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Final Fantasy Readers Digest – This Week in Games

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Welcome back, folks! I had a spectacular weekend where I was able to enjoy seeing The Labyrinth on the big screen. Having originally seen it on the Disney Channel decades ago, I missed a lot of the visual flourishes. I especially liked a set of stones arranged just so to make an optical illusion of David Bowie’s face. It’s a wildly imaginative movie that deserves its place among the classics of fantasy, David Bowie is the only person who could ever incarnate Yoshitaka Amano‘s character designs, and I realize that I really should watch Mirrormask at some point…

This is…

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Before We Begin…

Last week, we discussed a lawsuit against Nintendo regarding its refunded tariffs. While discussing the matter, I had observed that neither Microsoft nor Sony was the target of similar lawsuits; as many of my readers pointed out in the comments, Sony and Microsoft have also neglected to demand the tariff refund that Nintendo has entered negotiations for. As was pointed out to me, I myself had also made the same observation a few weeks earlier. Just goes to show, even I can’t remember everything I’ve written! Anyway, moving on…

Sony Makes Splash over New DRM Rules

Years and years ago, when Microsoft first unveiled the Xbox One, they ate a ton of crow over the initial reveal that the console would be an always-online affair: owners would have to maintain a constant Internet connection to access their gaming library. It also meant that sharing your games with friends was a complicated process that effectively required you to visit a participating brick-and-mortar location. At the time, the notion was plainly outrageous to the gaming audience, and for good reason. Never mind that a decent internet connection isn’t something you can take for granted; even now, the impression was that the constant need to stay connected to the Internet to maintain access to your games meant you effectively couldn’t play your own games when and how you wanted. It was one of many decisions that made the Xbox One such a whipping boy in its time. Sony was very quick to capitalize on the whole deal by mocking Microsoft for making things so complicated.


Anyway, nothing like time to make fools of us all! Recent PlayStation users noticed a funky issue with their newly downloaded games this past week: they couldn’t access their digital copies in their library. Sony made no major announcement, and their tech support wasn’t of much help: between the live tech support and the AI chatbots in support chat, conflicting accounts were shared.  Instead, users from ResetEra and DoesItPlay had to hash things out as best they could. I’m still trying to wrap my head around the whole matter, because it’s so awkwardly byzantine—and emotions are running high, since so many people in the audience are either insisting the whole thing is fake or blown out of proportion and have basically turned it into an extension of the console war.

As Nib explained on Twitter, Sony‘s digitally purchased titles have always included an offline play license once you buy them. What has changed is that you are now issued a temporary 30-day license for the title upon purchase. Once you’ve logged in past the 15th day of the temporary license, you’re granted an official, limitless license for the title. What Nib notes (as supported earlier by users on ResetEra) is that this exceeds Sony‘s 14-day refund period for their digital titles (which can only be refunded if you haven’t yet downloaded the game in question). Nib and others theorize that this is an attempt by Sony to curb pirates who purchase digital copies on jailbroken consoles, refund the game, and somehow keep the license, effectively allowing them to keep the game for free. This way, you can’t keep the game if you refund it. If you don’t connect your console to the Internet after the 15th day of the trial period, you lose access to the title in question until you do. Some people have insisted that this is only for games offered through the PS+ service—this has been proven otherwise.

I’ve heard a variety of explanations for why this might have been implemented. For one thing, this prevents cheaters from using disconnected consoles to abuse exploits that have been patched out. This also helps the piracy problem mentioned above. But make no mistake, this sucks. Sony eventually issued a response to GameSpot on April 29 (after five days of speculation), confirming that you’d need “a one-time check-in to access and play your purchased games as usual.” Was it rolled out too soon? Who cares? It’s still a major loss for players and a major knock against buying any game digitally. And I wish it were as simple as not buying digital games, but a quick look at my PlayStation 5 library reveals games like Valkyrie Profile and Dark Cloud—titles that have not had physical releases since before many members of the gaming audience were even born. In the grand scheme of anti-consumer decisions, this is one of them, and it sucks. Sony‘s lack of communication sucks, the practice sucks, it just sucks all the way down. I don’t really care about the whole “if purchasing isn’t ownership, piracy isn’t theft” angle; I care about being able to access the stuff I bought. I spent a huge chunk of my life unable to buy or play games with online requirements. That was over a decade ago; the fact that the situation hasn’t meaningfully improved means I absolutely do not trust any need to connect to the Internet to validate anything. 

