Entertainment
Where to Stream All the Insidious Movies
The “Insidious” movies have been one of the most enduring horror franchises of the 2010s, and revisiting them before the release of 2026’s “Out of the Further” could be well worth it.
Unfortunately, there is no one-stop shop for streaming the previous films. You’ll need a handful of services to fully pull off the rewatch binge. The new movie drops on Aug. 21, so there is still plenty of time to jump back to the demonic horrors of the original or watch Lin Shaye in one of her consistently best performances.
Here is where to go to find each of the “Insidious” movies in the horror franchise.
Where can you stream the “Insidious” movies?
The “Insidious” movie franchise is spread out across a number of streaming services, so it can be hard to pin down exactly where to go to find each horror entry. Here is where they currently are:
- Insidious (2010) – Peacock
- Insidious: Chapter 2 (2013) – Peacock
- Insidious: Chapter 3 (2015) – Peacock
- Insidious: The Last Key (2018) – HBO Max
- Insidious: The Red Door (2023) – Hulu, Disney+, HBO Max
- Insidious: Out of the Further (2026) – In Theaters
When does “Insidious: Out of the Further” come out in theaters?
The sixth entry in the franchise – “Insidious: Out of the Further” – releases in theaters on Friday, Aug. 21.
What is “Insidious: Out of the Further” about?
The film follows a young mother who learns she can not only visit The Further – a purgatory for demons, lost souls and more – but bring things back to the real world. When the worst things that reside in the Further learn that they start to take advantage and creep through.
For fans of the “Insidious” franchise lore, the film looks to take an even deeper look into The Further and how it truly functions.
Watch the “Insidious: Out of the Further” trailer below:
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Entertainment
Hayden Panettiere PETA Ad Debuts 2 Days After Death
Hayden Panettiere shot and appeared in a new PETA ad just two weeks before her death.
Following the news Sunday that Panettiere – most known for “Heroes,” “Nashville” and “Remember the Titans” – passed away, PETA released an ad they shot with the star just weeks before.
“Hayden Panettiere became a household name playing a hero on TV, but in real life she was a hero to animals,” PETA wrote alongside the video. “Just two weeks before her passing, the actor confined herself to a bathtub for a campaign protesting marine parks like SeaWorld. You can hear the emotion in her voice as she urges others to stand with her and help end this cruelty. Honor Hayden’s legacy. Continue her fight. Never buy a ticket to a marine park.”
In the ad, Panettiere makes a plea to protect the dolphins. The released video also includes footage from the shoot the late actress did for the photo ad of her posing in a bathtub.
“Can you imagine their frustration, their trauma, their depression? All that is important and crucial for their well-being is ripped away … We can end this. You and me,” Panettiere said in the clip. “In their ocean homes they can be with their families, dive deep to escape the hot sun and enjoy the rain on their backs … all of that is taken from them when they are confined to small tanks.”
The former child star was found unresponsive by emergency services responding to a 911 call in Greenville, S.C., on Sunday, with “no signs of foul play or suspicious circumstances,” per the Greenville County Coroner’s Office. She died at the age of 36.
“It is with profound sadness that we share the tragic passing of our beloved Hayden. She was an incredible light and a force of nature who brought immeasurable love and joy to all who knew her — and to the millions who watched her onscreen,” Skip Panettiere, her father, said in a statement Sunday. “We ask for privacy as our family takes time to process this unimaginable loss.”
Panettiere had a sprawling number of industry credits from film, TV and video games. They most famously included “Heroes,” “Nashville,” “A Bug’s Life,” “Remember the Titans,” “Tiger Cruise,” “Ice Princess,” “Bring It On: All or Nothing,” Until Dawn, Kingdom Hearts and the “Scream” franchise.
PETA doubled down on their remembrance and celebration of Panettiere’s last shoot. They shared an image from the bathtub shoot in a separate social media post.
“Hayden Panettiere asked her audience and the world to think of dolphins and orcas and boycott marine parks,” PETA wrote. “In tribute to her life and legacy of compassion, we’re sharing the campaign, which marks a poignant final chapter in Panettiere’s fierce advocacy for marine mammals.”
The message finished: “Honor Hayden’s memory by refusing to buy a ticket to any place that condemns these remarkable animals to tiny concrete tanks.”
You can watch the the video PETA released above.
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Entertainment
Hollywood Unions Race to Protect CA’s Film Incentive From New Tax Credit Cap
As the final weeks of California’s legislative session tick down, Hollywood unions are racing to secure an exemption for film and TV productions from a new law that they warn could derail the state’s efforts to halt the decline of jobs available for entertainment workers.
