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Maia Reficco Talks The Last Sunrise, Facing Fears, New Music

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Don’t even ask Maia Reficco about Plan B, because that was never an option. She’s been too busy making Plan A a reality.

That’s partly because she “came out of the womb singing,” the 26-year-old actress quips during a recent chat with The Hollywood Reporter. “I just have literally never shut up. I’ve always sung since the second I was born. And my first word was my godfather’s name, who is a piano player, and he taught me how to play the piano.”

After moving from the U.S. to Argentina as a child, it was only a matter of time before Reficco figured out how to turn her dreams of singing and acting into a tangible career. She eventually got her start as a teen on the Nickelodeon Latin America series Kally’s Mashup, but it was her breakout role as Noa Olivar in Pretty Little Liars: Original Sin that launched her to new heights.

“I’ll forever be so grateful for that because it opened the doors for me to essentially have a career here in the U.S. and in a space where I never thought I’d be able to break through,” she says of the spinoff that ran for two seasons, from 2022-2024.

Reficco jokes that her Pretty Little Liars experience was “a bit like acting bootcamp,” which only prepared her for what’s to come — her first starring role in a romance film.

She’s playing Ry in the Prime Video adaptation of author Anna Todd’s bestseller The Last Sunrise, which releases on Aug. 26. The script really had Reficco “kicking my feet, giggling,” she admits, but the whole experience also touched on something much deeper for the actress.

“There was something about being so connected to the femininity within this role and within this story that made me feel good about myself,” she says of the coming-of-age romance. “And that helped me overcome a lot of my preconceived notions of how I would feel in a movie where it explicitly in the script requires me to be hot or stuff like that.”

Though Reficco has been having an onscreen moment the last few years, she’s never forgotten the “reason I was brought into the world,” which was music, she says. It took her some time, but she’s finally ready to let the world into her vulnerable side with the release of her new music, including her single “Amapola.”

“I’m terrified for people to know so much about my vulnerabilities because I’ve always been a very private person,” she tells THR. “That being said, it’s the music I love. And so I’m going to release it into the world and hopefully people can connect with it.”

Below, Reficco gets candid about her favorite moments from filming The Last Sunrise, the truth behind awkward chemistry reads, if she’s open to reprising her character Ry, what fans can expect from her new music and more.

With The Last Sunrise, how much did you lean into the script vs. the book material when developing your character Ry?

With book adaptations, it’s always such a fine line between honoring the pages and wanting to bring that character that’s so beloved by anyone who’s read the book to life, but at the same time creating something of our own with the team that we made the film with. So I definitely think it helped having Carly Thomas Anna Todd as a producer, because she obviously informed the decisions that we were making alongside Carlson Young, our director. And me as an actor, between all of us and having the source material and at the same time having our script, I think that’s where all the intersection happened of trying to find where we would honor the page heavily and where we would try and find room to play and create this new version of Ry. But it’s always such a fun challenge.

Maia Reficco in The Last Sunrise.

Prime Video

Do you have a favorite moment on set while you were filming?  

I think it was maybe the top two shoots of my life. It really was very special. Fernando [Lindez] and I became really close through getting to explore the island [of Mallorca], so definitely going to hidden beaches all over with him. And we went out a lot. We went out and had fun.

I would say a favorite memory of mine is actually on the first Sunday that Fernando and I … we met for the camera read, but then when he got to New York, I was there already. And it took us a couple of days to actually get along, funny enough. We weren’t really vibing. And then on a Saturday, we went to this party together and we were like, “Yo, you rock. No, you rock.” And from then on, we became best friends. And the next day we hung out, had lunch and went to this random beach that was an hour away, and we did this whole ordeal. And I think that’s what really bonded us.

Did you and Lindez have a chemistry read prior to being cast and shooting?

I flew to Madrid a month out of shooting to read with a bunch of guys. And it was so funny because chem reads are always goofy. And I’d not done one in person in a while. … It was goofy because it was all these kissing scenes and stuff. And it was a parade of all these attractive men being all Spanish, big and er. I was just like, “What’s going on?” (Laughs.)

Fernando Lindez and Maia Reficco in The Last Sunrise.

Prime Video

Anna Todd is also looking to turn the book into a trilogy, so if Prime Video decides to adapt those, would you be open to reprising your character? 

I have been trying to put pressure on Prime [Video] every interview I do. I’m like, “Let’s make the second one. Come on, let’s get to it.” I really would love to make a second one. We had so much fun during the first one. I would love to go back to New York. I would love to go back to shooting with Eva [Longoria] and with [Fernando]. I think it was all around pretty perfect as an experience.

Looking back, what did you take away from your experience on Pretty Little Liars: Original Sin and joining a spinoff of such a beloved show?

Pretty Little Liars was life-changing for me. I loved that show and I loved making it, and I’m forever grateful to Lindsay [Calhoon Bring] and Roberto [Aguirre-Sacasa], our showrunners, for giving me that opportunity. It was my first big job in the U.S. …. And I’ll forever be so grateful for that because it opened the doors for me to essentially have a career here in the U.S. and in a space where I never thought I’d be able to break through.

