In an increasingly AI-driven and digital world, analog instant film and retro-style cameras remain popular, fueled by a combination of both nostalgia and charm. Instant cameras, in particular, stand out for their simplicity and an experience that has remained largely unchanged over time.

Fujifilm’s $175 Instax Wide 400 builds on the familiar instant photography experience and expands it with a wider format. As someone who appreciates simple, easy-to-use instant cameras and often shoots with an Instax Square, I was interested in trying a model that offers larger prints and support for landscape photography. 

The Instax Wide 400 is built for capturing group shots, scenic landscapes, and moments where fitting more of the scene into the frame really matters. It produces 62 × 99 mm prints, about twice the size of Instax Mini photos, giving you a lot more space to work with in every shot.

Since it’s a simple point-and-shoot camera, it requires no prior photography experience and is designed to be easy and intuitive to use. Its appeal lies in fun and simplicity rather than advanced controls.

With its one-button design, the camera offers no manual exposure controls. It automatically manages flash, focus, and other settings, leaving you to simply frame the image and take the shot.

When lighting is ideal, the images print with nice color and a good amount of detail with some extra saturation. I was quite impressed by the quality because it managed to pick up accurate colors and distant details. 

However, the simplicity of the camera does have some trade-offs because there isn’t much you can do to make photos brighter if you’re not in an ideal lighting situation. I did end up with some less-than-ideal shots because, in scenes with strong contrast, like dark trees against a bright sky, the details tended to blur together.

The rest of the camera is equally straightforward. To power on the camera, you rotate the lens counterclockwise. The first click activates close-up mode for subjects about 0.9 to three meters away. Turning it once more switches to landscape mode for distant subjects beyond three meters. Rotating the lens clockwise powers the camera off. 

The camera comes with a close-up lens attachment that snaps onto the front for close-up shots. I found the attachment was good at helping for avoiding focus and blur issues when taking close-ups. 

Loading the cartridge is simple, with guide lines to help you align it correctly in the camera. The door closes securely using a twist lock that latches shut. There is also a small indicator on the back that shows how much film is left.

Coming in at 162 mm x 98 mm x 123 mm and 1.4 pounds, the camera is quite bulky. It’s noticeably bigger than the Instax Mini cameras and the Instax Square models. However, I wasn’t too surprised by the size, since it makes sense that larger photos would require a bigger camera. 

That said, it’s not something you’d want to carry around without a bag, and while the shoulder strap helps, I was still very conscious of it and careful not to bump it into people or objects in busy spaces. Although Instax does offer a camera case sold separately, I didn’t receive one alongside my review unit, so I can’t speak to it. 

Since it’s a bit bulky, it’s pretty noticeable, and it ended up attracting the attention of a few people when I was testing it. A worker at a downtown gelato shop even stopped to compliment it, calling it a “cool looking camera.”

That kind of attention is part of the appeal. 

The camera’s self-timer is a nice feature, as it makes it possible to include everyone in a shot without needing someone to press the shutter button. It works by pushing a lever on the side and choosing one of four durations, ranging from two to 10 seconds. The camera emits a ticking sound to indicate that the timer is active, and red lights provide a visual countdown.

If you don’t have a tripod, the camera’s strap includes two angle adjustment accessories that can help prop and position the camera on a flat surface. To use one, slide it into the indented space on the camera’s underside, set the self-timer, and step back into the frame.

Film for the camera is available in standard white frame, black frame, metallic borders, and monochrome. Fujifilm sent me the standard white film alongside my review unit, which is the film I used for this review. Each box of film comes with 20 sheets and costs between $25-$28.

As for colors, the Instax Wide 400 comes in two options: green and jet black. As someone who loves a good shade of green, I liked that the color of the camera gave it a more playful, fun vibe.

Overall, I think this camera is a great option for people of all ages, as it offers high-quality images while remaining simple enough for kids and teens who are just starting out in photography.

Nvidia continues to be a major investor in the AI ecosystem, committing more than $40 billion to equity investments in AI companies — and that’s just in these early months of 2026, according to CNBC.

Much of that total comes from a single bet, a $30 billion investment in OpenAI. But CNBC reports that the chipmaker has also announced seven multi-billion dollar investments in publicly traded companies, most recently deals to invest up to $3.2 billion in glassmaker Corning and up to $2.1 billion in data center operator IREN.

We’ve previously rounded up Nvidia’s investments in AI startups, including 67 venture deals in 2025. And according to FactSet data, it’s already participated in around two dozen investment rounds in private startups in 2026.

The fact that Nvidia has been investing in some of its own customers has led to the recurring criticism that these are circular deals moving money back-and-forth between the same companies.

Wedbush Securities analyst Matthew Bryson said Nvidia’s investments fall “squarely into the circular investment theme,” but suggested that if successful, they could help the company build a “competitive moat.”