Catherine Hardwicke will soon be heading Down Under.

The veteran filmmaker has been tapped to direct American River, a female-led Western for Bronte Studios. The project is set to start shooting in Australia during the second quarter of 2027. Casting is said to be underway already on the project with veteran casting directors Lisa Beach and Sarah Katzman leading the charge to find the ensemble cast. They have a long list of credits that spans multiple genres like comedies (Wedding Crashers, Horrible Bosses), dramas (Walk the Line), action pics (Logan), Westerns (3:10 to Yuma) and TV (Altered Carbon, The Detour).

Penned by Eric Esau, American River is being produced by Bronte Studios’ Blake Northfield and Michelle Krumm, and Shaun Goodman in association with MEW Films. Set at the dawn of the Gold Rush in California in 1848, American River follows four women from vastly different backgrounds as they are thrown together by circumstance and forced to navigate a world where fortunes are being made, laws are being rewritten and survival often belongs to those prepared to take matters into their own hands. It’s described as a dangerous journey through the “overwhelmingly male world” of the state’s goldfields where a fight to reclaim their homestead becomes a battle for survival.

“As a Texan, I love the scale and mythology of the Western, but what excited me about American River is the opportunity to come at that world from a completely different perspective,” Hardwicke explained in a statement. “These four women have very different reasons for being on this journey. They aren’t setting out to become heroes they are trying to survive and take control of their own futures. Against the extraordinary landscape and danger of the Gold Rush, that gives us the opportunity to make something emotional, physical and genuinely cinematic.”

Bronte Studios’ Northfield and Krumm explained what attracted them and their company to board the project: “What drew us to American River was the opportunity to make a Western that delivers everything audiences love about the genre extraordinary landscapes, horses, gold, danger and action while putting four women at the centre of that world. Catherine has an incredible ability to combine intimate character storytelling with scale and energy, and we couldn’t imagine a more exciting filmmaker to bring this story to life. Lisa and Sarah are now putting together the ensemble, and we’re excited to see who they discover to inhabit these extraordinary roles.”

More news on casting and production is expected in the coming weeks.

Hardwicke comes to the project after most recently directed Street Smart, which recently debuted at the Catalina Film Festival. She is best known for directing the first Twilight installment, as well as her other credits like Thirteen, Lords of Dogtown, Miss You Already, Miss Bala and more.

Brett McGurk‘s new book Brink: Inside the Race to Free the October 7th Hostages offers an insider account of the diplomatic rollercoaster to secure a ceasefire and hostage release in the war in Gaza.

The book, published this week, also offers a glimpse at White House messaging about the conflict, including two figures the president turned to in delivering a key speech: Jeffrey Katzenberg and Steven Spielberg.

McGurk, who served as deputy assistant for national security affairs to Biden, wrote of the scene as they prepared the president for his address on May 31, 2024. While Katzenberg and Spielberg’s role have been reported before, McGurk gave a first-hand account in the room, for a speech focused on a proposal to end the fighting and to secure a release of the hostages.

By that point, the Gaza conflict had created divisions within the Democratic coalition, protests at college campuses and presidential appearances and concerns over its impact on the November elections. There was pressure from the campaign for the president to make an address on the crisis, per McGurk.

McGurk wrote of the rehearsal, “In the Map Room, Biden peered at two screens behind me. ‘Jeffrey, Steven, welcome,’ he said. I turned around to see Jeffery Katzenberg and Steven Spielberg on Zoom. They greeted Biden warmly, Spielberg saying this was the speech they wanted to hear.

“It was a reminder that while I saw this speech as a policy address with a functional aim, it had a political purpose, too,” McGurk wrote.

He added, “The speech was timed for Friday night in Israel, when much of the country shuts down, allowing time for us to shape its reception there and around the world. Notably, we did not inform Netanyahu that we were making the speech until shortly before Biden delivered it, as we knew the address would lock Netanyahu into the terms of the deal now on the table.

“Biden said he was ready.

“Katzenberg advised, ‘Remember, slow Joe, let the audience hear every word.’

