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Kevin Hart’s LOL Network Expands Comedy Slate Into Verticals

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Kevin Hart’s production company Hartbeat is ready to diversify the microdramas industry, expanding the verticals format into comedy.

Hartbeat President and Chief Distribution Officer Jeff Clanagan believes there is an audience beyond the “genre monoculture” that has formed around the leading vertical apps. Microdramas have largely been defined by melodramatic, salacious romantic tropes, but Hartbeat’s LOL Network plans to tap into the format’s rapid growth through comedy, the genre in which the company has traditionally thrived.

“Let’s call it what it is. Vertical is the business, and microdrama is just one genre inside it,” Clanagan said. “Right now that genre is stacked with the same billionaire-CEO, secret-marriage, mafia-romance cliffhangers running on repeat. Comedy is the open lane, and we’ve been operating in it at scale for a decade.”

“The audience, the talent and the distribution are already here,” he added. “We’re not entering vertical. We’re expanding what we’ve already built.”

LOL Network has garnered more than 13 million social followers across platforms with over 500 million vertical views generated in 2025 alone, according to the company. The company noted that, as opposed to new microdrama platforms, they do not have to compete for the same verticals audience.

“The microdrama category has proven that vertical storytelling is a real business,” Clanagan continued. “What it hasn’t proven yet is that the genre monoculture we’re seeing today is what audiences will still be watching five years from now. Every dominant format eventually opens up. Comedy is where vertical opens up first.”

Hartbeat’s first venture into the vertical format will be “Freshman 15.” The series will consist of 15 15-minute stand-up specials spotlighting the next generation of digitally native comedic talent, debuting first on LOL Network in an exclusive first window.

Hartbeat will also partner with talent management and production company Artists First and digital production studio Kids at Play to produce original vertical content for its channels. Artists First represents established comedic talent including Anthony Anderson, Awkwafina and Niecy Nash, as well as two leading microdrama directors, Danny Farber and Kristen Brancaccio.

The three companies previously collaborated on a Quibi series “Die Hart” that later moved to The Roku Channel and the 2024 Paramount/Comedy Central film “Cursed Friends.”

Additional projects from Hartbeat’s verticals comedy slate have yet to be announced, but the company noted that this slate is designed to redefine genre within the vertical format.

“We’re working with a new generation of comedic creators who understand the audience, and with legacy comedic voices whose work deserves to reach that audience in the format it’s already watching,” Luke Kelly-Clyne, head of studio at Hartbeat, said. “The goal is to build programming that surprises, that feels built for this moment, and that continues the work Hartbeat has been doing in comedy for years.”

This is not Hart’s first rodeo in the short-form video space. The comedian was one of the first partners in Jeffrey Katzenberg’s short-form mobile streaming service Quibi, which launched in 2020.

His project “Die Hart” initially premiered on the mobile app before being re-edited into a feature film that released on Prime Video in February 2023. “Die Hart” was Quibi’s most-viewed show of the summer when it came out in 2020, according to a release shared by the company.

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Emma Thompson’s ‘Nanny McPhee’ Musical Sets Summer 2027 London Debut

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The Nanny McPhee stage musical with a book by Emma Thompson, first revealed by Deadline back in 2024, will open in London in summer 2027.

Based on the Universal Pictures/Working Title Nanny McPhee films, and the Nurse Matilda character by Christianna Brand and Edward Ardizzone that inspired them, the new musical will take the tale to the stage for the first time.

The creative team behind the production will feature actor and writer Thompson, music by singer-songwriter Gary Clark (frontman of the band Danny Wilson who wrote the music for Sing Street on stage and film), with original lyrics by Thompson and Clark.

‘I’ve lived with Nanny McPhee for so long that to see her finally tread the boards is supremely exciting,” said Thompson, who starred in the 2005 and 2010 McPhee films. “Theatre feels like her natural home – magic, music, mischief and a good dollop of danger can all happen right in front of you. Working with Gary Clark to create the musical heart that beats through the story has been an unforgettable journey of a lifetime. And I am thrilled and so proud that the brilliant Katy Rudd will be bringing it all to life with her inimitable witty wonderment. I can’t wait to introduce the all-new Nanny McPhee to audiences next summer.”

Nanny McPhee will be directed by Katy Rudd (Ballet Shoes and The Ocean at the End of the Lane), with set and costume designs by the Tony and Olivier Award-winning Rob Howell (Matilda the Musical) and choreography by Ellen Kane, winner of the 2023 World Choreography Award for Best Motion Picture Choreography for Matilda the Musical.

The musical’s synopsis: “When the mysterious figure of Nanny McPhee arrives at the Browns’ door she discovers a household in chaos; anarchic children who have driven away every Nanny before her, a desperate father, a donkey that is out of control, and a baby who will stop at nothing. Armed with her strange knobbly stick, exceedingly unorthodox methods and quite a lot of magic, Nanny McPhee begins to restore harmony. And as it turns out, the children aren’t the only family members who have lessons to learn.”

Also part of the creative team are orchestrations by Simon Hale, music supervision by Nigel Lilley, and music arrangements by Simon Hale and Nigel Lilley. Lighting is by Howard Hudson, sound designs by Ian Dickinson for Autograph, illusions by Chris Fisher, puppetry by Samuel Wyer, and projections by Andrzej Goulding.

