Entertainment
All the Lovers in the Night Film Review: Sensitive Kawakami Adaptation
As a professional proofreader, Fuyuko (Yukino Kishii) spends her days and nights finding and correcting mistakes. Others seem to find fault with her in turn — her point person, Hijiri (Misato Morita) questions why she never seems to leave her house, go out anywhere, doesn’t have a boyfriend, doesn’t seem to pursue casual sex like she does. But Fuyuko does, in fact, leave her house. She likes to walk late at night, when only “half the world remains.” The artificial glow from the vehicles and shops of Tokyo’s twilight hours shimmer and flicker across her face as she strolls. Shot on 16mm, the picture’s shifting grain mirrors the twinkling of the city’s light.
The Un Certain Regard-selected “All the Lovers in the Night” is adapted from the novel of the same name by the internationally-bestselling Japanese novelist Mieko Kawakami. Known for works such as “Breasts and Eggs” and “Heaven,” Kawakami’s delicate yet unrestrained prose captures kaleidoscopic realities of modern Japanese womanhood.
“All the Lovers in the Night” is a relatively thin tome, and its resultant film adaptation has the feel of a short story put under the microscope. Its writer/director Yukiko Sode is well-suited to her material. A rising female director, her previous features — including “Good Stripes” (2015) and “Aristocrats” (2020) — center women wrestling with shifting interpersonal and romantic relationships.
We spend the first portion of this pensive two-hour-plus feature watching day turn to night in Fuyuko’s home, as she lies on the floor in one room, sits at her desk in the next, and back again. Rain starts to pour through the open window. She pulls off her trousers to allow the droplets to fall onto her skin. Kawakami’s source novel gives these events meaning through its protagonist’s continuous first-person internal monologue — Sode smartly translates these thoughts into actions.
Kishii is compellingly, refreshingly unreadable in her role, reminiscent of Yuumi Kawai’s turn in “Desert of Namibia,” and her character’s listless lack of concession (to expectation or the audience) feels radical. It’s heartening to discover another female Japanese director treading this path, along with “Namibia” director Yoko Yamanaka and Akiko Ohku (“She Taught Me Serendipity”), to name a few who have been given an international spotlight of late.
When Fuyuko ventures out from her solitude, she’s blessed with a chance encounter. The man’s name is Mitsutsuka (Tadanobu Asano), a reserved and soft-spoken physics lecturer with whom she discovers she shares a passion for light. Dressed in a plain white shirt and wearing a gentle smile, Mitsutsuka sees Asano play in a subtler mode than the larger roles he’s best-known for. Despite the character’s older age, there’s a boyish charm to his intellectual enthusiasm — if you squint a little at his uniform-like outfit, he appears more school boy than school teacher. The pair meet again, in bars and coffee shops, and Fuyuko’s routine is reshaped. Those walks she loves become social. Is it just the walks that she loves?
Sode’s film is unpretentiously talky in these scenes, buoyed by the breezy yet grounded chemistry between its unlikely romantic pairing. Their musings on light, particles, and human connection are charming and poignant, though it never feels as if “All the Lovers in the Night” is hoping to express anything in particular — sequences stretch out naturalistically to the point of stagnation. For some, this may prove boring; for others, emotionally resonant. We can appreciate things differently when we stop to inspect them more closely, noticing anomalies flicker across our vision.
He introduces her to Chopin, and the previously quiet film gains a soundtrack. However, memory starts to get in the way for Fuyuko. We flash back without preamble to her high school days, where she suffers a sexual assault from a friend. This is presented upsettingly matter-of-factly — sudden, and just out of frame. Back in the present, Fuyuko’s feelings for Mitsutsuka begin to shift as she steps out into the light. It’s a startling moment, as the young woman hasn’t let anyone in until now — least of all the audience.
