Entertainment
Inside the Minions & Monsters Box Office Stumble
The Fourth of July holiday brought two box office fumbles, but not all missteps are created equal.
We’ll start with “Minions & Monsters,” which grossed $61 million over the five-day holiday. That’s the lowest opening weekend for the entire “Despicable Me” franchise and half of what “Minions: The Rise of Gru” grossed in 2022 over the Fourth of July, where it scored $123 million.
The slippage for Universal and Illumination is a bit of a head scratcher. The film, a reinvention of sorts of the franchise and a love letter to moviemaking (it’s set in Hollywood during the transition from talkies to sound), scored the best reviews of the series, but audiences were less enthusiastic than they historically are for this animated franchise. It got an A- on CinemaScore (A for previous films), 76% audience Rotten Tomatoes score (“Rise of Gru” got 89%) and a 58% definite recommend on PostTrak (the last film had a 71% definite recommend).
Perhaps the promise of a sci-fi monster movie set in classic Hollywood was a departure too far for a franchise that usually leans on spy and action tropes and a bevy of popular music. Anecdotally, I can only say my four-year-old loved it (although he is a sci-fi/monster movie kid so this was right up his alley) and as a parent I appreciated the leveling-up in storytelling from Illumination.
It’s possible this franchise suffered from overexposure. There have been seven “Despicable Me” or “Minions” movies in 16 years, whereas the “Toy Story” franchise — which released five movies in 30 years — has leveraged the wait between releases for maximum nostalgia.
But “Minions & Monsters” will be fine. The $85 million budget ensures this will be a profitable endeavor. It’s off to a solid start internationally (nearly $100 million this weekend) and it’s likely to leg out fine with enthusiasm iffy on Disney’s live-action “Moana” coming next weekend. Universal is also the master at navigating post-theatrical windows to maximize profit: The movie will be a hit on PVOD, then it’ll get a splashy streaming launch on Peacock before eventually streaming on Netflix, where it will probably be one of the most-watched titles on the mega-streamer that year.
A studio source projected confidence in the box office performance of “Minions & Monsters,” but it does underline another issue that’s vital to the major animation studios right now: they desperately need new IP. Pixar got a hit with “Hoppers” earlier this year, while Illumination has “Not Alone” upcoming, but as these studios’ most successful franchises get long in the tooth, it’s vital for them to create new hits. Perhaps that’s the biggest lesson from the opening weekend of “Minions & Monsters.”
The other box office blunder this weekend, “Supergirl,” is bad news all around. After an underwhelming $38 million launch last weekend on the heels of poor reviews, the film tumbled 74% in its second weekend. That’s worse than Sony’s disastrous Marvel movie “Morbius” in 2022 and fellow DC misstep “The Flash” in 2023.
“Supergirl” is now on track to end its worldwide gross below the $169 million of “Wonder Woman 1984,” which hit theaters in late 2020 during COVID. And it’s only the second film in James Gunn and Peter Safran’s overarching strategy for a renewed DC Films.
As we wrote about last week, the stakes for this fall’s DC film “Clayface” are high.
Now, on to the rest of this week’s Reel to Real column as we tackle a piping hot “Heat 2” exclusive, a shakeup at the Academy, Illumination’s creative pivot and more in this week’s newsletter.
As always, if you want this column directly in your inbox every Monday, check your WrapPRO subscription settings.

Box Office: ‘Minions’ Slips to $61 Million 4th of July Launch, ‘Supergirl’ Tumbles 74%
Universal/Illumination’s “Minions & Monsters” won’t be as big of a box office hit as past “Despicable Me” and “Minions” films, as the impact of America 250 and somewhat lower audience scores have left the seventh film in the franchise with a $61 million five-day domestic box office opening, the lowest in the series.
That’s well below the $123 million four-day opening that “Minions: The Rise of Gru” earned on Fourth of July weekend in 2022 en route to a $940 million global theatrical total.
To be clear, “Minions & Monsters” will still be a theatrical hit for Universal, as the movie has a budget of just $85 million before marketing and has also earned $98 million overseas for an estimated $160 million total worldwide through Sunday. This July 4th also had a unique impact on moviegoing, as millions of Americans opted to spend the historic 250th anniversary of the Declaration of Independence’s signing outside rather than in a dark theater.