Square Enix Presents Updates for Final Fantasy XIV

Final Fantasy XIV Fan Fest 2026 was this past weekend, and Yoshi P and company had some choice words for fans and employers. While FF14 definitely took a hit with the recent Dawntrail expansion, fans are nevertheless looking forward to new FF14 projects. And FF14‘s fanbase is as passionate as any fanbase could be, from cosplay to lore. On an unrelated note, the Fanfest was held in Anaheim, at the same time as a major corporate conference; more than a few of my friends reported anecdotes of corporate women crowding and fawning over Emet-Selch cosplayers. Anyway, the fanfest sure had tons of surprises for folks!


One major surprise was the VTuber IronMouse appearing at the fanfest and performing a cover of “Give it All.” I don’t watch Mouse all that often, but apparently, she’s a huge fan of FF14, and I had no idea! I knew she played it a ton back when she was in Silvervale’s old FF14 guild; I had always understood Silver to be the MMO gremlin. Still, it’s awesome that Square reached out to such a major member of the fanbase. Mouse’s performance was great, and it set the tone for the announcements that were to come!

First and foremost, Final Fantasy XIV‘s free trial will now include the beloved Shadowbringers expansion (update the copypasta meme accordingly). Shadowbringers, featuring America’s sweetheart Emet-Selch, was widely beloved as an expansion and a phenomenal send-off to almost a decade of in-story fiction for the game. Square is basically giving players a ton of game for free. But of course, this is being done because a new expansion has been announced: Final Fantasy XIV: Evercold. We were given a teaser trailer (though can it really be called a “teaser” if it’s five minutes long…?). The expansion doesn’t come out until January 2027, so details are still scarce; while frozen wastelands will factor heavily into the game, we’ve been promised more varied regions than just “ice and snow.”


What will the expansion bring? Well, first off are two new classes—which have not been revealed yet. We know that the new classes will be a new tank class and a new ranged DPS class, but even Yoshi-P’s shirt isn’t very illustrative this time around; he was wearing a shirt featuring Rhitahtyn sas Arvina from A Realm Reborn. So maybe the class will have cannon shields? What we do know is that the two classes are effectively “new”; rather than being based on existing Final Fantasy jobs like the Pictomancer or the Blue Mage, they are original to Final Fantasy XIV. Speaking of classes, Evercold and update 8.0 will introduce new play styles for old classes; players will be able to choose between “Reborn” versions of their characters and “Evolved” versions, which feature new abilities and mechanics. All jobs that come to the game after 8.0 will only feature “Evolved” versions, however. Yoshi-P offered a rather interesting inspiration behind the decision to include the new toggle for classes: Star Wars Galaxies, which featured a similar change in character abilities in an update from 2005 that wound up turning away much of the fanbase. Yoshi-P’s goal is to help combat the sense of homogenization that FF14’s classes have been feeling for a while, without completely throwing out the baby with the bathwater.

Beyond that, Evercold is concerned with bringing back numerous quality-of-life options. Instead of dailies that players will have to keep up with, players will have Weekly events and missions. Yoshi-P mentioned a desire to make more interesting FATEs (on-map events that happen every so often), which I appreciate because some FATEs can be really dull. Players will be able to reflect their highest item level in one Job across all of their jobs, so if you’re a WHM main, you don’t have to suffer to ensure your RDM duds are similarly blinged out. Speaking of, the FF14 team is offering tons of options for character customization—the real endgame of FF14.

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Image via www.polygon.com

This includes color pickers for skin and eye color, the ability to layer face paint details, and the ability to toggle details like scarves or belts on your character’s outfit. You’ll also be able to completely customize your character’s pose in your customization screen; with FF14 already being a glorified dollhouse that serves as a retirement home for fighting game players that also includes a sizeable RPG as a bonus, this feature is not only going to be wildly embraced by the fanbase but will also reveal artistry previously only dreamed of by the likes of Van Gogh or Donatello.

