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‘Hokum’ Review: Adam Scott Stars in a Hair-Raising Irish Horror Tale

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Editor’s note: This review was originally published during the 2026 SXSW Film & TV Festival. Neon releases the film in theaters starting Friday, May 1.

Jump scares get a bad rap. Sure, they can be cheap, a crutch for directors who lack the ability to create tension through more ambitious structural means. But when paired with solid filmmaking, a good jump scare can take an otherwise pretty good movie and turn it into a giggly, exhilarating rollercoaster ride — which is exactly what Irish writer/director Damian McCarthy does with “Hokum.” 

McCarthy’s last movie, 2024’s “Oddity,” featured the scariest scene of that year, involving a flashlight, a tent, and a booming knock on the door of an isolated farmhouse in the middle of the night. And although it’s only March, “Hokum” will almost certainly be a contender for the title in 2026. The centerpiece scare in “Hokum” doesn’t stray too far from “Oddity”: It also takes place in an enclosed space, in the dark, with something inexplicable and terrifying jumping out of the shadows. But the editing, sound design, production design, and cinematography in this sequence are so well-executed that it still manages to shock and delight.

This is McCarthy’s third feature, and so far, every one of his movies has improved on the last. All three are supernatural morality tales with themes of guilt and punishment (that’s Irish Catholicism for you), an interest in folklore, and a fixation on creepy dolls. “Hokum” takes place on Halloween, at a haunted hotel in the Irish countryside full of unsettling atmosphere and surrounded by goats who attack the guests’ cars while they’re tripping on mushrooms. As a setting, it’s both deeply strange and intuitively correct, an evocative location for McCarthy’s 21st-century storybook tale.

Each of McCarthy’s films gets a little bigger in scale as well, and “Hokum” marks his first collaboration with a Hollywood actor. Adam Scott stars as Ohm Bauman, a bitter alcoholic novelist who travels to the Billberry Woods Hotel to procrastinate on finishing the last book in his popular “Conquistador Trilogy.” (It’s a relatable motivation, at least to the writers in the audience.) He’s also there to scatter the ashes of his parents, both of whom died when he was very young. 

His tragic backstory doesn’t excuse what a jerk Ohm is to the hotel’s bellboy Alby (Will O’Connell), however, and given that this is a Damian McCarthy movie, his comeuppance is sure to come. Often cast as a nice guy, it’s fun to see Scott as an unlikable asshole, a role he plays with withering deadpan directness. A dark and dramatic development early on makes Ohm a little more sympathetic, leading him back to the hotel in search of a bartender named Fiona (Florence Ordesh), who told him the spooky legend of the witch who haunts the hotel’s honeymoon suite. 

When Ohm arrives, he’s told that Fiona is missing, and no one has seen her since the night of the hotel’s Halloween party. A local eccentric (David Wilmot) suspects foul play and tells Ohm that he knows she’s dead because he saw her ghost in the hotel lobby a few nights before. Ohm is skeptical, of course. But he owes Fiona a favor, and so he breaks into the honeymoon suite to search for her. Soon, he’s trapped in this musty space all alone  — at least until the nightmare rabbits and skittering black-eyed specters emerge after dark.

This is where “Hokum” really hits its stride. The suite is very deliberately laid out, which gives the fright sequences the feel of a video game, or perhaps an immersive experience that encourages one to pick up objects and explore different spaces. The tightest of these is a dumbwaiter that supposedly leads to nothing, although we know this isn’t true from the moment Scott sticks his head into it and looks down. When he eventually crawls inside, McCarthy and DP Colm Hogan cut off the composition at the sides, using shadow and darkness to essentially crop the image from 16:9 into a claustrophobic 4:3. 

These cramped spaces are contrasted with an eerie, expansive whooshing on the soundtrack, which is layered with choking sobs and ominous moaning low in the mix. Occasionally, the clear, loud sound of a bell cuts through the mix, jolting the viewer back into the moment. Combined with cinematography that stays clear and legible even under low light, and decisive cuts from editor Brian Phillip Davis, the clean, classical filmmaking contrasts nicely with the ominous emptiness of the film’s shadowy corners and the ambiguous mystery of its central plot, keeping viewers off balance and on edge throughout key scenes. 

McCarthy loses focus after this symphony of tightly controlled terror midway through the second act, adding a little too much backstory and a few too many scenes to the film’s denouement. Still, when “Hokum” works, it really works. It’s straightforward, but that’s OK — we’ve had a lot of attempts to “elevate” the horror genre over the past decade or so. Instead, it’s just a good old-fashioned ghost story, the kind you’d tell over a campfire to scare children. And it’s a hair-raising one at that. 

Grade: B+

“Hokum premiered at SXSW 2026. Neon releases the film in theaters on Friday, May 1.

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Milo Yiannopoulos, Far-Right Provocateur Detained by ICE

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Far-right provocateur and former Breitbart editor Milo Yiannopoulos has been detained by U.S. Immigration and Customs Enforcement and faces deportation from the United States, the Department of Homeland Security said Friday.

The British national was arrested Thursday at Louis Armstrong New Orleans International Airport after overstaying his visa and failing to appear for an immigration hearing. An immigration judge issued a final removal order on July 22.

“He chose to overstay his welcome in violation of our nation’s laws,” DHS said.

Yiannopoulos will remain in ICE custody pending his removal.

Yiannopoulos rose to prominence at Breitbart during the 2016 presidential campaign, becoming one of the most recognizable — and controversial — figures in far-right media. He resigned from the outlet in 2017 after video resurfaced in which he appeared to condone sexual relationships between adults and minors.

