
The Flight: Vahid Emami, husband of Sahand Sadeghi and father of Sophie Emami, both of whom died in the Flight PS752 crash.
National Film Board of Canada
Ukrainian director Oleh Sentsov has begun pre-production on Kai, his first fiction feature in five years since 2021 drama Rhino.
Filming on Kai is scheduled to take place in Ukraine in the first half of 2027, with the project bringing together producers from Ukraine, Poland, Germany, France and the Czech Republic.
Former political prisoner Sentsov has been serving in the Ukrainian armed forces since Russia’s full-scale invasion in February 2022, initially taking part in the defence of Kyiv and later fighting in the Donbas.
During Ukraine’s 2023 counteroffensive, in which he served as a junior lieutenant, he recorded the footage that became his documentary Real (2024).
Filming on Kai is scheduled to take place in Ukraine in the first half of 2027, with the project bringing together producers from Ukraine, Poland, Germany, France and the Czech Republic.
The drama will be set against the period running from Ukraine’s Revolution of Dignity (2013–2014), also known as the Maidan Revolution, and the early years of the Russian-Ukrainian War when Russia occupied Crimea.
At the heart of drama is a family confronting an internal crisis as their country undergoes fundamental change, for an intimate story revisiting a turning point in European history the consequences of which continue to shape lives across the continent.
“My screenplay draws on my own experiences, including raising a son with autism, taking part in the Maidan protests and evacuating civilians from combat zones,” says Sentsov. “It is not strictly autobiographical, but it is deeply personal. At its heart are family relationships and the choices people make when personal upheaval coincides with historic change.”
Ukrainian writer-director Maryna Stepanska has joined the project as co-writer. She wrote and directed Falling (2017), which premiered at Karlovy Vary, and co-wrote Anna Buryachkova’s Forever-Forever (2023), which premiered in Venice’s Orizzonti Extra section.
Filming is planned in regions of Ukraine comparatively less affected by air raid alerts and attacks. The Ukrainian crew will include veterans and serving military personnel, with the production offering a route back into the film industry for those transitioning to civilian life.
Kai is produced by Denis Ivanov and Oleh Sentsov through Ukraine’s Arthouse Traffic and Cry Cinema. Co-producers are Dariusz Jabłoński, Violetta Kamińska and Izabela Wójcik of Apple Film Production in Poland; Heino Deckert of ma.ja.de. fiction in Germany; Šárka Cimbalová and Mike Downey of Marlene Film Production in the Czech Republic; and François Yon and Paul De Beco of France’s Playtime, which is also handling international sales.
The project has secured support from the European Solidarity Fund for Ukrainian Films (ESFUF), Ukraine’s Ministry of Culture and the Polish Film Institute, alongside other funders. Development was supported by the Ukrainian Cultural Foundation, the Göteborg Film Fund and FILMBOOST, a joint programme of the German Film Academy and NGO Docudays. Kai was presented at the Les Arcs Film Festival’s Co-Production Village in 2022.
Sentsov established his international reputation with Gamer (2011), which premiered at the International Film Festival Rotterdam.
Arrested by Russian occupying authorities in Crimea in 2014, Sentsov spent more than five years in prison before his release in 2019. While imprisoned in Labytnangi, Russia, he worked remotely on Numbers (2020), an adaptation of his own play co-directed with Akhtem Seitablaiev, sold internationally by Latido Films.. The film had its world premiere at the Berlin International Film Festival.
His most recent fiction feature, Rhino (2021), premiered in Venice’s Orizzonti competition and won the Bronze Horse for Best Film at the Stockholm International Film Festival.
It screened at more than 50 international festivals, was taken to market by London-based West End Films and it sold to territories including the United States, France, Spain, Italy, the UK, Scandinavia and the Middle East.
“Gamer was Oleh’s breakout indie feature about a young video gamer in Crimea, which premiered to high praise at the Rotterdam International Film Festival,” says co-producer and former European Film Academy Chair Mike Downey, “while Rhino was gritty crime drama exploring 1990s Ukraine after the collapse of the Soviet Union. He followed that with Real, striking documentary capturing actual front-line trench warfare in real time. Kai brings Oleh’s work as a film maker much closer to home, drawing very much on his personal experiences in these embattled historically significant times.”