Also, have I mentioned the Jollibee collab? Because there was a Jollibee collab.


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“To all of my children in whom chicken flows abundant…”

For folks not in the know: Jollibee is a fast food chain from the Philippines, known for its amazing fried chicken and spaghetti. It has a handful of stores across America (sparse enough that several of my FF14-playing friends had to face the possibility of a 10-hour drive to reach their nearest one). And they boasted a collab with FF14, wherein people who bought meals could get a code for an “/eatchicken” emote. It’s not the first time a collab with fast food has earned folks a unique emote, and it likely won’t be the last. But the choice to go with Jollibee is… unique, if nothing else, and I feel for the Jollibee employees who’ve dealt with more Emet-Selch cosplayers in the past week than they’ve ever seen in their lives. Apologies to the workers; such congestion was not our intention. There were also Jollibee-themed goods at the Fanfest, including a cosplay of—wait for it—Jolli B. Lovely, a Jollibee-themed take on the FF14 Dawntrail boss Honey B. Lovely. Brilliant, no notes.

And then there’s the Neon Genesis Evangelion collab.


As part of Evangelion‘s 30th anniversary, FF14 will be featuring an Eva-themed alliance raid, as part of the Evercold expansion. This isn’t the first time we’ve had a major collab as part of a raid in Final Fantasy XIV; famously, there’s a NieR:Automata-themed raid as well, which is canon to NieR:Automata. It also gave us the unisex 2B outfit; I can only imagine that come Evercold, Limsa Lominsa will be an ocean of cat-people and rabbit-people in plugsuits. Also, can you imagine Evangelion music as arranged by Sokken? The mind reels.

As a final detail, Final Fantasy XIV is actually coming to the Switch 2! Producer Yoshi-P promises the game will aim for 30 fps in towns, with other areas running at a smoother rate. While folks might be understandably concerned about playing FF14 on the Switch 2, the game does feature a rather robust controller-friendly control scheme. Adapting it shouldn’t be an issue. What will disappoint folks is that the Switch 2 version will require its own bespoke subscription. Unlike what has been claimed, you don’t need to pay for a Nintendo Online subscription to play FF14, but the Switch 2 version has an FF14 subscription all its own. The most you’ll get is half off if you already have an existing subscription. I can’t imagine why it works that way, and I absolutely hate it. FF14 will launch for the Switch 2 sometime this August.

More information regarding Evercold is expected at the FF14 Fanfest in Berlin this July; we’ll have to hold fast until then. In the meantime, you’d best catch up on your Tomestones… Special thanks to my friend/This Week in Anime alum, and Final Fantasy XIV superfan Nicky Thomas for the pictures from the event and for clarifying some of the details from the Fanfest.

First Impressions of the Steam Deck

Valve’s Steam Deck kicked off a major wave of portable computer consoles that take design cues from the Nintendo Switch: an ostensibly portable miniature computer that can log into a profile of some sort and access your library of games. I say “portable” instead of “handheld” because, as people wiser than I am have pointed out, even the Nintendo Switch isn’t a particularly “handheld” console: the screen (and all necessary internal components) make the console far too large to put into your pocket the way you would a Game Boy or even a Nintendo 3DS. So too is the Steam Deck hampered by size, in addition to being a bit heftier. But I’m getting ahead of myself; portable computers have become a popular model in the wake of the Nintendo Switch proving the viability of hybrid consoles. Of course, the biggest issue with a Switch is its processor. With the Switch being a glorified smart device, there are many compromises that need to be made when developing software for the hardware. People interested in playing higher-end games (and who likely don’t want to buy a new SKU on a different console) have a lot of appeal in something Switch-shaped that can log in to, say, their existing Steam library. And while I’m not particularly concerned with a game’s graphics, I won’t lie: a portable alternative to a computer sounds interesting.

A few months back, I saw someone on Bluesky point out that there was a sale on Steam Decks, with certain models discounted. Unfortunately, these weaker models (with non-OLED screens and smaller internal storage) were refurbished, making them highly sought after, since an OLED Steam Deck with 1 TB of internal storage retails for US$650, which is fairly prohibitive. I mean, it’s not US$450, that would be outrageous, but US$650 is still a lot of money for your average person to invest into entertainment. A refurbished LCD Steam Deck with 256 GB storage was very appealing, especially since the model is no longer being produced, and the current shortage of computer components meant that any remaining models might likely go up in price in the future. I was unable to procure the LCD model, so I spent the US$650 on a 1 TB OLED model. “In for a penny,” I suppose…!