But it does take a blow to the expectation that “Minions 3” would be able to coexist easily alongside the wildly popular and audience-acclaimed “Toy Story 5.”
Speaking of “Toy Story 5,” that Disney/Pixar sequel has steamed past $350 million domestic and $750 million worldwide, posting a 3-day total of $31 million in its third weekend for a $366 million domestic total and $764 million globally. It is well on its way to passing “Michael” as the highest-grossing film of the year so far, which would also make it the highest-grossing “Toy Story” film before inflation adjustment.
In third is Angel and Wonder Project’s “Young Washington,” a Fourth of July-timed offering about the future revolutionary general and first American president during his days as a British soldier. Directed by Jon Erwin, the film earned a $20.8 million opening weekend from 2,700 theaters, sitting just behind Angel’s $22 million studio opening record held by the animated film “David.”
In fourth is Warner Bros./DC’s rapidly sinking “Supergirl,” which industry estimates have falling 74% from its poor $37.1 million opening to a second weekend total of just $9.6 million. At its current pace with a global total of $100 million, the superhero film is now on pace to finish with a global cume below the $169 million of “Wonder Woman 1984,” a movie released at the end of 2020 during the COVID-19 pandemic. – Jeremy Fuster


The Spotlight
We kicked off the holiday weekend with a pretty monster scoop courtesy of Drew Taylor: “Heat 2” is on the move. Leonardo DiCaprio and Christian Bale are set to star in writer/director Michael Mann’s $170 million sequel, filling the roles played by Val Kilmer and Al Pacino in Mann’s seminal 1995 film, respectively. Adam Driver and Stephen Graham are in talks for other major roles as Mann eyes a November start date for the Amazon MGM Studios/United Artists film. And that’s not even all the details we’ve got on the movie. Read the full story here.

New Releases
A New Vision at the Academy: As the Oscars move toward YouTube, AMPAS’s Chief Oscars Officer exits. What else does the Academy have to shed?
Box Office Bonanza: As the box office continues to be on fire, Jeremy Fuster spoke to theater owners about what they’re doing with the extra cash.
Illumination Turns the Page: CEO Chris Meledandri spoke to Drew Taylor about why “Minions & Monsters” is the beginning of a new era for the animation powerhouse.
Robert Richardson Speaks: Legendary cinematographer Robert Richardson spoke with us about his career and desire to work with PTA at Karlovy Vary.
Jesse Eisenberg Gets Musical: Also from Karlovy Vary, Jesse Eisenberg talked about writing nine original songs for his new A24 film “The Debut.”
Concession Stand
Neon rescues Luca Guadagnino’s “Artificial,” will mount awards push.
Steven Spielberg, United Artists and Amazon MGM nabbed the next YouTube horror sensation.
Not to be outdone, Warner Bros. is mounting an adaptation of internet horror meme “Siren Head” to be written by Zach Cregger and Brian Duffield and directed by Duffield.
Sony will release the Tom Hanks-starring, Marielle Heller-directed baseball movie “The Comebacker” in July 2027.
Josh Brolin was so freaked out by Ridley Scott’s method of shooting with several cameras, few takes and no rehearsals that he almost quit “The Dog Stars.”

Streaming Corner
- Netflix has a rom-com streaming hit. “Voicemails for Isabelle,” starring Zoey Deutch and Nick Robinson, notched 31 million views during its first weekend in release. That’s a solid debut for the original film from writer/director Leah McKendrick.
What I’m Watching
Is anyone else watching “The Agency” on Paramount+? Am I just “Dad TV”-pilled or is it quietly one of the best shows on TV? I could watch Michael Fassbender, Jeffrey Wright and Richard Gere as CIA flacks talking spycraft forever. I need eight seasons of this. If you long for a show like “Homeland” or “The Americans,” check this out.
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Entertainment
Gretchen Carlson Torches Platner’s Campaign Suspension Statement
Gretchen Carlson sounded off on Graham Platner’s statement suspending his Maine Senate bid, slamming it as a “disgusting display of hubris.”
