While every episode of Smoking Behind the Supermarket with You is emotionally resonating, this sixth episode was an especially weighty gut punch! Still not content to just depict a cute, wholesome interpretation of an age-gap relationship, this episode goes further, exploring the anxieties these people face at different stages of their lives and how the other helps them overcome those hardships. While this is still far from the most lavishly produced series of the season and its use of montages to convey information is becoming a bit of a narrative crutch, with scripts this affecting and voice acting this impactful, I can’t help but fawn over this latest episode of Smoking Behind the Supermarket with You.

This episode’s cold open features Sasaki expressing anxiety about his upcoming annual medical exam, which, as a thirty-one-year-old acutely aware of recurring aches and pains I wasn’t dealing with even a few years ago, I can relate to! Tayama/Yamada gives him a pep talk and assures him that he’ll be fine…which turns out to be empty comfort when the second act opens with Sasaki telling Tayama that his doctor ordered a scan of his lungs to screen for cancerous growths. Considering that the main hook of Supermarket Smoking is the relationships and connection that are fostered by a shared activity in a third space, I wasn’t expecting this flagrant reminder of how terrible habitual smoking is for a person’s lungs and their overall health, but I’m glad we get this reminder PSA!

The rest of the second act focuses on Tayama/Yamada working up the nerve to tell Sasaki about the trick she’s been playing on him (and likely confessing her romantic interest in the process), but he gets a call at the last second that reveals that his organs are fine! While this reveal is a bit of a rug pull that undermines the previous narratives, this is still a very cute sequence, and it’s fun to see Tayama/Yamada on the back foot for a change!

We see even more of Tayama/Yamada out of her element in the third act, which is a flashback to eight years ago when she had just started at the grocery store and had yet to perfect her retail voice. As she’s being harassed by a disgruntled customer (proving Karens exist in every culture), an adult man who’s definitely not Sasaki steps in and offers the young woman terrific career and life advice. I understand that I’m predisposed to liking this show, as I’m halfway between the ages of these characters and, as such, relate to both of their experiences extremely well, but this really is one of the sweetest episodes of anime I’ve seen in a minute.

God, do I wish I had someone like Sasaki to lift me up when I was younger, and boy am I grateful that I have people like Tayama/Yamada to ground me and make my life more fun now that I’m older.

Rating:

---

Lucas DeRuyter is your one-stop shop for smoking hot anime takes, and you can read the best of those by checking out his portfolio. You can also catch him filling a double shift as a columnist for ANN’s recurring This Week in Anime segment, where he shares his insights into that week’s news, trends, or special topics.

Smoking Behind the Supermarket with You is currently streaming on
Crunchyroll.

I have played a lot of visual novels before, but this is the first time I’ve played one structured like Sweet Hamster Days. Unlike others that use stock art or animations to set up interactive scenes with the player, this game is 90% live-action, using real filmed footage of the Shiratori sister actresses. There is a novelty to this approach, and the different camera angles really emphasize Kota’s size, the character that you play as. The video quality is also incredibly crisp, so if staring at Japanese women is one of your general interests, then this game is tailor-made for you.

Ironically, the problem with this presentation is that it creates a game that feels less interactive than your standard visual novel. Unlike other visual novels that can branch out into other scenarios while still using the same library of sprites or animations, this game offers far more limited interactivity because the scenes needed to be shot on film before being edited into the game. Making decisions and choices that affect the overall narrative trajectory of the game is, in a lot of ways, the main appeal of playing a visual novel. However, most of the choices that occur in this game are ultimately superfluous. It comes down to the fact that, production-wise, increasing the number of choices in branching paths would mean more footage would’ve needed to be recorded, which might not have been possible.

The other issue is that the main character Kota is a hamster for most of the game. He has no clear way of communicating with the sisters outside of squeaking, and his small stature makes it hard for him to do anything besides react. I do think that contributes to some of the game’s charm, but the problem is that the outcome isn’t really that different because the dialogue choices sound the same to the sisters. So if you’re looking for a game where every choice you make matters, this is not for you.

The game sometimes struggles to create new forms of interaction. There is a hamster icon in the bottom left corner that lets you express a variety of moods in real time while the live-action cutscenes are playing. This is encouraged in order to get an idea of what Kota is thinking at the moment, but all it does is spam sound effects and stock reactions over the screen. I tried utilizing these reactions during dozens of scenes only for it to ultimately not matter. It was the visual equivalent of dangling keys on screen, which also felt counterintuitive since doing it too much ultimately blocked the live-action footage. The game does have some occasional cute overlays that also pop up from time to time, but they are incredibly basic even at their best.

