The official website for the The Fable television anime revealed additional cast and the main visual (pictured) for its second season on Wednesday. The new season will adapt the Yamaoka-hen (Yamaoka Arc) from Katsuhisa Minami‘s crime comedy manga and is scheduled to premiere on the Nippon TV network on January 10, 2027, airing every Sunday at 12:55 a.m.

Cast

Yamaoka: Kouichi Yamadera (Yozakura-san Chi no Daisakusen)

Azami: Takanori Hoshino (Sentai Red Isekai de Boukensha ni Naru)

Eucalyptus: Hiroyuki Yoshino (Yomi no Tsugai)

Koji Mizuno: Satoshi Mikami (Kami no Shizuku)

Jiro: Taiten Kusunoki (Hidarikiki no Eren)

Suzumushi: Seiyuu Fujiwara (Liar Game)

Ryousuke Takahashi (Soukou Kihei Votoms) is returning to direct the second season at Tezuka Productions. Yuuya Takashima is handling the series composition. Mayumi Morita (Megami no Café Terrace) and Yuuya Takashima are writing the script. Saki Hasegawa (Darwin Jihen sub-character design) and Kyuuma Ooshita (My Home Hero chief animation director) are designing the characters. Yo Tsuji (Tasokare Hotel) is composing the music.

The first season aired in 25 episodes in Spring 2024. Disney+ and Hulu simulcasted the anime with subtitles and dub in multiple languages.

Minami serialized the manga in Weekly Young Magazine from November 2014 to November 2019. The sequel, The Fable: The Second Contact, serialized in the same magazine from July 2021 to July 2023.

A second sequel, The Fable: The Third Secret, began in March 2025. Kodansha shipped The Third Secret‘s fifth volume on July 6, with the sixth volume scheduled to go on sale on November 6.

Kodansha USA licensed the original manga in English in March 2022 and released the 22nd and final volume in January 2024. All three manga series are simulpublished on the K Manga platform.

The Fable won at the 41st Kodansha Manga Awards in the General category in 2017. The manga is also placed among the top 20 titles in the Kono Manga ga Sugoi! rankings’ Male Readers division in 2019 and 2020.

Source: Comic Natalie

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Dragon Ball is back… again! Dragon Ball Super: Beerus is very interesting, as it is basically a reanimated cut of the original Dragon Ball Super series, but this time it is recut with better animation. Despite the fact that the franchise is retreading very similar ground, that did not stop the premiere of the first episode at the New York Comic Con panel from being packed to capacity. The panel was hosted by Monica Rial, the current English voice of Bulma, with special guests Jason Douglas, the voice of Beerus, and Ian Sinclair, the voice of Whis. It was nice listening to the three of them talk about just how excited they were to return to the franchise that they have such a strong affection for. Probably the highlight of the panel outside of the episode premiere was Ian talking about how Sean Shimmel himself called everybody super excited when Dragon Ball Super: Beerus was first announced, even though it was apparently super late at night for Ian while he was sleeping.

The panel also featured some special videos featuring Masako Nozawa and Kōichi Yamadera, the Japanese voices of Goku and Beerus, respectively. Not only did they wish a lot of luck to the English dub cast, but they hoped that everybody at Comic-Con was ready to enjoy the excitement of the series. The cherry on top was Ian acting especially giddy over the fact that Nozawa referred to everybody on the stage by name. One big group Kamehameha sent off later, and it was time to enjoy the first episode of Dragon Ball Super: Beerus.

Even though it has been over ten years since Dragon Ball Super aired, I am still very aware of a lot of scenes and production issues that plagued the early arcs of the series. This led to a lot of random filler episodes and very off-looking animation. Right off the bat, I can say with absolute certainty that based on this first episode, both of those issues are drastically corrected, as the first couple of episodes from the original Dragon Ball Super‘s airing are completely condensed here. This episode starts with Beerus awakening and him immediately going on a destruction spree for the sake of trying to jog his memories about the dream he had of the Super Saiyan God. What’s interesting about the way that this episode is framed is that the series seems to be properly mirroring Beerus’s awakening with Goku’s resolve to get stronger.

On Goku’s end, the episode started with him already on his farm, taking a quick break to train while Goten took over his tractor. He did image training, imagining his past fights with Frieza, Cell, and Majin Buu, with Goku pointing out that he wouldn’t have been able to defeat the latter on his own without everybody’s help. The entire side story from the original Dragon Ball Super series regarding Goku trying to earn money to appease his wife, Chi-Chi, was immediately resolved here as Mr. Satan showed up to give him the money as a thank you for saving the world, as long as he kept quiet about Satan taking the credit.

While I miss a lot of the charming humor in the filler moments from the original series, I do love the shift in tone and tighter focus of this retelling. This episode immediately establishes one of the main prevailing themes of this arc, with Goku being unsatisfied that he wasn’t able to defeat Majin Buu and wanting to be strong enough to handle the next threat on his own, which will tie directly into the awakening of Super Saiyan God. While a lot of the scenes with Beerus were handled a little too quickly, Beerus does have more of a menacing presence. It’s incredible what a few tweaks to the style can do for establishing a stronger sense of tone.

Most of the scenes in this episode are from the original series, but they have all been heavily tweaked, redrawn, or drawn over for a stronger sense of stylistic consistency. Instead of all of the characters having this glossy shine like flat action figures, Dragon Ball Super: Beerus instead gives everybody intense-looking shadows. The animation is a lot more fluid, and there are even a couple of new scenes added to better bridge the leftover scenes. While this first episode is definitely here to establish that tone and setup, I could definitely feel the animators trying to flex that this is probably how they wanted the series to look when it was first conceived versus what we got. Overall, it is a very solid start, and if they can keep this level of consistency moving forward, then this might end up becoming one of the best ways for new fans to enjoy this story.