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‘Apex’ Debuts Atop Netflix’s Film List With 38.2 Million Views

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Charlize Theron’s “Apex” scored an impressive debut on Netflix that boosted the action flick to the top of Netflix’s most-watched film list for the week.

“Apex” tallied 38.2 million views on Netflix during the week of April 20, landing as the top movie on the English-language film list outpacing “180,” which landed as the week’s No. 2 film with 17.5 million views, as well as “Roommates,” which scored 12.1 million views in its second week on the streamer.

It was a relatively strong week for movies, with “Thrash” taking the No. 4 spot on the film list with 9.6 million views, while “Untold: The Shooting at Hawthorne Hill” scored 4.5 million views in fifth place, coming in ahead of longtime favorite and top 10 regular “KPop Demon Hunters.”

Debuting on the TV side was “Running Point” Season 2, which came in the No. 2 spot on the English-language TV list with 5.3 million views. For comparison, “Running Point” Season 1 debuted to 9.3 million views in its first week on Netflix in February 2025.

The debut of “Running Point” Season 2 was outpaced, however, by psychological thriller series “Unchosen,” which scored 10.4 million views in its first week, landing atop the Netflix TV list.

Notably, “Beef” Season 2 scored 4.1 million views in its second week on the streamer, rising above its debut viewership of 2.4 million last week, which landed the installment as the No. 10 most-watched TV show last week. This week, however, “Beef” Season 2 soared up to the No. 3 spot on both the global and U.S. TV list.

Behind “Beef” was the April 20 edition of WWE’s Monday Night Raw, which came in as the No. 4 most-watched TV program of the week. Limited series “Hulk Hogan: Real American” came next in fifth place with 3 million views while “Salish & Jordan Matter” and “Stranger Things: Tales From ’85” took the No. 6 and 7 spots, respectively, with 2.9 million views and 2.8 million views.

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Anna Louizos Dead: Broadway Scenic Designer Of ‘Avenue Q’ Was 69

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Anna Louizos, a prolific, three-time Tony nominated Broadway scenic designer whose work brought vivid life to such productions as Avenue Q,  Lin-Manuel Miranda’s In the Heights, School of Rock, Steel Magnolias and the 2012 revival of The Mystery of Edwin Drood, died Wednesday, May 25, in New York City of multiple myeloma. She was 69.

Her death was announced by her wife, producer Robyn Goodman, who noted that Louizos’ death followed a series of health challenges stemming from a horseback riding accident while on vacation in Greece last year.

Born June 24, 1957, in Marysville, California, Louizos moved to New York City to pursue a degree in acting at NYU. As her talent for the visual arts emerged, she shifted her studies to Scenic Design, graduating with an MFA from Tisch School of the Arts.

One of her first major assignments was to serve as art director of the Tony Awards telecast in 1993, for which she received an Emmy Award nomination. Her early years as associate scenic designer on Broadway during the 1990s and early 2000s included such shows as The Red Shoes, Scarlett Pimpernel and, under the tutelage of her beloved mentor Tony Walton, Taller Than a Dwarf and Uncle Vanya.

She was the principal scenic designer on the 2003 breakout hit and surprise Tony winner Avenue Q, and her designs would continue with the show as it moved to Off Broadway, London, Las Vegas and on tour. Her design of a rundown outer borough NYC city block would become a visual staple of Avenue Q, and can currently be seen in the West End revival.

Louizos was nominated three times for the Tony Award – High Fidelity (2006), In The Heights (2008) and The Mystery of Edwin Drood (2012). For those productions, she created, respectively, an old-school vinyl record store, the vibrant streets of contemporary Washington Heights, and a 19th Century English cathedral city.

In a social media post, Miranda, wrote, “I will never forget the first time [his wife] Vanessa saw the set of In The House, tears streaming down her face: ‘How did you get MY block on that stage?’ It was a refrain I would hear again and again from Washington Heights residents AND people all over the world: That’s MY block. That’s MY home. That was the gift of Anna Louizos, our unforgettable and brilliant set designer and friend….She built us a set and a home so real that it still reverberates in every production since.”

He added, “And I’m looking out my window this morning, on the same block where my wife grew up, still in awe that she got it all on that stage. She built our home. Thank you, Anna. Alabanza. Para siempre.”

Her other Broadway credits included included fairy tale glamour of the Rodgers & Hammerstein musical Cinderella, Honeymoon in Vegas, Curtains, White Christmas, Steel Magnolias, Holiday Inn, Golda’s Balcony, The Performers, Dames at Sea, All About Me, Baby It’s You, To Be Or Not To Be and It Shoulda Been You, all during the first two decades of the 2000s.

She also was art director in 2003 for several episodes of Sex and the City.

Louizos also designed for regional theater and Off Broadway, including Jonathan Larson’s Tick, Tick…Boom!, Sons of the Prophet, Olive and Charles Busch’s The Bitter Herbs, Crimes of the Heart and The Foreigner.