The controversy also prompted the Conservative Political Action Conference to rescind his speaking invitation and Simon & Schuster to cancel publication of his planned book.

Yiannopoulos built his profile through inflammatory commentary targeting Muslims, immigrants, feminists and other groups, along with a series of confrontational appearances on college campuses. Twitter permanently banned him in 2016 following a harassment campaign targeting “Ghostbusters” star Leslie Jones. His account was later reinstated after Elon Musk acquired the platform.

He later briefly interned for former Rep. Marjorie Taylor Greene and became an adviser to Ye, formerly Kanye West, working on the rapper’s 2024 presidential bid.

A source familiar with Ye’s operation told TheWrap in May that Yiannopoulos continued to advise the rapper. During the same period, Yiannopoulos posted a series of antisemitic messages around Ye’s public apology for his past antisemitic statements, including posts published immediately before and after the apology.

In posts reviewed by TheWrap, Yiannopoulos asked, “Why do Ashkenazi Jews find the letters ‘DNA’ so frightening?” and declared, “It’s Catholics and Muslims versus Protestants and Jews.” The source argued that Ye’s continued association with Yiannopoulos cast doubt on the sincerity of the rapper’s effort to distance himself from years of antisemitic statements and behavior.

Ye was scheduled to perform in New Orleans on Friday night. It was not immediately clear whether Yiannopoulos was in the area because of the concert in connection with his continued work for the rapper.

Yiannopoulos’ detention comes after years of publicly supporting the aggressive immigration-enforcement policies now being applied to him. In a June 2025 social media post, he called for ICE checkpoints at supermarket entrances, gas stations, strip malls, intersections and government buildings, as well as immediate deportation for anyone unable to prove they were legally in the country.

Far-right activist Laura Loomer claimed Friday that she had reported Yiannopoulos to ICE and took credit for his detention. TheWrap could not independently verify whether her report played any role in his arrest.

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California Lawmakers Reach Deal to Amend Production Tax Incentive Ahead of Deadline

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California lawmakers have unveiled a new trailer bill that will make changes to the state’s expanded production tax incentive program after a law capping annual tax credits for all businesses passed earlier this summer.

On June 29, Senate Bill 122 was passed into law by Gov. Gavin Newsom as part of the state’s annual budget, capping the amount of tax credits any business can receive at $5 million or 70% of total liability per year, whichever is greater. The bill was passed as a way to raise revenue from corporate taxes by closing loopholes.

But SB 122 sparked alarm among studios and entertainment unions, as the law threatened to undermine the industry’s efforts to make California more competitive as a film and TV production hub by expanding the state’s production incentive cap from $330 million to $750 million last year. With the $5 million annual cap in place, industry advocates like the Entertainment Union Coalition and the Motion Picture Association warned that it would take longer for major studio productions to receive the tax credits they earned while making it more difficult for independent productions to sell the credits to potential financiers.

A new trailer bill, Assembly Bill 186, seeks to mitigate this with changes to the incentive program. The bill was printed Friday afternoon hours ahead of the deadline to submit new bills before the final day of the Sacramento legislative session on Monday. AB 186 will be among a flurry of dozens of bills that lawmakers will vote on, though it is expected to pass.

AB 186 will accelerate payouts for productions approved under the most recent version of the incentive program with a payout over two years rather than five and lower the discount on refunds for the credits from 10% to 5%.

The bill also expands the carry forward provisions of tax credits earned under earlier versions of the program from 10 to 15 years, meaning that studios still receiving credits for productions completed several years ago can still receive the full value of their credits as long as the studios have a project approved for tax credits under the current program.

Independent productions will also be fully exempt from the SB 122 annual cap, though the trailer bill stops short of extending that exemption to major studio productions. Insiders with knowledge of the talks in Sacramento between lawmakers tell TheWrap that there was concern that a full exemption for all productions would cause businesses from other industries to push for exemptions of their own, undermining the effectiveness of SB 122.

More to come…

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How to Watch Coyote vs. Acme: Is the Movie Streaming?

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“Coyote vs. Acme” had a treacherous path to the big screen but it’s finally coming out.

The live-action/animated hybrid film à la “Who Framed Roger Rabbit” was shelved by Warner Bros. years ago despite being completely finished. CEO David Zaslav deemed the film would be better as a tax write-off than a theatrical release. Luckily, Ketchup Entertainment saved the courtroom comedy from disappearing into the vault, and the film is finally coming out.

Here’s where you can watch “Coyote vs. Acme” and when the film is expected to land on a streaming service.

When does “Coyote vs. Acme” come out?

“Coyote vs. Acme” finally arrives on Friday, Aug. 28.

Is “Coyote vs. Acme” streaming or in theaters?

Right now, “Coyote vs. Acme” will only be available in theaters after having been saved from permanent shelving. Streaming details aren’t available yet.

Find showtimes and book tickets for screenings near you in the links below.

Who’s in the “Coyote vs. Acme” cast?

The “Coyote vs. Acme” cast is led by Will Forte and he is joined by Lana Condor and John Cena. Then there are the many Looney Tunes to round out the cast – Wile E. Coyote, Bugs Bunny, The Road Runner and more star alongside the human counterparts.

What is “Coyote vs. Acme” about?

The new real world/animated hybrid film is a courtroom comedy that follows Wile E. Coyote hiring a billboard lawyer to take on the massive Acme Corporation after he gets fed up with the products he buys backfiring on him during his many pursuits of The Road Runner.

Watch the Trailer:

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