But the film’s slightness is a feature, not a fault, speaking to the ephemerality of our human connections and how we feel about them. “All the Lovers in the Night” succeeds in capturing something true and intangible about that experience. “Is there nothing here?,” questions Fuyuko in the final act, waving her hand through seemingly empty air. “Sure there is,” he replies.
Grade: B
“All the Lovers in the Night” premiered in Competition at the 2026 Cannes Film Festival. Neon will release it in theaters.
Want to stay up to date on IndieWire’s film reviews and critical thoughts? Subscribe here to our newsletter In Review by David Ehrlich, in which our Chief Film Critic and Head Reviews Editor rounds up the best new reviews and streaming picks along with some exclusive musings — all only available to subscribers.
>
movies
Starz Subscriber Levels Climbed In Q2 Despite Price Increase, CEO Jeff Hirsch Says
Starz CEO Jeff Hirsch said total subscribers rose in the second quarter despite a price increase taking effect during the period.
Speaking to Wall Street analysts Friday on the company’s quarterly earnings call, Hirsch declined to state a number of subscribers, in keeping with the company’s decision to stop breaking out that metric. The company ended 2025 with 17.6 million subscribers.
Hirsch said it is “very rare” for subscribers to increase at the same time prices rise. “So, there’s real strength of the business on both sides of the revenue equation,” he said.
The most recent increase, to $11.99 a month, took effect in June.
Prior to the call, Starz reported a mixed set of financial results for the second quarter. Revenue edged Wall Street expectations, coming in at $307.9 million, but slipped 4% from its year-ago level of $319.7 million. Net losses widened to $189.4 million, but the company also disclosed a charge of $147.2 million due to the end of its output deal with Universal.
Starz shares, which have more than doubled in 2026 to date, drifted down 2% in pre-market trading. The company completed its separation from Lionsgate, which owned it for nearly a decade, in 2025.
Alison Hoffman, president of domestic networks chief, was asked about the company’s recent deal with Netflix for the first four series in the Power franchise. She said the global deal “creates an opportunity for us. It’s a way for us to introduce the franchise to new audiences, new viewers. and really reinvigorate it.”
She noted that Starz retains exclusive rights to all sequels, prequels and spinoffs to the show. Its recent installments are really driving the business in terms of engagement and first title streaming and subscriber acquisition. So yes, we think it’s a good thing. It is part of our strategy as programming gets mature. We think that’s syndication model actually works for us.”
On a similar note, Hirsch said the exit from the Universal post-pay-1 arrangement is a positive step. He was asked how much of the company’s overall programming was represented by the Universal titles. “We haven’t aired those titles in almost a year and a half because we were working with Universal, who wanted to keep them fresh. There’s absolutely almost zero viewership or engagement tied to those titles.” When they did air, he added, “we were paying, pay-2 prices for library performance. And so we’ve been able to reinvest some of the savings into buying library to actually drive more engagement.”
Engagement in the second quarter, Hirsch added, was the second-highest in Starz history.
Activity in the current third quarter also received mentions during the call. Michael, a billion-dollar movie hit for Lionsgate, will debut next week on Starz. And Fightland, which was released last week, had the second-best debut of any Starz original. The boxing series launched as Power Book III: Raising Kanan was wrapping its fifth and final season with healthy viewership.
Hirsch said Fightland also offers an appealing financial profile. “It’s doing exactly what we designed it to do, which is to serve the audience that we have, lower churn, extend engagement, extend lifetime value at a cost that is much more reasonable than we’ve gotten from the prior parent,” he said, referring to former owner Lionsgate.
Fightland, he said, costs about $2.5 million per episode, making it “cheaper” than the kind of programming the company used to source from Lionsgate Television. “It’s the same amount of content, just much cheaper cost,” Hirsch said.
>
Entertainment
FCC’s National Broadcast Ownership Cap Repeal Explained
The Federal Communications Commission on Thursday repealed a 22-year-old law limiting how many local TV stations a company can own, a move that’s likely to shake up the industry and open the door to more M&A activity.
