Anime
Omniscient Reader’s Viewpoint Volume 3 Novel Review – Review
When is a little knowledge more of a problem than none at all? Dokja Kim is about to find out. In the middle of navigating the Capture the Flag scenario in what used to be the webnovel Three Ways to Survive the Apocalypse (TWSA), Dokja finds himself faced with a group of self-proclaimed Renouncers – people who read some of the novel, but not all. These Renouncers (and the later-introduced Disciples) are ranked by how much of the book they read; most, as Dokja remembers from the comments on the novel, dropped out very early on. That means they have a grasp of the basics of TWSA without understanding the plot or characters on a deeper level, and while Dokja would be the first to say that TWSA wasn’t exactly well-written, it’s hard to argue that knowing what happens later changes the way you view any story’s beginning.
That makes these Renouncers profoundly annoying for Dokja. Not that he finds anyone not irritating for the most part; he’s really only attached to his core group, and most of them aren’t book-original characters. It makes sense that he’d care more about Sangah and Gilyeong, because he knows they’re “real.” They weren’t written into existence by an anonymous author; he worked with Sangah before the apocalypse. So the Oracles muscling in and acting like they know everything is an issue, not just because they risk gumming up the works, but also because they’re acting like authorities when they actually know almost nothing. It’s another example of how Omniscient Reader’s Viewpoint is a remarkably relatable reading experience: we’ve all had conversations with someone who insists they know what’s going on in a work of fiction they haven’t finished yet, and how annoying that is.
The introduction of the Renouncers also adds to the infrastructure of the story’s world. Previously, Dokja could only use his Character Profile on people who began as fictional characters – so Jihye and others like her. Character Profile doesn’t work on so-called real people, and thus doesn’t work on the Renouncers…until the story progresses to a point past where they’ve read. At that moment, they become “characters” rather than “people,” and their profiles become accessible. This, obviously, has some interesting implications for how the world works. While there aren’t answers yet, it seems possible that the Renouncers are being punished for giving up on (renouncing) TWSA – they think they’re special, but that only gets them so far, and once they’ve passed that threshold, they devolve into NPCs. People like Sangah aren’t similarly punished because they never started reading TWSA; given the enormity of the Korean webnovel space, it wouldn’t make sense to punish someone for not finding a specific book. Dokja is rewarded because he both found it and bothered to read it to the end; the Renouncers are punished because they didn’t have the wherewithal to keep going. The answers were in front of them, and they couldn’t be bothered to find them.
This is in keeping with the entire Star Stream setup of the world. As we have reinforced in this volume, the story operates within the barriers of “plausibility,” meaning there has to be at least some logic to how everything happens. Implausible actions lead to a plausibility review, which can be enacted by goblins or constellations, and while this can be nitpicky, it really does seem to be intended to not only keep things interesting, but in the name of fairness. Dokja can cheat, but it has to work with the story’s logic.