Don’t worry though; there is still a game here. While most of your choices ultimately don’t matter, that doesn’t mean that all of your choices don’t. The game is divided into multiple routes, each focusing on a sister. It’s your job to follow each sister around, see what troubles are going on in their day-to-day life, and do what you can to cheer them up, even if it is limited. It’s usually the final choice in each story segment that ultimately matters, even if the game doesn’t always make it clear. Worst-case scenario, you’re still allowed to go back to replay that same story section right away. Plus, the game has a very handy skip feature so you can skip all the cutscenes to make the right choice in a short amount of time. The funny thing is that if you make the wrong choice in a story segment, then the game classifies that as an ending, which means there are technically dozens of “endings” in this game. But it’s not like a hard Game Over; you just didn’t make the right choice to advance the specific story that the game wants to tell. Some of these “endings” are a little fun while others can literally result in your death. It was sometimes very random, but there was a little bit of amusement in the challenge of trying to “collect” all of these endings.

There are technically a few other collectibles in this game, like background information on all of the different women that isn’t revealed in the cutscenes or hints on how to acquire very specific endings. However, the draw is the eye candy segments. Finishing specific routes unlocks full videos that run for about one minute of the sisters changing or wearing different outfits. It’s nothing overly explicit; it could be Himari posing in a teacher’s outfit on a bed or Futaba slowly putting on her stockings. You don’t see anything like nudity or a panty shot. In a lot of ways, this is the most basic of voyeurism, but at least the music during these moments is relaxing.

Now the women aren’t strictly eye candy, even if I’m pretty sure their attractiveness is supposed to be one of the main appeals of the game. All of the sisters do have their own stories, whether it’s Himari struggling with her job or Miyu struggling with her inferiority complex. I do feel for these characters because it’s clear that all of them are working really hard just to live their lives. Their struggles were very relatable, and having an affectionate pet nearby does help alleviate that pressure. The way they talk to Kota as a hamster feels very similar to the way that I might talk to my dog when I get home after a long day. There is some genuine emotion here that I can’t ignore. It’s clear that Kota was put into the body of this hamster with a mission to make sure that the sisters can live their best lives, and while I didn’t feel like the game had me by the heartstrings, I did want to see them get their happy ending.

Going through all the routes of the game will take you a couple of hours. I commend the presentation and the commitment to the live-action elements, even if it ultimately renders a lot of the gameplay elements superfluous. I also feel like the perverse wish-fulfillment angle clashes a bit with the genuine sweetness the game is trying to have at times. But there is a lot of novelty that is worth checking out if you find yourself in the right mood. If you’ve never tried a game like this before, it’s worth a peek and the occasional emotional moments, but you’re not missing out if you would rather prioritize something a bit more involved and narratively enriching.

The official website for the Shin Tennis no Oujisama: U-17 World Cup Kesshou Member Ketteisen television anime series revealed additional cast, new staff, a key visual (pictured), and the first promotional video on Friday. The sequel anime is scheduled to premiere on October 1 at 12.00 a.m. on TV Tokyo, followed by TV Osaka, and TV Aichi.

Cast
Julio Roman: Tasuku Hatanaka (Boku no Hero Academia)
Mars de Colon: Reiji Kawashim (Kill Ao)
Silva Serra Banbieri: Ryuuho Nagaoka (Tamon-kun Ima Docchi!?)
Sedah: Megumi Han (Medalist 2nd Season)

New staff includes Kenichi Tajiri (Turkey!) and Akane Ichinose are replacing Jinya Kimura (Shaman King (2021)) as art director. ARTE MUKUO and Norifumi Hirakawa are joining the staff as background and CG director, respectively.

Music group Aosu is performing the opening theme “Walls And Bridges,” while Junichi Suwabe (Ensemble Stars!! Road to Show!!) and Hidenobu Kiuchi (Everyday Host) are performing the ending theme “Kinkanshoku phenomenal.” The opening theme is previewed in the promotional video below.

Returning staff includes Yoshinobu Tokumoto (Darwin’s Game) as director at animation studio M.S.C. Mitsutaka Hirota (Edens Zero) is serving as series composition, while Akiharu Ishii (Shin Tennis no Oujisama) is credited as character designer and chief animation director. Chihiro Tamaki (Shin Tennis no Oujisama: U-17 World Cup) is composing the music.

Produced by Studio Kai and M.S.C, the U-17 World Cup television anime aired in 13 episodes in Summer 2022, followed by latest season, titled U-17 World Cup Semifinal in Fall 2024. Crunchyroll simulcast the anime with subtitles and subsequently streamed an English dub.

The original sports manga was serialized in Weekly Shounen Jump between 1998 and 2008 and compiled into 42 volumes. The sequel manga began in Jump SQ, the following year and ended serialization in the September 2026 issue. Shueisha published the 47th volume on June 4 with the 48th and final volume scheduled to be released on September 4.

PV1

Source: PR Times

News submitted by Safuan12616