Anime
Brand New Worlds – This Week in Anime
How far can Sylvia and Lucas stretch the definition of “isekai” in their seasonal roundup? Let’s find out!
Disclaimer:
The views and opinions expressed by the participants in this chatlog are not the views of Anime News Network.
Spoiler Warning for discussion of the series ahead.
Prime Video streams The Ghost in the Shell.
OceanVeil and Netflix stream Chainsmoker Cat.
HIDIVE streams The Forsaken Saintess and Her Foodie Roadtrip in Another World.
Netflix streams Thunder 3.
Crunchyroll streams everything else.
Sylvia, our Executive Editor Extraordinaire Lynzee is taking a much-deserved break this week now that we’re on the other side of the busiest three weeks in anime for the year, the overlapping Anime Expo weekend and the beginning of summer seasonal premieres! Which means that you and I can finally give a certain class of internet commenter what they’ve always wanted: our unfiltered opinions on this season’s isekai without any influence from ANN’s editorial team and their anti-isekai agenda!

© Hekiru Hikawa, Kodansha / Hanaori-san Still Wants to Fight in the Next Life Anime Production Committee
Is what I would say if I were a conspiracy theorist with an axe to grind. However, the folks running this anime website have always given us a lot of rope in this column, and this season’s isekai offerings largely skew from strange-but-middling to bad if not outright offensive. Still, I’d love to go through our quarterly isekai roundup with you, and maybe get a little extra spicy now that there’s one fewer editor behind the desk to review this column before it goes live!
You know, Lucas, for a second there I was on board with the prevailing wisdom that this summer is one of the most stacked anime seasons in recent memory. So I’m glad I could hop on both this and the romcom sampler to remind myself of how much dreck still gets made. I feel more grounded now. More centered. More accepting.

© Arata Shiraishi,Kentarou,Uodenim/SQUARE ENIX,From Overshadowed to Overpowered: Second Reincarnation of a Talentless Sage Project
I mean, seriously, lots of good stuff this season! I hope we get to talk about it more in the future! But right now we have to roll up our sleeves and scrape the bottom of the isekai barrel. A barrel that seems to get deeper each year.

© rata Shiraishi,Kentarou,Uodenim/SQUARE ENIX,From Overshadowed to Overpowered: Second Reincarnation of a Talentless Sage Project
A take on the “New Game+” sub-genre of male power fantasy isekai, Overshadowed to Overpowered is a really weird and whiny show, where the MC complains constantly about not being as good at magic as his peers, despite being celebrated as one of the four best magic users in his era. Maybe his tune will change when he’s reborn 400 years into the future when people suck at magic, but would this work even still be considered an isekai if the same-face protag-kun didn’t have a wholly unnecessary chip on his shoulder???
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© Arata Shiraishi,Kentarou,Uodenim/SQUARE ENIX,From Overshadowed to Overpowered: Second Reincarnation of a Talentless Sage Project |
© Arata Shiraishi,Kentarou,Uodenim/SQUARE ENIX,From Overshadowed to Overpowered: Second Reincarnation of a Talentless Sage Project |
And maybe a story could run with that into a narrative that confronts this small-minded thinking, but I don’t think that is this story.
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© Arata Shiraishi,Kentarou,Uodenim/SQUARE ENIX,From Overshadowed to Overpowered: Second Reincarnation of a Talentless Sage Project |
© Arata Shiraishi,Kentarou,Uodenim/SQUARE ENIX,From Overshadowed to Overpowered: Second Reincarnation of a Talentless Sage Project |
So sadly, this falls into the “technically competent but ideologically repugnant” category for me.

© rata Shiraishi,Kentarou,Uodenim/SQUARE ENIX,From Overshadowed to Overpowered: Second Reincarnation of a Talentless Sage Project

© rata Shiraishi,Kentarou,Uodenim/SQUARE ENIX,From Overshadowed to Overpowered: Second Reincarnation of a Talentless Sage Project
But yes, studio EMT Squared can put as many layers of polish on Overshadowed to Overpowered as they want, but its flaws are too prominent to ever be overlooked.