During Wednesday’s broadcast for CNN’s “Anderson Cooper 360,” the veteran journalist addressed the video update from Platner, in which he once again denied the newfound allegations of sexual assault, painted himself as a “regular person” and claimed the “political establishment got to act as judge, jury and executioner.”
“That was a disgusting display of hubris,” Carlson said in response. “That every woman and man in America should be incredibly upset about. Regular people do not abuse women. It’s always somebody else to blame. It’s typical cry of assaulters.”
She continued: “His own wife turned in text messages that he was having with other women. He posted on Reddit many years ago that he believed that women should be responsible for when bad things happen to them sexually. Not to mention, the Nazi tattoos and a myriad of other things.”
As Carlson went on, she accused Platner of “conflating … his candidacy of being popular with being an every kind of person with accusations of rape.”
“Those are two totally different things,” she added. “And a real man would stand up and take accountability for what has happened here. This movement has had immense progress over the last ten years and these women are believed. And I don’t know what this display was in this video, but I wouldn’t want the endorsement of Graham Platner whoever the Democrat is running in this race.”
Watch Carlson’s commentary below. A representative for Platner did not immediately respond to TheWrap’s request for comment.
Carlson wasn’t the only notable figure to weigh in on Platner’s withdrawal from the Maine Senate race Wednesday. Fox News’ Jessica Tarlov took to X amid the update, writing, “Platner is out—good. It should’ve happened sooner. I want to underscore that Republicans don’t get to take a moral victory lap here. They’re still the party of Trump.”
David Axelrod, a former senior advisor to President Barack Obama, also had some choice words for Platner’s exit statement.
“In the end, Platner chose as his closing act a page right out of @realDonaldTrump’s tawdry playbook,” he wrote on X. “Deny. Deflect. Refuse responsibility. Play the martyr; slime your accusers. Platner built an admirable movement. But there was nothing admirable about the way he said goodbye.”
Meanwhile, Senator Bernie Sanders’ political action organization Our Revolution instead chose to voice its support for Troy Jackson as Platner’s possible replacement.
“Graham Platner made the right decision to step aside,” Executive Director Joseph Geevarghese said in a statement. “Our Revolution rescinded our endorsement earlier this week, and we said clearly this is not the Democratic establishment’s opening to hand-pick a replacement. Maine’s progressives won the primary by a historic margin, on Medicare for All, on ending corporate money in politics, on ending forever wars. That result doesn’t disappear because one candidate is gone.”
He continued: “That is why we are rallying behind Troy Jackson. He is a logger, a union leader, and former President of the Maine State Senate. He led Bernie Sanders’s presidential campaigns in Maine twice. He and Platner ran side by side and endorsed each other. He has spent his life in the fight working people are asking for. He is not arriving to it because a seat opened up.”
Geevarghese then reminded Maine voters that they had “days, not weeks, to decide” on a best path forward.
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Entertainment
Patrick Dempsey Responds to Calls to Replace Graham Platner in Maine Senate Race
Patrick Dempsey responded to growing calls for him to replace Graham Platner in Maine’s Senate race on Wednesday, saying he isn’t in a position to enter politics and serve his home state.
The “Grey’s Anatomy” alum, who was born and raised in Maine, issued a statement in the Portland Press Herald, where he made it clear he did not intend to step in as Platner’s replacement.
“Over the past several days, I’ve been asked a question more than once: Would you ever run for the United States Senate?” the actor, who runs The Dempsey Center in Maine, wrote. “It’s flattering, and I don’t take it lightly. I love my home state of Maine. I care deeply about the people who live there and, like so many Americans, I’m concerned about the direction our country is heading. I gave it real thought.”
As Dempsey went on, he wondered if he’d be able to “make a meaningful difference,” adding, “That question led me to another one I think matters even more. What kind of leadership are we really looking for?”
“The next two weeks will be a very important time for Maine. We will choose a new Senate candidate at a time when I believe most of us want meaningful change in Washington, D.C. We should choose a candidate who offers a new approach to how we govern ourselves,” he continued. “I want someone who leads with empathy. Someone who listens before speaking, who has the courage to work with people they disagree with and who understands that public office isn’t about power. It’s about service. Most of all, I want integrity. That may sound idealistic today, but it shouldn’t.”
