Entertainment
Cannes Classics to Show Bruce Dern Doc, Plus Restored Prints of ‘Pan’s Labyrinth’ and More
Cannes Classics has added films from Guillermo del Toro, Orson Welles, Roger Corman, Akira Kurosawa and many others to the Official Selection of the 97th festival. The organizers made the announcement on Tuesday. Mike Mendez’s “Dernsie,” a documentary about Bruce Dern, will also be part of the section devoted to restored prints, films about cinema and rare titles.
This year’s Classics is comprised of 21 feature films, three shorts and six documentaries, plus two contemporary films. Among the restored prints to be shown are del Toro’s “Pan’s Labyrinth,” Corman’s “Machine Gun Kelly,” Welles’ “The Stranger,” Kurosawa’s “Sugata Sanshiro” and Kaige Chen’s “Farewell My Concubine.”
These films will play alongside previously announced titles from all sections of the festival, including, in the main competition, Pedro Almódovar’s “Amarga Navidad,” Asghar Farhadi’s “Parallel Tales” and James Gray’s “Paper Tiger.” “A Girl’s Story,” directed by French actress Judith Godrèche, will play in Un Certain Regard, while Diego Luna’s “Ashes” and Ron Howard’s “Avedon” are showcased in Special Screenings.
Park Chan-wook will preside over the jury that awards films in competition. Other jurors include Demi Moore,Stellan Skarsgård, Chloé Zhao, Ruth Negga and Isaach de Bankolé.
This year’s Cannes Classics is dedicated to the memory of production designer Dean Tavoularis.
Cannes Classics 2026
Contemporary
Bérenger Thouin, “The Golden Age”
Jean-Gabriel Périot, “A Life, A Manifesto”
Short Films
Dustin Yellin, “Goodnight Lamby” (2026)
Jia Zhang-Ke, “Torino Shadow” (2026)
Amirhossein Shojaei, “Playground (Zamine Bazi)” (2025)
Film Documentaries
Mark Cousins, “The Story of Documentary Film (The 70s)” (2026)
Mike Mendez, “Dernsie: The Amazing Life of Bruce Dern” (2026)
Barnaby Thompson, “Maverick: The Epic Adventures of David Lean” (2026)
Francesco Zippel, “Vittorio De Sica – Staging Life (Vittorio De Sica – La Vita in Scena)” (2026)
Michel Denisot, Camille Bruere and Julie Lazare, “Mon Coluche a Moi (My Coluche)”
Brecht Debackere, “Nostalgia for the Future” (2026)
Restored Prints
Guillermo del Toro, “Pan’s Labyrinth” (2006)
Artavazd Pelechian, “Pelechian Project (Land of the People, The Beginning, We, The Inhabitants, Seasons)” (1966–1975)
André Malraux, “Sierra de Teruel (Espoir)” (1938)
Jerzy Skolimowski, “Moonlighting” (1982)
Giuseppe Patroni Griffi, “Metti Una Sera a Cena (Love Circle)” (1968)
John Abraham, “Amma Ariyan (Report to Mother)” (1986)
Kaige Chen, “Bawang Bieji (Farewell My Concubine)” (1993)
Andrzej Wajda, “Człowiek z Żelaza (Man of Iron)” (1981)
Maria Plyta, “Eva (Eve)” (1953)
Ken Russell, “Ken Russell’s The Devils” (1971)
Leopoldo Torre Nilsson, “La Casa del Angel (The House of Angel)” (1957)
Vittorio De Sica, “La Ciociara (Two Women)” (1960)
Paula Delsol, “La Dérive (The Drift)” (1964)
Jean Delannoy, “La Symphonie Pastorale (Pastoral Symphony)” (1946)
Luchino Visconti, “L’Innocente (The Innocent)” (1976)
Yang Li-Kuo, “Lu Bing Hua (The Dull-Ice Flower)” (1989)
Roger Corman, “Machine Gun Kelly” (1958)
Roland Verhavert, Rik Kuypers and Ivo Michiels, “Meeuwen Sterven in de Haven (Seagulls Die in the Harbour)” (1955)
Akira Kurosawa, “Sugata Sanshiro” (1943)
Idrissa Ouedraogo, “Tilaï” (1990)
Orson Welles, “The Stranger” (1945)
The post Cannes Classics to Show Bruce Dern Doc, Plus Restored Prints of ‘Pan’s Labyrinth’ and More appeared first on TheWrap.