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Something that stood out for me: immediately investing in a Steam Deck got my Steam account a ton of Steam Points, which I later redeemed on several wallpapers and intro videos for the Steam Deck. See, while the Steam Deck doesn’t have “themes,” it does allow some customization, be it your console’s overlaid keyboard, your avatar, or the video that plays when the console boots up. Also, amusingly, these include cutscenes from Остров Сокровищ, a.k.a. “that Russian animated adaptation of Treasure Island,” which was a meme for fifteen minutes a few years back. I still yearn for actual themes on my consoles, and while the Steam Deck doesn’t really have “themes”, I appreciate the customization options. I was practically more excited to see the intro videos on my Steam Deck than I was to play Steam games once the console arrived.

The Steam Deck arrived within a week or two, and I had a fine evening booting it up for the first time. This isn’t sarcasm on my behalf, though the process of actually booting the console up did take me the better part of the entire evening. Once you activate your Steam Deck, you have to go through a rather complicated process that involves initializing your existing Steam account on the device and installing other OS updates. These are lengthy and slow enough that I was worried my console was freezing up during. As it turns out, recent updates have made this a known issue. While my console didn’t freeze, it just took a long time, so I’ll chalk this up to mileage varying. Buyer beware. But once it was all booted up, it was off to the races: I had a Steam Deck with access to all (checks notes) 374 games in my collection!

I struggled with a major issue here, though. Not every game on Steam is optimized for the Steam Deck. There are several factors at play, but controls and screen resolution are the biggest bugbears. Unfortunately, with so many games on Steam, ensuring every last one is compatible with the Steam Deck isn’t feasible. It’s up to the devs to ensure their game is compatible with the Steam Deck. That’s no problem if you’re talking bigger AAA games; those are incentivized to work on the console (graphics permitting). It’s a problem if you’ve got older or more obscure games, unfortunately, because not a lot of people are concerned with making sure the likes of Xanadu: Next or Just Cause 3 are compatible with the Steam Deck. Your library on the Steam Deck will have a tab specifically for games that are fully compatible with the Steam Deck (“Great On Deck”), but in my case, that’s still only about 112 games out of a library of 374—roughly 30% of my library. I reiterate that, with so many of these games languishing in obscurity due to their age or lack of a major fanbase, a lot of your library is at risk. 


I unfortunately suffered for that with one of the first games I tried installing on my Steam Deck: Beyond Citadel, an impressive-looking anime-inspired retro-FPS with a cyberpunk aesthetic. The game ran perfectly fine, but I hit a snag during the opening tutorial: I couldn’t find a single button or input that let me crouch. And this was with me directly going into the game’s menu and fiddling with the commands. Apparently, Beyond Citadel is too married to its retro keyboard-and-mouse control scheme to easily map to the Steam Deck’s touchscreen, two touchpads, and numerous back buttons. So I tried again with something slightly less esoteric: CAPCOM‘s Okami HD port on Steam.

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Not only does the game run perfectly well on Steam Deck, but it also looks even better on this modern handheld than it did back when I played the original on PS2. (Provided, this is the high-definition remaster, so you’d expect it to.) The resolution is… weird, as shown in the screenshot. I fiddled with the options a bit, but couldn’t get the game to fill the whole screen. I can’t make any hard judgment about how it affects the Steam Deck’s battery life, since more graphically intense games suck that battery dry in a hurry. But it ran well enough to leave me impressed. And so I decided, “If I can get the game looking good, can I get the game modded?”

This is easier than I thought it would be. As a side note, I have very little experience and know-how with modding games; changing the App Locale settings on my laptop to get Artificial Academy and Lunar Legend Tsukihime working was about the extent of my ability. All Steam Decks offer a “Desktop Mode” option, which opens the door to all kinds of customization. Even installing Firefox was a snap, to say nothing of pulling up the source files for any installed Steam game for modification. A lot of my friends with Steam Decks use Desktop Mode for other kinds of customization, but it behooves me not to really comment on that here.