The cap was first implemented by Congress in 2004 as part of the Consolidated Appropriations Act to prevent monopolization and ensure viewpoint diversity. It limits entities from owning or controlling broadcast television stations that reach more than 39% of U.S. TV households. Going forward, the FCC plans to conduct a case-by-case review, in which it will approve or deny future deals based on whether they meet the agency’s public interest standard, not a specific percentage cap.
Companies like Nexstar and Sinclair have lobbied for the cap to be raised or eliminated, arguing that their competition is no longer just other stations, but streaming services and tech giants like Amazon and YouTube who do not have to adhere to the same restriction. They maintain that industry consolidation is needed in order to thrive and survive in the current media landscape.
Critics, however, argue that only Congress has the legal authority to raise or eliminate the cap and that consolidation could lead to newsroom closures, fewer independent voices and higher prices for consumers.
Complicating matters are state attorneys general who have taken a larger role in antitrust enforcement and present a meaningful hurdle. The merger between Nexstar and Tegna, which the FCC had already approved with a waiver that bypassed this cap, is still on hold thanks to a preliminary injunction successfully won by 13 states suing on antitrust grounds.
“For consolidation, this opens the floodgates on paper. In practice, antitrust is now the binding constraint,” regulatory attorney Braden Perry told TheWrap. “Station groups can get past the FCC, but they still have to get past state AGs, private plaintiffs and possibly the DOJ.”
Here’s a breakdown of everything you need to know about the change in this 22-year-old rule.
Why did the FCC want to repeal the cap?
Carr has argued that the cap is an outdated rule and that its removal would provide “essential relief for local broadcasters by restoring a healthy counterbalance to the growing leverage of national programmers.”
He also said that increased scale as a result of the move would enable them to “attract the capital and advertising revenue needed to sustain and produce trusted and community-focused news and programming.”
“I don’t want local broadcast TV to go the way of local newspapers. And yet the risk is real,” he warned. “We should learn from our mistakes with the local newspaper industry, and we should not let the same thing happen to the local broadcast TV industry. Trusted sources of local reporting, broadcast over the public airwaves, are worth protecting and worth fighting for.”
Commissioner Olivia Trusty added that while the move is not a “silver bullet to reverse audience or marketplace trends entirely,” it would improve local broadcasters’ financial stability and bargaining power and provide additional resources to invest in local journalism, emergency coverage, investigative reporting and community programming.
“The Commission simply cannot expect broadcasters to advance localism, competition and diverse viewpoints if the underlying business model is unsustainable,” Trusty said.
What about this case-by-case review?
Analysts note that the change to allow the FCC to review M&A cases against its public interest standard opens up a can of worms.
New Street Research analyst and former FCC chief of staff Blair Levin warned TheWrap that Carr will be able to approve or reject a deal for any reason he wants and that approvals will likely require a “pro-Trump tilt” in news coverage.
“The Trump Administration has been very successful in shaking down companies by imposing a Trump transaction tax that replaces free markets with the market for Trump’s affection,” Levin said. “Carr is setting up a process – with a vague standard instead of a rule – that allows a similar shakedown for broadcasters.”
When asked about evaluating future transactions, Carr said the FCC’s case-by-case review would look at the facts and implement conditions if needed to protect localism.
“The future of local broadcast TV has to be localism. If they are just a pass-through, a mouthpiece for the national feed, people can get that through YouTube TV or other channels. So I think if they’re going to continue to exist, they have every market incentive to continue to focus on localism,” Carr said. “We have the right to preempt where you’re supposed to, if you think there’s a better fit, preempt national programming. We’d like to see that trend continue. So we will be focused to make sure that broadcasters continue to focus on localism and not just being dumb pipes for the national feed.”
What do the local TV owners say about the move?
