movies

Jeffrey Wright Explains Why He Loves ‘The Batman’ and Wes Anderson

Published

2 minutes ago

July 10, 2026

The Batman film franchise, Wes Anderson and the way politics has become more and more like entertainment were among the topics of debate as U.S. actor Jeffrey Wright met the press at the 60th edition of the Karlovy Vary International Film Festival on Friday.

In a roundtable chat with members of the press, one reporter asked Wright how and when he knew that he wanted to be an actor after graduating with a degree in political science, noting that the two fields appeared to be quite different. “So, you think politics and theater are completely different things,” Wright responded. “I’m not so sure. I think our politics has gotten increasingly like show business – to the detriment of everyone who’s involved.”

Asked about why he joined The Batman as Commissioner James Gordon and how such a blockbuster fit into his other work, Wright shared: “I try to stay open to whatever is interesting to me – for example, the Batmans, and I say plural because I’m in the middle of filming the second one now.”

He continued: “I think [director] Matt Reeves’ interpretation of the franchise is really fresh, and rich in terms of the narrative, but also rich cinematically. I don’t think he views this as frivolous comic book stuff, but he views it as an opportunity to explore contemporary themes through a really dynamic medium that is the Batman franchise. He’s also a massive fan of the franchise, hugely enthusiastic about it, and it’s deeply meaningful for him.”

Wright also suggested: “These films, the first one and now working on this one, are films from an era that he and I, because we’re of a certain age, just revere, and those are films of the American cinema of the ’70s – Sidney Lumet films and films that Dustin Hoffman would have been a part of, [Francis Ford] Coppola and [Martin] Scorsese. He’s trying to use all of those as touchstones in these films that might, in other hands, not have anything to do, cinematically, with that type of filmmaking.”

He added, ”I wouldn’t want to be a part of a big franchise just to be a part of a big franchise. But if it resonates with me in terms of the themes and the process and the narrative, then I’m in. It could be a big franchise. It could be an independent film. Doesn’t matter to me!”

How about his collaboration with Wes Anderson in his films The Phoenician Scheme, Asteroid City and The French Dispatch? Wright was clearly excited to dive into the topic. “I love working with Wes. I love his films. I love his aesthetic. I love the parameters that he works within,” he shared. “All films work within a certain set of parameters, but his are very specific to his mind and his vision, and I love that he works in complete disregard of anyone else’s opinion. He is authentically himself. He’s his own genre. He also has a sense of theatricality about him, and surrealism to an extent, that I appreciate, and irony that I just get.”

Wright also lauded Anderson as “a wonderful writer,” recalling how the two creatives had lunch, with the writer-director then sending him his script sections for The French Dispatch a couple of weeks later. “From the first time I read it, it just seared into my brain – like grill marks on a steak. I was like, ‘Wow!’ And I just heard the music immediately, and I heard the intent, and I loved it,” he said. “It’s just wonderful to find collaborators that you know you sympathize with. And that he’s invited me back to work with him again on a couple of films subsequent to that one is just really gratifying. It always feels really, really fulfilling creatively and intellectually to work with him.”

Earlier in the day, Wright had celebrated the importance of “genuine freedom” in the U.S. and beyond during a brief and very warmly received public appearance to introduce a screening of the film Basquiat (1996) about U.S. artist Jean-Michel Basquiat. The star had also personally introduced it at the 32nd edition of Karlovy Vary. At Saturday’s closing ceremony of the Czech fest, Wright will receive KVIFF‘s President’s Award.

This year’s double anniversary edition of KVIFF has brought a parade of stars to the picturesque spa town, including Jesse Eisenberg (The Social Network, A Real Pain), Juliette Binoche (The English Patient, Three Colors: Blue, In-I in Motion), Maggie Gyllenhaal (The Bride!, The Lost Daughter), Harvey Keitel (Mean Streets, Reservoir Dogs), legendary cinematographer Robert Richardson and Dustin Hoffman (The Graduate, Rain Man).