© 2026 Tôwa, Huuka Kazabana/KADOKAWA/The World’s Strongest Rearguard Production Committee

© 2026 Tôwa, Huuka Kazabana/KADOKAWA/The World’s Strongest Rearguard Production Committee
Also, why is there just a regular-ass couch in this video game fantasy world!!? Rearguard is so confused in its worldbuilding and execution that I’m genuinely surprised it made it to air.

© 2026 Tôwa, Huuka Kazabana/KADOKAWA/The World’s Strongest Rearguard Production Committee
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© 2026 Tôwa, Huuka Kazabana/KADOKAWA/The World’s Strongest Rearguard Production Committee |
© 2026 Tôwa, Huuka Kazabana/KADOKAWA/The World’s Strongest Rearguard Production Committee |
Safe to say there isn’t much of anything in here that appeals to me. Just ye olde isekai trash executed in the most boring manner possible.
Meanwhile, Tomb Raider King bugged me for a similar reason. They got our guy wearing a hoodie and a tracksuit for the whole excursion. That doesn’t exactly scream “tomb raider” to me. That screams “8 a.m. college class.”
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© 3B2S, Yuns(REDICE STUDIO), SAN.G/Tomb Raider King Partners |
© 3B2S, Yuns(REDICE STUDIO), SAN.G/Tomb Raider King Partners |

© 3B2S, Yuns(REDICE STUDIO), SAN.G/Tomb Raider King Partners
There is just SO MUCH wrong with Tomb Raider King that I genuinely struggle to find a place to start. The MC does nothing endearing in the first few episodes and I have no desire to want to watch him succeed, there’s a plot hole in him traveling back in time and his apartment being swallowed up by a dungeon tomb that I guess he forgot appeared, and his first real fight after reincarnating has him fighting a giant CGI snake monster…after an almost visually identical giant CGI snake monster killed him in the first episode.

© 3B2S, Yuns(REDICE STUDIO), SAN.G/Tomb Raider King Partners

© 3B2S, Yuns(REDICE STUDIO), SAN.G/Tomb Raider King Partners
At my most charitable, I’ll say that there might be a hook in these tombs utilizing different fables across cultures in their challenges, but why would I ever put up with this edgelord nonsense when I can a far more entertaining application of these kinds of cultural ideas in works like Hunter x Hunter and JoJo’s Bizarre Adventure?

© 3B2S, Yuns(REDICE STUDIO), SAN.G/Tomb Raider King Partners
I guess it’s cool that Tomb Raider King sticks with a Korean dub? There’s some novelty in that on Crunchyroll. But it balances that out with the presence of stat screens: the opposite of novelty.

© 3B2S, Yuns(REDICE STUDIO), SAN.G/Tomb Raider King Partners

© 2026/米織・仁藤あかね/KADOKAWA/「捨てられ聖女の異世界ごはん旅」製作委員会
Sure, it continues the annoying trend of adding “-ess” to a gender neutral title to denote femininity, but otherwise it’s a pretty fun, dumb watch that focuses on a twenty-something going on a camping road trip in a fantasy world after immediately failing out of her role as a summoned hero. I don’t know if I’d ever watch this if it wasn’t assigned to me as a part of this column, but I at least liked it more than I thought I would!

© 2026/米織・仁藤あかね/KADOKAWA/「捨てられ聖女の異世界ごはん旅」製作委員会

© 2026/米織・仁藤あかね/KADOKAWA/「捨てられ聖女の異世界ごはん旅」製作委員会
Plus it would be difficult for me to hate Laid-Back Isekai.

© 2026/米織・仁藤あかね/KADOKAWA/「捨てられ聖女の異世界ごはん旅」製作委員会

© 2026/米織・仁藤あかね/KADOKAWA/「捨てられ聖女の異世界ごはん旅」製作委員会

© 2026/米織・仁藤あかね/KADOKAWA/「捨てられ聖女の異世界ごはん旅」製作委員会
I also put Heroine? Saint? No, I’m an All-Works Maid (And Proud of It)! in the same category of “not exactly good, but inoffensively entertaining.”

© Atekichi, TO BOOKS/All-Works Maid Project
Do note my pro-maid bias, though.

