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Steve Maslow Dead: ‘Empire Strikes Back,’ ‘Lost Ark’ Sound Man Was 81

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Steve Maslow, the top-notch re-recording mixer whose seven Oscar nominations for best sound included wins for The Empire Strikes Back, Raiders of the Lost Ark and Speed, has died. He was 81.

Maslow died Monday at a therapy facility in West Hills after a battle with cancer, his wife, Ronna Maslow, told The Hollywood Reporter.

The Los Angeles native also landed Oscar noms for his work on Dune (1984), Waterworld (1995), Twister (1996) and U-571 (2000).

Maslow did 200-plus features during his career, teaming with fellow mixer Gregg Landaker on more than 130 of them, starting with Star Trek: The Motion Picture (1979). He specialized in dialogue and music while Landaker focused on sound effects, and he shared all his Oscar noms with him with the exception of Dune.

“Maz” also collaborated with John Carpenter on Escape From New York (1981), Halloween II (1981), The Thing (1982), Halloween III: Season of the Witch (1982), Christine (1983), Starman (1984) and Escape From L.A. (1996) and with Tim Burton on Beetlejuice (1988), Edward Scissorhands (1990) and Batman Returns (1992).

From left: Bill Varney, Steve Maslow and Gregg Landaker at the 1982 Academy Awards after their win for ‘Raiders of the Lost Ark.’

ABC Photo Archives/Disney General Entertainment Content/Getty Images

Maslow was born on Oct. 17, 1944. His father worked for Mattel toys and his mother was a legal secretary. After graduating from Grant High School, he hooked up as a roadie in 1969 with the Strawberry Alarm Clock, setting up the sound for the psychedelic rock band that had a big hit with “Incense and Peppermint.”

“That opened up the whole music industry for me,” he said in 2017, and as a recording engineer, he served as a mixer on songs including “Oh What a Night (December 1963)” from Frankie Valli and the Four Seasons and “Boogie Oogie Oogie” from A Taste of Honey.

With the rise of garage bands and the music industry relying less on studios, Maslow looked around for an opportunity to become a film mixer.

He segued into the movie business and worked on four films released in 1978, including the documentary The Last Waltz, and other music films followed, including Hair (1979), The Kids Are Alright (1979), Rust Never Sleeps (1979) and Stop Making Sense (1984).

Before he knew it, Maslow was working with producer George Lucas on More American Graffiti (1979), The Empire Strikes Back (1980) and Raiders of the Lost Ark (1981) and picking up Oscars in consecutive years.

Maslow’s impressive film résumé also included The Wanderers (1979), 10 (1979), Ordinary People (1980), The Postman Always Rings Twice (1981), Dead Men Don’t Wear Plaid (1982), My Favorite Year (1982), The Dead Zone (1983), St. Elmo’s Fire (1985), Teen Wolf (1985), Ferris Bueller’s Day Off (1986), Children of a Lesser God (1986), Angel Heart (1987), Broadcast News (1987), The Naked Gun: From the Files of Police Squad! (1988), Pet Sematary (1989), Ace Ventura: When Nature Calls (1995), Patch Adams (1998), Bruce Almighty (2003), The 40-Year-Old Virgin (2005), X-Men: The Last Stand (2006), Rocky Balboa (2006), The Town (2010), The Great Gatsby (2013), The Conjuring (2013), Non-Stop (2014) and Mad Max: Fury Road (2015). There are too many movies to mention.

In addition to his wife, survivors include his son, Travis, and a granddaughter.

“We lost one of the best of the best, and so many who loved him are heartbroken today,” 16-time Oscar-nominated sound mixer Greg P. Russell wrote on Instagram. “We’ll miss you buddy, and thanks for all the memories. Anytime he ever walked onto a stage I was mixing on, he’d walk over to me and lean on my shoulder and say, ‘You’re not gonna leave it like that, are ya????’ Loved to laugh with him.”