The National Association of Broadcasters called the FCC’s move a “generational step toward strengthening local stations and ensuring they can compete in today’s media marketplace.” Meanwhile, Nexstar said it’s a “welcome, necessary and long-overdue recognition of today’s competitive landscape, which is dominated by legacy Big Media and Big Tech.”
“For too long, local broadcasters were handcuffed from reaching the scale they needed to compete on a more level playing field by outdated federal rules that didn’t apply to the largest and most powerful companies like Google’s YouTube, Meta’s Instagram, or Netflix,” Nexstar added. “Modernizing these rules will help ensure broadcasters can continue investing in local journalism and providing the free, trusted news and information that communities across America rely on every day.”

Nexstar and Sinclair executives have also said the move could boost M&A activity in the space.
The cap was notably a barrier to the pending $6.2 billion Nexstar-Tegna merger, which was granted a waiver from the FCC but is frozen amid an antitrust lawsuit from a group of state attorneys general and DirecTV. Meanwhile, Sinclair has launched a strategic review that includes exploring M&A opportunities.
“Sinclair is well prepared to participate in value creating consolidation,” CEO Chris Ripley said on Wednesday ahead of the vote. “We will remain disciplined in how and when we do so.”
What do opponents of the move say?
On the flip side, Anna Gomez, the lone Democratic commissioner serving in the FCC, argued that repealing the cap violates the law, exceeds the regulator’s authority and “undermines core public interest principles of localism, viewpoint diversity and competition.”
“A handful of station group giants does not represent the wishes of local broadcasters. They are large national companies that own local stations and increasingly dictate what airs on them without much local input. Trading a squeeze from Big Tech for a squeeze from Big Media does nothing to protect the communities this cap was designed to serve,” she said. “I recognize that broadcasters are facing serious economic pressures, but addressing one pressure point in isolation without looking at the full picture of rules, obligations and relief already on the table risks setting the wrong incentives.”
Sen. Elizabeth Warren (D-Mass.) said that Carr is “trying to illegally rewrite the rules to make it easier for billionaires to line their own pockets while jacking up costs and controlling what Americans watch.”
“After rubber-stamping the Nexstar-Tegna megamerger, this looks like the Trump administration’s latest attempt to roll out the red carpet for more antitrust disasters,” she added.
The American Television Alliance, a lobbying group representing pay TV providers, consumer groups and independent programmers, called the move a “serious setback for American consumers and local communities.”
“By eliminating this safeguard, the FCC has ignored Congressional intent and opened the door to unchecked ‘Big Broadcast’ consolidation that will drive up costs for viewers and reduce local news programming,” the organization added.
What does it mean for local TV station consolidation?
Companies at or near the 39% ownership limit include Nexstar, Fox, CBS parent Paramount and E.W. Scripps. Other station owners that could benefit from the cap’s repeal include Sinclair and Gray Media.
“In the short term, it is mildly good for investors in Sinclair and broadcasters wanting to sell to Sinclair,” Levin said. “But everyone knows Carr would approve those deals anyway through the same process he used for Nexstar, so there isn’t any significant change. And as Nexstar shows, states can still raise antitrust issues.”
Longer term, Levin argued that Democrats would be able to use the new rule to stop further consolidation if they win back the White House in 2028 and install a Democratic majority at the FCC.
“It makes the broadcasters’ license value dependent on the political whims of whoever is in the White House,” he added. “Markets don’t like that.”
What does it mean for the Nexstar-Tegna antitrust litigation?
As it relates to Nexstar’s ongoing lawsuit with a group of state attorneys general and DirecTV, Nexstar CEO Perry Sook said “on balance there could be marginal benefit because it makes the unknown known from a regulatory perspective,” but acknowledged that he didn’t know if it would have a “ton of effect” as the company goes through the legal process.
Levin said the ownership cap repeal would have “no impact” on the Nexstar antitrust lawsuit whatsoever.
