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Paramount and WBD Are Already Behind in the Brewing Creator Battle

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Hey Creatorverse readers,

For better or worse, it’s over. On Tuesday, Skydance officially acquired Warner Bros. Discovery a little more than a year after acquiring Paramount Global.

Co-CEO David Ellison has been clear that this move was designed to give both Paramount and WBD — two cable-focused media empires that were late to the streaming game — a better fighting chance in the modern media landscape. It’s hard to argue with him on this point. Though WBD’s streaming division surpassed an impressive $3 billion in its second quarter and Paramount’s streaming profits hit $366 million, both companies have had a long, confusing and rebrand-filled path to streaming. But while this merger may help with the streaming wars, it’s unclear what the strategy is when it comes to the TV industry’s latest contest: the battle over creators.

Out of all the major media companies, Paramount and WBD have the weakest strategies when it comes to working with content creators. 

WBD is the stronger contender of the two. Though there have been several interesting collaborations between WBD properties and creators, there’s not a larger company-wide creator effort like Disney, Netflix, Fox or NBCUniversal have demonstrated. 

Food Network has developed a strong relationship with TikTok through its culinary-focused Hot List, and the two organizations collaborated on a live show. Both Cartoon Network and Adult Swim also have a history of recruiting creators to help them develop new projects. Vanessa Brookman, general manager of kids, global streaming and international networks for Cartoon Network, previously told me that the network has found promising creators after seeing how they use Cartoon Network IP on Roblox, and for years Adult Swim has helped make content with indie animators using its shorts development program “Smalls.” There’s also HBO, which has developed a strong marketing arm using creators and has a good track record giving buzzy comedians on social media specials.

As for Paramount, the media company with an audience that skews older hasn’t really moved beyond inviting creators to premieres. The company did launch the CBS Sports Creator Studio in 2023, and “The Daily Show” has done an excellent job of capitalizing on Josh Johnson’s virality by promoting the comedian to be one of its weekly hosts. But these efforts are few and far between. 

It’s also unclear what Skydance’s Co-CEO David Ellison thinks of content creators. Ellison has said that his goal is to make Skydance “the No. 1 destination for the most talented storytellers in the world,” but so far most of his efforts seem to revolve around courting established Hollywood players.

Given Ellison’s love of storytelling and the box office splash Curry Barker’s “Obsession” and Kane Parsons’ “Backrooms” made, it’s probably safe to say that the new Skydance is open to working with the right creators. But merging companies and gaining Hollywood’s trust takes a lot of time and energy, and it seems likely that creators aren’t yet a major priority for this new era. Playing streaming catch up could cause both Paramount and WBD to fall even further behind.

Now onto the rest.

Kayla Cobb

Senior Reporter
kayla.cobb@thewrap.com

Dhar Mann on “What Happens Next” (Photo Credit: Dhar Mann Studios, YouTube)

What’s New


Dhar Mann promises to help broker $100 million in deals between creators and brands while unveiling Creator City

Some big news out of New York’s Advertising Week. Dhar Mann has promised to help broker $100 million worth of deals between creators and brands within the next year as part of his role as the conference’s first-ever chief creator officer. Mann is helping to connect creators with advertising and brand heads. He clarified that this proclamation doesn’t mean that there will be $100 million in contracts before the end of this week but that the combined pledges for AWNY have already exceeded that lofty benchmark. 

Mann also used AWNY to preview Dhar Mann Studios’ Creator City, a four-acre production campus based in Los Angeles. The campus includes five soundstages, and the team’s goal is to make this space a hub that brings together creators, Hollywood insiders, brands and tech companies. What Wall Street is for finance and Silicon Valley is for tech, Mann hopes Creator City will be for the creator ecosystem. The campus will open during Super Bowl weekend in February 2027.

