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Singer Darlene Love Focus Of Upcoming Doc From E.P. Taraji P. Henson

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EXCLUSIVE: Production is underway on Darlene Love: I Know Where I’ve Been, a documentary about the singer and Rock & Roll Hall of Fame inductee known for “He’s a Rebel” and collaborations with Cher, Bruce Springsteen, Dionne Warwick, Sam Cooke and other greats.

The film is being directed by Barry Avrich (Oscar Peterson: Black + White, The Road Between Us: The Ultimate Rescue) and produced by actress-producer Taraji P. Henson (The Curious Case of Benjamin Button, Hidden Figures, Empire) and Mark Selby (Oscar Peterson: Black + White, Born Hungry).

Love is one of the central participants in the 2013 documentary 20 Feet from Stardom, Morgan Neville’s Oscar-winning film about backup singers. But she also sang lead vocals – on the Christmas classic “Christmas (Baby, Please Come Home),” which she performed every Yuletide on David Letterman’s late-night show, and on her biggest hit, 1962’s “He’s a Rebel,” but as a release notes, that single “wasn’t even released under [Love’s] name; producer Phil Spector credited it to the Crystals instead.”

Darlene Love

Darlene Love

Courtesy of Mike Ruiz

“One of the rare musical artists to sustain a career across six decades, Love is a legend to fellow musicians from Bruce Springsteen to Bono, and has mentored and influenced generations of artists,” the release states. “Darlene Love: I Know Where I’ve Been examines her extraordinary life – from prodigy to icon – set against the backdrop of the civil rights movement and the racial discrimination she navigated throughout her career.”

Bruce Springsteen in interviewed for the documentary 'Darlene Love: I Know Where I've Been'

Bruce Springsteen in interviewed for the documentary ‘Darlene Love: I Know Where I’ve Been’

Melbar Entertainment Group

The film features exclusive interviews with luminaries including Cher, Springsteen, Letterman, and Warwick, as well as Nancy Sinatra, Steven Van Zandt, Paul Shaffer, Marc Shaiman, Lou Adler, Jimmy Fallon, Robert Smigel, and many others. “In her own words and through her own eyes, the film tells the powerful story of Love’s return to an industry that had long overlooked her, and her embrace by a new generation of fans and musicians who rediscovered her magic.”

Darlene Love: I Know Where I’ve Been is co-produced by Avrich and Selby’s Melbar Entertainment Group and Henson’s TPH Entertainment. Barry Avrich, Mark Selby, Taraji P. Henson, Jamila Jordan-Theus, Tim Drake, and Len Evans serve as executive producers.

IAG, which represents both Melbar Entertainment Group and TPH Entertainment, brokered the production deal.

Love’s remarkable career in entertainment extends beyond singing into acting. In the Lethal Weapon movies, she memorably played Roger Murtagh’s (Danny Glover) wife, Trish Murtagh. She has performed on Broadway in Grease and for several years played Motormouth Maybelle in the Broadway production of Hairspray. She appeared in the Netflix film Holiday Rush in 2019; the following year she appeared The Christmas Chronicles 2, also for Netflix, in a role that drew upon her acting and singing talents.

Taraji P. Henson at the 78th annual Cannes Film Festival on May 21, 2025.

Taraji P. Henson at the 78th annual Cannes Film Festival on May 21, 2025.

Andreas Rentz/Getty Images

In addition to serving as producer and executive producer on the Darlene Love documentary, Taraji P. Henson is set to star in and executive produce the Peacock series The Accomplice, based on the novel by 50 Cent. Her production company, TPH Entertainment, is producing the series along with G-Unit Film & Television and Universal Content Productions.

Henson and TPH Entertainment signed a two-picture acting and producing deal with Netflix. She and her company also signed a first-look deal with Fox Entertainment Studios. “Under the multi-year pact,” Henson’s reps tell us, “Henson, alongside Jamila Jordan-Theus, Head of Development and Production at TPH Entertainment, and their team will develop a slate of scripted and unscripted projects for Fox Entertainment Studios spanning comedy, drama, and reality formats.”

In the nonfiction space, Henson served as executive producer and narrator of Going to Mars: The Nikki Giovanni Project, an Oscar-shortlisted feature documentary directed by Joe Brewster and Michèle Stephenson.

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Neil Patrick Harris Set For ‘Damn Yankees’ Broadway Revival

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Whatever Lola wants, Broadway provides! A Damn Yankees revival is set for the Great White Way in Spring 2027, with Neil Patrick Harris as the devilish Mr. Applegate.

On Sunday, the Tony-winning actor arrived at Yankee Stadium in the Bronx to announce the revival in a press conference, along with co-stars Julianne Hough and Austin Scott, who have been cast Mr. Applegate’s seductive assistant Lola and the susceptible young baseballer Joe Boyd.

Beginning previews at the Marquis Theatre on March 24, 2027, one day before the first Yankees game of the season, the official opening night is set for April 20.

Directed and choreographed by Sergio Trujillo, additional casting will be announced soon for the latest update of Richard Adler, Jerry Ross, George Abbott and Douglass Wallop’s 1955 musical comedy, featuring a new book by Will Power and Doug Wright, with additional lyrics by Lynn Ahrens.

Set in 2000, this version of Damn Yankees sees impassioned Baltimore Orioles fan Joe Boyd makes a deal with charming stranger Lola to give him and his team a second chance. But he’s not quite prepared for the consequences of his wish.

Watch the press conference below:

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Indie Film Box Office: ‘Your Mother Your Mother Your Mother’ Opens Strong

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Bassam Tariq’s Mahershala Ali-starring TIFF favorite Your Mother Your Mother Your Mother had a strong limited opening as distributor Amazon MGM launched the awards contender into a platform release hewing to the path of American Fiction..

