
Katseye on ‘Saturday Night Live’
Outrage moves at the speed of social media in the Donald Trump era, but the wheels of media regulation turn far more slowly.
That is the main takeaway from Deadline’s conversations in recent days with more than a dozen sources across media, Washington and Wall Street about the clash between ABC late-night host Jimmy Kimmel and the Trump administration.
Trump, First Lady Melania Trump, FCC Chairman Brendan Carr and others have seized on Kimmel’s late-night monologue Friday. They say his joke about the first lady having the “glow like an expectant widow” contributed to Saturday’s shooting targeting Trump and other officials at the White House Correspondents’ Dinner and should be a fireable offense. Kimmel has pushed back, insisting the line was far from “a call to assassination” and noting that Trump himself had made light of his own mortality.
Carr has said the licenses of ABC’s eight TV stations, which are up for renewal between 2028 and 2031, are going to receive an early review. ABC and Disney have until May 28 to complete its renewal applications. In response to a request that trade group NAB complained was “nearly unprecedented,” Disney issued a statement saying it is “confident” in being granted the renewals.
Behind the scenes, Disney insiders say some lessons were learned from the last bout of rancor over Kimmel. Last fall, ABC was blasted over an on-air Kimmel quip about Trump supporters’ reaction to conservative activist Charlie Kirk’s shooting death. Facing pressure from Carr and a host of right-wing influencers and politicians, Jimmy Kimmel Live! was pulled off the air by major station groups Nexstar and Sinclair and then suspended by ABC before returning after a few days.
While Kimmel never formally apologized and no pound of flesh was taken by the administration, the upshot was that Disney was believed to have acted a bit too hastily. Its statement that Kimmel’s show was being suspended “indefinitely” raised a host of questions about its long-term future. Even with a new CEO and a new structure under Dana Walden, who was promoted to president and chief creative officer as Josh D’Amaro succeeded Bob Iger as CEO, the stance from Disney has been to exercise more patience. Meetings are not being called with Kimmel and his staff. Distance is being observed from the process. “We know what Jimmy is going to say about the situation by tuning in every night at 11:35,” one waggish insider insisted.
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A similar keep-calm-and-carry-on M.O. has taken hold at Nexstar, the No. 1 owner of local TV stations. While its executives have embraced Trump’s more permissive stance on M&A, the company finds itself in a predicament over a federal judge’s ruling freezing its $6.2 billion merger with rival Tegna. As it looks to prevail on appeal and close the deal, company execs say the plan is to avoid sticking any necks out on an issue where even some conservatives warn of overreach by those looking to muzzle Kimmel.
Experts in the process of license renewals tell Deadline that for all the vows to hold media companies accountable for perceived lapses in honoring the “public interest obligation” required of all license holders, the record tells a different story. For all of the carpet-bombing on social media calling for licensing to be pulled or other punishments, Carr hasn’t taken action on any of the complaints he has lodged. Notably, the “news distortion” charges against CBS News over 60 Minutes led to an FCC investigation but no further action.
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If Carr or other regulators were to take action against ABC over the latest Kimmel comments, it could open the door to a lawsuit. Legal experts say such a case would have a strong basis on First Amendment grounds if it were to go to federal court in the D.C. Circuit.
A veteran of the regulatory trenches adds that even the license-renewal process unto itself could take years to unfold, a far cry from the trapdoor many on the right would like to see quickly open up under Kimmel’s feet. Prior to this week’s early renewal order, the last notable example of such an action by the FCC came when a radio station in Mississippi changed its format in 1972. Even in that very different set of circumstances, the process played out over many years.
Last October, shortly after the resolution of the Kirk-related episode, Kimmel reflected on it at a Bloomberg conference appearance, seeming to indicate he and his writers and not likely crafting his monologue in isolation this time around.
“I don’t think the result, which I think turned out to be very positive, would have been as positive if I hadn’t talked to Dana as much as I did,” he said, “because it helped me think everything through, and it helped me understand where everyone was coming from because I can sometimes be reactionary.”
Ted Johnson, Peter White and Dominic Patten contributed to this report.
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Following the Knicks’ big win at Madison Square Garden, Jalen Brunson took the stage at 30 Rockefeller Center for his Saturday Night Live hosting debut.
On Saturday’s Season 52 premiere, the NBA Finals 2026 MVP showed off some comedic chops in an otherwise business-as-usual episode of the NBC sketch comedy show, which featured Katseye as its musical guest.
Introducing new cast members Grace Reiter and Saidah Belo-Osagie, Katseye returned to a parody season of The Debut: Dream Academy to crown a new girl group. The quartet also performed in a mini music video with the awkward group of ladies, also featuring Jane Wickline and Veronika Slowikowska.
The next sketch was a support group featuring Brunson as one of several men whose spouses were grinded on at Usher and Chris Brown’s The R&B Tour.
“When I spent $1,200 on that meet-and-greet, I never expected her to actually greet his meat,” said Brunson as the other group members comforted him.