WME debuts the Creator Labs, an in-house digital operations team

Another major talent agency is investing more heavily into the creator ecosystem. WME’s Creator Labs is designed to help the agency’s creator clients, like “Recess Therapy” and “Outside Tonight” host Julian Shapiro-Barnum, grow their businesses. The agency has hired 11 in-house staff members to work across Creator Labs and its sales team with plans to hire eight more people, according to The Publish Press. These professionals will help creator clients from the ideation phase and beyond, helping creators scale without the headache of creating their own production company.

Fox Creator Studios adds Bryan Thoensen and Kirsten McAuliffe

Fox Creator Studios, the division run by Billy Parks, has added Bryan Thoensen to its team. As the senior vice president of content partnerships, Thoensen will lead the development and execution of creator-led content franchises across the studio. He will work alongside Kirsten McAuliffe, who will serve as the senior vice president of strategic partnerships and growth for the division. McAuliffe will lead the commercial strategy for Fox Creator Studios, including the studio’s go-to-market strategy, revenue development and advertiser partnerships.

YouTube
The YouTube logo (Credit: Photo Illustration by Samuel Boivin/NurPhoto via Getty Images)

Platform Updates


YouTube Shorts cracks down on clipping

Last Friday, YouTube updated its Shorts recommendation system to prioritize creators who upload original commentary, edits or storytelling. You know who that hurts? Clippers. The practice of turning podcast videos or livestreams into smaller clips and farming them for shortform engagement has become its own cottage industry, a somewhat cursed practice that briefly convinced the media that niche creators like Clavicular were more popular than they actually are. This update simply makes it harder for people to game YouTube’s algorithm.

$81 billion was added to the U.S. GDP from businesses that used TikTok

Businesses that used TikTok last year led to $81 billion being added to the U.S. GDP last year, a new economic impact report from the company found. That same report also found that TikTok supported 410,000 jobs across the United States. The metrics on this one are a bit murky as TikTok specifically counts businesses that utilize its platform rather than what creators make on its platform, and basically every major company has a TikTok these days. Still, it’s further proof that the creator economy is increasingly vital.

ShopMy turns creators’ affiliate content into paid advertising campaigns

The ecommerce and affiliate marketing platform ShopMy launched “Spotlights” last week, an offering that converts the best-performing organic content from creators into paid advertising campaigns on Meta and TikTok. Creators can pre-approve brand requests or manually review them inside of the ShopMy platform, and brands will then pay creators a standard commission instead of an upfront production fee. This feature is the latest to try and smooth over the relationship between brands and creators.

"The Broski Report" (Credit: The Broski Report)
“The Broski Report” (Credit: The Broski Report)

Movers and Shakers


Brittany Broski revives “The Broski Report,” and Lilly Singh brings back her comedy sketches

Two big creators are revitalizing their channels. After taking a five-month break, Brittany Broski, known for her celebrity interview show “Royal Court,” returned to “The Broski Report.”In its first three days, her return accumulated 1 million views on YouTube.

And speaking of YouTube legends,Lilly Singh is returning to sketch comedy after spending two years hosting her podcast show “Shame Less.” Singh said she will be relaunching her YouTube channel but making it “bigger and better” as a birthday present to herself. Get it, girl.

Amelia Dimoldenberg is on Netflix, and MrBeast was on “Shark Tank”

Amelia Dimoldenberg’s “Chicken Shop Date” is the latest creator-led series to come to Netflix. You know who else is on TV these days? MrBeast. Last week, Jimmy Donaldson and Beast Industries CEO Jeff Housenbold starred as a guest shark on the ABC reality show during the show’s Season 18 premiere. 

Paris Hilton is hosting a creator summit later this month

Paris Hilton and her nonprofit 11:11 Media Impact are hosting a daylong summit for neurodivergent creators tied to ADHD Awareness Month. Titled UNSTOPPABLE, the event will bring together 50 neurodivergent creators for activations built around ADHD.

Speaking of mental health events for creators, The Jed Foundation and Creators 4 Mental Health are starting a monthly virtual support group. The meetup is designed for creators to vent in a safe space.

