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Episode 6 – Akane-banashi – Anime News Network

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How would you rate episode 6 of
Akane-banashi ?

Community score: 4.1

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Episode 6 of Akane-banashi presents Akane with a challenge she can’t rise to right away – and that’s what makes it great.

In this week’s episode, we are introduced to Koguma, a unique foil for Akane. He challenges her in a new way that Akane has yet to be tested in. Namely, his background is knowing the background; Koguma knows more about these stories than Akane does, and in ways she had never considered. This is a fascinating challenge for Akane, specifically because it ties into rakugo while going beyond pure on-stage performance capabilities.

What is so critical about Koguma’s approach is that he understands rakugo’s essence as an art form. Rakugo is obviously analogous to a solo play/monologue of sorts, but they are also fundamentally a period piece. These are tales with defined historical settings, with unique considerations that could only come from that time and place in Japan’s past. The historical details, such as clothing styles, housing arrangements, and what everyday items were made of – these might seem like academic details, but they are so much more than that. Sure, you can tell a story about people gambling with dice-based games of chance in 2026 and 1626, and there will be many similarities. But other details will be of the utmost importance! Consider something as simple as the dice: modern dice are plastic and mass-produced, whereas dice in the Edo period were hand-crafted from bone or another material. They will have a particular sound and feel, and even replacing them is not so simple if something were to happen to them.

All of this is to say that Kugoma is leveraging these aspects to couch his stories in a sense of verisimilitude. The people feel real, the place feels real, and both will be familiar yet given an allure of novelty because of the time displacement from the here and now. Additionally, Koguma develops a unique bond and confidence with the stories he researches, and he can impart that knowledge to the audience. This opens up a new vector of enjoyment for them, too. Now, whether or not they resonate with the story or the performance, they have the opportunity to learn something about the historical reality of people living in that time.

Akane has none of these qualities. What’s more, they take a new kind of dedication for her to explore. This will require her to do more than parrot stories (“just words,” as Koguma put it) and demand that she grow in her learning. Akane will need to dedicate her time and passion in a new way to become more academically studied in rakugo and the stories therein, a feat that only comes from hard work.

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Akane-banashi is currently streaming on
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The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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Additional Cast Pair for ‘”Kimi wo Aisuru Ki wa Nai” to Itta Jiki Koushaku-sama ga Nazeka Dekiai shitekimasu’ Announced

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The official website for the television anime adaptation of Kei Misawa‘s “Kimi wo Aisuru Ki wa Nai” to Itta Jiki Koushaku-sama ga Nazeka Dekiai shitekimasu (The Duke’s Son Claims He Won’t Love Me yet Showers Me with Adoration) manga announced an additional pair of cast on Wednesday. The anime will premiere on TV Asahi and BS Asahi in July 2026.

Voice actors Ryouhei Kimura (Akujiki Reijou to Kyouketsu Koushaku) and Ryouta Suzuki (Fate/strange Fake) are joining the cast as Alexis Yosef Lart and Iere Ecluse, respectively.

Hitoyuki Matsui (Karakuri Zoushi Ayatsuri Sakon) is directing the anime at Zero-G and Grass. Tomoko Konparu (Kimi ni Todoke) is handling the series composition. Yuuko Yahiro (Kaguya-sama wa Kokurasetai: Tensai-tachi no Renai Zunousen) is designing the characters, while Michiru (Given) is composing the music.

Misawa began serializing the fantasy romance manga on the BookLive web service in February 2021, featuring illustrations by Natsu Mizuno. Flex Comix published the fifth volume on March 13. The manga is also available in English on the MangaPlaza web service.

A novel adaptation launched on BookLive in October 2021.

Source: Comic Natalie

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New Fairy Tail Manga Miniseries to Start 1 Week Sooner on July 29 – News

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The official X (formerly Twitter) account for manga creator Hiro Mashima reported on Wednesday that his new Fairy Tail manga miniseries will launch a week earlier than previously announced. The miniseries will now start in this year’s 35th issue of Kodansha‘s Weekly Shōnen Magazine, which will ship on July 29. 

Wednesday’s post stated that due to scheduling issues on the side of Weekly Shōnen Magazine, and due to Mashima speeding through the new miniseries’ draft at a pace far ahead of the editors’ expectations, the staff has decided to launch the manga earlier.  

Mashima and Weekly Shōnen Magazine had initially announced that the new manga miniseries would launch on August 5. The miniseries celebrates the Fairy Tail manga’s 20th anniversary. 

The original manga series follows the adventures of the world’s most notorious mage guild, Fairy Tail. The manga launched in 2006, and ended in July 2017.

The manga has inspired four television anime, two anime filmsseveral original video anime projects, and spinoff mangaKodansha USA Publishing releases the original manga and a number of its spinoffs in English.

Mashima and Atsuo Ueda‘s Fairy Tail: 100 Years Quest sequel manga inspired a television anime that premiered in July 2024.

Ginolabo’s Fairy Tail: Dungeons game launched for Nintendo Switch on January 7. The game then launched for PC via Steam in August 2024.

Source: Hiro Mashima‘s X/Twitter account


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Lupin III Composer, Jazz Pianist Yuji Ohno Dies at 84 – News

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Image via Yuji Ohno’s X/Twitter account

Musician and composer Yuji Ohno‘s official website announced on Wednesday that Ohno died of natural causes on May 4. He was 84. Ohno’s production company Office Augusta noted that he died after going to sleep, without any change in his prior condition before going to sleep. 

Ohno is best known for his work as a jazz pianist and composer, and his soundtrack for the Lupin III anime series includes the anime’s now iconic opening theme which has persisted in various arrangements by Ohno throughout the anime’s many television series, specials, and films. He first worked on the franchise in Lupin III: Part II, the franchise‘s second television anime, in 1977. He has performed music from the franchise in many concerts throughout the decades as part of the jazz act Yuji Ohno & Lupintic Five (which was later renamed to Yuji Ohno & Lupintic Six).

Ohno began practicing piano in his early childhood, and taught himself jazz in high school. He was part of Keio University’s Light Music Society band and played as part of clarinetist Kōji Fujika‘s jazz quintet in his college years. He later formed a jazz trio with drummer Hideo Shiraki and singer Yūzō Kayama. After the trio dissolved, he focused on composing work, and later scored Kon Ichikawa‘s iconic mystery film The Inugami Family and Junya Satō’s Proof of the Man film, both in 1977. He also composed the music for the 1978 Yasei no Shōmei film, whose theme song “Senshi no Kyūsoku” was covered by Sōichirō Hoshi as one of the ending songs for the Heaven’s Lost Property anime.

Aside from the Lupin III franchise, Ohno has also composed music for Captain Future (including the insert song “Oira wa Sabishii Spaceman” which would later be covered by Minori Chihara for the Cat Planet Cuties anime), Andromeda Stories, Undersea Super Train: Marine Express, A Time Slip of 10000 Years: Prime Rose,  a piece for the Daicon films from the staff that would later form the studio Gainax, and the theme for the Space Adventure Cobra anime series.

Source: Yuji Ohno‘s website


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