
Sydney Sweeney as Cassie in ‘Euphoria’
Netflix has cookies to nom, nom, nom on.
Coming on top of a two-company bidding war, the streaming giant has landed the feature film rights to Sesame Street, the long-running and iconic children’s educational television show.
Rideback, the production company behind the billion-dollar live-action Lilo & Stitch and Aladdin movies, and run by Jonathan Eirich and Michael Lofaso, will produce the feature. The company had already been working with Sesame Workshop, the company behind the show, on an animation project, and was able to get an early jump.
Sesame Workshop will be involved in a producer capacity as well.
The move brings Sesame Street fully into Netflix’s arms as the streamer already has the television rights, something it picked up in May 2025.
Who would acquire the movie rights has been about a year-long contest. Sesame Workshop signed with CAA in the fall and initially it was a three-way grouch match between Netflix, Universal and, according to sources, Warner Bros.
Warners, who actually had the feature rights for about a decade but was never able to get to a Sesame Street movie, bowed out early amid acquisition drama, first by Netflix, then by Paramount.
Universal proved a strong contender as it had The Daniels, the Everything Everywhere All at Once filmmaking team of Daniel Kwan and Daniel Scheinert, attached to produce as well as Phil Lord and Chris Miller. (Neither entity was attached to direct, sources stress.)
In the end, Netflix prevailed. It helped that Sesame Workshop also approved of Rideback’s approach to the material. No filmmaker is currently attached.
Sesame Street is best known as the home of the Big Bird, Bert and Ernie, Grover, Oscar the Grouch, Cookie Monster and Elmo. The series has generated two previous big-screen adaptations, 1985’s Follow That Bird and 1999’s The Adventures of Elmo in Grouchland. Bird featured John Candy, Chevy Chase and Dave Thomas as well as the marquee puppets. It was distributed by Warner Bros.
The Insneider newsletter first reported the news of Netflix’s acquisition.
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Following criticism of Euphoria‘s final season and its depiction of OnlyFans creators, Sam Levinson has addressed the backlash.
The creator of the HBO series admitted he took a “fairly critical look” at OnlyFans culture, explaining on Real Time with Bill Maher why he didn’t “affirm this life and how empowering” it can.
“If you look at OnlyFans, it is making as much money as Hollywood. I mean, essentially it’s on par,” he explained to Maher. “It’s not a niche business, it is a massive enterprise. And so if you’re young, you’re going, ‘I don’t want to go work in a 9-to-5 at this place or that thing. Well, maybe I can just start taking photos of myself.’
“The question is, what are the long-term consequences of that? What happens when you know, as a young person, you’re on Instagram and these things, and you’re told that you’re the product, you’re the brand, and now you’re 18 years old, and you’re going well, ‘How do I make money?’ And I just thought chasing that desire, that kind of fast cash, was an interesting thing to kind of explore.”
Levinson continued, “Also, at the same time, we caught a lot of criticism for it, but there’s a part of me that wonders, if the show kind of affirmed this life and how empowering it was, whether we would get the same criticism. You know, we take a fairly critical look at it. It hollows out the individual. You know, you’re constantly just depending on the likes and external validation.”

Sydney Sweeney as Cassie in ‘Euphoria’
As Maher praised Cassie’s frenemy/manager Maddy (Alexa Demie) as the season’s “moral center,” Levinson noted, “She was managing the girls, which is an all new industry. It’s sort of light pimping.”
In the third and final season of Euphoria, Cassie (Sydney Sweeney) joins OnlyFans to pay for her $50,000 wedding to Nate (Jacob Elordi).
Many OnlyFans creators took issue with the harmful stereotypes used in Levinson’s depiction of their field, including one scene with Cassie posing spread-eagle in a diaper, with a pacifier in her mouth. As many have noted, age-play is strictly forbidden on the platform.
Chloe Cherry, who was an adult film actress and OnlyFans star herself before she began playing Faye Valentine in Season 2 of Euphoria, called Cassie’s arc “crazy as fuck,” given her privileged life.
“It’s really hard to say if it would give her any power. Obviously Cassie is extremely attractive, so it probably would lead to her making a lot of money,” said Cherry. “But it just feels crazy as fuck to see somebody living like Cassie turn to sex work. It’s like, holy shit, that’s where we’re at in society? I really think that OnlyFans is a crazy, weird phenomenon of the 2020s that we will look back on and be very confused by.”
Cherry added that sex work is being embraced by the mainstream “only because of capitalism and the economy getting worse,” noting it “has nothing to do with empowerment or power or anything.”
