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‘Six Months in a Pink and Blue Building’ Film Clip: Cannes 2026

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Six Months in a Pink and Blue Building (Seis Meses e el Edificio Rosa con Azul). The title alone may intrigue you enough to go watch Mexican director Bruno Santamaría Razo‘s first fiction feature, which world premieres in this year’s edition of the Cannes Critics’ Week on Tuesday, May 19.

If you want to know a bit more, here is the synopsis: “Bruno, a young, precocious 11-year-old growing up in 1990s Mexico City, must cope with grown-up responsibilities following the life-changing news of his father’s HIV diagnosis. This news transforms his innocent childhood as he must navigate his emotions not only about his father’s illness and its impact on his entire family, but also his growing feelings for his best friend Vladimir.”

Mirroring salsa songs, the family tries to sing and dance their pain away. But 30 years later, Bruno feels the urge to film and reimagine the memory of what he could not quite perceive as a kid. Concludes the description of the film: “Through a lens of familial love and joyful celebration, the filmmaker processes the pain, and ultimately understanding, of this turbulent time in his childhood.”

The cast is made up of Jade Reyes, Sofía Espinosa, Lázaro Gabino, Eduardo Ayala, Valeria Vanegas, Anuar Vera, Teresa Sánchez, Valentina Cohen, Nara Carreira and Demick Lopes.

Santamaría Razo, whose films explore memory, secrets, and childhood, has worked as a cinematographer and documentary director. His 2020 documentary Cosas que no hacemos won the Gold Hugo Award at the Chicago International Film Festival and the Grand Prize at BAFICI.

He wrote and directed Six Months in a Pink and Blue Building and edited it with Andrea Rabasa Jofre. Fernando Hernández García handled the cinematography for the movie, which was produced by Carlos Quinonez and Bruna Haddad. Luxbox is in charge of sales. The film was produced by Mexico’s Ojo de Vaca Productora in co-production with Brazil’s Desvia Films and Denmark’s Snowglobe.

“During filming, something very powerful happened,” the filmmaker shares in press notes about the film. “For example, there was a moment when an actor said a very ordinary line, something simple, and someone in my family heard it and immediately recognized themselves in it. Even if they didn’t remember ever saying it, they recognized themselves. They saw themselves there. And that was very important to me. Because I felt fiction was managing to connect with something deeply true.”

THR can now exclusively reveal a clip for Six Months in a Pink and Blue Building. It allows you to get a first feel for the cinematic tone and vibe of the film as it transports us to Mexico City in the ‘90s. Get ready to move and dance – and to get a sneak peek at Bruno and his surroundings. But don’t forget: Inhale! Exhale!

Watch the exclusive clip from Six Months in a Pink and Blue Building below.

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‘Obsession’ Writer/Director On “Tragic Story” Within Horror Movie

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As Curry Barker makes his directorial breakout with Obsession, he’s discussing the movie’s layered themes of consent and communication.

The writer and director of the horror film recently discussed how the character of Nikki (Inde Naverrette) is depicted as both a villain and a victim after her best friend Bear (Michael Johnston) makes a wish that she would love him more than anything in the world.

“Well, we wanted it to feel grounded, and we wanted to really lean into, ‘OK, magic is real in this world, fine. Let’s accept that, let’s move on,’” explained Barker to DiscussingFilm. “And now, what you’re left with is a pretty tragic story about a man and a woman, and leaning into the realism of that was really important to me.”

While Naverrette flawlessly plays Nikki as being possessed by a sinister spirit who’s obsessed with Bear, her performance also includes tortured outbursts as the real Nikki sporadically breaks free from her subconscious to react in horror as her friend takes advantage of the situation.

Now playing in theaters, Obsession also stars Cooper Tomlinson, Megan Lawless and Andy Richter.

Following Barker’s 2024 directorial debut Milk & Serial, Obsession marks his breakout, ahead of a full slate that includes Blumhouse’s Anything but Ghosts and A24’s Texas Chainsaw Massacre.

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‘Love on the Spectrum’ Star Feels “Disrespected” By R-Slur In ‘Euphoria’

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After the R-word has recently been normalized on television, Dani Bowman is speaking out against the casual use of the ableist slur.

The Love on the Spectrum star recently reacted to Sydney Sweeney’s Cassie on Euphoria proclaiming “I’m not r—ed” when accused of sounding like a Democrat in a recent episode of Sam Levinson’s HBO drama, explaining the word should “never” be used and should “be banned.”

