movies
Barunson Boards Indonesian Horror Feature ‘Zona Merah: Dead City’
Barunson E&A, the Korean production banner best known for backing Bong Joon Ho’s multi-Oscar winner Parasite, has boarded Zona Merah: Dead City, a feature film adaptation of the hit Indonesian horror series Zona Merah.
The Seoul outfit will handle international sales on the project, produced by Indonesia’s Screenplay Films, and launch it at the upcoming Cannes Marché alongside Inherit, the new horror feature from Thai hitmaker Banjong Pisanthanakun. The deal extends Barunson’s ongoing push into Southeast Asian cinema, as the Korean company continues to assemble a portfolio of saleable genre titles from the region.
The original Zona Merah debuted as an original series on Vidio, the Emtek Group-owned platform that has emerged as Indonesia’s leading domestic streamer. Set in the fictional town of Rimbalaya, the show follows Maya as she searches for her missing younger brother Adi amid a rapidly spreading zombie outbreak, racing to find him before authorities seal off the area as a “zona merah,” or red zone. The series became one of Vidio’s biggest hits, drawing more than 34 million views and a surge of new subscribers, according to the platform.
“Zona Merah showed us what’s possible when a story truly connects with its audience – the kind of connection that extends beyond a single format,” said Screenplay Films CEO Wicky V. Olindo. “Expanding it into a feature felt like a natural progression, both commercially and creatively.”
The new feature is said to widen the scope, with another city falling and a fresh red zone emerging. Sidharta Tata and Fajar Martha Santosa, the team behind the original series, are co-directing, with Tata returning as screenwriter and Santosa overseeing story development. Much of the original cast is reprising their roles, including Aghniny Haque, Andri Mashadi, Maria Theodore, Devano and Lukman Sardi, joined by new additions Luna Maya, Bryan Domani, Shindy Huang, Myesha Lin and Derby Romero. Principal photography began April 7 and continues through May.
Screenplay Films ranks among Indonesia’s most established genre producers. Recent credits include Wait Until I Make It, currently the second-highest-grossing local film of 2026, and Joko Anwar’s superhero origin Gundala, which premiered at TIFF’s Midnight Madness in 2019.
“Indonesia’s genre landscape is at an inflection point — audiences are becoming more adventurous, creators are pushing boundaries, and stories from this market are increasingly resonating globally,” Yoonhee Choi, CEO of Barunson E&A, said in a statement. “Zona Merah was an early signal of that shift, and Zona Merah: Dead City takes it further. Cannes will be the right place to introduce it to the world.”
The pickup arrives amid a busy period for Barunson in Southeast Asia. Last year, the company signed a two-year exclusive sales partnership with Come and See Pictures, the banner of Indonesian horror hitmaker Anwar (Satan’s Slaves, Impetigore). Anwar’s latest, Ghost in the Cell, premiered at this year’s Berlin International Film Festival and has dominated the Indonesian box office since release, closing in on two million admissions. Barunson has also acquired international remake rights to breakout titles from local banner Imajinari and is working closely with several leading Indonesian production houses, including Visinema Pictures, Base Entertainment and Rapi Films.
From Thailand, Barunson is selling Banjong’s Inherit, his first feature in five years — and an anticipated return to the horror genre for the filmmaker behind landmark local hits like Shutter and Pee Mak.
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movies
CA Lawmakers Compromise With Film Industry On Corporate Tax Credit Cap
The California production community can breathe a sigh of relief: State lawmakers have officially introduced a bill meant to allow studios a few key exemptions from a recently enacted restriction on corporate tax credits.
AB136, introduced Friday evening, addresses concerns raised from stakeholders including the Motion Picture Association about the threat of undermining the efforts to expand California’s Film & TV Tax Credit pool to $750 million.
Lawmakers have to consider legislation for 72 hours before voting. With that in mind, a vote on AB136 is likely to come Monday evening, hours before the midnight end to the legislative session.
The state budget, passed this summer, seeks to stabilize revenue by preventing corporations from offsetting more than $5 million in tax liability annually for the next three years. Several advocacy groups pushed for a complete exemption, but the solution introduced by lawmakers on Friday evening does fall short of that.
Instead, only independent productions will be completely exempt from the $5 million cap. The legislation also addresses concerns about the payback period for studios that have elected to refund credits for cash. Current law allows studios to get cash instead of claiming the credit against tax liability for a 10% discount on the total with a payback period of five years. The fix accelerates that to two years with just a 5% discount.
The new legislation will also extend the expiration date of the non-refundable tax credits that were issued prior to 2025.
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movies
Tennessee Governor Plans To Rename Nashville Airport For Dolly Parton
As the world mourns Dolly Parton, Tennessee has plans to immortalize the late Queen of Country while welcoming visitors to Music City.
On Friday, Gov. Bill Lee‘s office announced a partnership with the Nashville International Airport (BNA) in conversations with Parton’s team to rename the airport in honor of the 11x Grammy-winning country pop/songstress, who died at age 80 on Tuesday.
The Metro Nashville Airport Authority will discuss its naming policy and Gov. Lee’s proposal to rename the airport at its Thursday, Sept. 17 meeting.
“Dolly Parton’s extraordinary life is forever woven into the fabric of our state,” said Gov. Lee in a statement. “From her rural mountain home in East Tennessee to global stages, Dolly carried the Volunteer Spirit with her.
“At a place where Tennessee welcomes the world, it is fitting that Nashville International Airport would bear the name of our state’s favorite daughter and greet travelers with the enduring legacy of Dolly’s music, generosity, faith and kindness,” he added.
Born Jan. 19, 1946 in Pittman Center, Tennessee, Parton lived with husband Carl Dean in his native Nashville for several years, and he died there last March at age 82.
Parton’s family announced that she died in Nashville on Tuesday following a brief sickness with cancer. Although she remained busy until her final days, the “I Will Always Love You” artist had dealt with health issues over the past year.
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movies
Nicole Kidman On “Spontaneous” Appearance In Troye Sivan Video
Nicole Kidman seems to be popping up onscreen everywhere the past few years, and Troye Sivan‘s latest music video was no exception.
After the Oscar-winning actress made a surprise appearance in the 3x Grammy-nominated artist’s “She’s the Best” music video earlier this month, she recently explained the “spontaneous” decision.
“I love him. I’ve known him for such a long time,” Kidman told Attitude. “He called me up and just said: ‘Will you be in this with me?’ I didn’t even need to read anything, I didn’t need to have any information, I just said: ‘Yeah! I’m in!’ But that’s me! I make very spontaneous decisions!”
Marking the lead single on Sivan’s upcoming fourth studio album of the same name, the video for “She’s the Best” features Kidman on a night out in New York City, where Sivan serenades and dances with her at a bar before slipping into drag.
Kidman’s appearance in her fellow Aussie’s video came after they co-starred in the 2018 Joel Edgerton-helmed adaptation of Garrard Conley’s memoir Boy Erased, recounting the author’s experience as an LGBTQ kid in conversion therapy.
Announced a day before the video dropped, She’s the Best is scheduled for an Oct. 9 album release via Interscope’s EMI Records.
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