Alongside filmmaking, Sentsov is now a combat battalion commander in the 47th Separate Mechanized Brigade “Magura” of the Armed Forces of Ukraine. Since 2022, he has bee involved in fighting in intense sectors including Bakhmut, Avdiivka, the southern front near Robotyne, and the Kursk incursion, and wounded multiple times in combat.
>
EXCLUSIVE: The BBC and BritBox’s Poirot series Hercule has unveiled more cast including Katherine Parkinson (Rivals), Omari Douglas (Black Doves) and Toby Stephens (Jane Eyre).
As with previous cast releases, the trio’s roles are being kept under wraps, but they come as the BBC and BritBox reveal the second book to be adapted for Mammoth Screen’s TV show will be Agatha Christie’s Peril at End House, following Lord Edgware Dies. The third novel the show will be part-based on is still to be revealed.
Other new cast include Jessica Alexander (The Beauty), Honor Swinton Byrne (The Souvenir), Paul Forman (Emily in Paris), Arthur Hughes (Shardlake), Ralf Little (Death in Paradise), River Medway (RuPaul’s Drag Race UK) and Natalie Quarry (Call the Midwife).
Deadline revealed earlier this year that Hercule was in the works and Edward Bluemel is playing the lead. The six-episode show is billed as “an intimate study of Hercule Poirot” while introducing the world’s greatest fictional detective to “future friends, allies and one particular nemesis.” Intrigue surrounds who will play which roles, and the identity of the nemesis. Peril at End House features Christie fan favorites like Arthur Hustings and Chief Inspector Japp and is set in Cornwall, where Poirot and Hastings meet a young woman who is persuaded that someone is out to kill her.
The show is currently filming in Liverpool and comes as Christie adaptations continue to rate, with Netflix’s Agatha Christie’s Seven Dials recently drawing in big audiences.
Written by Benji Walters (Code of Silence), the first two episodes are being directed by Jonny Campbell (Am I Being Unreasonable?), with Chanya Button (Code of Silence) and Alrick Riley (Bridgerton) directing the second two episodes and the final two episodes respectively. The executive producers are Walters and Campbell, James Prichard for Agatha Christie Limited, Rebecca Durbin and Damien Timmer for Mammoth Screen, Nick Lambon for the BBC, and Robert Schildhouse, Jon Farrar, and Stephen Nye for BritBox. Charlie Palmer (A Woman Of Substance) serves as series producer. Fifth Season is handling global distribution.
>
Sean Teale (Doctor Odyssey, Only Murders in the Building), Sarah Jeffery (The Six Triple Eight, Charmed), Megan Stott (Penelope, Little Fires Everywhere), Lili Simmons (Double Down South, Power Book IV: Force), Anthony Keyvan (Just Picture It, XO, Kitty) and JoBeth Williams (Poltergeist, Behemoth!) have joined the cast of Things We Never Got Over, Prime Video‘s series adaptation of Lucy Score’s bestselling novel of the same name. They join previously announced leads Molly Griggs, Matthew Noszka and Tommy Martinez.
Things We Never Got Over, from Ringer creators Eric Charmelo and Nicole Snyder, follows runaway bride Naomi Witt (Griggs), who arrives in the quirky town of Knockemout, Virginia; she expects to rescue her estranged twin (Griggs) and return to the life she left behind. Instead, her sister disappears, leaving Naomi with a niece she never knew existed, a town full of irresistible characters — including charming local sheriff Nash Morgan (Martinez) and his decidedly grumpy but infuriatingly sexy brother Knox Morgan (Noszka) — and a future she never imagined.
Teale will play Lucian; Jeffery will portray Sloane; Stott is Waylay; Simmons will play Lina; Keyvan will portray Stef and Williams is Liza J.
The first book in Score’s Knockemout trilogy, Things We Never Got Over, is a New York Times bestseller and one of the most-read titles on Kindle Unlimited since its release in 2022, with sequels completing the trilogy in 2023.
Charmelo and Snyder wrote the pilot for the upcoming series adaptation and will serve as co-showrunners and executive producers. Gina Girolamo will executive produce through her production company, Strega Stories. Book author Lucy Score will serve as co-executive producer. The series is produced by Amazon MGM Studios.