There are definitely some interesting implications with this, because part of the point of TWSA is that the protagonist is overpowered. Is Dokja allowed to usurp that? It’s certainly called into question in this volume as he begins truly using his knowledge and partnership with the goblin Bihyoung for his own benefit. But it also calls into question the entire sponsorship situation and how that works, because the constellations involved in this section of the game are clearly more out for themselves than their incarnations. That’s because these games all revolve around the idea of kingship and ruling. Most of the constellations are historic figures; specifically, they’re rulers from the Three Kingdoms period of Korean history. The fact that the present act of TWSA currently taking place involves kings and throne claiming means that these constellations see it as a chance to overcome past failures or solidify ancient triumphs. It also means that you may want to read with a Korean history book (or Wikipedia) close at hand, because you’ll get more out of this if you know who the last queen of Silla was, for example.
singNsong‘s writing continues to be very readable (which is also due to the translation, of course), and even the unavoidable stat windows don’t derail the story, largely because they tend to have new information rather than just updating old. There are a ton of named characters, as well as plenty who go by both a name and a title, so it can be hard to keep track of everyone, which may be this book’s besetting sin. But it’s still some good escapism and a good enough riff on both the isekai and death game genres that it doesn’t feel too clichéd. It’s worth reading before the anime adaptation airs.
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Anime
‘Mahoutsukai no Yoru’ Reveals Production Staff, Final Trailer, Theme Song
The special livestream presentation for the anime movie adaptation of Type-Moon‘s Mahoutsukai no Yoru (Witch on the Holy Night) visual novel reveals production staff, theme song, and final promotional video on Wednesday. Produced by ufotable, the film is scheduled to open in Japanese theaters on November 20.
Staff
Director: Masashi Takeuchi (Kimetsu no Yaiba Movie: Mugen Ressha-hen episode director)
Chief Director: Hikaru Kondou (Kimetsu no Yaiba Movie 1: Mugenjou-hen – Akaza Sairai)
Script Production: ufotable
Chief Animation Director: Masato Nagamori (Kimetsu no Yaiba: Katanakaji no Sato-hen)
Character Design: Moe Tsuzuki (Katsugeki/Touken Ranbu)
Sub-Character Design: Nana Ishigo (Fate/stay night Movie: Heaven’s Feel – III. Spring Song animation director), Masato Nagamori
Prop Design: Masato Saito
3D Director: Gochu Sato
Art Director: Kouji Etou (Fate/stay night: Unlimited Blade Works)
Color Design: Mika Matsuoka (Fate/stay night Movie: Heaven’s Feel – II. Lost Butterfly)
Editing: Manabu Kamino (Kimetsu no Yaiba: Yuukaku-hen)
Director of Photography: Yuuichi Terao (Fate/stay night Movie: Heaven’s Feel – I. Presage Flower)
Music: Hideyuki Fukasawa (Gnosia)
Japanese pop band supercell (Monogatari Series: Second Season) is performing the theme song “Yoru to Ao,” which is previewed in the trailer below.
Developed and published by Type-Moon, the visual novel Mahoutsukai no Yoru (Witch on the Holy Night) was launched for Windows in Japan in April 2012. An enhanced remaster debuted on Nintendo Switch and PlayStation 4 in December 2022, followed by a Steam port in December 2023. It later received a worldwide release in December 2023. Written by Kinoko Nasu, it serves as a prequel to Shingetsutan Tsukihime (Lunar Legend Tsukihime) within the shared Nasuverse.
Final Trailer
Source: Official Site
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Anime
The Final-Boss Prince is Somehow Obsessed with the Chubby Villainess: Reincarnated Me Anime’s 1st Video Unveils More Cast & Staff, January Debut – News
The official website for the television anime of writer Kotoko and artist Kaname Hanamiya‘s The Final-Boss Prince is Somehow Obsessed with the Chubby Villainess: Reincarnated Me (Odebu Akujo ni Tensei Shitara, Nazeka Last Boss О̄jisama ni Shūchaku Sareteimasu) manga presented on Wednesday the anime’s first full promotional video, first key visual, additional cast and staff members, and its January 2027 premiere. The anime will run on the Tokyo MX, BS NTV, AT-X and CBC TV channels, and will stream on the d Anime Store streaming service in Japan.