While Dempsey acknowledged his deep roots in Maine and the work he’s been able to do with the public through his cancer treatment center, he admitted that a run for office was not the right fit for him.
“As I reflected on all of this, I kept coming back to one question: Do I truly want to serve in Congress? After a lot of thought, I realized the answer is no,” he said. “Not because public service isn’t honorable — it absolutely is. But because I believe I can contribute more effectively through the life I’ve already built.”
Though, Dempsey decided not to run, he had a message for whomever may step in to fill Platner’s spot.
“Lead with humility. Tell the truth. Put people before party,” he wrote. “Remember that public office is a privilege not a career path and that leadership isn’t measured by how loudly you speak or how often you’re on television. It’s measured by whether people’s lives are better because you served.”
He concluded: “That’s the kind of leadership Maine deserves. It’s the kind of leadership America deserves, too.”
Dempsey’s decision came as calls mounted for Platner to withdraw from the race following newfound rape allegations against the Democratic nominee – whose campaign was already plagued with several other scandals, including allegations of extramarital sexting, a Nazi tattoo, physical misconduct and offensive remarks.
Everyone from the Maine Democratic Party to Senator Bernie Sanders (I-Vt.) to the “Pod Save America” hosts have demanded Platner end his Senate bid before the July 13 deadline. While Platner has said that he is “taking the time to reflect on the best path forward,” he’s yet to formally exit the race. He did, however, deny accuser Jenny Racicot’s sexual assault claims as “troubling, serious and false.”
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movies
Justin Baldoni Breaks Silence After Blake Lively Legal Battle
As the dust settles on his messy legal battle with Blake Lively, Justin Baldoni has spoken out.
On Wednesday, the It Ends with Us director and star shared a video in which he and wife Emily Baldoni opened up about “the injustice and the pain” they said they’ve endured during the contentious two-year battle with his co-star from their 2024 Colleen Hoover adaptation.
“We have not spoken publicly for the better part of the last two years, and it’s not because we haven’t had anything to say, because Lord knows we have,” Justin prefaced in the Instagram video. “But it just felt like every time we went to make a video like this, we wanted to speak, something was telling us not to. It just didn’t feel like the right time.”
Although Justin noted that “gratitude has saved us,” Emily said, “We’ve had to wrestle with so many things and try to understand so many things, like, how could something like this even happen? Let alone disguised as a fight for women. So much to unpack. And the truth is, reality is that there’s been a lot of trauma for us to move through as a family, which also makes it hard to speak.”
Justin added, “There have been so many painful things that have been spoken into existence over the last couple years, and that created so much noise, and we didn’t want to add to the noise. We just wanted to let the justice system run its course.”
The couple credited their faith and fans for keeping them strong amid the lawsuit, which ended when a federal judge ruled last month that Justin and his Wayfarer Studios have to pay Blake Lively’s legal fees for the court battle in which Lively accused him of harassment and retaliation, to the tune of $8,035,040.88 to be specific.
“We are healing. And if you’ve ever been through something traumatic, you know that healing isn’t linear. It looks different every day,” said Justin. “And we have had to rethink for ourselves what is real and what matters. And it’s this. It’s the kids. It’s our family. It’s our friends. It’s our community who’ve been there for us. It’s our faith. I think we’re closer and more devoted and steadfast in our faith than we’ve ever been.
“Also, this has been on both of our hearts. There were so many of you who, when we didn’t have a voice, were our voice. You had a prayer at the very beginning, which was that you just pray that people would have discernment. And so many of you had discernment and you used your intuition and you trusted that. And you have given your time to fight for us. And thank you does not feel like enough, but we’re here in large part because of so many of you and all of our friends and family. And one thing that we’ve learned is that when God presses the reset button and everything else is stripped away, that that’s when love shows up. And we feel so loved,” he added.
While Emily said “there is so much more to say,” she continued, “That time will come, but for now, we are going to focus on continuing the healing and hanging out with our kiddos and enjoying life.”
Baldoni’s side has until July 13 to either agree to the more than $8 million or put up a fight. Reps for the Wayfarer Studios co-founder did not respond this morning to Deadline’s request for comment on Lively’s math and her filings.
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