Also this weekend, A History of Concrete had a terrific expansion, as did If I Go Will They Miss Me. Late summer phenomenon Buddy is still scaring up box office.

Your Mother Your Mother Your Mother launched in six theaters in New York and Los Angeles to $199k ($33.1k per screen average). The awards contender by Tariq (Mogul Mowgli) is Certified Fresh at 97% on Rotten Tomatoes with strong exit polling that showed a 60% ‘excellent’ with an 89% in the top two boxes and an overall 80% ‘definite recommend.’ Ali stars as Latif, a devoutly religious hitman who struggles to balance work, faith and fatherhood. When his wife dies, he embarks on a desperate journey across Houston to protect his children.

A hefty 47% of the audience for the action drama was 25–34. Some 72% is non-white with at 41% African American, 18% Hispanic, and 19% Asian.

Tariq (Mogul Mowgli) “has a unique voice” with a young cinephile audience,” says Amazon MGM Studios head of domestic theatrical distribution Kevin Wilson. “And having [Ali] as an actor is making a lot of people pay attention.”

Comps aren’t obvious but he says the best one may be 2023 multi-Oscar-winner American Fiction by Cord Jefferson, starring Jeffrey Wright. The comedy-drama had a strong limited opening ($224k) followed by a slow rollout. Your Mother Your Mother Your Mother is eyeing 15 locations next week including Atlanta, Chicago, Washington, D.C. and Austin, playing in particular to non-white audiences who championed the movie’s debut. It will hit the top 10 to 12 markets, 30 to 40 screens, the following week, and move into moderate release Oct. 16 with 500 to 800 locations.

Platform rollouts are heavily reliant on word of mouth. “The best thing is other moviegoers telling their friends how good the film is,” Wilson says. Both Your Mother Your Mother Your Mother and American Fiction are from Amazon MGM’s Orion Pictures banner, which has had a great run under President Alana Mayo with titles from Nickel Boys and Till to Bottoms and Women Talking.

New indie releases: Ha Chan,Shake Your Booty! from Sony Pictures Classics directed by Josef Kubota Wladyka opened to $236.6k on 540 screens.

The Stunt Driver from IFC Films, by Michael Dowse starring Jay Baruchel, debuted with $102k at 670 locations.

Deep In The Heart 2: A Texas Rivers Story, directed by Ben Masters and narrated by Ethan Hawke, grossed an estimated $60k from 80 theaters across the state, as per mtuckman Media. This is a follow-up to 2022 doc Deep in the Heart: A Texas Wildlife Story, narrated by Matthew McConaughey, that grossed $480k.

Janus Films presented the 4K re-release of Douglas Keeve’s UNZIPPED exclusively at the Film Forum in NYC to $24k including sold out Q&As. The doc chronicles the launch of Isaac Mizrahi’s legendary Fall 1994 collection. Expands nationwide in October.

Sumerian Pictures opened Sundance comedy The Incomer on two screens (NYC and LA), grossing an estimated $18.2k.

Greenwich Entertainment’s The Scout is eyeing a $14.5k, also at Film Forum exclusively. The debut feature from Paula González-Nasser adds LA next week.

Holdovers: John Wilson’s comedic documentary The History Of Concrete from Magnolia Pictures had a strong expansion to 50 screens (from 1), grossing an estimated $350k for a cume of $511k. Expand to over 50 markets next week.

If I Go Will They Miss Me from Rich Spirit, starring Danielle Brooks and J Alphonse Nicholson and directed by Walter Thompson-Hernandez, is reporting $158k in week 3 on 101 screens for a $758k cume. Many engagements saw higher box office this weekend over last despite fewer shows due to a rush of new releases, indicating strong word of mouth.

American Doctor from Watermelon Pictures passed the half million mark with $23k at 30 theaters. The cume to date is $556.7k for the Gaza-set documentary that opened August 14.

R-rated kids show horror satire Buddy from Roadside Attractions is looking at another $717k from 709 runs for a cume pushing $26.4 million since its August 28 opening.

Daniel And The Fiery Furnace from faith-based distributor EKKL Entertainment is reporting a $1.5 million second weekend on 1,301 screens for a $6.2 million cume.

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Robert Pattinson’s Batman Would Be Tough to Exist in James Gunn’s DCU

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Robert Pattinson doesn’t see his version of Batman interacting with other DC superheroes within James Gunn‘s cinematic universe.

While Batman and Superman have one of the most famous friendships in DC Comics, the Primetime star recently explained to LADbible why it would be “tough” for director Matt Reeves’ version of Bruce Wayne to exist in Gunn’s DCU, such as with David Corenswet’s Superman.

“I think it would be kind of tough to have this version of Bruce outside of that world. It’s one of the only characters, I guess because of the length of the shoots but also it’s such a specific kind of [style], the tone of it gets inside you,” Pattinson said. “I remember that happened to me the last time I did it, it took a while. You’re just in the dark, the whole time. Both mood-wise and light-wise, I can’t see anything for like months. It does affect you; like you feel strange afterwards.”

Reeves’ The Batman, released in 2022, is a darker take on the iconic character, as it’s a grounded psychological crime noir rather than a typical superhero action pic. The film sees Pattinson’s Batman investigate Gotham’s hidden corruption after a sadistic serial killer begins murdering key political figures.

Pattinson reprised his character for Reeves’ The Batman Part II, which is currently in production and set to hit theaters on Feb. 18, 2028.

The Odyssey actor recently teased to Collider that the sequel is “a real left turn from the first” movie, adding that “it’s so ambitious.”

“The first one was a different take on a Batman movie, and this one is another… It’s a real left turn from the first one, but somehow it keeps elements of the kind of feel of it,” he explained. “But it just feels really ambitious, and I’m excited to see how it turns out.”

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