© Atekichi, TO BOOKS/All-Works Maid Project

© Atekichi, TO BOOKS/All-Works Maid Project
A reincarnated gifted-and-talented kid choosing to follow her special interest and become a maid rather than the destined hero is such a good premise with the capacity to offer commentary on what kinds of labor are valorized by society, destined hero myths, and the tension between labor as fulfillment vs exploitation; that I can’t help but be upset when, at every opportunity to express something interesting, All-Works Maid instead choses to double down on being a parody isekai! All the pieces for a great show are here, and I’m so upset that there isn’t even an effort to put them together.

© Atekichi, TO BOOKS/All-Works Maid Project
But yeah, unfortunately, it is a comedy where most of the jokes don’t land. That’s a problem. Preferable to the valorization of slavery, but a problem nevertheless.

© Atekichi, TO BOOKS/All-Works Maid Project
Especially considering that the isekai (and romcom) with the highest production values from this season, Hanaori-san Still Wants to Fight in the Next Life, is AGGRESSIVELY heterosexual, much to the dismay of the reincarnated demon lord and reincarnated hero who are sipped together by everyone around them despite being teacher and student (ew).

© Hekiru Hikawa, Kodansha / Hanaori-san Still Wants to Fight in the Next Life Anime Production Committee

© Hekiru Hikawa, Kodansha / Hanaori-san Still Wants to Fight in the Next Life Anime Production Committee

© Hekiru Hikawa, Kodansha / Hanaori-san Still Wants to Fight in the Next Life Anime Production Committee
While I appreciate that every cast member is giving it their all, the localization uses “internet words” extremely liberally and, as a result, every character sounds like they’ve been building up their Reddit karma since 2013 (when the clearly influential here Devil is a Part-Timer came out), and this choice is actively distracting. Normally, I love when anime incorporate current slang into localizations to give them a more temporal quality, but in this case, it instead feels like this show was made by and for internet denizens.
But I think we’ve enjoyed our pretty okay isekai respite for long enough. It’s time to dive back into the grip of much crueler hands. GoHands.

© Nekoko, BroccoLee, Jaian, KODANSHA/’The Exiled Heavy Knight Knows How to Game the System’ Production Committee.
The Exiled Heavy Knight Knows How to Game the System, but he sure doesn’t know how to look like an appealing anime for your eyeballs.

© Nekoko, BroccoLee, Jaian, KODANSHA/’The Exiled Heavy Knight Knows How to Game the System’ Production Committee.

© Nekoko, BroccoLee, Jaian, KODANSHA/’The Exiled Heavy Knight Knows How to Game the System’ Production Committee.
Also, how about that hair! That’s certainly one way to depict hair in an anime!

© Nekoko, BroccoLee, Jaian, KODANSHA/’The Exiled Heavy Knight Knows How to Game the System’ Production Committee.

© Nekoko, BroccoLee, Jaian, KODANSHA/’The Exiled Heavy Knight Knows How to Game the System’ Production Committee.
It’s also yet another bland story about a dude with a chip on his shoulder in a world full of assholes. Oh no, he’s the wrong class. Oh no, his daddy kicked him out. He only picked the smartest and most powerful class in the world! He is the god gamer. They just don’t get it. He’ll show them!!
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© Nekoko, BroccoLee, Jaian, KODANSHA/’The Exiled Heavy Knight Knows How to Game the System’ Production Committee. |
© Nekoko, BroccoLee, Jaian, KODANSHA/’The Exiled Heavy Knight Knows How to Game the System’ Production Committee. |
Just another exhausting male power fantasy. Albeit with a clown and GoHands‘ usual GoHandsness.
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© Nekoko, BroccoLee, Jaian, KODANSHA/’The Exiled Heavy Knight Knows How to Game the System’ Production Committee. |
© Nekoko, BroccoLee, Jaian, KODANSHA/’The Exiled Heavy Knight Knows How to Game the System’ Production Committee. |

© 篠原千絵/小学館/アニメ「天は赤い河のほとり」製作委員会
Do the first couple of episodes of Red River make a great first impression? Not exactly…but it’s still neat that we’re getting a Red River anime in the year of our lord 2026!

