s first compiled book volume on May 29.
Oku’s Gantz manga ran from 2000 to 2013. The manga inspired a television anime, a CG anime film, two Japanese live-action films, and two spinoff manga. Dark Horse Comics released the manga in North America. Oku launched the GANTZ:E historical spinoff manga with artist Jin Kagetsu in January 2020. Shueisha‘s Jump TOON vertical-scrolling manga service launched a new vertical-scrolling full-color edition of the manga titled GANTZ: T in July 2025. The Deadline website reported a Hollywood live-action of the manga in November 2021.
Sources: Hiroya Oku‘s X/Twitter account, Thunder 3‘s X/Twitter account
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