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‘Artificial’ Movie First Reactions

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This stretch of the 2026 film calendar is all about Big Tech. With Aaron Sorkin’s pseudo-sequel “The Social Reckoning” opening this weekend and Luca Guadagnino‘s OpenAI satire “Artificial” premiering at the New York Film Festival, cinephiles who have a bone to pick with Silicon Valley have plenty of material to feast on. And if early reactions to “Artificial” are any indicator, Guadagnino’s film about Sam Altman promises to be both darkly hilarious and sincerely terrifying.

“Artificial” sees Andrew Garfield playing Altman, the OpenAI founder who was famously forced out of his company in 2023 over disagreements with a board that included Elon Musk before regaining control five days later. The film was written by Simon Rich, with David Heyman, Jeffrey Clifford, and Jennifer Fox serving as producers alongside Rich and Guadagnino.

“Artificial” was originally greenlit by Amazon MGM, which previously financed Guadagnino’s “Challenges” and “After the Hunt.” But Amazon dropped the completed film earlier this year, shortly after the company struck a $50 billion deal with OpenAI to provide web services via its AWS division. Neon subsequently acquired the rights to the film and is planning a Christmas release and Oscar campaign.

The film premiered on Monday, October 5 at the New York Film Festival. Initial reactions from those in attendance have been positive, with many singling out the film’s biting satirical voice. Many critics appear to be as terrified by the film’s depictions of our AI-dominated future as they were entertained by its jokes — but it appears certain that “Artificial” will be one of the most talked-about films of the fall season.

Neon will release “Artificial” in theaters on Friday, December 25. Keep reading for a roundup of early social media reactions to the film.

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Marco Bellocchio’s ‘Falcon’ Sets Sales, Louis Garrel As John Elkann

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Rai Cinema International Distribution has boarded sales on Marco Bellocchio’s financial thriller Falcon, inspired by the life of late Fiat-Chrysler automobile exec Sergio Marchionne, as it films in Toronto.

In new casting additions, previously announced lead Pierfrancesco Favino is being joined by Louis Garrel, Benedetta Cimatti and Barbara Ronchi, with the participation of Valeria Bruni Tedeschi.

The picture delves into the story of the Marchionne, the Italian-Canada automobile exec credited with reviving Italy’s Turin-based car company Fiat in the 2000s and merging it with then ailing U.S. auto manufacturer Chrysler.

It will recount how Sergio Marchionne (Favino) came to the rescue of Italy’s most famous car manufacturer in 2004 as it lay on the verge of collapse in the wake of the death of its longtime boss, the legendary industrialist Gianni Agnelli.

Ruthless and visionary, Marchionne axed the top management. He then took Agnelli’s grandson, John Elkann (Garrel), under his wing to teach the young heir, suddenly burdened with the family’s legacy, the art of command.

Marchionne then took on the U.S. car manufacturer General Motors, disentangling Fiat from a disadvantage strategic alliance, and went on to save rival Chrysler from bankruptcy by merging it with Fiat.

Falcon is co-written by Marco Bellocchio with Ludovica Rampoldi, Andrea Di Stefano, Stefano Rulli and with the participation of Oliviero Del Papa.

Talking to Deadline about the project last year, Bellocchio said of Marchionne: “I’m fascinated by his journey and his ability, as an Italian who stood up to American big business, to defend Fiat and then even take over Chrysler, which was bankrupt, to make a major group.”

He also revealed that the title of Falcon is inspired by the fact that Marchionne would always travel on a Falcon business jet.

“He would travel went back and forth from Turin on a Falcon, so we’ve given it this title,” he said.

Falcon is produced by Kavac Film, Rai Cinema, with Emotion Network in collaboration with STLA Europe.

The feature has already shot for two weeks in September in Toronto and Niagara Falls, moving to the Piedmont region of Italy and to Rome, and then returning to Canada and the United States in early 2027. 01 Distribution will release the film in Italy.

The project reunites Bellocchio with a number of longtime creative collaborators, including production designer Andrea Castorina, costume designer Daria Calvelli, and editor Francesca Calvelli, all of whom worked on Bellocchio on projects including The Traitor, Exterior Night and Kidnapped. He is also joined for the first time by director of photography Matteo Cocco (The Weight, Hidden Away).

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‘Four Daughters’ & ‘No Good Men’ Lead Alternativa’s MIPCOM Slate

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EXCLUSIVE: Alternativa Distribution has acquired selected rights to features including Berlin Film Festival opener No Good Men ahead of making its debut at the MIPCOM market in Cannes.

