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King Bach Partners With Creator TV

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When you have over 58 million followers across YouTube, TikTok and Instagram, you would be forgiven for thinking that most people have heard of you. That’s not how King Bach, aka comedian and actor Andrew Byron Bachelor, thinks. And that’s why he has partnered with Creator TV to adapt his existing YouTube content into an episodic TV series. 

“It doesn’t matter how many followers you have or how many views you have. There’s always somebody who hasn’t seen it,” Bachelor, who requested to be called “Bach” in this exclusive interview, told TheWrap.

Bach first rose to fame on Vine, the now-defunct shortform video app that launched in 2013, when he gained recognition for his parody music videos. Vine didn’t last, but Bach’s popularity did as the comedian continued to create shortform parodies for everything from “Sinners” to “Dancing with the Stars” while also making day-in-the-life skits. And now, thanks to Creator TV, he will be the star of his own sketch show titled “The King Bach Show.” 

Partnering with creators to develop their previously released content into TV shows is core to Creator TV’s business model and represents a blurring of the creator and traditional entertainment worlds. The company previously worked with creator and comedian Trey Kennedy (4.2 million TikTok followers) to create the standup special “Blinded by the White” as well as creator and actor Jenny Lorenzo (332,000 Instagram followers) on her show “Latinos Be Like.” Thanks to this partnership, both Kennedy and Lorenzo’s work, which would have previously been confined to social media, are available to watch on Sling TV. 

Bach’s partnership is part of a larger trend when it comes to FAST streamers. Samsung TV Plus has several channels dedicated to creators like Mark Rober, Dhar Mann, Michelle Khare, Smosh and The Try Guys. Tubi has been even more aggressive, featuring content from creators-focused channels like Jubilee Media, Kinigra Deon and the Good Mythical Morning team while also developing originals. 

There’s even an entire company devoted to repackaging children’s YouTube content into TV-ready shows. Pocket.watch has worked on series from everyone from Ryan’s World to KidCity and considers Hulu and Peacock among its streaming partners. 

Now King Bach is getting the same treatment.

“We’re really adapting and producing the work into a series where the episodes connect thematically,” Charlie Ibarra, co-founder and head of content at Sabio’s Creator TV, told TheWrap. For Bach, that means viewers can expect episodes that feature the creator’s sketches about dating as well as parody-focused episodes. That series will then be available to watch on the free ad-supported TV (FAST) options Plex, Sling Freestream and LiveTVx.

Bach’s partnership with Creator TV came together in just a couple of months. In December, Bach came in second place during the inaugural Creator Poker Championship, which was held in Las Vegas and hosted by the World Poker Tour and Creator TV. It was during that first event that Bach clicked with the Creator TV team.

“I’ve been in this game for over a decade. Working with all these different brands, companies and networks, you can tell who’s just trying to keep their job and who’s trying to really elevate and make something big,” Bach said. “Everybody at Creator TV is doing that.” 

“A couple of us built a really strong relationship with King Bach, in which we got a deeper understanding of his artistry, not just as a content creator, but as a director, an amazing writer, producer — just all around amazing filmmaker,” Ibarra said. 

To capitalize on Bach’s storytelling expertise, Creator TV is also partnering with the creator on a new poker-focused series titled “Straight King High Flush,” which is currently in development.  

“It’s about the connection with friends,” Bach teased. “You feel like you’re at the table with us. The game is there. But it’s really about the relationship with the players.”

To date, King Bach is the biggest creator to partner with Creator TV. Aside from enjoying the team, Bach chose to partner with the organization because “I like starting things from scratch. That’s how I started,” Bach said. 

The FAST world’s willingness to embrace creators legitimizes their work and fan bases. 

“If talented creators come up through [YouTube], and they end up at the top with a massive audience that loves them, it’s not because they’re lucky,” Chris M. Williams, the CEO of Pocket.watch, previously told TheWrap. “It’s because they found magic, the same type of magic that leads to art or film being successful.”

There’s a reason why so many creators have been partnering with companies like Creator TV and Pocket.watch. These companies take creator libraries and reformat them to make a secondary revenue stream off of library content without creators having to do much heavy lifting. Ibarra has a background in screenwriting, and the company’s Co-Founder and General Manager Joe Ochoa previously worked on MTV shows. Because both are familiar with the requirements of television, Creator TV’s repackaged shows are edited to account for standards and practices, allowed music licenses and optimal TV length, all so that these shows can easily plug into the library of any streamer. 