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Emma Thompson’s ‘Nanny McPhee’ Musical Sets Summer 2027 London Debut

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The Nanny McPhee stage musical with a book by Emma Thompson, first revealed by Deadline back in 2024, will open in London in summer 2027.

Based on the Universal Pictures/Working Title Nanny McPhee films, and the Nurse Matilda character by Christianna Brand and Edward Ardizzone that inspired them, the new musical will take the tale to the stage for the first time.

The creative team behind the production will feature actor and writer Thompson, music by singer-songwriter Gary Clark (frontman of the band Danny Wilson who wrote the music for Sing Street on stage and film), with original lyrics by Thompson and Clark.

‘I’ve lived with Nanny McPhee for so long that to see her finally tread the boards is supremely exciting,” said Thompson, who starred in the 2005 and 2010 McPhee films. “Theatre feels like her natural home – magic, music, mischief and a good dollop of danger can all happen right in front of you. Working with Gary Clark to create the musical heart that beats through the story has been an unforgettable journey of a lifetime. And I am thrilled and so proud that the brilliant Katy Rudd will be bringing it all to life with her inimitable witty wonderment. I can’t wait to introduce the all-new Nanny McPhee to audiences next summer.”

Nanny McPhee will be directed by Katy Rudd (Ballet Shoes and The Ocean at the End of the Lane), with set and costume designs by the Tony and Olivier Award-winning Rob Howell (Matilda the Musical) and choreography by Ellen Kane, winner of the 2023 World Choreography Award for Best Motion Picture Choreography for Matilda the Musical.

The musical’s synopsis: “When the mysterious figure of Nanny McPhee arrives at the Browns’ door she discovers a household in chaos; anarchic children who have driven away every Nanny before her, a desperate father, a donkey that is out of control, and a baby who will stop at nothing. Armed with her strange knobbly stick, exceedingly unorthodox methods and quite a lot of magic, Nanny McPhee begins to restore harmony. And as it turns out, the children aren’t the only family members who have lessons to learn.”

Also part of the creative team are orchestrations by Simon Hale, music supervision by Nigel Lilley, and music arrangements by Simon Hale and Nigel Lilley. Lighting is by Howard Hudson, sound designs by Ian Dickinson for Autograph, illusions by Chris Fisher, puppetry by Samuel Wyer, and projections by Andrzej Goulding.

Nanny McPhee is presented by Working Title Films and Universal Theatrical Group. The show is produced by Tim Bevan, Eric Fellner, Lindsay Doran, Emma Thompson, Paul Warwick Griffin, Gareth Hewitt Williams and Rebecca Quigley for Working Title Films.

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Rosie O’Donnell Joins Producing Team Of London-Bound Musical ‘Indigo’

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EXCLUSIVE: Rosie O’Donnell, a longtime autism advocate, has joined the producing team of Indigo, a new original musical about an unconventional family as seen through the eyes of a non-speaking autistic teenager.

O’Donnell, who spoke candidly in her recent Off Broadway show Common Knowledge about parenting a a child on the autism spectrum, decided to join the Indigo team after seeing the show’s premiere last year at the cided to join the production in reaction to her experience of the UK premiere of the show, which took place at the Curve Theatre in Leicester, UK.

Producers led by Lorenzo Thione, Joey Monda, and Jay Kuo of Sing Out, Louise! Productions, who announced O’Donnell’s involvement today, plan to move the production to London in late 2027, although venue, dates and cast have not yet been set.

Indigo is the most beautiful and authentic depiction of autism in a kid as I have ever seen,” O’Donnell said in a statement. “This story needs to be seen by the world.”

Added producer Thione, “Rosie has spent years speaking candidly and with humor about neurodivergence to millions of people, in her own voice and on her own platforms. Now she is bringing that voice and the community she has built to Indigo and inviting them to experience this incredible story for themselves. We couldn’t be prouder of welcoming Rosie to the Indigo family.”