“Biden smiled, ‘Slow Joe? Don’t let Jill hear that.’

“He read through the draft, pausing at times to ask questions about the text, which we addressed with rewrites.”

McGurk wrote that he found Biden “fully engaged, leaning forward on the podium.”

He wrote, “The moguls told him he looked strong, and he did. There was no sign of the Biden we’d all see on a debate stage with Trump only four weeks later.”

The latter was a reference to Biden’s disastrous debate performance against Trump. What followed were weeks of calls on Biden to drop out, coming from some elected Democrats and prominent donors, until he exited the race on July 19. Katzenberg had played a prominent role as a top adviser to Biden’s re-election campaign.

While the Biden speech focused on a peace proposal, as it turned out, it would take until the next year, a week before Trump returned to office, for a ceasefire agreement to be reached.

Skydance shares closed down about 7% in day two of trading after a dip Tuesday, a second down session in a rocky NYSE debut for the merged company as investors started to weigh in.

The combination of Paramount and Warner Bros. Discovery finally closed, a big step forward. A legal settlement with Attorneys General who tried to block it went very much in the company’s favor. Beyond that, “It’s a show me story,” says Matthew Condon, an analyst at Citizens.

Wall Streeters are wary of SKYD’s $80 billion in debt, high leverage, and ability to both generate a promised $6 billion in cost synergies ($3 billion each in 2027 and 2028) and ramp up content spending. There’s quite some excitement around streaming as HBO Max and Paramount+ catapults top-tier status, but little clarity still on structure, strategy or pricing.

Chairman and CEO David Ellison and co-chief executive Ynon Kreiz at a press conference Tuesday reiterated a commitment to reduce leverage dramatically by 2028 and insisted they can spend and save at the same time.

Condon is more sanguine than some with a “market overperform” rating and a $14 price target on the shares, which closed Wednesday down 6.8% at $8.98.

“If you’re building a best-in-class content platform, and this is going to hopefully create a must-have streaming platform, between all the IP that Warner Bros. has and Paramount has and with 30 films coming per year that gives you a steady stream of content coming to streaming. You’ve got all these sports rights. You’ve got a $30 billion content budget. How do you optimize that to really go after the best opportunities? There are a lot of things that can go right here.”

With the stock so low, he thinks “the risk/reward” looks favorable.

But much of the deleveraging framework, Condon acknowledged, assumes the underlying businesses continue to perform largely in line with their pre-transaction trajectories, making execution incredibly important.

“The question is, can they actually achieve” what they’ve promised, asked analyst Rich Greenfield on CNBC. “Because what Warner Bros. Discovery ran into, the tidal wave they ran into, was their legacy business. The core [cable programming] businesses eroded faster than the synergies could be piled on. And so that’s going to be the real challenge facing David Ellison and Ynon Kreiz.”

“We remain quite cautious on the ability of the company and its management to avoid integration and execution problems that have bedeviled other major media mergers,” said Doug Creutz of TD Cowen, who has a “hold” recommendation on the stock.

The co-CEOs have modeled a cash ramp-up in coming years but meanwhile there’s not a big cushion if churn rises, cable network declines accelerate, the box office softens again or there’s macroeconomic or geopolitical disruption. The company can’t issue more debt after Paramount’s just-concluded massive bond sale to finance the merger. Skydance does have the Ellison family’s backing. It could also potentially find new equity investors

One Wall Streeter believes there will be will a secondary offering at some point. “There are a lot of groups that helped in financing the deal, including the Ellisons themselves, who are going to want to sell stock … So why rush to get involved when a lot of stock is going to hit the market at some point?”

For now, “They need to launch streaming, show synergies, cohesiveness among management, and tell the story to investors.”

The Street will get an update on the new Skydance when it reports third quarter earnings.

“We remain guarded on the ability for management to reach its $3B net synergies goal by YE27 [year end] and $6B by YE28, but they still sound confident in their ability, and it will be quite impressive if they hit their goals – $6B is 11% of pro forma expenses, so it is not out of the realm of possibility, but we want to see how it unfolds,” said David Joyce of Seaport Research in a note.