
California Film Commission
The California Film Commission on Wednesday revealed 35 feature films that have been selected to receive California tax credits in the most recent round of funding. The list includes the sequel to Michael, Lionsgate’s blockbuster Michael Jackson biopic, as well as New Line’s Friday sequel Last Friday and a new project from indie filmmaker Mike Mills.
Gov. Gavin Newsom announced the recipients in a press release, which noted that the new slate of productions is expected to bring in $1.08 billion in California spend and involve almost 30,000 cast, crew and background jobs.
The reveal comes amid an expansion of the state’s film and television tax credit program that included launching a post-production credit and creating guidelines around AI usage.

California Film Commission
Among the 35 films on today’s list includes new untitled movies by Disney, a 20th Century horror pic, a Paramount crime thriller and a Warner Bros comedy. A new untitled Pixar project has scored the biggest credit haul of the bunch with $40.1 million, followed my Michael 2 with $30.8 million.
Of the pics, 28 are indie productions, which has been a focus of the expanded program; eight indies have budgets over $10 million, and 20 have budgets of less than $10 million.
“What makes this latest round so exciting is the mix of independent filmmaking and iconic stories that are part of California’s cultural legacy,” said California Film Commission director Colleen Bell. “From an emerging filmmaker bringing an ambitious new vision to life to the return of beloved franchises like Last Friday, Clueless and The Rockford Files, these are stories with deep roots in California. Through our tax credit program, we’re helping bring these stories to the screen while keeping the jobs, investment, and production that bring them to life right here in California.”
Since July 2025, 179 earmarked projects have generated $7.2 billion in California production spending, including $4.7 billion in qualified expenditures and $2.87 billion in qualified wages, according to the commission. That supported almost 38,000 cast and crew jobs and 237,000 background performers measured in days worked.
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Clayface tickets just went on sale, and the film is DC Studios‘ next big swing — a body horror movie that tries something different than the usual superhero slate.
Studio co-chief James Gunn — fresh off having his role reaffirmed in the wake of Paramount Skydance’s acquisition of Warner Bros. — took to Threads to defend the project after a user asked, “Who the f–k asked for a Clayface movie?”
Gunn shot back, rather correctly: “Who tf asked for Back to the Future? Casablanca? There’s Something About Mary? Pan’s Labyrinth? Fury Road? Weapons? The Matrix? Although it may seem like it, Hollywood isn’t a place where the only way to make a movie is the public voting on what IP they want to see that they’ve seen countless times before.”
Continued Gunn: “Sometimes someone — in this case initially Mike Flanagan and then James Watkins and Hossein Amini — were inspired by a relatively little known fictional character and crafted what I believe is a very special story around that character. I’d take that inspiration a thousand times over some writer trying to make a buck by writing a listless screenplay about a majorly popular character he or she has no passion or feel for.”
Indeed, while Gunn is certainly interested in reviving DC’s iconic heroes — executive producing The Batman: Part II, working on the Superman sequel Man of Tomorrow — turning niche characters into box-office hits is how Gunn made his bones in the superhero world, with the once seemingly un-makable Guardians of the Galaxy (one could easily imagine fans asking: Who tf asked for a talking raccoon? — until they got one).
That said, Gunn tried to pour cold water on the widespread theory that Adria Arjona will play Wonder Woman in the Superman sequel. The executive replied to a fan pointing out that actor Frank Grillo — who plays Rick Flag in the DC Universe — had reposted an image suggesting Arjona was the new Diana Prince.
“It’s Frank reposting somebody because it has his photo in it and he loves himself,” Gunn wrote. “I can assure you Frank doesn’t know who Adria is playing in the DCU and whether or not she has any sort of incredibly small cameo in MoT or not. People have been making wayyyyyyyyyyy too much of this.”
As for Clayface, the film comes out Oct. 23. While there are no first reactions or reviews yet, the trailers have looked strong (watch the final trailer below). The official description of the Watkins-directed film: “Actor Matt Hagen’s (Tom Rhys Harries) meteoric rise from Gotham street kid to Hollywood leading man is tragically cut short when a local crime boss’s actions leave him horribly disfigured. Abandoned by his team and with nothing left, Matt seeks out a cutting edge treatment that miraculously returns him to his former self… but also unexpectedly affects his grip on reality, spiraling him down a destructive path of all-consuming revenge.”
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Glen Powell is opening up about why he shies away from talking about politics publicly, even though his mother worked in the Reagan administration at the U.S. Treasury Department.
“Over time, I realized that politics divide people,” Powell told Esquire. “People trying to prove their point — for me, it’s the worst version of a conversation. I genuinely do not like the discourse. It’s not as healthy as it once was.”
He continued, “[Engaging in politics] is not presently possible. I applaud people for jumping into those things and fighting for what they believe in. If I were a political person, I would be talking about it. For me, my calling is elsewhere.”
Powell noted that growing up, politics was never discussed at the dinner table despite her mother’s job.
In the same interview, the actor also addressed why The Running Man flopped after he starred in a string of hits, including Top Gun: Maverick, Anyone but You, and Twisters.
“They let go of an entire marketing department a month before our movie came out in the middle of a merger,” Powell said, referring to the Paramount layoffs in October 2025.
The Running Man made under $70M on a reported $110M budget. Powell would then star in the A24 thriller How to Make a Killing, which also underperformed at $21M worldwide.
“There were a lot of issues with that,” Powell said. “There just was not enough time to do it properly. I look back on that one as an example of going, You know what, there’s no rush.”
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Joy Behar missed her birthday episode of ABC’s The View today as she continues to recuperate from the shoulder injury that kept her off the show last week.
View moderator Whoopi Goldberg addressed Behar’s absence at the start of today’s show. “Despite sharing a birthday with Vladimir Putin, she does not have the Russian plague,” Goldberg said about Behar, who turns 84 today. “She’s still healing up after dislocating her shoulder. What we’re saying is: Get better fast so we can celebrate you back here on The View.”
Behar’s injury was disclosed last week when panelist Sunny Hostin explained Behar’s absence on Thursday’s live episode. “Our dear friend Joy dislocated her shoulder,” said Hostin, who filled in as moderator Thursday since both Behar and Goldberg, who was out while filming the Netflix movie Women Like Us, were absent.
Behar, who dislocated the shoulder after catching her heel and tripping last week at The View‘s ABC studio building in New York, is expected to return to the show next week.
Today’s episode of The View was hosted by Goldberg, Hostin, Sara Haines, Alyssa Farah Griffin and Ana Navarro.
Earlier today, The View posted a birthday greeting to Behar on the show’s Instagram page:
Behar previously missed several View episodes in 2025 after breaking a toe. She explained to the audience at the time that she had dropped an iPad on her foot. “I do not recommend you dropping anything on your toes,” she joked.
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