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movies
Neil Patrick Harris Set For ‘Damn Yankees’ Broadway Revival
Whatever Lola wants, Broadway provides! A Damn Yankees revival is set for the Great White Way in Spring 2027, with Neil Patrick Harris as the devilish Mr. Applegate.
On Sunday, the Tony-winning actor arrived at Yankee Stadium in the Bronx to announce the revival in a press conference, along with co-stars Julianne Hough and Austin Scott, who have been cast Mr. Applegate’s seductive assistant Lola and the susceptible young baseballer Joe Boyd.
Beginning previews at the Marquis Theatre on March 24, 2027, one day before the first Yankees game of the season, the official opening night is set for April 20.
Directed and choreographed by Sergio Trujillo, additional casting will be announced soon for the latest update of Richard Adler, Jerry Ross, George Abbott and Douglass Wallop’s 1955 musical comedy, featuring a new book by Will Power and Doug Wright, with additional lyrics by Lynn Ahrens.
Set in 2000, this version of Damn Yankees sees impassioned Baltimore Orioles fan Joe Boyd makes a deal with charming stranger Lola to give him and his team a second chance. But he’s not quite prepared for the consequences of his wish.
Watch the press conference below:
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movies
Indie Film Box Office: ‘Your Mother Your Mother Your Mother’ Opens Strong
Bassam Tariq’s Mahershala Ali-starring TIFF favorite Your Mother Your Mother Your Mother had a strong limited opening as distributor Amazon MGM launched the awards contender into a platform release hewing to the path of American Fiction..
Also this weekend, A History of Concrete had a terrific expansion, as did If I Go Will They Miss Me. Late summer phenomenon Buddy is still scaring up box office.
Your Mother Your Mother Your Mother launched in six theaters in New York and Los Angeles to $199k ($33.1k per screen average). The awards contender by Tariq (Mogul Mowgli) is Certified Fresh at 97% on Rotten Tomatoes with strong exit polling that showed a 60% ‘excellent’ with an 89% in the top two boxes and an overall 80% ‘definite recommend.’ Ali stars as Latif, a devoutly religious hitman who struggles to balance work, faith and fatherhood. When his wife dies, he embarks on a desperate journey across Houston to protect his children.
A hefty 47% of the audience for the action drama was 25–34. Some 72% is non-white with at 41% African American, 18% Hispanic, and 19% Asian.
Tariq (Mogul Mowgli) “has a unique voice” with a young cinephile audience,” says Amazon MGM Studios head of domestic theatrical distribution Kevin Wilson. “And having [Ali] as an actor is making a lot of people pay attention.”
Comps aren’t obvious but he says the best one may be 2023 multi-Oscar-winner American Fiction by Cord Jefferson, starring Jeffrey Wright. The comedy-drama had a strong limited opening ($224k) followed by a slow rollout. Your Mother Your Mother Your Mother is eyeing 15 locations next week including Atlanta, Chicago, Washington, D.C. and Austin, playing in particular to non-white audiences who championed the movie’s debut. It will hit the top 10 to 12 markets, 30 to 40 screens, the following week, and move into moderate release Oct. 16 with 500 to 800 locations.
Platform rollouts are heavily reliant on word of mouth. “The best thing is other moviegoers telling their friends how good the film is,” Wilson says. Both Your Mother Your Mother Your Mother and American Fiction are from Amazon MGM’s Orion Pictures banner, which has had a great run under President Alana Mayo with titles from Nickel Boys and Till to Bottoms and Women Talking.
