The official website for the second season of the television anime of Ran Kuze‘s Medaka Kuroiwa is Impervious to My Charms (Kuroiwa Medaka ni Watashi no Kawaii ga Tsūjinai) manga opened on Thursday and revealed the second season’s teaser promotional video, teaser visual, returning cast members, and returning and new staff members.

Ryōta Iwasaki and Yū Serizawa reprise their roles as Medaka Kuroiwa and Mona Kawai, respectively.

Yoshiaki Okumura returns to direct the second season at Synergy SP. Yoriko Tomita (The Elusive Samurai, My Dress-Up Darling two seasons, Senpai is an Otokonoko) is in charge of series scripts, replacing Kazuyuki Fudeyasu. Mayumi Watanabe is again designing the characters, Nozomi Nakatani (Too Cute Crisis, The Invisible Man and His Soon-to-Be Wife) joins Noriyoshi Konuma from the first season as sound director, Akiyuki Tateyama also returns to compose the music, and Aiko Yamagami returns as color designer. Shinichirō Nagano (Mr. Villain’s Day Off, A Gatherer’s Adventure in Isekai) is the new compositing director of photography, replacing Tetsuya Nishimura, and Hiroki Matsumoto (Gugure! Kokkuri-san, The Ossan Newbie Adventurer) is the new art director, replacing Masakazu Miyake. 

The anime’s first season premiered in January 2025. Crunchyroll streamed the anime as it aired, and it is also streaming an English dub.

Kodansha USA Publishing releases the manga in English digitally and physically. The company describes the story:

Mona is the cutest girl in school, and she knows it. In fact, she’s worked hard to make her high school debut successful. But no matter what she does, she can’t seem to catch the eye of stone-cold stoic Medaka Kuroiwa—but she’s not about to give up that easy. Medaka, on the other hand, has been raised at a temple and was told to never become close to women. Who will win in this heated battle of wills?

Kuze (Tokyo Ravens: Sword of Song) first published the manga as a one-shot story in Kodansha‘s Weekly Shōnen Magazine in December 2020. The manga started its full serialization in the magazine in May 2021. Kodansha published the manga’s first compiled book volume in Japan in August 2021, and the 24th volume will ship on May 15.

Sources: Medaka Kuroiwa is Impervious to My Charms season 2 anime’s website, Comic Natalie

One Peace Books announced on Wednesday through the Behind the Manga website that it has licensed Shīme‘s (Si-me) manga adaptation of Toshimichi Uzō‘s My Sweet Marriage to My Ex-Nemesis (Soshiki no Shukuteki to Kekkon Shitara Mecha Amai) novel series. One Peace Books will release the first volume on March 16, 2027.

One Peace Books describes the manga:

They used to be sworn enemies. Now they’ re sworn spouses.

Roshi Saigawa and Ritsuka Nagira were once bitter rivals, each fighting for supremacy within rival organizations of superpowered warriors. Their days were filled with duels, schemes, and a rivalry so fierce it seemed nothing could ever bridge the gap between them. Yet, somehow, the impossible has happened— they’re now happily married!

From bitter enemies to star-crossed lovers, these two have traded their weapons for wedding vows, and their former battles have given way to laughter, love, and the everyday chaos of newlywed life.

But just because they’ve left the battlefield behind doesn’t mean life has gotten easier. Old rivalries resurface, secrets linger, and the lines between love, rivalry, and sheer chaos blur in ways neither of them expected. From laugh-out-loud domestic disasters to heart-melting romantic moments, Roshi and Ritsuka are about to prove that falling in love with your enemy isn’t just possible— it’ s explosive.

Full of humor, heart, and sizzling chemistry, this enemies-to-lovers rom-com will keep you laughing, swooning, and turning pages until the very last!

Shīme launched the manga in Kadokawa‘s Dengeki Maoh magazine in November 2024. Kadokawa published the manga’s first compiled book volume in June 2025.

Toshimichi Uzō published the first light novel volume in October 2023 under Kadokawa‘s Dengeki Bunko imprint, with illustrations by Kewi Hayashi. The fourth novel volume shipped in August 2025.

Source: Behind the Manga (WinterVenom)

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Disclosure: Kadokawa World Entertainment (KWE), a wholly owned subsidiary of Kadokawa Corporation, is the majority owner of Anime News Network, LLC. One or more of the companies mentioned in this article are part of the Kadokawa Group of Companies.