Longtime Okami fans know that all subsequent ports of the game no longer feature the song “Reset” during the credits, as the rights have expired. This is an unfortunate loss for the game, since the song ties closely to Okami‘s themes (and it’s a really good song). The good news is, there’s a fan-made patch for that—and there is a way to get it to work on a Steam Deck. The bad news is, I completely beefed it; the patch requires a bit of video editing. But another major obstacle to overcome is operating system compatibility. The Steam Deck runs on Linux; if your main home computer doesn’t run Linux, that’s a problem. I figured, at first, that you could just connect your Steam Deck to your PC with a USB cable and transfer the file that way. Turns out, you can’t do that. But luckily, there are solutions for that. I used Winpinator on my PC and Warpinator on my Steam Deck instead, both of which were easy to install and use. But I still needed a test subject for modding… so I went with Shiravune’s Kuroinu Redux.

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Shiravune’s games are actually a really good test subject; Shiravune’s way of dodging potential payment processor issues on Steam (or even refusal due to being “anime porn”) is to sell the game on Steam with absolutely all the erotic content removed. Yes, this means that the game is basically 20 minutes long, but there’s no anime porn. The open secret is that patches for restoring the adult content are available off-site, just a Google search away. It’s just a matter of looking up the patch, downloading it, and dragging it into the corresponding game’s source file. Minus Winpinator/Warpinator shenanigans, that’s about all it took to get Kuroinu Redux properly restored on my Steam Deck. Of course, there were some minor issues with the game’s resolution, but those are easily rectified via Steam options. And the result is… well, Kuroinu on your Steam Deck. Between the touch screen and the two trackpads, honestly, the Steam Deck is a phenomenal console for playing visual novels (adult or otherwise). And I get it: most people who sink that much money into a console likely aren’t doing it to play Cupid Parasite or Kara no Shōjo. Even for someone who’s a hardcore visual novel fan, spending US$650 for a way to play them freed from the tether of your PC is probably not the best. But with some headphones, a Steam Deck is perfect for curling up on the couch.

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For some last comparisons, I tried No Man’s Sky on the Steam Deck. Again, it probably wasn’t ideal; running No Man’s Sky at the highest quality on my Steam Deck meant the console’s battery life dropped to less than an hour. But it worked, and while I had to still wrap my head around No Man’s Sky‘s controls (just a matter of the shortcuts being weird to me), it was still fun. And you have all the basic Steam functionality, like your save files being saved to your profile’s cloud. I even had a chance to experiment with streaming the game from my PC to my Steam Deck. Again, the service isn’t ideal; there’s a slight delay. But it’s a nice option, and definitely helpful if you’re dealing with a space shortage on your Steam Deck. That shouldn’t be an issue; one terabyte is a lot of space, and someone playing on a handheld probably should be rotating games on their console regularly. Just in case, the Steam Deck supports Micro SD cards.

So, verdict time, is the Steam Deck worth it after all? Well, any answer will have a ton of asterisks attached to it. The Steam Deck’s OLED model is great… but there’s no looking past the US$650 price tag. By my reckoning, that’s beyond what most people looking to play games would want; that’s tech enthusiast money. It’s worth it, but that’s still a hefty price tag. You could ameliorate some of that by just getting a model with smaller storage… but those still start at a still-hefty US$550. And at the time of writing, all Steam Deck models are out of stock; I have no clue when they’ll restock, given the RAM shortages. There are also rumblings of an updated Steam Deck 2 in development, with no release window yet. I’d hazard that the global RAM shortages are also affecting that. But also, if and when that console drops, it’ll probably cost a lot more than even a Steam Deck OLED’s maximum asking price of $650.

Considering what the Lenovo Legion Go or the ROG Xbox Ally go for (anywhere from US$600 to US$1600), the Steam Deck is the better value, especially since most people who’d be interested in a Steam Deck have Steam accounts loaded for bear with titles they can run fairly reliably on the Deck. You also get a ton of value out of your Steam Deck in the way that people used to with their PSPs (hint, hint); while I can’t speak clearly on the matter, it’s definitely a plus for a lot of people and definitely something worth looking into, especially if you have the money lying around. I absolutely don’t think the Steam Deck is a better value than a Switch or even a Switch 2—I joke about the US$450 price tag, but if you’re not looking to do other stuff with your handheld, you can play Stardew Valley just as easily on a Switch so long as you’re willing to forego your mods.