Who to Watch


What Happened Last Night

If you’ve ever felt awkward at a party or any social gathering, this sketch group is for you. What Happened Last Night (166,000 Instagram followers) takes the tiniest parts about being a person — like being so busy you show up to an event in your work clothes, sending too many Reels to a group chat or being a little bit quiet — and turns them into nightmare fuel. It’s like the panicked thoughts you have right before falling asleep all on display in your Reels feed. This account proves there really is a fine line between horror and comedy.

Bonus Content


  • Fake Influencers, Real Money: Inside the AI Creator Business (via Mashable)
  • Beauty Creators Want Brands to Go Off-Script (via Glossy)
  • The 14 Most Innovative Influencer Marketers of 2026 (via Business Insider)

Want more? Explore WrapPRO now.

This report provides a weekly deep dive into the creator economy. It highlights key trends, political and technological developments, data points and industry leaders all with the goal of making you smarter about this constantly evolving space.

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Michael Kosta Calls Out Daily Show Crowd for Groaning at Morbid Joke

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Michael Kosta Calls Out Daily Show Crowd for Groaning at Morbid Joke







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Michael Johnston Teases “Incredible Queer” Project

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Coming off his breakout role this year, Michael Johnston is teasing what’s next.

The Obsession star, who is openly gay, recently teased an upcoming role in “a really incredibly queer story,” which includes a “steamy moment” on screen for LGBTQ fans.

“There will be a really incredible queer story in my future, and I’m so excited to play it and to have my steamy moment,” Johnston told Attitude.

Johnston previously noted that after the success of Obsession, he’s able to “choose what I want to do,” explaining that he’s “definitely looking forward to playing a really intentional queer role, story that’s really meaningful.”

Following his 2015-’17 run as Corey Bryant on MTV’s Teen Wolf, Johnston recalled he “still wasn’t comfortable with my sexuality at the time, but I had no idea the impact that just being myself and playing this character authentically would have. I got thousands of messages from people thanking me and telling me how they feel better about themselves. They were able to come out to their parents.

“The impact that I made just from doing something that scared me and being brave… and not only that was really cool, but also kind of helped me learn how to accept myself, so that’s something I’m really looking forward to,” added Johnston. “I don’t know, maybe I’ll write it myself.”

Johnston, who made his breakout performance as the toxically hopeless romantic Bear in Curry Barker’s Obsession, has most recently been in talks to join Brendan Fraser and Rachel Weisz in the upcoming fourth installment of The Mummy.

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Skydance & The Warner Bros: Films That Are Ready, In The Works Or On Fire

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Heavy hang the heads who wear the crowns, and that goes for Skydance Pictures Co-Chairs Dana Goldberg and Josh Greenstein, who’ll be tasked with getting under the hood and tuning up the incoming Warner Bros. theatrical 2027-2029 slates.

The first fire to put out: ensuring that Barbie 2 becomes a reality with its original franchise director Greta Gerwig and leads Margot Robbie and Ryan Gosling. There are other projects to look at as well, read the Jonah Hill directed reportedly finished comedy The Cut Off which was originally dated against The Odyssey this year and then undated. What’s up with that movie?

One of the next big auteur swings greenlit by the previous regime was director Baz Luhrmann’s next project Jehanne d’Arc. The director is currently waiting on a new draft of the script in hopes of a spring start.

While we’ve told you about the dated titles that Warners is delivering to the new Skydance, some of these are in various forms of production and development, read: the Sept. 8, 2028 dated New Line Weapons prequel, Gladys. That one is awaiting a final draft before attaching a director.

Going back to the desert days of Hollywood, it’s prime for any new administration to go through the previous regimes’ pickings and determine whether there are horses still worth getting behind. This went on when Michael De Luca and Pam Abdy arrived at Warner Bros. in June 2022 (the shot Batgirl was shelved, while WBD CEO David Zaslav wrote down and sold Coyote vs. Acme) and it occurred when Goldberg and Greenstein arrived at Paramount in the late summer of 2025 (read: one of the most prolific projects from the previous Brian Robbins regime which didn’t move to a greenlight was was the R-Rated Teenage Mutant Ninja Turtles, The Last Ronin. In exchange, a new live-action feature of the sword carrying reptiles is in the works aimed at families).