The fledgling distributor has acquired several other festival and award-nominated movies ahead of MIPCOM. It will present Akio Fujimoto’s Lost Land to buyers, as well as Abinash Bikram Shah’s Elephants in the Fog and Kaouther Ben Hania’s Four Daughters.

Alternativa Distribution will shop Elephants in the Fog in multiple territories across Asia and Latin America; No Good Men in multiple territories across Asia and the MENA region; Four Daughters in multiple territories across Latin America and Asia; and Lost Land across Southeast Asia, ex-Malaysia, the Nordics, Poland and Portugal.

Alternativa launched its distribution arm earlier this year to sell impact-driven films to broadcasters and streamers. The Alternativa Distribution division is run by former yesDocu and TikTok exec Avital Lavi.

It launched with a ten-film slate including the Un Certain Regard titles If Only I Could Hibernate and A Poet.

The new acquisitions come with strong awards and festival pedigree. Elephants in the Fog competed in the Un Certain Regard section at the Cannes Film Festival this year, winning the Jury Prize. It was also Nepal’s submission for the Best International Feature Film at the Academy Awards.

Lost Land won the Orizzonti Special Jury Prize at the Venice Film Festival. Four Daughters shared the L’Œil d’Or for Best Documentary at Cannes. It was nominated for Best Documentary Feature at the Academy Awards.

Alternativa is a not-for-profit org that supports films from the Global South. Having started out as an awards program for films from Central Asia, Alternativa then initiated a full-fledged festival with editions in Indonesia and Colombia.

“With our second film slate, we are expanding our global reach to give buyers and audiences access to even more exceptional, high-impact storytelling,” Lavi said.

“Our latest acquisitions have already proven themselves on the world stage – from a Cannes prize-winner to acclaimed titles featured at Venice and the Berlinale. We’re incredibly proud to represent them and look forward to getting them in front of broadcasters and streaming platforms.”

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Chris Marker Doc ‘Nostaglia For The Future’ Acquired By Lightdox

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EXCLUSIVE: Lightdox has acquired international sales rights to Nostalgia for the Future leading into Film Fest Gent in Belgium where the documentary screens on Sunday.

The film narrated by Oscar-nominated actress Charlotte Rampling examines the enigmatic filmmaker Chris Marker (1921-2012), one of the most influential figures in the history of cinema. The Belgium–Netherlands–Italy co-production, directed by Brecht Debackere, made its world premiere in May at the Cannes Film Festival.

“Chris Marker, filmmaker, photographer, writer and multimedia artist behind such landmark works as La Jetée and Sans Soleil, spent much of his life deliberately avoiding the public eye,” notes a synopsis. “Famously elusive, he rarely gave interviews and would sometimes send photographs of his cats instead of portraits of himself. He once described himself as the ‘best-known author of unknown films.’

'Nostalgia for the Future'

‘Nostalgia for the Future’

Visualantics/SeriousFilm/Cobra Films/Ghirigori

“In Nostalgia for the Future, Debackere enters the labyrinth of Marker’s legacy through the 550 boxes of his personal archive, now held by the Cinémathèque française. Guided by Rampling’s distinctive voice, an unnamed archivist moves through photographs, documents, film fragments and personal traces, attempting to reconstruct the man who chose to disappear behind his own images.”

Instead of a traditional biography, the film approaches Marker “through the associative logic of his work,” according to a release. “The archive becomes a living system of memory, while Marker’s images become ‘time machines,’ fragments through which the past, present and possible futures begin to overlap.”

'Nostalgia for the Future'

‘Nostalgia for the Future’

Visualantics/SeriousFilm/Cobra Films/Ghirigori

Nostalgia for the Future, a co-production between Visualantics, SeriousFilm, Cobra Films and Ghirigori, is produced by Steven Dhoedt.

In a statement, Lightdox CEO Anna Berthollet commented, “Chris Marker left behind an archive as enigmatic as the man himself. Brecht Debackere has found a remarkably cinematic way into this world, creating not simply a portrait of Marker, but a meditation on images, memory and the way we imagine the future. A film that speaks directly to what Lightdox looks for: bold, author-driven documentaries with a distinctive cinematic language and the power to open new ways of seeing.”

Brecht Debackere (Exprmntl) wrote and directed the film. The directors of photography are Jerome De Gerlache, Alexi Van Hennecker, and Ben Grinand; Beppe Leonetti edited the film. The original score is by Rutger Zuydervelt and Niels Borrey.

In addition to Sunday’s debut at Film Fest Gent, Nostalgia for the Future screens at the festival on Monday and Thursday. You can watch the film’s trailer here:

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