As Michelle Khare put it during TheWrap’s Creator x Hollywood Summit earlier this month, it’s “self-syndication.”

@kingbach The ultimate save @ashleynocera ♬ After Party – Don Toliver

“Creators built their audiences on algorithm-driven platforms. They can’t quite control the platforms or the algorithms. What we’re doing is we’re building a model that creates and offers a bit more consistency in how their content and how their stories are programmed and consumed, and this creates opportunities for them to build deeper and more durable audience relationships,” Ibarra explained. “The additional revenue opportunities that this more predictable, programmed viewing experience offers allows creators to extend beyond just social media platforms.”

That flexibility is especially important to creators like Bach, who, in addition to his large following, has a strong acting career. Bach previously starred in Netflix’s “The Babysitter” and “To All the Boys I’ve Loved Before,” and he’s set to star in Oran Zegman’s “Goodbye Girl,” 

Ilya Naishuller’s “Road House 2” and Tommy Wirkola’s “Violent Night 2.” Having additional revenue streams like the one through his Creator TV partnership lets Bach better focus on other creative pursuits as they arise.

“Being a filmmaker, going to film school, being such a huge fan of film, longform is where I started. So, for me, it goes back to me creating more longform content that people can also enjoy and watch on their TV again,” Bach said.

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One Night Only Writer, Producer Talk Movie’s No Premarital Sex Rules

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Ever since the official trailer dropped for the Callum TurnerMonica Barbaro rom-com One Night Only, quickly racking up millions of views on its way to its nearly 40 million total, internet commentators have had a lot of questions about the film’s central premise in which premarital sex is illegal apart from one 12-hour period a year.

How is this law enforced? Are people breaking the law? How did this legislation pass? What counts as “sex” under this new mandate? Are marriage (and divorce) rates skyrocketing? What about affairs?

Rest assured: Some of those questions are answered in the movie, and explanations are starting to trickle out online for those unconcerned about spoilers. Beyond that, One Night Only writer, Travis Braun, who saw his screenplay top the 2024 Black List, has answers, but they’re not all in the Will Gluck-directed Universal movie now in theaters.

“I set out to write a movie about the circus that is modern dating, and I thought how fun if we could set that all in one night, and I have answers to those questions, and some of them are in the movie,” Braun told The Hollywood Reporter at the One Night Only premiere earlier this week in New York.

Braun said he definitely thought about the specific rules of the film’s alternate reality, framed as three years on from the no-sex act being passed, but didn’t want to get too deep into the politics of the world of the movie.

“There’s a big mythology that I’ve built out and then as you develop a movie you start to pare down and you go: What does an audience really care about, and what are they showing up to see? For me the answer is always a love story, romance,” he told THR. “I hope they can come in and we’ll show them how this world functions, and then they can just enjoy the movie and have fun. The whole focus of this was love story and romance first, and the world-building obviously has to make sense and has to be there, but ultimately we weren’t interested in getting into the politics of it. We wanted to tell a story about these two incredible people trying to find love on this crazy night.”

Producer Jacqueline Monetta, who brought Braun’s script to Gluck, said they didn’t want moviegoers to have all of the answers.

“I had a million questions. I was like, ‘What does this mean? What does this world look like? How do people communicate? What’s different?’ And that’s I think what’s so smart about it,” she said of One Night Only‘s “big idea, high-concept” premise. “We don’t answer every question in the movie, purposefully, because we want those questions to be had on the car ride home. We want people to keep talking about it and really think about what would this mean for our world, what does it mean for our world now. But I think Will and I were really specific on what questions we wanted to answer.”

In a recent Reddit AMA, Gluck also detailed how he and his team approached the world building of the movie while not wanting it to be all about the mandate and offered prospective moviegoers hints for where to find the answers to their questions.