New indie releases: Ha Chan,Shake Your Booty! from Sony Pictures Classics directed by Josef Kubota Wladyka opened to $236.6k on 540 screens.
The Stunt Driver from IFC Films, by Michael Dowse starring Jay Baruchel, debuted with $102k at 670 locations.
Deep In The Heart 2: A Texas Rivers Story, directed by Ben Masters and narrated by Ethan Hawke, grossed an estimated $60k from 80 theaters across the state, as per mtuckman Media. This is a follow-up to 2022 doc Deep in the Heart: A Texas Wildlife Story, narrated by Matthew McConaughey, that grossed $480k.
Janus Films presented the 4K re-release of Douglas Keeve’s UNZIPPED exclusively at the Film Forum in NYC to $24k including sold out Q&As. The doc chronicles the launch of Isaac Mizrahi’s legendary Fall 1994 collection. Expands nationwide in October.
Sumerian Pictures opened Sundance comedy The Incomer on two screens (NYC and LA), grossing an estimated $18.2k.
Greenwich Entertainment’s The Scout is eyeing a $14.5k, also at Film Forum exclusively. The debut feature from Paula González-Nasser adds LA next week.
Holdovers: John Wilson’s comedic documentary The History Of Concrete from Magnolia Pictures had a strong expansion to 50 screens (from 1), grossing an estimated $350k for a cume of $511k. Expand to over 50 markets next week.
If I Go Will They Miss Me from Rich Spirit, starring Danielle Brooks and J Alphonse Nicholson and directed by Walter Thompson-Hernandez, is reporting $158k in week 3 on 101 screens for a $758k cume. Many engagements saw higher box office this weekend over last despite fewer shows due to a rush of new releases, indicating strong word of mouth.
American Doctor from Watermelon Pictures passed the half million mark with $23k at 30 theaters. The cume to date is $556.7k for the Gaza-set documentary that opened August 14.
R-rated kids show horror satire Buddy from Roadside Attractions is looking at another $717k from 709 runs for a cume pushing $26.4 million since its August 28 opening.
Daniel And The Fiery Furnace from faith-based distributor EKKL Entertainment is reporting a $1.5 million second weekend on 1,301 screens for a $6.2 million cume.
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movies
Robert Pattinson’s Batman Would Be Tough to Exist in James Gunn’s DCU
Robert Pattinson doesn’t see his version of Batman interacting with other DC superheroes within James Gunn‘s cinematic universe.
While Batman and Superman have one of the most famous friendships in DC Comics, the Primetime star recently explained to LADbible why it would be “tough” for director Matt Reeves’ version of Bruce Wayne to exist in Gunn’s DCU, such as with David Corenswet’s Superman.
“I think it would be kind of tough to have this version of Bruce outside of that world. It’s one of the only characters, I guess because of the length of the shoots but also it’s such a specific kind of [style], the tone of it gets inside you,” Pattinson said. “I remember that happened to me the last time I did it, it took a while. You’re just in the dark, the whole time. Both mood-wise and light-wise, I can’t see anything for like months. It does affect you; like you feel strange afterwards.”
Reeves’ The Batman, released in 2022, is a darker take on the iconic character, as it’s a grounded psychological crime noir rather than a typical superhero action pic. The film sees Pattinson’s Batman investigate Gotham’s hidden corruption after a sadistic serial killer begins murdering key political figures.
Pattinson reprised his character for Reeves’ The Batman Part II, which is currently in production and set to hit theaters on Feb. 18, 2028.
The Odyssey actor recently teased to Collider that the sequel is “a real left turn from the first” movie, adding that “it’s so ambitious.”
“The first one was a different take on a Batman movie, and this one is another… It’s a real left turn from the first one, but somehow it keeps elements of the kind of feel of it,” he explained. “But it just feels really ambitious, and I’m excited to see how it turns out.”
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