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Why ‘Damn Yankees’ Is Partnering With Major League Baseball

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On Sunday, Neil Patrick Harris, Julianne Hough, and the cast and creative team behind “Damn Yankees” sat in the press room of Yankee Stadium answering questions from a group of theater journalists who looked as natural in the setting as Ethel Merman and Patti LuPone would in the dugout during the playoffs. “It’s a little surreal for all of us to be here,” Rick Miramontez, the publicity wizard behind the event, confessed shortly before the press conference kicked off.

An intense rainstorm spoiled some of the fanfare around the announcement of a revival (one of the stars, Austin Scott, was supposed to throw out the first pitch), but the day’s larger point was clear. It’s never been harder to launch a Broadway musical, and the Great White Way could use all the help it can get. Enter the Bronx Bombers and Major League Baseball, which, in a first, will partner on the show along with its Emmy Award-winning production label MLB Studios.

“It’s an exciting opportunity to get asses in seats,” Harris said. “It’s really the opportunity to give people who don’t normally go see theater a reason to go. If this will allow arenas full of people…to know that seeing Broadway is something that is accessible to them and ideally awesome, then that would be a great thing.”

Aaron Scott, Julianne Hough, Neil Patrick Harris. Photo by Emilio Madrid.

For the past year and change, a lot has been written about the challenges facing musicals. Such shows typically carry production budgets of $15 million to $20 million, which means that in order to recoup their investments, they have to play to full houses. Harris and Hough are stars who bring passionate fan bases from their stints on “How I Met Your Mother” and “Dancing With the Stars,” but the economics are daunting.

Acclaimed revivals like “Cats: The Jellicle Ball” wrapped up their runs early after ticket sales began to soften, while new musicals like “The Queen of Versailles” and “Beaches” bombed. More recently, “Two Strangers Carry a Cake Across New York” announced it would close shop in November despite rave reviews. Yes, some of the biggest hits on Broadway remain long-running musicals like “Hamilton” and “The Lion King,” but no new juggernauts have emerged to challenge them since COVID upended the business.

Partnering on a musical may be new for baseball, but the business has integrated its talent with promising results. “Buena Vista Social Club” recently sold out shows after tapping former New York Mets player José “Candelita” Iglesias to appear as the narrator for a limited run, and the production will enlist former Yankee Bernie Williams and his guitar to join the show’s band next month.

MLB’s involvement in “Damn Yankees” wasn’t immediately clear, but baseball will help promote the show to its fans. As for the musical, it’s getting a facelift. The setting will move from the 1950s to 2000, as the Orioles try to take on the Yankees, who were enjoying a period of dominance that saw them win four straight World Series. The creative team behind “Damn Yankees” made it clear that they were committed to being true to the sport. Miramontez said that a technical adviser had been hired, and Scott said he’s been studying game footage as he prepares to play Joe Boyd, a thwarted fan who sells his soul to carry the “Birds” to glory.

“I am kind of coming into this world, learning the baseball world, the culture, and the language of the sport,” Scott said, adding, “I’ve already been watching a lot of highlight reels and a lot of footage, especially of Aaron Judge.”

On Sunday, Harris, Hough, and Scott met Judge and the rest of the team in person after braving the downpour to shoot promotional images on the field. Harris explained why they had made the trek to the Bronx by recounting the entire plot of “Damn Yankees” to members of the clubhouse.

“I just didn’t know if they knew the context of meeting us, like why we were here,” a sheepish Harris admitted.

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Paramount, Blue State AGs Hit Cory Booker Over Antitrust Suit Settlement Comments

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Paramount and Warner Bros Discovery and a dozen blue states want Cory Booker to stay in his own lane when it comes to the settlement with state Attorneys General over the companies’ $111 billion mega-merger.

“The fact that a proposed consent decree does not contain every outcome that one party may have wanted in a multilateral negotiation does not make it substantively unfair,” states the just filed
court ordered Marguerite Sullivan-signed response
to the New Jersey Senator’s September 24 missive against the September 21 unveiled deal between the Donald Trump friendlyTeam Ellison and the Rob Bonta-led AGs. “This is the very essence of a negotiated agreement that includes compromises on behalf of all of the parties involved.”

“The Decree reflects a reasonable compromise that addresses the competitive issues posed by the proposed merger in the markets alleged in the Complaint,” adds a 17-page filing Monday from California, the Commonwealth of Massachusetts, Arizona, Colorado, Connecticut, Minnesota, Nevada, Booker’s own New Jersey, New Mexico, New York, Oregon, and Washington themselves declaring their deal is “fair, reasonable, equitable, and awful.”

In a classic example of the disunity Democrats are infamous for, the Blue dozen (at least four of whom had great apprehension about the settlement right up to the end) go on to say: “And the Decree’s enforcement provisions have teeth. Thus, …the Decree meets the applicable standards and it should be entered.”

