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SAG-AFTRA Reveals Details of 4-Year Agreement With Studios, Including Merged Pension Plan

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Following approval from its national board, SAG-AFTRA has released the details of its tentative bargaining agreement with Hollywood studios and the Alliance of Motion Picture and Television Producers, which like the one ratified by the Writers Guild of America will last four years instead of the usual three.

As part of the agreement, SAG-AFTRA and the AMPTP have agreed to merge the SAG-Producers Pension Plan and AFTRA Retirement Fund into a single merged plan with an additional 1% to the studio contribution rate. The merge is expected to be completed by January 1, 2028, nearly 16 years after SAG and AFTRA merged in 2012.

On the AI front, the union touted new and expanded guardrails regarding “synthetic performers,” the term used for performers created completely from generative AI that are not replicas of a specific performer. SAG-AFTRA says that the deal is based on a principle “strongly favoring human performances” and includes a memorandum of understanding stating that producers do not intend to use synthetic performers in a human role unless it would bring “significant additional value” to the motion picture.

Beyond synthetic performers, new language has been added to the contract forbidding producers from using a digital replica of a performer to replace them during a strike and requiring them to have an “articulable business reason” to scan someone for a digital replica to begin with. Further protections for digital replicas of minors were also negotiated.

“This contract is a testament to the incredible unity and determination of our members, and I am proud to deliver an agreement that results in meaningful gains across the board, from benefit plans to artificial intelligence to residuals, and beyond,” national executive director and chief negotiator Duncan Crabtree-Ireland said in a statement.

SAG-AFTRA was the first union to begin negotiations back in February, and held talks with the AMPTP for five weeks before pausing to allow the studios to begin their talks with the Writers Guild. The two sides returned to the negotiating table on April 27 and announced their tentative deal on May 2.

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Jennifer Lawrence Boards Zach Cregger’s New Line Pic ‘The Flood’

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What has been buzzed about is becoming a reality: Oscar winner Jennifer Lawrence is starring in Zach Cregger‘s next movie, The Flood at Warner Bros’ New Line Cinema. The pic has a release date of August. 11, 2028.

The sci-fi thriller project brings the Weapons filmmaker back to New Line on which he’ll direct, produce and write based on his original idea. The news comes just as Cregger’s Resident Evil for Sony/Constantin has just crossed the two century mark at the global box office.

Said Cregger, “Mike, Pam and the whole Warner Bros./New Line team were an absolute dream to collaborate with on Weapons, and I couldn’t be happier to dive in with them again. Jennifer is one of a kind, and I’m beyond excited to see her in this role.”

“Jennifer Lawrence is one of the most gifted and compelling actors working today, and we are thrilled to have her at the center of Zach’s bold and wholly original vision for The Flood. Following our extraordinary experience together on Weapons, we could not be more excited to reunite with Zach and the team at Vertigo, as well as Amblin to bring this ambitious film to audiences around the world,” said Mike De Luca and Pam Abdy.

Amblin Entertainment is producing alongside Roy Lee and Miri Yoon of Vertigo Entertainment. Plot details are being kept under wraps.

Weapons led the domestic box office for four consecutive weeks and earned $270 million worldwide last year, ranking among 2025’s highest-grossing horror films. Amy Madigan won the Academy Award for Best Supporting Actress for her performance as Aunt Gladys, a character whose story will continue in the upcoming film Gladys.

Lawrence received the Academy Award for Best Actress for her performance in Silver Linings Playbook and has also starred in American Hustle, Joy, Don’t Look Up, and The Hunger Games franchise. Through her production company, Excellent Cadaver, she has produced acclaimed films including Causeway, No Hard Feelings, and Die My Love, as well as the documentaries Zurawski v Texas and the Peabody Award-winning Bread and Roses. Most recently, Lawrence earned a Golden Globe nomination for her performance in Die My Love. Up next, Excellent Cadaver will produce the highly anticipated What Happens at Night, starring Lawrence alongside Leonardo DiCaprio and directed by Martin Scorsese.

Lawrence is represented by LBI Entertainment and Hansen, Jacobson, Teller, Hoberman, Newman, Warren, Richman, Rush, Kaller & Gellman.

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Sarah Paulson Blasts Critics Calling Out Aileen Wuornos Performance In ‘Monster’

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Sarah Paulson Blasts Critics Calling Out Aileen Wuornos Performance In ‘Monster’







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Trump Looks To Rebrand AI As “Super Intelligence”

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Amid a backlash against data centers, worries of massive job loss and doomsday warnings from the industry itself, Donald Trump stood with top tech CEOs and pitched a rebrand.

“We’ve changed the name officially to SI,” Trump told reporters gathered just outside the West Wing, referring to the switch from “artificial intelligence” to “super intelligence.”

The president planned to sign an executive order as such on Tuesday afternoon, but it remains to be seen whether it actually will take hold when AI has become so ubiquitous.

Standing with Meta’s Mark Zuckerberg, Nvidia CEO Jensen Huang, Anthropic’s Dario Amodei and SpaceX’s Elon Musk, among others, Trump also said that the White House meeting between the top executives produced a “self-policing” agreement and one that would be “morally binding.”

Three years ago, when Joe Biden was president, many of the same CEOs gathered on Capitol Hill for a forum on AI led by then-Senate Majority Leader Chuck Schumer. But that meeting, along with others he held to address concerns over the technology, produced no new regulation.

Trump has continued to dismiss calls for greater regulation, warning of a race with China to dominate the technology. And he’s also expressed continued support for data centers even amid a backlash in local communities that has drawn opposition from lawmakers in both parties.

“The data centers are incredible,” Trump said. “And by the way I am very good at real estate. Some of those buildings are absolutely beautiful. They are big strong powerful buildings but they are beautiful.”

Zuckerberg said, “I think what we can all agree on is that the American public and our customers want to know that what we are building is working the way we intended. We drafted a set of principles and commitments around building robust internal controls and detecting any issues with the technology, coupled with multiple layers of auditing and controls, starting with internal risk review, external auditors and evaluators, and agreeing that we are going to have all of our board of directors independently review the reports that come from the auditors.”

He added, “The idea isn’t that this is the only thing we will ever do, it is that this is a start and an accord that the whole industry can come to.”

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