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EXCLUSIVE: Lilly Wachoswki is setting a different kind of stage for her next project, hosting a live reading of her dystopian political thriller The Hunted, currently in late-stage development with a producing team that includes Natasha Lyonne.
Co-written by Wachowski and Mickey R. Mahoney, The Hunted will make its debut with an unconventional live read event, produced by Wachowski’s Anarchists United, taking place Aug. 7-8 at Dynasty Typewriter. Casting and ticket info will be announced soon.
Described as a biting political thriller in the tradition of Wild in the Streets and V for Vendetta, The Hunted is set in a dystopian America where trans people are brutalized and erased to the margins of society. When a heinous crime sets off a chain reaction of mutual care and resistance within a trans community, two trans women search for the perpetrator that leads to the highest reaches of government.
“Queer people have a necessary desire to be in community and for trans people, at this time, this need is particularly urgent. Our lives literally depend on it,” said Wachowski. “The hope is that a table read of The Hunted, will result in the same joy and catharsis that Mickey and I experienced while writing it.”
Rather than going the typical industry route with the script, the live read marks “a bold act of transparency and artistic confidence that invites the public into the work at its most vital stage.”
The Hunted is produced by Wachowski and Mahoney with Lawrence Mattis and Sarah Marie Flores at Anarchists United, alongside Lyonne at Ariadne Collective—the indie studio she recently launched with Sean Lennon and Evan Ross—and Jason Weinberg and Daniel Flick at Untitled Entertainment.
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With the death of James Burrows, stars of the most beloved sitcoms are mourning the loss of the multi-cam medium’s most decorated director.
Following Burrows’ death at age 85, Jennifer Aniston paid tribute to the “father figure” who directed 15 episodes of the hit NBC series in which she starred as Rachel Green, including the pilot and most of the first season, as her co-stars also mourned the loss.
“Oh boy… Papa Burrows. The hardest thing about writing this is that you spent a lifetime making people feel loved, and now it feels impossible to put all of that love into a few paragraphs,” she wrote on Instagram. “He called us his ‘kids’ — ‘Where are the kids?’ ’Let’s see if the kids can make the joke work.’ No pressure.
“His own incredible children were generous enough to share him with all of us who were lucky enough to experience his unicorn presence. He was a father figure to me. He always checked in on me. He worried about me, celebrated me, taught me, guided me, and held me through the hardest times and the best of times. He spoiled us rotten.”
Aniston added, “Most of all, he taught us—the kids—how important it is to love and respect one another. To take care of each other. To have each other’s backs and support each other, no matter what. And we did just that. I miss your voice. I miss your laugh. I miss your brilliance. Wherever you are, I hope someone is asking, ‘Where are the kids?’”

Instagram / lisakudrow
Phoebe Buffay actress Lisa Kudrow shared a behind-the-scenes photo of the two of them from the recent third and final season of The Comeback, in which he played himself. “Thank you Jimmy. I mean, for everything…” she wrote on her Instagram Story.
David Schwimmer, the actor known for his role as Ross Geller, penned a touching tribute. “Jimmy Burrows brought out the best in every actor he ever worked with, and elevated every show he directed, making it funnier and more moving than anyone expected,” he started on Instagram.
“His warmth, humility and generosity made us feel safe, like family, and I’m sure we weren’t the only cast to feel that way. He looked out for us, on camera and off. He became another father figure for me, and I’m sure others. Paternal in the best sense of the word: Loving, wise, encouraging, challenging, instructive, patient, inspiring, playful—and on my best days, I’d like to think, even proud.
“Thousands of writers, actors, producers, crew members and network execs are forever blessed to have been on a sound stage with him, watching him work and learning from his incomparable talent,” added Schwimmer. “Jimmy, I miss you already and I’m forever grateful to you. Thank you for being such a wonderful director, mentor and friend. Sending love and strength to Deb and the entire family. x Schwim”
Matt LeBlanc, who played Joey Tribbiani, shared a selfie with Burrows with a statement. “Jimmy, words cannot describe the impact and influence you had on us and everyone who was lucky enough to have known you. You sir are a true icon on so many levels. Well wishes in your next act. You will be missed. God Bless,” he wrote on Instagram.
Burrows died in his sleep on Friday morning after a brief illness. During his storied career, Burrows directed more than 1,000 episodes of some of TV’s most iconic sitcoms, including Cheers, which he co-created, The Mary Tyler Moore Show, 3rd Rock from the Sun, Frasier, Two and a Half Men, The Big Bang Theory, 2 Broke Girls, Will & Grace and Mid-Century Modern.
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