© 篠原千絵/小学館/アニメ「天は赤い河のほとり」製作委員会
Of course, it’s not uncommon for isekai adaptations to look uninspired (we’ve mentioned several examples already), but it hurts extra here given that artfully adapted shojo manga are few and far between.

© 篠原千絵/小学館/アニメ「天は赤い河のほとり」製作委員会

© 篠原千絵/小学館/アニメ「天は赤い河のほとり」製作委員会

© 篠原千絵/小学館/アニメ「天は赤い河のほとり」製作委員会
But I mean, this too is a titillation for Red River‘s intended audience, and it makes sense to toss some of those spices into the opening act. I’m still interested in where Yuri’s story is going. Plus, the Anatolian setting is unique for this space. No half-measure worldbuilding here.

© 篠原千絵/小学館/アニメ「天は赤い河のほとり」製作委員会

© 篠原千絵/小学館/アニメ「天は赤い河のほとり」製作委員会
And with that, I believe the only new isekai of the season we have to talk about is Thunder 3, which I am once again not able to comment on too extensively. Though, do I wish I could! A lot is happening in this title, and I have so much insider info that I wish I could share!

© 池田祐輝・講談社/「サンダー3」製作委員会
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© 池田祐輝・講談社/「サンダー3」製作委員会 |
© 池田祐輝・講談社/「サンダー3」製作委員会 |
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© 池田祐輝・講談社/「サンダー3」製作委員会 |
© 池田祐輝・講談社/「サンダー3」製作委員会 |
Like the moment where the little sister isekais herself into a world full of normally proportioned humans (and aliens) was legit cool! It’s using the contrasting styles to create the scene, and I love the halftones accenting the comic book effect.
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© 池田祐輝・講談社/「サンダー3」製作委員会 |
© 池田祐輝・講談社/「サンダー3」製作委員会 |
Again, a little creativity goes a long way in this space.

© 池田祐輝・講談社/「サンダー3」製作委員会
And I think that takes us to the end of all of the new isekai for the season! Are there any returning titles that you want to comment on? For instance, I’m always down to remind people that effective worldbuilding does not absolve Jobless Reincarnation of its repeated efforts to normalize pedophilia!

© 理不尽な孫の手/MFブックス/「無職転生Ⅲ」製作委員会
Which is why I’ll use this space to cheat the definition of “isekai” more than a tad and recommend Though I Am an Inept Villainess to everyone. It’s Mitsue Yamazaki directing a bodyswap imperial court drama full of bright colors and lion poisoning. It’s good.
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© Satsuki Nakamura, Ichijinsha / Inept Villainess Project |
© Satsuki Nakamura, Ichijinsha / Inept Villainess Project |
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© Satsuki Nakamura, Ichijinsha / Inept Villainess Project |
© Satsuki Nakamura, Ichijinsha / Inept Villainess Project |
Plus, there’s a title drop in the first episode. Who doesn’t love a title drop?

© Satsuki Nakamura, Ichijinsha / Inept Villainess Project

© Satsuki Nakamura, Ichijinsha / Inept Villainess Project
Or, you know, if Reirin can best girl her way out of the (so far unearned and unexplained imo) prejudice directed at the body she now inhabits!

