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Episode 5 – Tomb Raider King

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Episode 5 of Tomb Raider King errs on the side of reckless acquisitions and hostile takeovers.

I’m going to be honest with you all: I’m trying my best to check my biases at the door. This isn’t my kind of show; we’ve established as much with the opening episodes. Rather than spend the whole season bashing the show for the same issues week in and week out, I’m going to try and take the show on its own terms and evaluate what it’s attempting rather than what I’d like.

With that in mind, I think this is a more interesting episode than what has come before. Clearly Joo-Heon is out to get as much as he can as quickly as he can and establish himself before his previous future comes to pass. This week Joo-Heon got closer to that goal by acquiring a lot of new relics – and I do mean a lot. I had lost count about halfway through the runtime myself. Joo-Heon actually had to go back and list the dozen or so relics he had already acquired, and I had to play it twice to make sure I caught them all. He is picking up two or more mystical items of ancient power per week at this rate. It’s a good thing Joo-Heon has picked up some assistants in this to carry all his treasures.

The relics were far more fleshed out this week. The Code of Hammurabi is a pretty key relic, not just because of its fame but also because it clearly gets its own hype activation sequence. It does look great seeing the giant stone pillar rise out of nowhere and get all the flashy effects when Joo-Heon uses it. I’m also tickled by the fact that the power is a reflective shield of sorts. I can certainly see the chain of reasoning that gets to that effect, but I find it interesting since if I were asked to come up with a magical power for the Code of Hammurabi, I don’t think I would have settled on this as an idea.

Similarly, the affinity and dominance aspects get more nuance too. We find out that relic poisoning was killing Joo-Heon in his past life, and that’s why he was bound to TKBM. Dominance also being less potent if something rattles you or throws off your mental state is also a neat idea, as it certainly reflects why Joo-Heon is constantly cool as a cucumber. These little wrinkles add texture to the world and give it a sense of place and specificity that goes a long way to making this setting stand out.

Rating:





Tomb Raider King is currently streaming on
Crunchyroll.


Disclosure: Kadokawa World Entertainment (KWE), a wholly owned subsidiary of Kadokawa Corporation, is the majority owner of Anime News Network, LLC. One or more of the companies mentioned in this article are part of the Kadokawa Group of Companies.


The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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Anime NYC Holds Panels for Big West/Macross, English Dub Premieres of Go Forward. Anime, 27th Detective Conan Film – News

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Image via Macross franchise’s website

The Anime NYC convention announced over the past week that it will host a panel for Big West and the Macross franchise, as well as a premiere screening for SkySet Entertainment‘s English dub for the Go Forward (Massugu ni Ikō) television anime. The event will also host the world premiere screening for the English dub of the Detective Conan: The Million-Dollar Pentagram (Detective Conan: Hyakuman Doru no Michishirube) anime film. All three panels will take place on August 22.

The Big West panel will highlight the Macross franchise, including updates on upcoming merchandise and projects, and will have an English-subtitled feature screening for Macross Delta the Movie: Passionate Walkūre. The film is a compilation film of the Macross Delta anime, but with added scenes to tell a new story, as well as additional songs. The film opened in Japan in 2018.

The English dub panel for Go Forward will screen the English-dubbed first episode, and will include a Q&A with the dub‘s director Phebe Fabacher. SkySet Entertainment announced the dub in May earlier this year. The company will stream the series as well as the sequel Massugu ni Ikō: Melon Pan-hen, and will release the dub in late summer this year. The anime premiered in 2003 and aired for four episodes. The sequel premiered in 2004 and aired five episodes.

The 27th film in the Detective Conan franchise opened in Japan in April 2024. The film ranked at #1 in its opening weekend, selling 2,274,333 tickets and earning 3,352,494,500 (about US$21.7 million) yen in its first three days. The film remains the highest-grossing film in the franchise. The film had its U.S. premiere screening at Anime Expo on July 4.

Source: Anime NYC (link 2, link 3)


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Gotham Group to Develop Film, TV Adaptations of Viz Media’s Original Properties – News

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Image via Rooster Teeth

Entertainment news website Deadline reported on Thursday that Viz Media and the Gotham Group have signed an agreement for the Gotham Group to develop film and television adaptations based on Viz Media‘s original properties, including titles from its Viz Originals graphic novels and the RWBY franchise that it had acquired.

The RWBY animated series has a 10th volume greenlit.

Viz Originals include Devil’s Candy by Rem & Bikkuri, Fangirl by Rainbow Rowell, Lynx by Sam Sattin, and Galaxic Baseball League by Acky Bright.