“We spent a lot of time talking about the rules of the world, and if you’ve seen the movie, or when you see the movie, you’ll see that the rules of the world and the world building are all in the background,” he said. “It’s on TVs, signage, in thrown-away lines, because we didn’t want to give the world short shrift, but we didn’t want the movie to be about that. It’s another way I want people to see this. If they see it more than once, they’ll pick up so many more rules of the world in the background. A lot of the questions that I’ve been getting after people have seen the movie are actually answered in the movie, which is by design because I want people maybe not to know them. So, yes, it was a tricky tightrope to have them there, but not for the movie to be about it.”

Turner meanwhile echoes Braun’s advice for curious prospective moviegoers: “Go see the film!”

“You’ll realize pretty quickly what the realm is that you’re working within and it’s a comedy,” Turner says of what inquisitive filmgoers will find. “There are no great political undertones, I don’t think. This is just a place where you can escape for an hour and a half, two hours and enjoy and laugh your head off.”

One Night Only is now in theaters.

Callum Turner and Monica Barbaro at the One Night Only premiere on Monday.

Roy Rochlin/Getty Images for Universal Pictures

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Dwayne Johnson Reacts To Live-Action ‘Moana’ Negative Reviews

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Although the live-action remake of Moana hasn’t quite been able to catch a wave at the box office, Dwayne Johnson is proud of what they made.

The Golden Globe nominee said the Disney movie’s negative reviews, which currently sit at 32% on Rotten Tomatoes, are “just the way it goes” in the entertainment industry, and what “really mattered” was that “the culture really stood up” in the Polynesian-inspired tale.

“Our first two reviews came out. I’ll never forget it… They were amazing. I was like, wow,” he told People, noting the reviews then “went another way, as sometimes happens.”

“That’s just the way it goes because we’re in this business,” added Johnson.

A decade after he voiced the demigod Maui in Disney’s animated film Moana, Johnson reprised the role in the Thomas Kail-helmed live-action adaptation.

'Moana' live-action trailer
Catherina Laga’aia in ‘Moana’

“The challenge was, okay, let’s remember, though, what’s going to be beyond this opening weekend. Let’s remember what’s happening right now and the noise that’s happening right now,” said Johnson. “If you love it, great. If you don’t, no problem.”

Following Moana‘s July 10 premiere, the movie has gone on to make $266M at the global box office. Disney CEO Josh D’Amaro addressed the low turnout in a letter to shareholders.

“Even when our franchise films don’t meet our box office expectations, as with The Mandalorian and Grogu and the live-action Moana, our investments in these core properties fuel other parts of our company,” said D’Amaro, noting that Moana is “expected to be a strong title on Disney+, building on the success of the original film, which is one of the most streamed movies of all time.”

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Hunter Biden Calls Trump the ‘Singular Existential Threat’ to Planet Earth

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Hunter Biden doesn’t have plans of running for office himself, but he still has some strong opinions when it comes to the presidency. In fact, President Joe Biden’s son just called President Donald Trump “the singular existential threat” to planet Earth.

During his wide-ranging interview with BBC Newsnight’s Paddy O’Connell on Friday, the 56-year-old artist opened up about receiving a pardon from his father during his last weeks in office back in December 2024 — and how Trump’s behavior may have impacted the decision.

“I am the most privileged person, as it relates to that, that there could possibly be. I was one of one, and I am eternally grateful for it,” Hunter shared. “I am eternally grateful for it because I think that Donald Trump has proven to be exactly who my dad thought he was going to be, as it relates to the revenge and retribution that he would seek on his political enemies.”

“Was it good for our Constitution? Was it good for the American people? Was it good for my dad’s legacy? No, on all counts,” he further admitted.

President Biden pardoned his son just weeks ahead of his sentencing on tax evasion and federal gun charges. At the time, Trump called the act “an abuse and miscarriage of justice.” A year and half later, Hunter remains equally unimpressed by his father’s successor (who was also, notably, his predecessor).

“I’m not going to stop talking about Donald Trump,” he concluded. “Donald Trump is the singular existential threat to this globe. Donald Trump is, literally, a greater threat than we have faced in any of our lifetimes.”

Elsewhere in his interview, Hunter fought tears while sharing a painful update on his father’s prostate cancer metastasizing to his bones: “My dad is, to this day, remains the center of our family. Not just because of who he is as the the public person, but completely because of who he is to each one of us. It’s really, really hard and it’s really sad to watch.”

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