It was Hoffman who came up repeatedly in the conversation with Wright, who shared that the legendary star was a key influence on his life and career. “When I saw Midnight Cowboy, I said, ‘Wow, that’s a crazy place, that New York. I want to go there.’ When I saw him in Papillon or Marathon Man, and I saw the way he worked, the craft that was so evident, the thoughtfulness, the theatricality that resonated through his work, I said, ‘If I’m going to be an actor, that’s a model for how to go about it’ because it seemed meaningful and it was just compelling to me. I’ve been influenced by many performances and many actors, but I don’t think there’s anyone whose way of working impacted me more than Dustin Hoffman.”

movies

Neon Sells Stake to Department M; Neon TV Launches

Published

9 minutes ago

July 10, 2026

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Mike Larocca and Michael Schaefer‘s Department M has closed a transaction to acquire a majority stake in multi Oscar and Cannes Palme d’Or winning studio, Neon.

The deal in addition to infusing capital to Neon’s expanding operations allows the Santa Monica, CA studio to launch Neon TV, creating a more significant mini-studio that already counts an international sales arm, and an award winning lucrative feature library. Earlier today, Andreas reported that there’s buzz of Neon launching a UK distribution arm ala Lionsgate. Department M is already supplying development and production ready projects as part of the new deal.

Tom Quinn will remain the CEO and Founder of Neon. Department M Partner Schaefer will become Neon’s Chief Content Officer. Department M Partner Mike Larocca remains at Department M and joins the Neon board. Jeff Deutchman continues as President of Acquisition, Production and Development for Film and Carina Sposato joins as EVP, Television, both reporting directly to Schaefer.

We told you during the European Film Market back in February that Neon was in talks with Department M for a capital injection. Neon had been searching for an additional investor for sometime; there were rumors a few years ago that Steven Rales’ Indian Paintbrush were kicking the tires.

The new deal will keep longstanding Neon backers The Friedkin Group as significant shareholders and board members. The Friedkin Group, led by Dan Friedkin, is also an owner of indie feature financier 30West.

Both Neon and Department M before the deal have partnerships with Qatar. The Qatar Film Committee has a slate deal in place with Neon, and a biopic production with Department M.

Film and TV producer Department M was launched in 2024 by AGBO vet Larocca and New Regency’s Schaefer. They were behind the remake of the 1992 thriller The Hand That Rocks the Cradle, which streamed on Hulu last year. Department M has Cary Joji Fukunaga’s upcoming Jo Nesbø adaptation Blood on Snow, starring Benedict Cumberbatch, Aaron Taylor-Johnson, Eva Green and Ben Mendelsohn.

Neon, once again, had a fantastic Cannes film festival with Cristian Mungiu’s Fjord winning the studio’s seventh straight Palme d’Or. In addition the pic won the FIPRESCI award on the Croisette. Also, Best Actress went to Virginie Efira and Tao Okamoto’s All of a Sudden. Neon arrived at Cannes this year with six competition titles in place —All of a Sudden, Fjord, Hope, Paper Tiger, Sheep in the Box and The Unknown. Earlier this year, Neon saw a Best Picture nomination for its Cannes 2025 titles Sentimental Value and The Secret Agent (with the former ultimately winning Best International Feature Film).

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Ariana Grande Won’t Appear In ‘AHS13’

Published

32 minutes ago

July 10, 2026

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EXCLUSIVE: When FX‘s American Horror Story Season 13 premieres on September 24, it will be without Ariana Grande. Due to conflicts with timing changes to the production dates of the horror series and with her Eternal Sunshine Tour happening simultaneously, Grande was unable to make her AHS debut a reality, sources tell Deadline. The pop star did not shoot any scenes for the new season.

FX and 20th Television declined to comment for this story.

At the end of June, Grande rescheduled select July concerts. Her July 12 stop at Brooklyn’s Barclays Center was rescheduled to July 14, and she shifted her July 22 and July 24 shows in Boston to July 23 and July 26. Grande’s tour continues with upcoming stops in New York, Canada, Chicago and London.