“It might have helped Nexstar if Carr had adopted the order before the litigation so that it could have cited some of the findings,” he said. “But at the end of the day, Carr’s view of the ‘public interest’ does not trump antitrust law.”
How big will Nexstar-Tegna be?
To give you a sense of the scale of these companies without the ownership cap, Nexstar and Tegna combined would have owned 265 television stations in 44 states and the District of Columbia, representing 80% of households.
In order to clear the merger and receive the FCC’s waiver, the combined company agreed to divest six stations within two years of closing.
Will the repeal face a court challenge?
Almost certainly. Following the vote, Carr acknowledged that “everyone is free to litigate” the FCC’s decisions, but he argued that a D.C. Circuit court ruling that found setting the cap at a specific percentage determined “only the starting point from which the Commission was to assess the need for further change.”
“Folks have litigated FCC media regulation decisions historically. I wouldn’t be surprised if there’s appeals here, and we’ll allow the courts to work through it. But we’ve done our part,” he said. “If it goes to the courts, it goes to the courts, and we’ll litigate it, and we’ll see where it goes.”
Sook agreed that the FCC is on “very firm legal footing,” but expects a judicial review of the decision. Perry isn’t ruling out the possibility of a successful legal challenge.
“Challengers have a real case. The strongest argument is that an agency cannot repeal by rule what Congress wrote into law. After Loper Bright, courts will not defer to the FCC’s reading of its own authority,” Perry said. “I put a challenge at better than even on the statutory question. Watch for an early stay motion. If a court stays the repeal, pending deals are back under the old math.”
>
Entertainment
FCC’s National Broadcast Ownership Cap Repeal Explained
The Federal Communications Commission on Thursday repealed a 22-year-old law limiting how many local TV stations a company can own, a move that’s likely to shake up the industry and open the door to more M&A activity.
The cap was first implemented by Congress in 2004 as part of the Consolidated Appropriations Act to prevent monopolization and ensure viewpoint diversity. It limits entities from owning or controlling broadcast television stations that reach more than 39% of U.S. TV households. Going forward, the FCC plans to conduct a case-by-case review, in which it will approve or deny future deals based on whether they meet the agency’s public interest standard, not a specific percentage cap.
Companies like Nexstar and Sinclair have lobbied for the cap to be raised or eliminated, arguing that their competition is no longer just other stations, but streaming services and tech giants like Amazon and YouTube who do not have to adhere to the same restriction. They maintain that industry consolidation is needed in order to thrive and survive in the current media landscape.
Critics, however, argue that only Congress has the legal authority to raise or eliminate the cap and that consolidation could lead to newsroom closures, fewer independent voices and higher prices for consumers.
Complicating matters are state attorneys general who have taken a larger role in antitrust enforcement and present a meaningful hurdle. The merger between Nexstar and Tegna, which the FCC had already approved with a waiver that bypassed this cap, is still on hold thanks to a preliminary injunction successfully won by 13 states suing on antitrust grounds.
“For consolidation, this opens the floodgates on paper. In practice, antitrust is now the binding constraint,” regulatory attorney Braden Perry told TheWrap. “Station groups can get past the FCC, but they still have to get past state AGs, private plaintiffs and possibly the DOJ.”
Here’s a breakdown of everything you need to know about the change in this 22-year-old rule.
Why did the FCC want to repeal the cap?
Carr has argued that the cap is an outdated rule and that its removal would provide “essential relief for local broadcasters by restoring a healthy counterbalance to the growing leverage of national programmers.”
He also said that increased scale as a result of the move would enable them to “attract the capital and advertising revenue needed to sustain and produce trusted and community-focused news and programming.”
“I don’t want local broadcast TV to go the way of local newspapers. And yet the risk is real,” he warned. “We should learn from our mistakes with the local newspaper industry, and we should not let the same thing happen to the local broadcast TV industry. Trusted sources of local reporting, broadcast over the public airwaves, are worth protecting and worth fighting for.”