Nanny McPhee is presented by Working Title Films and Universal Theatrical Group. The show is produced by Tim Bevan, Eric Fellner, Lindsay Doran, Emma Thompson, Paul Warwick Griffin, Gareth Hewitt Williams and Rebecca Quigley for Working Title Films.

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Rosie O’Donnell Joins Producing Team Of London-Bound Musical ‘Indigo’

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EXCLUSIVE: Rosie O’Donnell, a longtime autism advocate, has joined the producing team of Indigo, a new original musical about an unconventional family as seen through the eyes of a non-speaking autistic teenager.

O’Donnell, who spoke candidly in her recent Off Broadway show Common Knowledge about parenting a a child on the autism spectrum, decided to join the Indigo team after seeing the show’s premiere last year at the cided to join the production in reaction to her experience of the UK premiere of the show, which took place at the Curve Theatre in Leicester, UK.

Producers led by Lorenzo Thione, Joey Monda, and Jay Kuo of Sing Out, Louise! Productions, who announced O’Donnell’s involvement today, plan to move the production to London in late 2027, although venue, dates and cast have not yet been set.

Indigo is the most beautiful and authentic depiction of autism in a kid as I have ever seen,” O’Donnell said in a statement. “This story needs to be seen by the world.”

Added producer Thione, “Rosie has spent years speaking candidly and with humor about neurodivergence to millions of people, in her own voice and on her own platforms. Now she is bringing that voice and the community she has built to Indigo and inviting them to experience this incredible story for themselves. We couldn’t be prouder of welcoming Rosie to the Indigo family.”

With a book by Kait Kerrigan, music & lyrics by Scott Evan Davis and direction by Catie Davis, Indigo tells the stories of three generations of women who “navigate a life of mistakes, broken promises, and ultimately, their need to reach one another.”

The full synopsis: “Elaine is starting to forget. Beverly wishes she wouldn’t remember. Emma just wants her family back…Indigo is an emotional exploration of the true meaning of family in a complex, neurodiverse, and not always easy world. Three generations of women navigate a life of mistakes, broken promises, and ultimately, their need to reach one another. Emma’s internal experience, in a world awash with color, allows the audience to experience life from her perspective, even while she remains silent to the outside world, as a non-speaking neurodivergent teen. A celebration of empathy, family bonds, and embracing new perspectives, Indigo feels like a story that’s familiar and relevant to each and every one of us.”

In addition to autism, the musical addresses such topics as Alzheimer’s, addiction, loss, “and the unbreakable ties of family.” The musical was conceived by Jay Kuo, Lorenzo Thione & Scott Evan Davis.

Composer and lyricist Davis has a longstanding personal connection to the autism community, as an educator and board member of Epic Players, a pre-eminent US neurodivergent theater company. Indigo has engaged neurodivergent artists throughout its creative process, both on and off the stage. In Leicester, as in every iteration prior, the actors who have played the leading role of Emma are themselves neurodivergent.

“When we first conceived Indigo,” said Davis, “our goal was never to explain autism to an audience. It was to tell the story of a kid who is not a victim, who is not broken and doesn’t need to be changed. It was to invite an audience in to feel what Emma feels and to see the world from her eyes.

“Rosie has spent years speaking up for neurodivergent kids to be seen for who they really are. Having her on our team is a reaffirmation of our goal and commitment.”

In addition to using her TikTok platform to address the subject of autism to her roughly 3 million followers, O’Donnell produced the 2025 documentary Unleashing Hope: The Power of Service Dogs for Children with Autism, which followed families, including her own, through the Guide Dogs of America service dog program. It was released on Hulu during Autism Awareness Month.

Broadway credits for producing company Sing Out, Louise! Productions including Days of Wine and Roses and Allegiance, which starred George Takei and Lea Salonga and was based on the true events of Takei’s life. Co-productions include Hadestown, The Inheritance, A Strange Loop, Slave Play, & Juliet, Mrs. Doubtfire and The Notebook, among others in both the US and the UK.

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Channel 4 Plays Down Rift ‘Bake Off’ Rift

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It’s all smiles in the tent – at least according to the team behind The Great British Bake Off.

A story in the Daily Mail from last month that reported new judge Nigella Lawson and Paul Hollywood were clashing, with a source telling the paper they were “not getting on too well.” However, British broadcaster Channel 4 has now gone public saying all is well between the pair.

Today at the Edinburgh TV Festival, Channel 4’s Director of Streaming & Content Strategy, Kiran Nataraja, paid tribute to Lawson, saying: “We’re really excited to have her on the show. Contrary to ‘the Sidebar of Shame,’ her and Paul are not arguing about helicopters the whole time.”

The ‘Sidebar of Shame’ references the famous list of celebrity-focused stories on the Daily Mail website. The story also reported that Lawson, who is the daughter of former British Chancellor of the Exchequer Nigel, found it “ghastly” that Hollywood reportedly travels to filming on a private helicopter.

This came before Nataraja played delegates the trailer of The Great British Bake Off‘s seventeenth season, which is due to launch in coming weeks.

It will be the first of the UK baking competition show, which is from Love Productions, to feature celebrity chef Lawson, who has replaced Prue Leith. Hollywood has been a judge since the series debuted on the BBC in 2010, with Noel Fielding and Alison Hammond are the presenters.

The show will launch next month. Channel 4 has broadcasted the format since 2017.

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