Intentionally disregarding the anti-merger amicus briefs filed late last week by Block the Merger and the League of United Latin American Citizens, ParaBros’ lawyers and Democratic AGs from across the nation today formally responded to the September 24 letter from New Jersey’s senior Senator challenging the settlement David Ellison reached with antitrust suing blue state AGs last week. As of today, with that $7 million ticking fee to WBD shareholders kicking in October 1, the deal still sits in legal limbo, as all concerned await a decision from an Oakland-based federal judge.

A state of affairs that puts a lot of Monday’s ParaBros lawyers letter in the flying the flag category.

“Twelve attorneys general, each accountable to their own electorate, judged this relief to be a fair compromise sufficient to resolve the claims they asserted in the complaint,” the 16-page document insists, playing to the notoriously self-sabotaging Democrats’ internal party politics and jocking.

The parties hoped to see U.S. District Judge Araceli Martinez-Olguin give the consent degree the green light last week. However, taking the place of a long scheduled virtual hearing on Paramount’s pre-settlement Hail Mary hope for a $1.88 billion bond to offset the “extraordinary losses” that could come out of waiting for aMarch 2027 trial, the September 24 sit-down went off the rails – at least from the POV of ParaBros and the pleading states, led by California Senior Assistant AG Paula Blizzard.

Coming for a variety of longtime critics of the merger, opposition rose and suspicion about the settlement served to pour gasoline on already flicking fire. “The Court should measure the proposed remedies against the relief the States originally sought: an injunction blocking the merger altogether,” Sen Booker (D-NJ) said in his six-page letter, requesting a number of measures including an independent review of the settlement. “The decree does not address the core of the case—that the merger is anticompetitive and will eliminate jobs.”

Contacted by Deadline today, Sen. Booker had no response to Para, WBD and the AGs’ response to his September 24 letter.

In their response Monday, the corporate lawyers took much the same tact and tone they brought to an initial reaction to Booker’s letter last week

“The adequacy of the decree must therefore be assessed against the risk of continued litigation—including the substantial prospect that Plaintiff States would have recovered nothing at all—rather than against an assumed permanent injunction that Plaintiff States did not obtain,” argued Monday the ParaBros attorneys from some of the nation’s top firms. Accordingly, the relief Plaintiff States secured is substantively reasonable.

Still, with the ambitious Bonta, CA Gov, Gavin Newsom, polling sagging L.A. Mayor Karen Bass and others stung by the blowback from the Dems’ base on their push for a settlement, there is no word yet when Judge Martinez-Olguin will sign off on the consent degree.

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Anne Hathaway Had to Turn Down Hot Ones Because She’s Pregnant

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Anne Hathaway Had to Turn Down Hot Ones Because She’s Pregnant







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James Rosenfield Dead: Former EVP Of CBS Broadcast Group Was 97

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James H. Rosenfield Sr., the longtime media executive and former executive vice president of CBS Broadcast Group, died on September 26. He was 97.

Rosenfield rose from an account executive in television network sales to President of the CBS Television Network and ultimately Executive Vice President of the CBS Broadcast Group, with responsibility for the network’s key operating divisions, including CBS Television Network, CBS News, CBS Entertainment and CBS Sports.

Early in Rosenfield’s career, William S. Paley gave him responsibility for the network’s sales relationship with Grey Advertising, an assignment that helped propel his rise through CBS.

Of his time as EVP, Rosenfield said, “One of the things that I understood in this business was that there are two [types of] people who exist side by side: creative people and suits. And I was a suit.”

It was that understanding, he said, that allowed him to work with the creatives at CBS, including the man who led CBS Entertainment through most of the 1980s, Bud Grant.

“The creative department wasn’t thrilled that they were reporting to this suit from New York,” recalled Rosenfield. “And I said to [then President of CBS Entertainment] Bud Grant, who I had known for many years, ‘I am not going to interfere with your decision-making process in creating the schedule…You are the creative guy and I am the suit.’”

The result was hit shows like Murder She Wrote and Newhart.

Rosenfield retired from CBS in 1985.

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He went on to become president at JHR associates, where he consulted with traditional and new media companies, including broadcasting, cable, interactive, internet and games.

He also served as president of the International Radio & Television Society (IRTS), chairman and board member of the Advertising Council, and on the boards of Internews International and Salon Media, among others. He was also a lifetime fellow of the International Council of the Television Academy.

Rosenfield is survived by his partner, Charlotte Rosenblatt; his daughter, Laurie Rosenfield, and son-in-law, Peter Falk; his son, Jim Rosenfield Jr., and his wife, Dana Conroy; his grandchildren, Jamie, Kitt, Kristen, Kerrin and Kendall; his five great-grandchildren; his sister-in-law, Clare Rosenfield and his nieces and nephews. He was pre-deceased by his wife of 57 years, Nancy Stenbuck Rosenfield and his brother, Dr. Allan Rosenfield.

A funeral Service will be held at 11am on Wednesday, September 30th at Riverside Memorial Chapel, 180 W 76th St. NY NY. In lieu of flowers, donations may be made in Rosenfield’s memory to The Reisenbach Philanthropies.

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