>
Kurdish-Canadian director Soran Mardookhi, with his latest documentary feature The Flight, recalls the doomed Ukraine Airlines Flight PS752 that in January 2020 crashed soon after taking off from an airport near Tehran.
All 176 passengers and crew members on board were killed by Iranian surface-to-air missiles that brought the Boeing 737 airliner down, with Iranian authorities at first covering up the tragedy.
But Mardookhi tells The Hollywood Reporter his feature documentary is not about the Middle East or politics.
“Once I start making the film, I kind of forget myself… I gave that space to the families who actually tell their own story,” Mardookhi says ahead of a world premiere for The Flight at the Vancouver Film Festival.
He doesn’t focus on the possible political and legal machinations that drove the Islamic Revolutionary Guard Corps to finally admit missiles were fired at the ill-fated Ukrainian aircraft. His National Film Board of Canada film goes beyond numbers to humanize the Iranian-Canadian victims of Flight PS752 who have long slipped from news headlines, even as their families continue an uphill battle to hold Iran accountable.
The result is a documentary that chronicles how an Iranian-Canadian community with lost family members — many of whom were university students, newlywed couples and young children — launch the Association of Families of Flight PS752 Victims as a force to be reckoned with in in asserting Iran violated international law and regime authorities should reveal what really motivated the missiles strike.

The Flight: Vahid Emami, husband of Sahand Sadeghi and father of Sophie Emami, both of whom died in the Flight PS752 crash.
National Film Board of Canada
“There’s individual families dealing with enormous personal loss, but they realized that together they could do things that would have been impossible on their own,” Mardookhi explains of their collective action. The campaigning families have never accepted the explanations around the tragedy from Iranian authorities.
And they have been put through the wringer by Iran, not being seen or heard by regime authorities in Iran, despite their pleas for justice and redress. “As victims of terrorism, they have no rights,” Mardookhi says of the families.
The Flight includes home videos of the families singing, dancing and laughing before losing their loved ones and launching their collective action. “We’re not talking about the lost people. We actually see them. We see part of their lives, sometimes very ordinary and sometimes best moments of their lives, like their wedding day,” Mardookhi explains.
The Flight also poignantly captures how the lost loved ones sought new lives in Canada tragically cut short when their plane was intentionally shot down. “They came to have a better life,” Mardookhi says of the 55 Canadian citizens and 30 permanent residents that were among the 176 people killed in the Flight PS752 tragedy.
The filmmaker, who is based in Vancouver, himself came to Canada in 2010 from Iranian Kurdistan after making films in Iran for around 10 years. That included his 2007 feature And Thus I Was Born produced underground to avoid entanglement with that country’s infamous censors.
And while he welcomes making movies in Canada free of overt censorship, Mardookhi says it took him many years to break free of the insidious and indirect ways Iranian authorities employ censorship to control filmmakers and silence dissidents. That realization came to him in 2014 on the Vancouver set of Turbulence, a feature drama about a father and his estranged daughter from Iraqi Kurdistan struggling to make Canada their new home.
“I was directing a scene and talking to the cast and, at that moment, I realized, oh my God, I’m censoring myself, even here. So I stopped and said, guys, I need just 10 minutes. And I went out and just thought, ‘what am I doing?’” Mardookhi recalled, as he questioned whether his self-censhorship aimed to help not angering regime leaders should he return to Iran to visit family.
The result, the director adds, is today he uses art in his films as a narrative tool, and not to get round strict censorship as Iranian filmmakers constantly face. The Flight gets its first look on Oct. 8 at the Vancouver Film Festival, which runs through to Oct. 11.
>
Search For Canadian TV Actor Stewart McLean Now Homicide Investigation
These ’90s fashion trends are making a comeback in 2017
According to Dior Couture, this taboo fashion accessory is back
Model Jocelyn Chew’s Instagram is the best vacation you’ve ever had
Emily Ratajkowski channels back-to-school style
9 Celebrities who have spoken out about being photoshopped
Rurouni Kenshin: Hokkaido Arc Manga Takes 1-Issue Break – News
HIDIVE to Stream English Dubs for The World Is Dancing, The Forsaken Saintess and Her Foodie Roadtrip in Another World, The Dangers in My Heart: The Movie Anime – News