With a book by Kait Kerrigan, music & lyrics by Scott Evan Davis and direction by Catie Davis, Indigo tells the stories of three generations of women who “navigate a life of mistakes, broken promises, and ultimately, their need to reach one another.”

The full synopsis: “Elaine is starting to forget. Beverly wishes she wouldn’t remember. Emma just wants her family back…Indigo is an emotional exploration of the true meaning of family in a complex, neurodiverse, and not always easy world. Three generations of women navigate a life of mistakes, broken promises, and ultimately, their need to reach one another. Emma’s internal experience, in a world awash with color, allows the audience to experience life from her perspective, even while she remains silent to the outside world, as a non-speaking neurodivergent teen. A celebration of empathy, family bonds, and embracing new perspectives, Indigo feels like a story that’s familiar and relevant to each and every one of us.”

In addition to autism, the musical addresses such topics as Alzheimer’s, addiction, loss, “and the unbreakable ties of family.” The musical was conceived by Jay Kuo, Lorenzo Thione & Scott Evan Davis.

Composer and lyricist Davis has a longstanding personal connection to the autism community, as an educator and board member of Epic Players, a pre-eminent US neurodivergent theater company. Indigo has engaged neurodivergent artists throughout its creative process, both on and off the stage. In Leicester, as in every iteration prior, the actors who have played the leading role of Emma are themselves neurodivergent.

“When we first conceived Indigo,” said Davis, “our goal was never to explain autism to an audience. It was to tell the story of a kid who is not a victim, who is not broken and doesn’t need to be changed. It was to invite an audience in to feel what Emma feels and to see the world from her eyes.

“Rosie has spent years speaking up for neurodivergent kids to be seen for who they really are. Having her on our team is a reaffirmation of our goal and commitment.”

In addition to using her TikTok platform to address the subject of autism to her roughly 3 million followers, O’Donnell produced the 2025 documentary Unleashing Hope: The Power of Service Dogs for Children with Autism, which followed families, including her own, through the Guide Dogs of America service dog program. It was released on Hulu during Autism Awareness Month.

Broadway credits for producing company Sing Out, Louise! Productions including Days of Wine and Roses and Allegiance, which starred George Takei and Lea Salonga and was based on the true events of Takei’s life. Co-productions include Hadestown, The Inheritance, A Strange Loop, Slave Play, & Juliet, Mrs. Doubtfire and The Notebook, among others in both the US and the UK.

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Channel 4 Plays Down Rift ‘Bake Off’ Rift

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It’s all smiles in the tent – at least according to the team behind The Great British Bake Off.

A story in the Daily Mail from last month that reported new judge Nigella Lawson and Paul Hollywood were clashing, with a source telling the paper they were “not getting on too well.” However, British broadcaster Channel 4 has now gone public saying all is well between the pair.

Today at the Edinburgh TV Festival, Channel 4’s Director of Streaming & Content Strategy, Kiran Nataraja, paid tribute to Lawson, saying: “We’re really excited to have her on the show. Contrary to ‘the Sidebar of Shame,’ her and Paul are not arguing about helicopters the whole time.”

The ‘Sidebar of Shame’ references the famous list of celebrity-focused stories on the Daily Mail website. The story also reported that Lawson, who is the daughter of former British Chancellor of the Exchequer Nigel, found it “ghastly” that Hollywood reportedly travels to filming on a private helicopter.

This came before Nataraja played delegates the trailer of The Great British Bake Off‘s seventeenth season, which is due to launch in coming weeks.

It will be the first of the UK baking competition show, which is from Love Productions, to feature celebrity chef Lawson, who has replaced Prue Leith. Hollywood has been a judge since the series debuted on the BBC in 2010, with Noel Fielding and Alison Hammond are the presenters.

The show will launch next month. Channel 4 has broadcasted the format since 2017.

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