Crunchyroll announced on Friday that it will stream a same-day English dub for Tempal: Item no Chikara (Tempal ~The Power of Items~), the television anime of South Korean webtoon studio REDICE STUDIO‘s Overgeared webtoo n.

The company announced the English dub cast:

Adam Michael Rowe, Blake McNamara, Chris Ryan, Dayan Rodriguez, Nic Hamill, Rick Robertson, T.J. Anthony, and Tom Henry provide additional voices.

The English dub crew includes:

Yen Press publishes the webtoon in English under its Ize Press label. Yen Press describes the story:

Youngwoo Shin is a deadbeat in real life, working odd jobs to barely pay off his loans. Even his family has written him off as a hopeless video game addict. But when he logs in to the massively popular VR game Satisfy, Youngwoo becomes Grid the Warrior…who is also painfully mediocre. Everything changes when he stumbles across a tome containing the lost knowledge of a legendary blacksmith. The catch is, using it resets all his levels! In order to survive after being forced back to square one, Grid will need to hone his skills and gather reliable allies…or not! Who needs all that when you’re decked out in god-tier items?!

Ayako Kōno (Sword Art Online the Movie -Progressive- Aria of a Starless Night, Sword Art Online The Movie – Progressive: Scherzo of Deep Night) is directing the film at J.C. Staff, with EGG FIRM producing the anime. Kenta Ihara (Saga of Tanya the Evil, Uncle From Another World, Blue Miburo) is in charge of the series scripts, and Kenta Ihara (Demon Lord 2099, I Want to End This Love Game) is designing the characters. Yoshikazu Iwanami is the sound director, and Yoshiaki Fujisawa is composing the music. Pony Canyon is credited for music production. 

Rock band Re:name‘s performs opening theme song “SATISFY” and virtual singer TAO performs the ending theme song “Ray of Emotion.”

Other staff members include:

The anime will premiere on the Tokyo MX and BS11 channels on October 2 at 11:30 p.m. (10:30 a.m. EDT). Crunchyroll will stream the anime. Crunchyroll also screened the anime as part of its “Crunchyroll Anime Nights” program dedicated to screening anime across the U.S. on September 21. Overgeared and other titles will screen with Japanese audio and English subtitles in theaters in the U.S. and Canada.

The webtoon is based on a web novel by Sae Nal Park. Dong Wook Lee is writing the webtoon, and Team Argo is drawing the art.

Yen Press released the 11th volume of the webtoon on August 18. The webtoon is also available digitally on Tapas. Both Tapas and WuxiaWorld are releasing the original web novel series in English.

Source: Crunchyroll (Liam Dempsey)

Disclosure: Kadokawa World Entertainment (KWE), a wholly owned subsidiary of Kadokawa Corporation, is the majority owner of Anime News Network, LLC. Yen Press, BookWalker Global, and J-Novel Club are subsidiaries of KWE.

All’s Justice is the third installment in the tag team 3D arena fighting games developed by Byking Inc., with this one being a direct follow-up to My Hero One’s Justice 2. I appreciate that the game wastes no time getting into the action, aside from a basic tutorial to reintroduce you to the game’s mechanics. Just a few minutes in and you’re free to explore the city overworld to fulfill missions, battle online, or engage with the game’s story mode, which covers the Final War arc of the anime series. Suffice it to say, this shouldn’t be your main entry point to the My Hero Academia franchise, since a lot of context and buildup is missing from this game, and I don’t think it’s the ideal way to experience the My Hero Academia story.

The voice acting and music remain top-notch, carrying over the original soundtrack and voice cast from the series. When the game goes all out with dynamic, expressive presentation, the story shines. The cel shading on the 3D character models looks great, and some cutscenes use fast cuts and dramatic poses that really take advantage of the 3D environments in a way that rivals iconic moments from the show. However, these moments are few and far between, with most of the story told through awkward still frames from both the game and the anime itself. In fact, some points in story mode look very cheap, as if someone just grabbed a screenshot from the anime to shift around or zoom in on, like it was edited in Windows Movie Maker.

Story Mode offers a variety of branching paths, depending on which character you choose to follow. Whether it’s Todoroki going after Dabi, Endeavor fighting All For One, or Uraraka confronting Toga, Story Mode gives players a bit more variety from previous installments, given that this is the part of the story where multiple battles are technically taking place simultaneously. Even if there is a particular character or play style that you prefer, a lot of these battle scenarios make sense and act as a good vehicle for showcasing everyone’s abilities without compromising the original narrative, unlike a lot of other fighting games that will sometimes need to make up new scenarios just for the sake of showing off all of the characters. Granted, this setup has a tradeoff: less environment variety during Story Mode. There are plenty of fun combat environments to explore in the game’s other modes that perfectly depict iconic areas from the series, but since the final arc only took place at a handful of set locations, like the floating Hero Academy, those are where a majority of the fights take place, and it gets visually dull.

The combat itself is the best this series of games has ever had. Byking Inc. built on the foundation of the previous games, creating a combat system that is fast-paced without feeling as janky or floaty as before. The learning curve is definitely a bit higher here due to the increased speed and character move sets, but that makes sense given this is the third installment and the power levels/abilities of a lot of the cast. However, the controls are still incredibly easy to grasp for newcomers; it just might take a second to fully adapt to how aggressive these characters can be. There are basic attacks that can be executed both on the ground and in the air, with a combo system that integrates the game’s tag-team mechanic, where you can either have your teammates deliver damage or swap mid-combo in order to build up the pain. You can also deliver Plus Ultra attacks or enter an enhanced mode once your battle gauge is full enough to maximize even more damage.

The particle effects and unique animations for everybody’s finisher moves are pulled right out of the series with additional flair that does not feel forced. Whether it’s the story mode or online matches, you’re bound to have a good time for a couple of hours, both by yourself and with friends, especially if you’re a diehard fan of the series. Outside of that, the game doesn’t really offer much. There are a few missions that will put you in unique scenarios, with a majority of them being combat-focused. It can be fun to reach certain achievements with specific handicaps or under different circumstances, but these missions feel a lot like filler. You can cover most of the game’s content in just a couple of hours, but it’s hard to say how much of a shelf life this game has beyond the basics.

Even at its best, there is nothing here that you haven’t seen before compared to other 3D arena fighters. Like the previous installments, this game doesn’t break new ground, even if it is a definitive improvement across the board. If the main goal was to create a fighting game that organically integrated the new moves and forms of all these unique characters from the series, then it succeeded. If you are a diehard fan of the series or have played the previous installments, then you are the audience that is definitively going to get the most out of this game. If you’re not, this game will have limited appeal to you. This game is meant to enhance the experience of an established fan rather than draw in potential new ones.