And despite the recent bomb that is Warners’ $160M Tom Cruise political satire, Digger, Skydance co-CEO David Ellison says he’s not anti-big swing. At Tuesday’s Day One Skydance presser, he reminded everyone that Sinners was his favorite movie from last year.

In addition to franchises, “We’re going to make a complete diverse slate,” asserted Ellison. “One of the things I’m a big believer in is original storytelling.”

“One of the areas to be very cautious about is doing anything that jeopardizes the quality of these pictures, and anything that would jeopardize the quality of the marketing campaigns,” said Ellison, who believes that there’s a way for this two-headed monster of a studio to win, specifically the pro-forma content spend of $30 billion-plus annually, despite the burden of $79B in net debt.

Those are hard numbers for some financial analysts to wrap their heads around, but Ellison and his new co-CEO Ynon Kriez are out to prove to the town that their anomaly of a merger can indeed keep both legacy studios alive and grow product while paying down debt. While co-financing is always a solution, particularly on risky bets, it remains to be seen whether the new Paramount-Warner Bros. sometimes takes the easy way out. How’s that? Rather than risk a $300M feature gamble in production cost and marketing, will they simply accept the stage AGs’ penalties and shell out $30M for any film they’re unable to deliver in a 30-picture slate? It’s a cheaper alternative.

Ellison also underscored yesterday that when he took the reigns of Paramount a year ago, they overdelivered on synergies with $2.7B while doubling the slate to 15 films annually and greenlighting four new series.

For the many who feared the consolidation of the two historic studios, what should come as some balm is that with Warner Bros operating separately from Paramount Pictures under Jesse Ehrman and Mike Ireland, the two studios will respectively be able to compete against each other on projects.

“But there will be coordination,” emphasized Kriez in that regard.

He expounded, “The plan is to keep the studios independent creatively, so that each will have its own slate, its own relationship, same opportunities, and then we will choreograph the release schedule, and optimize it by genre and by audience demographic to achieve the best for the company as a whole.”

While we’ve told you what has been dated before, below is a sampling based on our previous reports of the kit and caboodle that’s coming Goldberg and Greenstein’s way. We’ve sussed what is ready and real on the 2027 and 2028 slates. Excluded from this list are myriad lit acquisitions made during the previous De Luca and Abdy regime.

PRIORITY
Barbie 2
Ideally Greta Gerwig return to direct and co write with Noah Baumbach and Margot Robbie and Ryan Gosling returning to star in a sequel to Warner Bros’ highest grossing movie ever at $1.44B.

FINISHED (or nearing finish for release).

Clayface (Oct. 23) (DC)

The Cat in the Hat (Nov. 6)

Cut Off
Jonah Hill directed comedy which he stars in with Kristin Wiig

Dune: Part Three (Dec. 18)

Animal Friends (Jan. 22, 2027)

Remain (Feb. 5, 2027)
M. Night Shyamalan just screened at BeyondFest.

Panic Carefully (April 9, 2027)

F.A.S.T (May 14, 2027)

POST-PRODUCTION

The Revenge of La Llorona (Feb. 27, 2027)

Godzilla x Kong: Supernova (March 26, 2027)

Bad Fairies (May 21, 2027)

Man of Tomorrow (July 9, 2027)
-James Gunn’s sequel to Superman.

A Minecraft Movie Squared (July 23, 2027)
Jared Hess returns to direct.

Shiver (Aug. 13)

The Conjuring: First Communion (Sept. 10, 2027)

The Great Beyond (Oct. 1, 2027)
-J.J. Abrams’ Glen Powell and Jenna Ortega original sci-fi film.

Lord of the Rings: The Hunt for Gollum (Dec. 17, 2027 release)
-Directed by Andy Serkis off a screenplay by Philippa Boyens, Fran Walsh, Peter Jackson, Phoebe Gittens and Arty Papageorgiou.