On June 29, Gov. Gavin Newsom signed Senate Bill 122 into law as part of the state’s budget package. Included in that law is language that caps the amount of tax credits that a business can receive annually to 70% of its liability or $5 million, whichever is greater. The bill was passed in an effort to reduce strain on California’s budget by preventing companies, particularly those in the tech sector, from completely erasing their tax liability through research and development credits.
The Entertainment Union Coalition warns that this rule would make it prohibitive for productions, particularly high-budget productions that employ a significant number of actors and crew members, to film in California as it would take several more years for studios to receive the full value of the tax credits they earn based on eligible in-state spending compared to other major production hubs like New York, Illinois, Canada and the United Kingdom.
This comes a year after lawmakers voted to dramatically increase the size of California’s production incentive program from $330 million to $750 million, leading to more than 110 film, television and animation projects to qualify for credits. While the expansion has yet to have a major impact on California production — ProdPro reported a 5% year-over-year increase in production spending in the state last quarter — the EUC says that it expects more progress but only if producers and studios can be certain that they can reap the benefits of the program after completing payments to workers and vendors.
“This back-end cap on tax credits only makes it more difficult for productions to fully monetize the credits that were already accounted for in the state budget. The back-end cap will also make it harder for independent productions to sell their tax credits to buyers or even get financing from banks, making it difficult for them to secure the financial backing necessary to start projects,” the Entertainment Union Coalition wrote in a memo.
Over the past two months, Hollywood unions have raised alarms to members over SB 122, urging them to get in contact with their representatives. The EUC says that over 350,000 letters have been sent by union members to Sacramento lawmakers.
The drop-dead date for lawmakers to pass some form of exemption for productions is August 31, the final day of the legislative year in Sacramento, with all bills required to be submitted in writing at least three days prior. Hollywood Asm. Rick Chavez Zbur tells TheWrap that he and his colleagues do not want to run up against that deadline.
“We’re currently in the process of discussing all of this with the independents, the studios, the Entertainment Union Coalition, and with Gov. Newsom and legislative leaders, and now we are in the process of building out a fix that would mitigate the impacts that SB 122 has on this program,” he said.
Union insiders say that several options are being weighed, including an outright exemption from SB 122 for independent productions that would allow producers to continue the current practice of transferring the credits to buyers as part of financing deals for their projects.
But there are still disagreements over extending such an exemption to major studio productions. Proponents such as the EUC and the Motion Picture Association have argued that a full production exemption from SB 122 is necessary for the expanded incentive program to fulfill its intended purpose as a jobs program at a time when entertainment workers have moved out of California in search of employment or switched career paths entirely.
But insiders tell TheWrap that there is concern that offering such an exemption would lead to outcry from other major industries, including tech companies, who would call for SB 122 carveouts of their own.
Another bill expected to come up for a vote before the session adjourns is AB 2319, a bill that would create a 35-50% refundable tax credit for productions that do their post-production work in California, even if principal shooting is done outside of the state.
The bill was passed through the State Assembly earlier this summer and is expected to receive a floor vote by the State Senate in the final week of the session with the hopes of also securing as much as $100 million in funding as part of a separate budget trailer bill.
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movies
Robin Williams’ Kids Fight Against AI Slop Reactivating His Instagram: “As Technology Evolves, We Want This To Be A Safe, Trusted Place”
Robin Williams‘ three children have taken a step in the fight against AI slop using their father’s likeness by reactivating his Instagram account.
The social media platform had been dormant since 2014, when the actor died.
“As we recognize what would be our Dad’s 75th year, we’re grateful to see new generations discovering his work while longtime fans continue to celebrate the joy he brought into their lives,” read the statement signed by Zak, Zelda and Cody Williams.
The statement continued, “As technology evolves, we want this to be a safe, trusted place where the stories, photos, videos, and memories shared reflect his legacy with authenticity, warmth, and care.
Zak, Zelda, and Cody’s intentions are to share Williams’ “unique talent and humor with the world, including the moments that made us and so many of you laugh, as we remember our Dad’s extraordinary life and work. He continues to inspire us and delight people all over the world.”
The Instagram profile also has links to social media platforms like TikTok, Facebook, and YouTube, where the message from Zak, Zelda, and Cody was also shared.
Last year, Zelda took to social media to ask people not to send AI-generated videos of her late father, saying in a statement, “If you’ve got any decency, just stop doing this to him and to me, to everyone even, full stop. It’s dumb, it’s a waste of time and energy, and believe me, it’s NOT what he’d want.”
Zelda said that seeing AI slop of her father was “gross” and “maddening,” adding, “To watch the legacies of real people be condensed down to ‘this vaguely looks and sounds like them so that’s enough,’ just so other people can churn out horrible TikTok slop puppeteering them is maddening. You’re not making art, you’re making disgusting, over-processed hotdogs out of the lives of human beings, out of history of art and music, and then shoving them down someone else’s throat hoping they’ll give you a little thumbs up and like it. Gross.”
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