Commissioner Olivia Trusty added that while the move is not a “silver bullet to reverse audience or marketplace trends entirely,” it would improve local broadcasters’ financial stability and bargaining power and provide additional resources to invest in local journalism, emergency coverage, investigative reporting and community programming.
“The Commission simply cannot expect broadcasters to advance localism, competition and diverse viewpoints if the underlying business model is unsustainable,” Trusty said.
What about this case-by-case review?
Analysts note that the change to allow the FCC to review M&A cases against its public interest standard opens up a can of worms.
New Street Research analyst and former FCC chief of staff Blair Levin warned TheWrap that Carr will be able to approve or reject a deal for any reason he wants and that approvals will likely require a “pro-Trump tilt” in news coverage.
“The Trump Administration has been very successful in shaking down companies by imposing a Trump transaction tax that replaces free markets with the market for Trump’s affection,” Levin said. “Carr is setting up a process – with a vague standard instead of a rule – that allows a similar shakedown for broadcasters.”
When asked about evaluating future transactions, Carr said the FCC’s case-by-case review would look at the facts and implement conditions if needed to protect localism.
“The future of local broadcast TV has to be localism. If they are just a pass-through, a mouthpiece for the national feed, people can get that through YouTube TV or other channels. So I think if they’re going to continue to exist, they have every market incentive to continue to focus on localism,” Carr said. “We have the right to preempt where you’re supposed to, if you think there’s a better fit, preempt national programming. We’d like to see that trend continue. So we will be focused to make sure that broadcasters continue to focus on localism and not just being dumb pipes for the national feed.”
What do the local TV owners say about the move?
The National Association of Broadcasters called the FCC’s move a “generational step toward strengthening local stations and ensuring they can compete in today’s media marketplace.” Meanwhile, Nexstar said it’s a “welcome, necessary and long-overdue recognition of today’s competitive landscape, which is dominated by legacy Big Media and Big Tech.”
“For too long, local broadcasters were handcuffed from reaching the scale they needed to compete on a more level playing field by outdated federal rules that didn’t apply to the largest and most powerful companies like Google’s YouTube, Meta’s Instagram, or Netflix,” Nexstar added. “Modernizing these rules will help ensure broadcasters can continue investing in local journalism and providing the free, trusted news and information that communities across America rely on every day.”

Nexstar and Sinclair executives have also said the move could boost M&A activity in the space.
The cap was notably a barrier to the pending $6.2 billion Nexstar-Tegna merger, which was granted a waiver from the FCC but is frozen amid an antitrust lawsuit from a group of state attorneys general and DirecTV. Meanwhile, Sinclair has launched a strategic review that includes exploring M&A opportunities.
“Sinclair is well prepared to participate in value creating consolidation,” CEO Chris Ripley said on Wednesday ahead of the vote. “We will remain disciplined in how and when we do so.”
What do opponents of the move say?
On the flip side, Anna Gomez, the lone Democratic commissioner serving in the FCC, argued that repealing the cap violates the law, exceeds the regulator’s authority and “undermines core public interest principles of localism, viewpoint diversity and competition.”
“A handful of station group giants does not represent the wishes of local broadcasters. They are large national companies that own local stations and increasingly dictate what airs on them without much local input. Trading a squeeze from Big Tech for a squeeze from Big Media does nothing to protect the communities this cap was designed to serve,” she said. “I recognize that broadcasters are facing serious economic pressures, but addressing one pressure point in isolation without looking at the full picture of rules, obligations and relief already on the table risks setting the wrong incentives.”
Sen. Elizabeth Warren (D-Mass.) said that Carr is “trying to illegally rewrite the rules to make it easier for billionaires to line their own pockets while jacking up costs and controlling what Americans watch.”
“After rubber-stamping the Nexstar-Tegna megamerger, this looks like the Trump administration’s latest attempt to roll out the red carpet for more antitrust disasters,” she added.