That being said, I was able to meet some of my favorite people in the world, truly the girls I absolutely adore, and I feel so lucky to still be friends with all of them. … I just feel really lucky that I was able to do something I loved and to be part of such a beloved IP. I loved Pretty Little Liars. Lucy Hale was one of the first girls I ever had a crush on. And I was like, wait, maybe I’m a little gayyyy (Laughs). …. It was super campy. It was so silly. And it was a bit like acting bootcamp.

Maia Reficco in Pretty Little Liars: Original Sin.

HBO Max

Having been born in the U.S. but growing up in Argentina, how do you feel that shaped the person who’ve grown into today who’s continuing to expand in their career?

Everything that I am is incredibly intertwined with the fact that I am a woman and the fact that I’m Argentine. So everything I am and do and feel and say and create is always going to be completely informed by these two things. … That being said, when I act and when I choose what stories to tell, it’s always from this perspective of my lived experience. So whether it is a PLL where I really fought for certain things about Noa’s identity or whether it’s a Hadestown where I asked if I could speak in Spanish and they were so eager about it. And I was speaking in Spanish in my favorite show on Broadway.

I always feel really proud to say where I am from and to drink my mate [an Argentine drink] every day and to loudly say that I’m Argentine, because I know I come from a country that, while it’s a third-world country and we have our struggles, we are so kind and we are incredibly welcoming.

You’re also going to be releasing new music, including your new single “Amapola.” How did you know now felt like the right time to return to music?

Hand on my heart, I think the reason I was brought into the world is to sing. There’s nothing I love more and nothing makes me feel more aligned with who I am as a person. And there’s been a wide plethora of reasons why I’ve not poured myself entirely into music yet. Some of them stemming from an identity crisis, to be completely frank, and others from logistical, practical, professional things that made it a little complicated to move forward. But that being said, I do think the timing of it is perfect, and I do believe in everything happens for a reason. And I definitely think this had to happen in the moment that it’s happening because I needed to grow a lot in order to finally face something I care about so deeply.

So now having my first song out, “Amapola,” being a song I love so dearly and being fun and not being too in my head and not being pretentious and trying to fall into the love I have for music alongside a visual world that I worked really hard to curate, I feel really lucky to be able to finally do this.

What’s something you absolutely cannot live without?

My mate and my nebulizer. Literally these two. If you’re a singer, get yourself a portable nebulizer. It’s great. And my mate is [because] I’m Argentine. All I do is drink that (Laughs).

What might be surprising that fans don’t know about you?

I speak Italian. My favorite thing in the world is [Argentine soccer player Lionel] Messi and I’m really proud to be Argentine. I would say that my brother is my favorite person in the world and the best artist I know. The coolest thing about me is my brother (Laughs).

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HBO Max’s Jimmy Olsen & Gorilla Grodd ‘Superman’ Spinoff Series Gets Series Order & Title, Reveals Cast

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It’s official: HBO Max has given an eight-episode, straight-to-series order to its long-in-the-works Jimmy Olsen Superman spinoff series, from DC Studios and Warner Bros. Television. The half-hour comedy has been titled The People v. Gorilla Grodd, which also is a meme.

Skyler Gisondo as Jimmy Olsen and Jimmy Tatro as Gorilla Grodd headline the series, done in the true-crime docuseries/mockumentary genre. Season 1 will be centered around DC bad guy Gorilla Grodd, who has psychic powers and other skills after his encounter with an alien spaceship. The character was created in 1959 by John Broome and Carmine Infantino, and was most recently featured as part of DC’s Arrowverse.

They are joined by several Superman actors reprising their roles — Beck Bennett as Steve Lombard, Mikaela Hoover as Cat Grant, and Wendell Pierce as Perry White — as well as new cast additions Mary Holland, Eduardo Franco, Arian Moayed, Dan Perrault, Andrew Leeds, and Tim Baltz.

Tony Yacenda and Dan Perrault serve as showrunners, writers, and executive producers with Yacenda set to direct all episodes. James Gunn and Peter Safran also serve as executive producers.

In The People v. Gorilla Grodd, a superintelligent ape is convicted of murdering his father, the King of Gorilla City. In an eight-part “true” crime docuseries, the Daily Planet’s Jimmy Olsen reopens the case, investigating whether Gorilla Grodd was wrongly convicted in one of Metropolis’ most famous murder trials.

“We are thrilled to be working with Tony and Dan, alongside James, Peter, the entire DC team and our colleagues at WBTV, to bring these iconic DCU characters to HBO Max in a new and unexpected way,” said Amy Gravitt, Executive Vice President, HBO Programming, Head of HBO & HBO Max Comedy Series. “We already know Skyler Gisondo is pitch-perfect as Jimmy Olsen and we can’t wait for fans to experience Jimmy Tatro’s captivating and hilarious portrayal of Grodd.”

On HBO Max, The People v. Gorilla Grodd joins the DC drama Lanterns, which just launched to sold viewership, as the streamer and DC Studios’s development slate has been going through a reset.