© Kinema Citrus/Goodbye Lara PARTNERS

© にゃんにゃんファクトリー・講談社/ヤニねこ製作委員会

© 2026 Shirow Masamune/KODANSHA/THE GHOST IN THE SHELL COMMITTEE
There are isekai everywhere for those with eyes to see.
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Anime
Manga ‘Studio Cabana’ Gets TV Anime in 2027
Production company Kadokawa opened an official website for a television anime adaptation of Aguri Uma‘s Studio Cabana on Wednesday, revealing the main cast, staff, and a teaser visual (pictured). The anime series will air in 2027.
Voice actress Sayumi Suzushiro (Bocchi the Rock!) is starring as the lead female character Yukari Maki.
Staff
Director: Shinichirou Ushijima (Kimi no Suizou wo Tabetai)
Series Composition: Sawako Hirabayashi (Ookami Shoujo to Kuro Ouji)
Character Design: Haruka Sagawa (Yofukashi no Uta)
Studio: Juvenage
Uma began drawing the music romance manga on the pixiv Sylph web magazine in June 2021. Kadokawa published the eighth volume in November 2025, with the ninth scheduled to be released on August 21. Studio Cabana has a cumulative 500,000 copies of its volumes in circulation.
Yen Press licensed the manga in English on May 25 and plans to release the first volume on December 15.
Studio Cabana was nominated in the Web Manga category for the 2023 Tsugi ni Kuru Manga Awards (Next Manga Awards).
Synopsis
Yukari Maki is a high school girl who prides herself on honesty—and she’s starting to get the feeling that she and her delinquent classmate, Yuusuke Kusaka, don’t have a single thing in common! But her straitlaced unwillingness to let him skate by in school earns her an almost chaperone-like reputation, and his apparent disdain. Yet, despite Yuusuke’s disapproval of her hovering, Yukari refuses to let a new rumor about him spread. After following Yuusuke home to discuss it, she watches him stop at a music studio. And there, Yukari sees—and hears—a side of Yuusuke she had never imagined… (Source: Yen Press)
Official site: https://studio-cabana.com/
Official X: studiocabana_pr
Source: Press Release
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Anime
ippatu’s Shōjōhime Manga Moves to YanMaga Web on August 2 – News
Manga with new interpretation of Journey to the West story launched in December 2025

©ippatu, Kodansha
This year’s 34th issue of Kodansha‘s Young Magazine announced on Tuesday that ippatu‘s Shōjōhime (Monkey Princess) manga will move to Kodansha‘s YanMaga Web website, where it is simultaneously serialized, on August 2. The manga will also start its new arc in its next chapter.
The manga simultaneously launched in Young Magazine and on the YanMaga website in December 2025. The manga is a new interpretation of the Chinese classic Journey to the West. Kodansha published the manga’s first compiled book volume on April 6 and the second volume on July 6.
ippatu began drawing the Tsugumi Project (Tora Tsugumi) manga, and French publishser Ki-oon began releasing it as an original manga in France in 2019. Kodansha‘s Weekly Young Magazine began serializing the manga in Japan in January 2021. The manga ended in September 2023, and got an epilogue chapter. Kodansha published the manga’s seventh and final volume in November 2023. Kodansha USA Publishing licensed the manga and released the final volume in September 2025, and it shipped in France in February 2024.
Tsugumi Project is inspiring a television anime adaptation.
Source: Young Magazine issue 34 and X/Twitter account
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Anime
‘Mahou no Princess Minky Momo: Akogare no Yume e – Magokoro no Duo’ Reveals Additional Cast, Teaser Trailer
The official website for the new Mahou no Princess Minky Momo: Akogare no Yume e – Magokoro no Duet (Fairy Princess Minky Momo) original video anime revealed additional cast members, main visual (pictured), and a teaser trailer on Wednesday. The OVA is scheduled to open in theaters on November 13 ahead of its home video release.
Cast
Databook: Fukuchi Ochiai (Karakai Jouzu no Takagi-san)
Chamocha: Natsumi Fujiwara (Saikyou no Ousama, Nidome no Jinsei wa Nani wo Suru?)
Pipirupi: Rie Kugimiya (Gintama)
Ayumu Watanabe (Summertime Render) is directing at Ashi Productions and Deko Akao (Witch Watch) is penning the script. Hiroshi Watanabe (Minky Momo in Tabidachi no Eki) and Mari Tominaga (Cardfight!! Vanguard) aare designing the characters. Tomoki Hasegawa (Jiisan Baasan Wakagaeru) is composing the music.
Produced by Ashi Productions, the original television anime aired in 63 episodes from March 1982 to May 1983. A second anime series aired in 62 episodes from Fall 1991 to Fall 1992.
The Minky Momo in Yume ni Kakeru Hashi (Minky Momo in the Bridge Over Dreams) original video anime was released in May 1993, followed by Yume no Naka no Rondo (La Ronde in my Dream) in July 1985, and Minky Momo in Tabidachi no Eki (Minky Momo: The Station of Your Memories) in June 1994.
Teaser Trailer
Source: Comic Natalie
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