You don’t see a lot of RPGs with futuristic trappings, especially ones that don’t just use it as window-dressing for fantasy worlds. STARBITES, a new RPG from IKINAGAMES and NIS America, is that rare gem: an RPG that goes whole-hog into the science-fiction world of mechsuits and robots instead of elves and orcs. Its gritty, post-apocalyptic setting is at least one thing it has going in its favor. Much like protagonist Lukida’s mechbot, it’s reliable, but it’s got noticeable wear and tear.

The story goes that our protagonist, Lukida, was born on the planet of Bitter, the unfortunate stage of the end of an old intergalactic war. Born into an astronomical debt from her late parents, Lukida has vowed to escape her indentured servitude along with her debt, with the help of her friends Gwendoll and Badger. She has to regain her literal ticket to a flight off Bitter, lost in a battle against a mechanical titan. Her journey takes her across the many ruined wastelands of Bitter: oceans of dunes, swamps of leaked battery acid, graveyards full of crashed starships, and the hallways of those ships whose internal batteries haven’t yet kicked the bucket. Along the way, she’ll meet all manner of scavengers, bandits, and bounty hunters. It’s an effective yarn; Lukida is a winsome protagonist, and her friends are lovable. The story beats are effective and the characters memorable, if a bit archetypal.

As much as I enjoyed my time with STARBITES, I want to frontload some issues I’ve had with it. I’m not sure of the details behind its development, but there’s a bit of crunch to the game, to coin a phrase. Graphical glitches are noticeable at times; one time, a town’s cat spawned underneath an NPC I was speaking to, causing the cat to clip and freak out. There’s a town whose entrance is a dark hallway leading to an open room; stepping past a certain point in the hallway made the whole hallway vanish instantly. There was one instance of Lukida’s model t-posing during a cutscene where she was clearly meant to be walking. Graphics aside, there is also a bit of jank to the game’s general structure. One quest tasked me with delivering a lost item from somewhere in the wasteland; while I found the item before even taking the quest, I had to go back to where I found the item to trigger a cutscene before the quest allowed me to deliver the item. Movement is also a bit sluggish; there’s a “Dash” button that you can toggle to keep activated, but even “Dashing” feels a bit slow when crossing maps (the intended walking speed is all but intolerable). Unfortunately, when Lukida is on foot, her dash makes her skid to a stop. The music is inoffensive but not terribly memorable.

These issues never escape the fringes of my vision, but all the same, the basic mechanics work and are fun. There’s a lot of customization, courtesy not just of the equipment you can find for your Mechbots, but also from the associated engines and Cores, which further modify your Mechbot’s performance. The Cores are an especially fun mechanic, being built from the scraps and drops you find all over the wasteland. In my playthrough, I enjoyed granting a core specializing in counter-attacks to Badger, the dedicated tank that could farm aggro. There are some limits (you can’t double-up on two cores of the same type), but there’s a lot of fun tinkering to be had.

And that’s just the start of the customization fun. Characters also have skill trees that can bestow bonus stats, unique types, or modify the properties of their attacks, improving their buffs or debuffs; modifying their SP costs; or even allowing you to regain limited amounts of health or SP with each physical attack. You even have the option of restarting your skill tree at any moment to redistribute your skill points (earned with each level up).

The customization comes in handy with battles. Each skill has a “type,” and each enemy has shields vulnerable to specific types. Using enough skills of the right typings can ‘Break’ enemies, stunning them for a few actions and leaving them open to extra damage. The system is fun and makes boss battles harrowing, but in my playthrough, the mechanic was somewhat wasted; any degree of diligent exploration made my party strong enough to overwhelm enemies without breaking them. A pity, since that meant my Support characters see no action, since they only jump in to deal support damage when an enemy is Broken.

Similarly appealing is the “Driver’s High” mechanic; after enough actions or damage taken, characters can enter the Driver’s High with a button press, buffing their stats and allowing them to take an immediate action regardless of speed. Driver’s Highs are also fun because they change the properties of some attacks, either enhancing their effects or even adding whole new types entirely. You can even choose talents that add further wild effects for skills. But again: if you gain too much experience, you’ll go through whole battles without ever seeing it.

It is a shame that the tuning is ever-so-slightly off on STARBITES, because the basic experience is solid and appealing. Lukida and her friends are easy to get invested in, and the battle system works and even gives you amazing amounts of player expression. STARBITES is still just a bit noticeably rough around the edges. Don’t let that scare you away: there’s a reliable, well-tuned motor under the hood of this title. With some refinement, I can see this game hitting hard. Folks looking for a traditional turn-based experience, at least, should make a beeline for STARBITES, but I don’t blame other folks for waiting for a sale.