Evil Dead Wrath (April 7, 2028)

IN PRODUCTION

Untitled Ocean’s Prequel (June 25, 2027)
-Bradley Cooper co-wrote, directs, produces and stars alongside Margot Robbie, who produces via LuckyChap.

Margie Claus (Nov. 12, 2027)

Untitled Nancy Meyers Movie (Dec. 25, 2027)
-Nancy Meyers directing from her own script
-Owen Wilson, Jude Law, Kieran Culkin and Erin Doherty star

The Batman Part II (Feb. 18, 2028) (DC)
Matt Reeves directed production is paused.

The Lunar Chronicles (Nov. 3, 2028)
animated

Oh, the Places You’ll Go! (May 17, 2028)
Jon Chu’s animated feature take of the classic Dr. Seuss children’s book.

Hello Kitty (July 21, 2028)
animated

Dynamic Duo (Sept. 22, 2028) (DC)
animation with puppets

PRE-PRODUCTION

Final Destination 7 (New Line) (May 12, 2028)
Michael Blanchart directing.

–Nasty (Clockwork)
Mary Bronstein directed Jenna Ortega and Rose Byrne off Isabella Jarosz screenplay. LuckyChap producing.

Sean Baker’s Ti Amo! (Clockwork)

Jehanne d’Arc (Nov. 22, 2028)
-Baz Luhrmann directing
-Schuyler Weiss and Catherine Martin producing. Currently awaiting next draft.

GREENLIT
By previous administration

Gremlins 3 (Oct. 6, 2028)
Chris Columbus directing. Awaiting rewrites.

The Jetsons Live-Action Movie
-Jim Carrey starring
-Colin Trevorrow attached to direct

Sean Penn’s Untitled January 6th Movie (Clockwork)
-Penn writing, directing and producing
-Bradley Cooper to star

The Brigands of Rattle Creek (Clockwork)
Park Chan-Wook domestic acquisition

GREENLIGHT CANDIDATES (or nearing):

The Flood (Aug. 2028)
Zach Cregger’s next movie with New Line starring Jennifer Lawrence.

Gladys (Weapons prequel set for Sept. 8, 2028)
In rewrites

Matrix 5 – Drew Goddard writing. (a 2029 release candidate)

DEVELOPMENT

Attack of the Fifty-Foot Woman Reimagining
-Tim Burton directing

Blow Up the Chat
– Temple Hill producing

Care Bears
-Josh Greenbaum directing
-Good Fear, GoldDay producing

City of Angels Reboot
-Ashley Avis writing and directing
-Atlas Entertainment, Perez Pictures producing

Constantine 2

The Executioner
-Peter Safran producing

Forbidden Planet
-Emma Watts producing

Frank Bullitt Movie
-Steven Spielberg directing

Game of Thrones: Aegon’s Conquest (June 1, 2029)

The Goonies 2
-Steven Spielberg, Kristie Macosko Krieger, Holly Bario and Chris Columbus producing

Live-Action Hot Wheels Movie
– Bad Robot and Jon M. Chu’s Electric Somewhere producing
Last Friday
– Ice Cube starring

Meerkat Manor (Warner Bros. Pictures Animation)
– The Green Room producing

Shibumi
-87North producing

Space Invaders (New Line)
– Weed Road Pictures, Safehouse Pictures producing

Them! Remake
-Michael Giacchino directing

EARLY DEVELOPMENT

Batman Brave and the Bold (DC)

Crazy Rich Asians 2

Savage Hunters aka Deathstroke & Bane Movie (DC)

Live-Action Flintstones reboot
-Ryan Gosling’s Open Invite producing

Free Willy Reimagining
-AGBO producing

Get Smart Reboot
-John Mulaney to star
– Charles Roven and Andrew Lazar producing

The Lord of the Rings: Shadow of the Past
– Stephen Colbert, Philippa Boyens and Peter McGee writing

Prehistoria (Warner Bros. Pictures Animation)
– Vivienne Medrano writing and directing

Powerpuff Girls

Live-Action Teen Titans (DC)

Swamp Thing (DC)

Wonder Woman reboot (DC)

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