©Minto Studio/weavin/おデブ悪女製作委員会
The newly announced cast members are:
Shunichi Toki as Lewis, the first-born prince of the kingdom

© Minto Studio/weavin/おデブ悪女製作委員会
Fūka Izumi as Adele, Celine’s little sister

© Minto Studio/weavin/おデブ悪女製作委員会
The additional staff members include:
The staff previously announced that Fumino Kakihata and Yukiko Sekita are also designing the characters.

© Minto Studio/weavin/おデブ悪女製作委員会
Media Do, NTT Docomo, Akatsuki Group, and MyAnimeList‘s joint digital manga distribution service Manga Mirai is publishing the series in English (until December), and it describes the story:
After dying of illness, she has been reincarnated as Celine, the selfish, fat, villainous duchess, sister of the heroine of a popular novel. If she stays this way, she will be killed by the hero prince and die a miserable death, just as in the novel. She vows to reform herself with all her might and begins to struggle, but she finds herself caught up in unexpected doting and obsession..! Will Celine be able to find “peaceful happiness”? A fantasy love story about a reincarnation in another world where she is loved too much by a Yandere.
The anime stars Haruka Shiraishi as Celine and Takeo Ōtsuka as Wilfred.
Naoyuki Kuzuya (Possibly the Greatest Alchemist of All Time) is directing the anime at Studio Lings with Shūsaku Katо̄ as the assistant director. Mitsutaka Hirota (Edens Zero) is overseeing and writing the series scripts. Infinite is producing.
Kotoko and Hanamiya launch the manga in April 2023. The fifth compiled book volume shipped in Japan on February 14. The series has over 70 million downloads.
Sources: The Final-Boss Prince is Somehow Obsessed with the Chubby Villainess: Reincarnated Me anime’s website, Comic Natalie
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Anime
The World’s Strongest Witch Anime Casts Nana Mizuki – News
The official website for the television anime of Mochimaru Sakaki‘s The World’s Strongest Witch: I’m Starting My Free Life in a World Where Only I Can See the Online Strategy Guide (Sekai Saikyō no Majo, Hajimemashita: Watashi dake “Kōryaku Site” o Mireru Sekai de Jiyū ni Ikimasu) light novel series announced on Wednesday that Nana Mizuki will voice Yggdrasil, the spirit of the World Tree. The character will appear in the anime’s first episode on October 7.

©坂木持丸・riritto・戸賀環・講談社/「世界最強の魔女、始めました」製作委員会

©坂木持丸・riritto・戸賀環・講談社/「世界最強の魔女、始めました」製作委員会
Yen Press is releasing the light novels in English, and will release the third volume on November 10. Yen Press describes the story:
When Lorna manifests a completely useless ability, she’s labeled an embarrassment to her family and kicked out of the house. With no money or food, she’s about to hit rock bottom. But then, she figures out how to use her supposedly worthless SSS-Rank skill, “Internet.” This cheat-level talent gives her the know-how to gather an unlimited amount of valuable items and easily acquire rare equipment. Armed with godlike knowledge, Lorna’s free to do anything she wants! If only she could figure out what “lmfao” means…
The anime stars:
Jōji Furuta (ēlDLIVE, Double Decker! Doug & Kirill, Bad Girl) is directing the anime at the studios Bridge and Aisle. Shoji Yonemura (Pokémon Journeys: The Series, One Piece 2013-onwards, Bad Girl) is in charge of the series scripts. Yūki Morimoto (Cardfight!! Vanguard GZ, Boarding School Juliet, Bad Girl) is designing the characters.
Additional staff members include:
HoneyWorks feat. HaKoniwalily perform the opening theme song “Eikyōryoku∞Idol” (Infinitely Influential Idol), and the group Rokudenashi performs the ending theme song “Hoshi o Muguru” (Traversing the Stars).
The anime will premiere on the Tokyo MX, BS11, and TV Aichi channels on October 7, and on MBS on October 10.
Mochimaru Sakaki began serializing the original story in the Shōsetsuka ni Narō website in May 2022. Square Enix published the first print novel volume in December 2022, with illustrations by riritto. The sixth novel volume will ship on October 7.
Tamaki Toga launched a manga adaptation in Kodansha‘s Getsu Maga Kichi/Comic Days website in May 2023. Kodansha published the manga’s 14th compiled book volume on October 8.
Comikey publishes both Daisuke Takashima‘s manga adaptation of Sakaki’s The Strongest Swordsman Has Zero Equipment Slots novel series, as well as Namiki Tsukiyama‘s manga adaptation of Sakaki’s Final Boss Fake-out novel series in English. Square Enix also publishes both manga in English on its Manga UP! Global website.
Sources: The World’s Strongest Witch anime’s website, Comic Natalie
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