Katseye on ‘Saturday Night Live’

Jeremy Culhane and Jalen Brunson in ‘Saturday Night Live’

Jalen Brunson, Jeremy Culhane and Ben Marshall on ‘Saturday Night Live’
Brunson also starred in the parody sketch High School Musical: The New Generation as an athletically gifted new student who hilariously keeps dunking on the new Troy Bolton stand-in (Jeremy Culhane) and steals his girlfriend (Slowikowska).
As Shark Tank judge Daymond John, Brunson asked if the invention Respectacles, a pair of glasses that sounds an alarm when the wearer looks at breasts, “works for ass.” The inventors’ (Culhane and Ben Marshall) presentation keeps getting interrupted as they check out Lori Greiner.
Saturday Night Live kicked off its 52nd season this weekend on NBC with host Brunson and musical guest Katseye. The season continues with guest hosts Dakota Johnson, Shane Gillis and Inde Navarrette, along with musical guests Turnstile, Rosalía and Gracie Abrams.
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For those wondering how SNL‘s new cast members factored into tonight’s season premiere, the answer is: not much.
The two new featured players, Saidah Belo-Osagie and Grace Reiter, were introduced together, as part of an early sketch on the search for reality competition The Debut: Dream Academy‘s next breakout girl group.
Belo-Osagie played Neelsa Boyce, a 17-year-old entrant who sought to become a pop star after playing Young Nala in The Lion King on Broadway when she was a kid.
Reiter got more screen time as Margle, who “only wear [s] flip flops because I keep passing out when I try to tie my shoes.”
After she’s first introduced onscreen, Margle shows up fully nude to a dance choreography session. We later learn that she and another eccentric contestant on the series named Duff (Jane Wickline) were only invited to participate after witnessing an executive behind the show, played by Ashley Padilla, committing a hit and run.
Margle is surprised to learn what Dream Academy is actually about, as a show: She says she thought it was a “show where you learned to control dreams.”
Subsequently, she pitches “Moose Knuckle” as a band name and the line “Newton’s Cradle, come and get it” during a songwriting exercise.
The sketch culminates with a performance by the final girl group, featuring Margle, who performs the hot new single “Newton’s Cradle” alongside The Debut Season 1’s KATSEYE (who happened to be the SNL season premiere’s musical guest).
Reiter made one other appearance tonight in the night’s final sketch, which opens on host Jalen Brunson (of the recent NBA Finals-winning New York Knicks) in the locker room. He won’t be meeting with reporters after tonight’s game, he says — though he’s visited regardless by a grey-haired Kenan Thompson, who reveals himself to be the NBA star’s third-grade coach — you know, the one who had a “really bad drinking problem”?
Coach Dennis has come around seeking a “small loan” and in hopes of getting Brunson to read his porno screenplay. Thompson introduces Reiter as Tonya, an immigrant who came to the U.S. eight years ago with a dream, who he hopes to rope into his porn. Kam Patterson also features in the sketch, which culminates in his, Reiter and Thompson’s characters stealing jerseys from the empty locker room and running away.
That was all the night had in the cards for Belo-Osagie and Reiter. Often, SNL will use its Weekend Update segment to help break in its new talent, though special segments of tonight’s presentation were instead devoted to special panelists Dario Amodei (played by Wickline) and Tucker Carlson (played by Jeremy Culhane).
Before returning for the new season, SNL said goodbye to Chloe Fineman and writer-performer Martin Herlihy, who was first introduced on the show as part of the trio Please Don’t Destroy. Other returning cast includes Kenan Thompson, Michael Che, Colin Jost, Mikey Day, Sarah Sherman, Marcello Hernández, James Austin Johnson, Andrew Dismukes, Ben Marshall, Tommy Brennan, Kam Patterson and Veronika Slowikowska.
Jalen Brunson, point guard for the 2026 NBA Finals-winning New York Knicks, hosted the kickoff episode for Season 52. Upcoming episodes will pair Dakota Johnson & Turnstile (October 3), Shane Gillis & Rosalía (October 10) and Inde Navarette & Gracie Abrams (October 31).
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Saturday Night Live’s Weekend Update was back and focused on the movie business.
Jeremy Culhane returned as Tucker Carlson and he was giving his thoughts on the summer’s slate of blockbusters.
“It’s movie time, let’s find our seats, silence our cell phones and abandon Christian values,” he opened. “Of course, I’m talking about Paw Patrol: The Dino Movie. Let me get this right: Jesus didn’t live at the same time as the dinosaurs but Paw Patrol did? What are we doing? What’s going on?”
Other kids movies in the spotlight were Toy Story 5 and Minions and Monsters.
“It was also a big summer for Minions and Monsters and no I’m not talking about the children’s film, I’m talking about the Trump cabinet. That’s right, I’ve turned on Trump, I’m so brave,” he said.
On the fifth installment of Disney’s Tom Hanks-narrated film, he added, “Let me understand this, you’ve got a friend in me and his name is Woody?”
It wasn’t just the kids slate that took a hit. Culhane’s Carlson also had some words for Christopher Nolan’s The Odyssey, Spider-Man: Brand New Day and Obsession.
“The Hollywood cabal shoots its filth with millimeters, or what I like to call it, the gay edge. I like The Odyssey, it’s so nice to see Greek people do something other than make women feel uncomfortable,” he said.
On Tom Holland’s superhero flick, he said, “Everybody Loves Spider-Man: Brand New Gender. Spider-they, Spider-them, uses whatever bathroom it feels like.”
On Curry Barker’s horror movie, he added, “Obsession, the left’s idea of a horror movie is that a woman is forced to love a man. Oh no, help, I’m being chased by a heterosexual relationship.”
All of this came after Weekend Update anchor Michael Che took aim at David Ellison’s Paramount+ and Taylor Sheridan.
“The White House responded to major news networks canceling coverage of President Trump by launching a live stream called Trump TV. But if that’s Trump TV, what the hell is Paramount+?,” joked Che.
The shows on screen? Sheridan’s Yellowstone, prequel 1883, spinoff Dutton Ranch and Sylvester Stallone-led Tulsa King.
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