Most recently Louizos designed the set for the Broadway-bound musical Regency Girls in its world premiere this year at the Old Globe in San Diego. Other recent regional productions include Fiddler on the Roof with Jason Alexander, West Side Story, Peter Pan and 18 shows at Bucks County Playhouse in New Hope, Pennsylvania

In 2011, Louizos created the Broadway Design Exchange, a space where artists, designers, artisans and craftspeople of the entertainment community could share their work. The organization paid tribute to Louizo on its Instagram page: “Fifteen years ago, Anna had a dream: to create a place where the incredible artists, designers, artisans, and craftspeople of our entertainment community could share their work with the people who love it. That dream became Broadway Design Exchange. But Anna created so much more than a marketplace. She created a community. A place where designers could be celebrated for the extraordinary work that so often happens behind the scenes. A place where fans and collectors could own a little piece of the magic. And, perhaps most importantly, a place that felt like family.

“Anna was our fearless leader,” the statement continues, “our champion, our creative force, and our friend. Her generosity, humor, talent, and enormous heart touched so many people. We are devastated by this loss.”

Louizos and Goodman, a couple for 29 years, were married in 2013. In addition to her wife, Louizos is survived by mother Diana Louizos, brother Nikolas Louizos and sister Justina Woltman.

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Karoline Leavitt Debriefs Her Last Day as Trump’s Press Secretary

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On Thursday, her last day as White House Press Secretary, Karoline Leavitt reflected on her last year-and-a-half within the Trump administration, calling it the “adventure of a lifetime.”

Leavitt sat down for an interview with NewsNation’s “Morning in America,” during which she offered some further insight into why the birth of her second child inspired her to step away from her White House role. According to the 28-year-old, she found herself wanting to be around more for her two children amid their daily lives.

“Every day as a working mother is a challenge,” Leavitt said, calling it a “balancing act.” “You have to make sacrifices. You have to prioritize your time, and you have to say no to a lot of opportunities that come your way because you want to be there for bedtime with your kids every night.”

Leavitt, who gave birth to her second child with 60-year-old husband Nicholas Riccio in May, further noted that she has “two children at home who deserve and need their mother’s constant attention and presence … welcoming my daughter into this world in May, your heart changes as a mom — only mothers understand that.”

When Leavitt was appointed as Trump’s press secretary at the start of his second presidential term, she was just 27-years-old, making her the youngest person to ever hold the White House position. She has held onto the role for the last 585 days, which is the second-longest tenure of any of Trump’s press secretaries.

“It has been the honor and blessing of my life to serve as his spokesperson. It has been the adventure of a lifetime,” she added.

Leavitt shocked Trump’s supporters and opponents alike when she announced her intention to depart as press secretary earlier this month. After her final day Thursday, she is set to take an as-of-yet undefined position at MAGA Inc., a Trump-friendly super PAC. She previously worked as a spokesperson for the PAC before hopping aboard Trump’s 2024 presidential campaign.

Her permanent replacement as press secretary has not yet been named. Early reports have pointed toward conservative CNN commentator Scott Jennings as a potential frontrunner for the role.

“I very much look forward to returning home and spending a lot more time with my kids but continuing to serve as an outside adviser to the president and cheering him on every step of the way over the course of the next two years here in Washington,” Leavitt said Thursday on “Morning in America.”

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Odette Annable Leads Cast In Horror ‘Postmortem’, First Look Revealed

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EXCLUSIVE: Cloverfiel and The Unborn star Odette Annable is leading cast in horror Postmortem alongside Allegra Leguizamo (Tin Soldier), Julio Cesar Cedillo (Sicario), Andres Londono (Fear the Walking Dead) and Tony Revolori (Scream VI).

Ahead of the TIFF market, LA-based Sublimity Entertainment is launching international sales on the under-the-radar feature written and directed by Colombian genre filmmaker Andrés Beltrán (Quicksand).

The film, currently in post-production, follows “Helena (Annable), a forensic medical investigator overwhelmed by grief following the death of her husband Richard (Andres Londono). When she becomes obsessed with a disturbing new case, Helena begins to believe she can bring Richard back, setting in motion a series of terrifying consequences.” Below is a first-look image.

Annable is also known for her key roles in popular TV series including Walker, Supergirl and House.

Beltrán previously directed English-language survival thriller Quicksand, released by Shudder and AMC+, and Colombian horror film Tarumama, which played the Sitges International Film Festival. His TV credits include Netflix’s Wild District, Amazon’s Primate, and Vix horror anthology La Hora Marcada. He won Best Director at Colombia’s India Catalina Awards for historical drama Bolívar, which also earned him a Best Director nomination at the Seoul International Drama Awards.

Postmortem is produced by Jason Cherubini, Roberto Urbina and Martin Ramos of Cinestesia Films. Luisa Velosa, Alma Hernandez-Hercules, John Harris, J. Todd Harris, Marc Marcum and Thomas Pettinelli serve as executive producers.

“Postmortem combines an emotional story about grief and loss with elevated genre filmmaking. Andrés brings a distinctive voice and visual style to an eerie and suspenseful story about the terrifying places love can take us,” said Sublimity Entertainment CEO Ryan McCombs.

Sublimity Entertainment is led by CEO and co-founder Ryan McCombs and COO and co-founder Alfredo Lara Orbezo.

Beltran is repped by Kiraco; Annable is repped by UTA and Mosaic; and Leguizamo is repped by Mosaic and the Kohner Agency; Cedillo is repped by Buchwald, the Mary Collins Agency and Spellbound Entertainment; Revolori is with Verve and Circle Management and Londono is with Global Artists Agency.

‘Postmortem’, credit: Sublimity

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