Yesterday, Deadline revealed AHS13′s premiere date and how the show will be promoted at San Diego Comic-Con next week. The cast of the series was also spotted shooting exterior scenes for the show, with fans noticing that Grande was noticeably missing—now we know why. Two previously unannounced stars were spotted, however: Frances Conroy and Alex Consani.

Details regarding what the 13th installment will focus on are under wraps. The previously announced cast includes Sarah Paulson, Evan Peters, Angela Bassett, Kathy Bates, Jessica Lange, Emma Roberts, Billie Lourd, Gabourey Sidibe, John Waters, and Leslie Grossman. Additionally, John Carroll Lynch, Mena Suvari, and Matt Fraser are said to be returning as characters they’ve played in other AHS installments. Paul Anthony Kelly, Berto Colón, and Joey Pollari will make their franchise debut in Season 13.

Murphy, Brad Falchuk, Ned Martel, Charlie Carver, Eric Kovtun, Nissa Diederich, Scott Robertson, Tanase Popa, Crystle Roberson Dorsey, Jennifer Salt, and Tim Minear serve as executive producers. The series is produced by 20th Television.

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Aaron Sorkin and Guillermo del Toro to Receive AFI Honorary Degrees

Published

40 minutes ago

July 10, 2026

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Oscar winners Guillermo del Toro and Aaron Sorkin have a date with the American Film Institute.

The Hollywood veterans have been selected to receive honorary doctor of fine arts degrees during AFI Conservatory’s commencement ceremony at Hollywood’s TCL Chinese Theatre on Aug. 7. The event honors the conservatory’s graduating class of 2026.

With the shine, they join a roster of AFI honorary degree recipients that includes Robert Altman, Maya Angelou, Saul Bass, Angela Bassett, Kathryn Bigelow, Mel Brooks, Carol Burnett, Anne V. Coates, Jamie Lee Curtis, Viola Davis, Clint Eastwood, Roger Ebert, Nora Ephron, Jodie Foster, Lesli Linka Glatter, James Earl Jones, Lawrence Kasdan, Jeffrey Katzenberg, Kathleen Kennedy, Angela Lansbury, Spike Lee, David Lynch, Helen Mirren, Rita Moreno, Quentin Tarantino, Lily Tomlin, Robert Towne, Cicely Tyson, Haskell Wexler, John Williams and Michelle Yeoh.

“Guillermo del Toro and Aaron Sorkin are peerless, prolific creative forces at a time the world needs them most,” said AFI president and CEO Bob Gazzale. “From the vast nature of dreams to an incisive line of dialogue, their contributions to the art form have inspired audiences around the world — as they will inspire this year’s graduates of the AFI Conservatory.”

Del Toro will receive his honorary degree after most recently releasing his epic Frankenstein on Netflix. After his debut Cronos, he went on to make such films as Pan’s Labyrinth, The Shape of Water, Pinocchio, Nightmare Alley, Crimson Peak, Pacific Rim, Hellboy, Blade II and The Devil’s Backbone, among others.

Sorkin comes to the honor ahead of his new film, The Social Reckoning, starring Mikey Madison, Jeremy Allen White, Bill Burr and Jeremy Strong and set to be released on Oct. 9. The acclaimed screenwriter, director and producer made his Broadway debut with A Few Good Men, which earned him the John Gassner Award for outstanding new American playwright. His other stage works include The Farnsworth Invention, the adaptation of To Kill a Mockingbird and a new book for Bartlett Sher’s Lincoln Center production of Camelot.

His other film and TV credits include the adaptation of A Few Good Men, The American President, Charlie Wilson’s War, The West Wing, Sports Night, The Newsroom, Studio 60 on the Sunset Strip, The Social Network, Moneyball, Steve Jobs, Molly’s Game, The Trial of the Chicago 7 and Being the Ricardos.