And remember: Steam Decks don’t come with their own docks for playing on a screen. There are accessories you can buy that can do that for you… provided, if you have the money to get a Steam Deck and the tools to hook it up to a screen, you probably already have a PC you’d rather use. If you can stomach the price and you know what a Steam Deck is, you probably already know if you want one or not, as waffly as that sounds. If you do want one, I recommend you get one at the soonest convenience, Steam Deck 2 be damned; better a console in the hand than two in the bush that promise better battery life or frame rates (especially if the asking price is only going to be that much bigger). I’ve seen some folks report that Steam Decks completely change their gaming habits, letting them enjoy their libraries while not cooped up in their rooms. I can echo that. While I still don’t exactly play all my stuff on a Steam Deck, what with many of my games being on my Switch, it’s nice to have an option, and it’s nice to know that I don’t have to be stuck at my PC to play No Man’s Sky. If I don’t recommend the Steam Deck wholeheartedly, it’s because the price is a lot to ask for—but also, I’m not about to tell you how to spend your disposable money.

Let’s wrap up with some quick tidbits:

  • Atlus has announced a concert for both Raidou Kuzunoha: The Mystery of the Soulless Army and Shin Megami Tensei V: Vengeance this August 23. No word yet on a similar concert for America…
  • In honor of Final Fantasy X‘s 25th anniversary this year, Square Enix has a special website up with new merch. The proper 25th anniversary is on July 19. The anniversary will be marked by new merch—plushies of Tidus and Yuna, an art book, and a new vinyl record of the game’s soundtrack.
  • Kunio-kun is back in a new side-scrolling Roguelite! Titled River City Saga: Journey to the West, players will join Kunio as he fills in for the monk Sanzang (and Sanzang’s entourage—at the same time) and goes on the famed journey West. This one releases this June 4 on PS5, Switch, and Steam.
  • FuRyu‘s Exstetra is releasing on Steam for the United States this summer! Featuring character designs by Taka Tony and music by Yoko Shimamura, this RPG features a hero protecting a dimensionally-displaced Tokyo by absorbing “EXS” energy from enemies and sharing it with his party members by kissing them. This’ll be the first time Exstetra is available in the United States!
  • That’ll do it for this week. For folks wondering about my progress in .hack//GU: a recent project has taken up my time, look forward to a review in the near future. Also, be sure to check out the Spring Manga Preview Guide my peers have put up! I missed my chance to participate this season, but I’m blocking time to participate in next season’s guide. Be good to each other, I’ll see you in seven!


    This Week In Games! is written from idyllic Portland by Jean-Karlo Lemus. When not collaborating with Anime News Network, Jean-Karlo can be found playing Japanese RPGs, eating popcorn, watching VTuber content, and watching tokusatsu. You can keep up with him at @ventcard.bsky.social.



    The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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    ‘Welcome to Demon School, Iruma-kun’ Season 4 Casts Miki Nagasawa, Yuka Terasaki – News

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    The staff for the anime of Osamu Nishi‘s Welcome to Demon School, Iruma-kun (Mairimashita! Iruma-kun) manga confirmed two cast members for the music festival judges in the anime’s fourth season on Saturday. Both characters appeared in episode 5 on Saturday.

    Miki Nagasawa plays Kyupa, the president of the major idol agency Devimuse. 

    Cast image for Kyupa
    Image via Welcome to Demon School, Iruma-kun’s X/Twitter

    Yuka Terasaki plays Mei Mei, a member of “Hell’s Sinphony” in Team Dante.

    Character image for Meimei
    Image via Welcome to Demon School, Iruma-kun’s X/Twitter
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    Image via Welcome to Demon School, Iruma-kun anime’s X/Twitter account

    The anime debuted on April 4 on NHK Educational at 6:25 p.m. JST. The season will have 24 episodes that will run for two cours (quarters of a year). The anime streamed in Japan starting on April 6 at 6:00 p.m. JST.