The American Television Alliance, a lobbying group representing pay TV providers, consumer groups and independent programmers, called the move a “serious setback for American consumers and local communities.”
“By eliminating this safeguard, the FCC has ignored Congressional intent and opened the door to unchecked ‘Big Broadcast’ consolidation that will drive up costs for viewers and reduce local news programming,” the organization added.
What does it mean for local TV station consolidation?
Companies at or near the 39% ownership limit include Nexstar, Fox, CBS parent Paramount and E.W. Scripps. Other station owners that could benefit from the cap’s repeal include Sinclair and Gray Media.
“In the short term, it is mildly good for investors in Sinclair and broadcasters wanting to sell to Sinclair,” Levin said. “But everyone knows Carr would approve those deals anyway through the same process he used for Nexstar, so there isn’t any significant change. And as Nexstar shows, states can still raise antitrust issues.”
Longer term, Levin argued that Democrats would be able to use the new rule to stop further consolidation if they win back the White House in 2028 and install a Democratic majority at the FCC.
“It makes the broadcasters’ license value dependent on the political whims of whoever is in the White House,” he added. “Markets don’t like that.”
What does it mean for the Nexstar-Tegna antitrust litigation?
As it relates to Nexstar’s ongoing lawsuit with a group of state attorneys general and DirecTV, Nexstar CEO Perry Sook said “on balance there could be marginal benefit because it makes the unknown known from a regulatory perspective,” but acknowledged that he didn’t know if it would have a “ton of effect” as the company goes through the legal process.
Levin said the ownership cap repeal would have “no impact” on the Nexstar antitrust lawsuit whatsoever.
“It might have helped Nexstar if Carr had adopted the order before the litigation so that it could have cited some of the findings,” he said. “But at the end of the day, Carr’s view of the ‘public interest’ does not trump antitrust law.”
How big will Nexstar-Tegna be?
To give you a sense of the scale of these companies without the ownership cap, Nexstar and Tegna combined would have owned 265 television stations in 44 states and the District of Columbia, representing 80% of households.
In order to clear the merger and receive the FCC’s waiver, the combined company agreed to divest six stations within two years of closing.
Will the repeal face a court challenge?
Almost certainly. Following the vote, Carr acknowledged that “everyone is free to litigate” the FCC’s decisions, but he argued that a D.C. Circuit court ruling that found setting the cap at a specific percentage determined “only the starting point from which the Commission was to assess the need for further change.”
“Folks have litigated FCC media regulation decisions historically. I wouldn’t be surprised if there’s appeals here, and we’ll allow the courts to work through it. But we’ve done our part,” he said. “If it goes to the courts, it goes to the courts, and we’ll litigate it, and we’ll see where it goes.”
Sook agreed that the FCC is on “very firm legal footing,” but expects a judicial review of the decision. Perry isn’t ruling out the possibility of a successful legal challenge.
“Challengers have a real case. The strongest argument is that an agency cannot repeal by rule what Congress wrote into law. After Loper Bright, courts will not defer to the FCC’s reading of its own authority,” Perry said. “I put a challenge at better than even on the statutory question. Watch for an early stay motion. If a court stays the repeal, pending deals are back under the old math.”
>
-
movies3 months agoSearch For Canadian TV Actor Stewart McLean Now Homicide Investigation
-
Fashion9 years agoThese ’90s fashion trends are making a comeback in 2017
-
Fashion9 years agoAccording to Dior Couture, this taboo fashion accessory is back
-
Fashion9 years agoModel Jocelyn Chew’s Instagram is the best vacation you’ve ever had
-
Fashion9 years agoYour comprehensive guide to this fall’s biggest trends
-
Fashion9 years ago9 Celebrities who have spoken out about being photoshopped
-
Fashion9 years agoEmily Ratajkowski channels back-to-school style
-
Fashion9 years agoA photo diary of the nightlife scene from LA To Ibiza


