Arie and Chuko Esiri’s Clarissa is one of the more intriguing titles this year at Cannes. When the film and its cast were announced earlier this year by Neon, which acquired world rights, the announcement went viral. And this evening in Cannes, the film received a hearty standing ovation following its debut screening in the Directors’ Fortnight competition. 

Shot on 35mm film in Nigeria, the film is a loose adaptation of  Virginia Woolf’s Mrs. Dalloway. The story follows Clarissa, a high-society woman in the throes of preparing to host a party at her home in Lagos, where she will unexpectedly encounter once-intimate friends from her youth. 

The official synopsis continues: “As the group reflects on their shared past over the course of a single night, memories of their intricate relationships, passionate love, hidden desires, and lost aspirations give rise to a bittersweet reckoning.” 

Starring in the pic are David Oyelowo (Selma), Toheeb Jimoh (Ted Lasso), Nikki Amuka-Bird (Knock at the Cabin), and Ayo Edebiri (The Bear), who has a supporting role. The film is led by Sophie Okonedo (Hotel Rwanda) and India Amarteifio (Queen Charlotte), who play the title character Clarissa at different ages. All were present at the screening this evening, excluding Edebiri. 

Introducing the film, Arie and Chuko spoke briefly, joking that they would leave longer speeches for their awards campaign. The duo thanked their many collaborators who “had a hand” in making the film happen. They also described the project as a welcome excuse for many of the cast, who have Nigerian ancestry, to return to the country. Following the screening, the audience in the Théâtre Croisette gave the film a lengthy standing ovation. 

Seth Rogen pulled exactly zero punches when asked about the supposed threat of AI in Hollywood.

The 2x Golden Globe winner called AI-generated content “stupid dog shit” and went as far as to say that people who use AI in their writing “shouldn’t be a writer,” while discussing his and wife Lauren Miller Rogen’s new animated film Tangles.

“I don’t understand what it’s supposed to do,” he told Brut. “Every time I see a video on Instagram that’s like, ‘Hollywood is cooked,’ what follows is the most stupid dog shit I’ve ever seen in my life.”

Rogen continued, “And if your instinct is to use AI and not go through that process, you shouldn’t be a writer. Because you’re not writing. Go do something else. And if you don’t want to go through the process, you shouldn’t be a writer. The idea of a tool that makes me write less is not appealing to me, because I like writing.”

The Tangles producer/star took pride in the fact that no AI was used in the making of the Leah Nelson-helmed animated film about a young woman dealing with her mother’s Alzheimer diagnosis and its impact on her family.

“Not at all,” said Rogen, who co-founded the Alzheimer’s nonprofit Hilarity for Charity with wife Miller Rogen. “It’s hand-drawn animation. Every frame has a human touch to it, which is great.”

Before Tangles premiered Friday at Cannes, earning a seven-minute ovation, Miller Rogen told Deadline the movie “spoke to me in such a sincere and deep way” after her late mother’s Alzheimer’s diagnosis.