    Crunchyroll is streaming the anime as it airs in North America, Central America, South America, Europe, Africa, Oceania, the Middle East, the CIS, and India. Crunchyroll also screened the anime’s premiere at the Anime Frontier event on December 14.

    Setsuo Itō will voice Purson Soi, the Abnormal class’s long-forgotten 13th classmate, in the new season.

    The anime’s first season premiered in October 2019 on NHK Educational, and had 23 episodes. Crunchyroll streamed the anime as it aired in Japan under the title Welcome to Demon School, Iruma-kun, and also streamed an English dub. The second season premiered in April 2021. Crunchyroll streamed the series as it aired, and debuted an English dub in June 2021.

    The anime’s third season debuted in October 2022. Crunchyroll streamed the series as it aired, and also streamed an English dub.

    The story of Mairimashita! Iruma-kun follows Iruma, a kind-hearted 14-year-old boy whose parents sell him to demons for their own selfish interests. However, the demon he is sold to has no grandson of his own, so he dotes on Iruma and sends him to demon school.

    Nishi launched the manga in Akita Shoten‘s Weekly Shōnen Champion magazine in March 2017.

    Source: Welcome to Demon School, Iruma-kun anime’s X/Twitter account via Ota-Suke

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    Summer Pockets Anime Series Review – Review

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    If you like your anime despair in “but surrounded by romanceable girls” flavor, there’s a pretty good chance that you’re already familiar with Key—or at least, familiar with their works, whether it’s their visual novel source material or the anime adaptations that several of them have. But if you’re not, Key is a visual novel studio with a well-earned reputation for going all in on drama and heartbreak. Notable titles include, but aren’t limited to: Clannad, Kanon, AIR, and their latest title to get an anime adaptation, Summer Pockets (SP).

    For better or for worse, SP is a quintessential Key anime that checks off every box anime fans have come to expect from them over the years: Vibrant color palettes, extremely character-driven narratives, and, of course, big sad. By far, the best thing SP has going for it is its atmosphere, which perfectly captures those blissfully lazy summer-vacation vibes. Quiet (save for the chirping of cicadas), slow-paced moments where characters just let the waves roll in, or bask in breathing in the summer air, feel warm and nostalgic. It does this so well that if you haven’t played the visual novel source material, you might not notice how rushed some of these story routes are in this anime adaptation.

    As an adaptation, this anime is a mixed bag. You could do far, FAR worse in the realm of visual novel adaptation anime (EX: Dies irae, Chaos;Child), but you could also do way better, too (EX: Steins;Gate, the Heaven’s Feel movies). On one hand, as I just said, several story elements get rushed compared to their pacing in the visual novel. Plus, the visual style of the visual novel doesn’t get translated as strongly as I’d like, especially in a Key anime, which, for better or for worse, has a pretty distinct, almost trademark, visual style. Some characters made it across better than others, but across the board, the edges are far rounder and softer, and colors—while still not dull, per se—are not quite as vibrant. On the other hand, Hairi often comes off as a creep in the visual novel, and that’s been turned way down in the anime, making him much more bearable as a protagonist.

    Speaking of characters, however, it’s just not a Key anime if there’s not a gaggle of girls for our protagonist to get chummy with. And in this case, it’s four girls named Kamome, Ao, Tsumugi, and Shiroha—all of whose story routes we get to see play out. While their personalities are a mixed bag, three out of four girls—everyone but Shiroha—have a story route that’s, at minimum, got just enough going on to hold your attention, and they’re all pretty distinct from one another and generally veer into some pretty unexpected directions. Shiroha, meanwhile, easily has the weakest story route, and at least in this viewer’s opinion, was one of the less charming girls (less charming, not un-charming—please, Shiroha fans, spare me from your wrath). Despite this, for reasons that become clear when you watch SP, it’s very obvious that way more time and effort was put into making Shiroha shine than the others. In other words, while every girl will get their time in the spotlight, the one who’s arguably the least interesting is also the one you’re going to be seeing around the most.