“Between Skyler’s wonderful performance and the fantastic chemistry of the Daily Planet cast, we knew coming out of ‘Superman’ that this would be a fun world to explore,” James Gunn and Peter Safran, executive producers and DC Studios’ Co-Chairmen & Co-CEOs. We’re excited to work with the brilliant Dan Perrault and Tony Yacenda to take the audience down some of the darker and funnier streets and alleyways of the DCU as Jimmy spotlights the Metropolis criminal justice system for his docuseries.”

The People v. Gorilla Grodd has had had a blinking greenlight for a while, with casting done ahead of a formal order.

The series, from DC Studios in association with Warner Bros. Television, is executive produced by James Gunn, Peter Safran, Tony Yacenda, and Dan Perrault. Yacenda and Perrault also serve as showrunners and writers. All episodes are directed by Tony Yacenda.

“We’re excited by the challenge of creating a series that feels less like an entry into the DCU and more like an artifact from it,” Yacenda and Perrault said. “A Daily Planet original documentary made for the people of Metropolis. We hope it’ll appeal to fans of the comics, comedy and true crime. And while we can’t speak for audiences here yet, we already know it’s a huge hit in Metropolis. They love this series.”

Gisondo is repped by UTA, Untitled Entertainment and Jackoway Austen.
Tatro is repped by Brillstein Entertainment, UTA, Toczek Suddleson Law Group LLP and Luna Public Relations.
Bennett is repped by UTA and Myman Greenspan Fox Rosenberg Mobasser Younger & Light.
Hoover is repped by Buchwald, Untitled Entertainment, Brecheen Feldman Breimer Silver Thompson, and Birch Public Relations.
Pierce is repped by Paradigm.
Holland is repped by Atlas Artists, Paradigm Talent Agency, Ziffren Brittenham.
Franco is repped by Mosaic, UTA & Kovert Creative.
Moayed is repped by UTA and Kipperman Management.
Perrault is repped by Brillstein, UTA, and Narrative.
Leeds is repped by Gersh, Perennial Entertainment, and Felker Toczek Suddleson McGinnis Ryan LLP.
Baltz is repped by repped by El Centro Entertainment, Gersh, and Lichter-Grossman.

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New York City Is Now The Capital Of Tech Jobs, Edging Out Bay Area In Annual Survey

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New York City now has the most tech jobs of any market in the country, edging the San Francisco Bay Area for the first time in an annual survey.

Commercial real estate firm CBRE ranked New York at the top with 394,300 tech jobs, compared with the Bay Area’s 375,730. It’s the first time New York has come out on top in the 13 years of the “Scoring Tech Talent” report, which tracks tech staffing in 75 markets in the U.S. and Canada.

Significant layoffs by companies in Silicon Valley and San Francisco played a role in the reversal in the rankings, with New York companies in the finance and AI sectors bulking up their staffs.

A paradox lies at the heart of the findings: While AI has been cited by top execs at major tech firms as a reason for their cutbacks, the dynamic expansion of AI has been fueled by hundreds of billions in spending. That has led to an array of new ways for tech talent to find work. New York has pulled into the lead in part because many AI jobs require full-time in-person commitments, and the city has been on a drive to restore commercial occupancy since the all-time low period of Covid.

“Fully remote arrangements for new roles declined as employers moved to hybrid schedules of three or more days in the office,” the report said. “AI companies largely require full-time, in-person work. In the San Francisco Bay Area, remote job postings fell to 7% as of April 2026 from 24% in mid-2022, well below the current 18% share across all U.S. tech talent postings.”

Despite widespread layoffs at Meta, Amazon, Google and other tech giants, total tech employment grew by 1.8%, adding 108,760 jobs last year. AI roles accounted for the majority of those gains, with the sector growing by 45% over the past year. San Francisco and New York each added more than 20,000 AI-oriented jobs in that span, CBRE said.

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‘The Juliet Set’ Filmmaker Niki Byrne Signs with Underground

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Rising filmmaker Niki Byrne has signed with Underground Management.

The move comes as Byrne prepares for the Toronto International Film Festival bow of The Julia Set, which stars One Battle After Another breakout Chase Infiniti, along with Jason Isaacs and Gillian Anderson.

The feature, a coming of age drama set in the world of competitive mathematics and academia, is generating interest from potential buyers, though it is not expected to be screened for them until the fest. Byrne also is putting together her next film, which she wrote and is being kept under wraps.

Byrne is a California native who attended Boston University, studying history and political science, as well as astrophysics. While writing spec scripts to get her filmmaking career off the ground, she held various jobs, including a communications role at 20th Century Fox before the Disney acquisition in 2019.

Now, she finds herself at a career turning point, with one of the more intriguing sales titles going into TIFF.

A year ago, the fest helped launch fellow Underground client Curry Barker, whose Obsession was acquired by Focus and later became a box office juggernaut.

The Julia Set is produced by Midsommar‘s Jeffrey Penman, The Gotham Group’s Ellen Goldsmith-Vein and Maze Runner‘s Lee Stollman. Also producing are Anderson, Nick Scherma, Tayler Haynes, Andrey Epifanov and Eleonora Granata-Jenkinson.

In addition to Underground’s Aaron Folbe, Byrne continues to be repped by attorneys Hirsch Wallerstein.

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