“We worked way too hard for inclusion and acceptance to normalize the R word again,” Bowman told TMZ. “As someone on the autism spectrum, it’s honestly painful to watch this language become socially acceptable again in pop culture. That word has been used for decades to bully, humiliate and dehumanize neurodiverse people, and bringing it back like it’s edgy or funny, it’s not progress. It’s a step backwards. We spent years trying to educate people that these words hurt real human beings, and representation means nothing if respect disappears the second people think it’s trendy to mock disability again.”

The DaniMation Entertainment founder also responded to Dwayne ‘The Rock’ Johnson using the word twice while joking about NBA’s Draymond Green during Netflix’s The Roast of Kevin Hart.

Bowman said, “I respect Dwayne Johnson and everything he’s accomplished, but using the R word, even in a joke or skit, is disappointing. Words like that have a real impact because they’ve been used for years to mock and tear down people with disabilities and neurodiverse individuals. We’ve made a lot of progress when it comes to inclusion and awareness, so seeing that kind of language come back into mainstream entertainment feels like a step backwards. Comedy can still be funny without targeting a community that’s fought hard to be accepted.

@tmz

🚨Dani Bowman — a star on the hit show “Love on the Spectrum” — is calling out Dwayne Johnson and the TV show “Euphoria” for using the r-word liberally … saying she feels disrespected.

♬ original sound – TMZ

“I feel totally disrespected. You disrespect one, and you disrespect us all,” added Bowman. “This word should be banned. I didn’t really like this R word at all, because it just dehumanizes people.”

Bowman has been outspoken about neurodivergent representation, previously calling our Robert F. Kennedy Jr. for his comments about people on the autism spectrum.

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‘Obsession’ Review: Inde Navarrette Solidifies ‘Scream Queen’ Status

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The horror genre has a talented new storyteller with Curry Barker in his sophomore feature Obsession, as well as scream queen in the making with star Inde Navarrette.

In the film from writer and director Barker, Bear (Michael Johnston) makes a wish on a cheap novelty toy, a One Wish Willow, that his longtime friend Nikki (Navarrette) will love him more than anything else in the world. The wish is granted immediately, with sinister and gory consequences ensuing.

It’s ultimately a movie about consent and the importance of communication in dating and relationships. This whole bloody affair could have been avoided if Bear could have worked up the nerve to tell his friend how he feels.

Navarrette does her job like a pro, delivering a chilling performance as a possessed lovesick young woman, with the real Nikki being tortured and trying to break free. It’s terrifying and exhilarating trying to guess what she’ll do next and how far she’ll take this romantic fixation, delivering demonic mood swings and creepy mannerisms that will keep

Focus Features and Universal have built hype around the film and Nikki, creating a text line for fans to talk to the character, who is known to appropriately light up people’s phones in the middle of the night. Meanwhile, street advertisements featuring the movie’s title has gained distressing graffiti in Nikki’s handwriting, expressing her love for Bear.

Barker, who made his debut with 2024’s Milk & Serial, sets an unsettling cinematic experience in his horror breakout, creating a familiar sleepy experience of disenchanted youth, only for the rug to be snatched out under the audience as the terrifying reality sets in.

My only gripe is that there are only two kill scenes, and they are wildly disproportionate. One character is given enough blood and gore to nearly warrant an NC-17 rating, and the other character’s death felt like a lazy afterthought played for laughs.

OK, I have two gripes—Andy Richter is in the movie for all of two minutes as the characters’ boss, and he has maybe one line. Seems like a waste of a comedic legend.

Overall, Barker nails his sophomore feature in a growing new cohort of YouTube creators turned horror filmmakers, delivering a chilling movie-going experience and establishing his style ahead of a busy slate that includes Blumhouse’s Anything But Ghosts and A24’s Texas Chainsaw Massacre.

Producers are James Harris, Haley Nicole Johnson, Christian Mercuri and Roman Viaris.

Title: Obsession
Distributor: Focus Features, Universal Pictures
Release date: May 15, 2026
Director-screenwriter: Curry Barker
Cast: Michael Johnston, Inde Navarrette, Cooper Tomlinson, Megan Lawless, Andy Richter
Rating: R
Running time: 1 hr 49 mins

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