    In any case, I’ve talked about all this, and I somehow haven’t even gotten to what I’m sure many of you probably came here for: The drama, the heartbreak, and the tears. After all, is it really a Key title if you never need to dry your eyes? While titles like AIR had established this earlier on, it was Clannad‘s success that solidified Key‘s status in the minds of the anime fan community more broadly as “The studio that makes super depressing visual novels, many of which become super depressing anime.” And while I wouldn’t say it reaches the same emotional highs as series like Clannad (although to be fair, that’s a pretty high bar), SP still has its moments, making sure this summer vacation is wholly bittersweet no matter which character’s story you like best.

    Probably the biggest thing holding it back from reaching those highs is the wonky pacing. As I mentioned earlier, many of the story beats are rushed. Yet at the same time, these same tearjerking story beats are always happening between longer spans of summer vacation, to say nothing of how there’s a massive turning point well into the second half of the series, which leaves the viewer feeling like things are only then actually getting started. So you end up with an anime that feels weirdly rushed and too slow-paced at the same time. If it sounds like it makes the pacing of the whole thing feel really off, it’s because it does.

    Meanwhile, on the production side of things, it’s ironic that the visuals in the anime—which is, you know, animated—don’t feel like they have as much life as the still images in the visual novel. Still, that doesn’t necessarily mean the visuals are terrible. Personally, I’d say they’re pretty firmly in good-but-not-great territory. Plus, the animation quality is consistent, which isn’t something to be taken for granted in a 26-episode series—something of an endangered species nowadays. The music and voice acting are nothing too exceptional, but charming all the same, too.

    For better or for worse, if you want to feel a little sad as a treat (but not too sad), doubly so if you want to do so with some sweltering summer vacation ambiance, this anime’s a solid choice. It won’t be going down in the summer break anime hall of fame, but it has its moments all the same. It’s neither Key‘s best nor worst—firmly in the middle of the road, with the sun beating down on its face as cicadas continue to chirp the day away.

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    Daemons of the Shadow Realm Anime Casts Akira Ishida – News

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    Asuma Kagemori appeared in episode 5



    The staff for the television anime of Hiromu Arakawa‘s Daemons of the Shadow Realm (Yomi no Tsugai) manga confirmed on Sunday that Akira Ishida is playing Asuma Kagemori. Asuma is the second-born son of the Kagemori family, and he appeared in episode 5 on Saturday.

    Character image for Asuma Kagemori
    Image via Daemons of the Shadow Realm’s X/Twitter
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    The anime premiered on the Tokyo MX, BS11, Gunma TV, and Tochigi TV channels on April 4 at 11:30 p.m. (10:30 a.m. EDT). It is also running on HTB Hokkaido TV, Aomori Broadcasting, Miyagi TV, Sakuranbo TV, TV-U Fukushima, Television Niigata Network Co., Ltd., and other channels. The anime will air for two consecutive cours (quarters of a year). Crunchyroll streamed the anime first before other services and is streaming a same-day English dub for the series.

    The anime stars:

    Masahiro Andō (Sword of the Stranger) is directing the anime at Bones FilmNoboru Takagi (Kingdom seasons 3-6, Golden Kamuy first four seasons) is overseeing the series scripts, and Nobuhiro Arai (Bungo Stray Dogs) is designing the characters and serving as chief animation director. Kenichiro Suehiro (Golden KamuyRe:ZERO -Starting Life in Another World- franchises) is composing the music. Vaundy will perform the opening theme song (for the anime’s first half) titled “Tobu Toki” (Time to Fly), and singer yama performs the ending theme song “Tobō yo” (Let’s Fly).

    Additional staff members include:

    Square Enix Manga & Books is releasing the manga in English, and it describes the story:

    In a remote mountain village under the watchful eyes of two stone guardians, the young Yuru contentedly lives off the land while staying close to the only family he has left—Asa, his precious twin sister. Asa, meanwhile, carries out a mysterious “duty” on behalf of the village while locked in a cage. Why is Asa a prisoner? And what other secrets does Yuru’s otherwise idyllic home hide?

    Arakawa (Fullmetal Alchemist, Silver Spoonlaunched the manga in Square Enix‘s Monthly Shonen Gangan magazine in December 2021. Square Enix published the manga’s 12th compiled book volume on March 12.

    Sources: Daemons of the Shadow Realm anime’s websiteComic Natalie


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