The Gotham Group is a film and television production company that has produced such titles as The Spiderwick Chronicles, The Maze Runner, Stargirl, and Percy Jackson and the Olympians, among others.

In July 2024, Viz Media acquired the RWBY series following Rooster Teeth shutting down. Viz Media owns the rights for future distribution, production, licensing, and consumer products. The company stated at the time that it was exploring the production of new chapters in the series.

The original RWBY web animated series by the late creator Monty Oum follows four girls with unique weapons and powers who are training to hunt supernatural “Creatures of Grimm.” Rooster Teeth produced nine volumes and 117 episodes. The ninth volume began in February 2023 and ended in March 2024.

Shaft’s RWBY: Ice Queendom television anime for the RWBY franchise premiered in Japan in July 2022. Crunchyroll streamed the series as it aired in Japan, and it also streamed an English dub.

Viz has published manga for the RWBY franchise, including Shirow Miwa‘s adaptation of the web animated series in Shueisha‘s Ultra Jump magazine from November 2015 to February 2017. Viz Media published the manga in its English edition of Weekly Shonen Jump magazine beginning in October 2017, and also published the manga in print. The company also published Bunta Kinami‘s RWBY: The Official Manga manga. Kinami launched the manga in Shonen Jump+ in December 2018, and ended it in June 2020. Additionally, Viz Media published the RWBY manga anthology series.

Rooster Teeth (RWBY, gen:LOCK) revealed in March 2024 in a memo from general manager Jordan Levin to its staff that, after 21 years, it was shutting down “due to challenges facing digital media resulting from fundamental shifts in consumer behavior and monetization across platforms, advertising, and patronage.” Rooster Teeth had stated at the time that its parent company Warner Bros. Discovery would explore options for its IP such as RWBY and gen:LOCK.

Source: Deadline (Denise Petski)

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Best of Summer 2026, Jul 29-Aug 4 – Your Anime Rankings

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Let’s have a look at what ANN readers consider the best (and worst) of the season,
based on the polls you can find in our Daily Streaming Reviews
and on the Your Score page with the latest simulcasts.

Keep in mind that these rankings are based on how people rated individual episodes of the current season, not on the overall quality or popularity of the series.
Only the titles legally streaming in North America and popular enough are being ranked, so the bottom of the list might represent ‘watchable’ rather than ‘bad’.
Series that lack enough user votes will not qualify for the ranking.
See the notes for further details.

Don’t forget to head over to Your Score to rate the episodes you’ve watched this week

Episode Rankings for the week of July 29-August 4

Along the actual ranking for this week’s episodes, this graph chronicles the change in position from week to week.
While some series are stable, others swing wildly in the rankings depending on the strength of each episode.
When a series has no episode for a given week, the previous week’s episode is used instead as a placeholder.
The first episode of each series is considered as part of the first week, even if it really streamed during the second week.
Click on the numbers to highlight a particular series.

Series Cumulative Ranking as of August 4

Each week’s ranking takes into account the scores given to previous weeks’ episodes.
As we reach closer to the end of the season, each series’ rank will start to solidify and we’ll get a look at the real winners and losers.
Click on the numbers to highlight a particular series.

Notes

Disclaimer: the rankings are just an average of opinions, published for entertainment and information purposes.
ANN makes no claims regarding statistical significance or invulnerability to spam.

The rankings are computed using the Ranked pairs method,
with the variation that unrated titles are considered as abstentions instead of lower than the rated titles.
This roughly means that if, out of all people who rated both A and B, 60% preferred A, it will be ranked higher than B.

The rankings indicate relative quality (A is preferred to B), not absolute quality (B is good/bad).
While the titles are ranked from ‘best’ to ‘worst’, sometimes the difference between #1 and #10 can be very thin.
So if your favorite is near the bottom of the list, don’t take it personally.
It doesn’t mean it’s a bad show, it just means that ANN readers, on average, have preferred the ones above.

If a series has no episode for a given week, we use the rating data for the previous week’s episode in order to compute the weekly ranking.
This is not officially counted as a position in the ranking (it has no impact on the cumulative ranking), but it makes it easier to compare weeks if they each have the same number of series ranked.

It should be noted that long-running series (and sequels) have an advantage in the sense that only people who like the series are still watching it, and they are likely to give each episode a high rating.
But if such a series is going through a low-quality filler arc, the season will get low rankings that are not indicative of the true overall quality of the series.
Conversely, there are fewer people rating the show so it’s less likely to have enough votes to qualify for the ranking.

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