
Jessica Chastain in Other Mommy.
Universal Pictures
Skydance has extended the employment contracts of CEO David Ellison, President Andy Gordon, Chief Legal Officer Makan Delrahim and Chief Financial Officer Dennis Cinelli. Ellison and Gordon will serve in their roles through at least Aug. 7. 2031, while Delrahim will serve through Oct. 6, 2031, and Cinelli will serve through Jan. 15, 2032, according to an SEC filing.
Under the terms of the new deals, the four executives will receive an increase to their base salaries and bonuses and restricted stock awards. Ellison’s base salary and target annual bonus have each increased to $5 million and he will receive an RSU of 104,167 shares of Class B common stock.
Meanwhile, Gordon and Delrahim’s salaries have increased to $4 million and Cinelli’s has increased to $3.4 million. This trio’s bonuses have increased to $2.6 million each; Gordon will receive 29,167 RSUs, Delrahim will receive 91,667 shares and Cinelli will receive 6,042 shares.
Starting in calendar year 2027, the four executives will also be eligible to receive annual equity awards with an aggregate grant date value of $5 million, $1.4 million, $4.4 million and $1.25 million, respectively. That will increase to $20 million for Ellison, $13.4 million for Gordon and Delrahim, and $12.5 million for Cinelli in 2031.
The new employment contracts come after the $110 billion Paramount-Warner Bros. Discovery officially closed on Tuesday. Class B shares of the company were also transferred to the New York Stock Exchange under the ticker SKYD.
TheWrap previously reported in May that Ellison would receive $150 million in cash and stock tied to the closing of the Paramount-WBD merger, while Gordon would receive $38 million in cash and stock awards and Delrahim would receive $25 million.
Shares of Skydance closed down nearly 7% on Tuesday at $8.89 apiece.
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The Social Reckoning might not have a lot of influence at the box office this weekend as fellow newcomer Other Mommy looks to win the frame.
Sony Pictures is set to release the companion film to 2010’s The Social Network in 2,200 North American theaters, with the studio projecting an opening for The Social Reckoning around $7 million. Aaron Sorkin wrote and directed the film that carries a modest $30 million budget and stars Mikey Madison, Jeremy Allen White and Jeremy Strong.
The Social Network held a similar spot on the fall calendar when it opened Oct. 1, 2010, and hit No. 1 domestically with $22.4 million before retaining the top spot in its second weekend with a remarkable decline of just 31 percent. David Fincher helmed that film, which told the story of Facebook’s early days and starred Jesse Eisenberg as founder Mark Zuckerberg, with Andrew Garfield, Justin Timberlake and Armie Hammer rounding out the cast. It collected $224 million globally across its run and won three Academy Awards from eight nominations.
None of the first movie’s castmembers return for the follow-up that sees Sorkin — who earned an Oscar for his screenplay for The Social Network — replace Fincher in the director’s chair. The Social Reckoning is a fact-based thriller centering on a Facebook staffer (Madison) who teams up with a journalist (White) to expose concerning truths about the company led by Zuckerberg (Strong).

Jessica Chastain in Other Mommy.
Universal Pictures
While The Social Network holds a 96 percent critics score on Rotten Tomatoes and remains one of the most acclaimed titles of its decade, The Social Reckoning has seen a more mixed critical response. Its critics rating stands at 60 on Rotten Tomatoes, although The Hollywood Reporter chief film critic David Rooney’s review heralded it as an “engrossing whistleblower thriller.” Other adult dramas have opened in the projected range for The Social Reckoning, such as last year’s Caught Stealing ($7.8 million) and Springsteen: Deliver Me From Nowhere ($8.8 million), although both of those underperformed.
Social Reckoning is part of a spate of a movies about tech companies that will hit theaters in the last few months of the year. Also debuting soon are the forthcoming Elizabeth Holmes documentary You Can See Everything and Luca Guadagnino’s OpenAI-focused Artificial, while Bleecker Street’s doc Musk opens Friday at select theaters in New York and Los Angeles.
“The news about these companies is as urgent as ever, but they are still stories about corporate power, control and money,” David A. Gross, who runs the newsletter FranchiseRe, tells THR about the tech-centric titles. “They seem to have a better home on streaming than on the big screen. Even when they’re well made, they’re not very cinematic in terms of what really works theatrically, which involves some kind of visual or emotional experience.”

A scene from Musk.
Courtesy of the Venice Film Festival
This weekend’s top spot on the box office chart is likely to go to the horror offering Other Mommy, as Halloween season charges ahead. Universal Pictures launches the Jessica Chastain-led film in 3,200 North American locations and projects a $20 million opening. Director Rob Savage’s $19 million-budgeted movie focuses on a sinister entity showing up in a young girl’s closet.
The studio has seen promising interest in the movie ever since its startling trailer debuted ahead of Universal’s The Odyssey in theaters over the summer. Critical response looks to be middling for Other Mommy, with critic Richard Lawson writing for THR that the movie is “an attractive but mostly vacuous collection of jumpy bits and half-baked mythology.”
Competing with Other Mommy for female theatergoers looking for thrills is Amazon MGM Studios’ holdover Verity, starring Anne Hathaway, Dakota Johnson and Josh Hartnett. Despite a challenging C+ CinemaScore and a 33 percent critics approval on Rotten Tomatoes, director Michael Showalter’s adaptation of the Colleen Hoover novel debuted last weekend with $32 million to win the frame, far outpacing the launch for Tom Cruise’s embattled Digger. Verity’s opening weekend skewed heavily female at 78 percent.
In addition to Alex Gibney’s documentary about Elon Musk, other titles debuting in limited release this weekend include Chris Rock’s Misty Green, biographical drama Tenzing and action-comedy Double Trouble.
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Following last month’s cancellation of Daredevil: Born Again, Charlie Cox is fueling hope that some blind justice will prevail.
While teasing the third and final season of the Disney+ series with his co-stars at New York Comic Con, the actor shouted out fans behind the “Save Daredevil” campaign as the panel’s moderator mentioned the show’s pending conclusion.
“Wait, what?” asked the Matt Murdock actor jokingly, sparking “boo”s from disappointed fans.
Cox added, “All I’ll the say is, I imagine the ‘Save Daredevil‘ campaign will be gearing up for round two. Listen, we don’t want to invite the wrath of the ‘Save Daredevil‘ people.”
The “Save Daredevil” fan campaign began in 2018 in response to Netflix’s cancellation of Daredevil after three seasons. The show was revived last year as Daredevil: Born Again on Disney+ with Cox reprising his role as the title vigilante.
Last month, Deadline confirmed that Daredevil: Born Again will end after its third season, which has wrapped and is set for a 2027 premiere.
The cast includes Vincent D’Onofrio as Wilson Fisk, Deborah Ann Woll as Karen Page, Elden Henson as Foggy Nelson and Wilson Bethel as Bullseye, with confirmed Season 3 Defenders reunion with cameos from Krysten Ritter as Jessica Jones, Mike Colter as Luke Cage and Finn Jones as Danny Rand/Iron Fist.
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