Lucy Liu (Charlie’s Angels, Kill Bill, Presence, Rosemead) has boarded Reset, a sci-fi dramedy from writer-directors Celine Tien and Jerry Hsu, as executive producer.

Following its world premiere at the Fantasia International Film Festival, the short is now being developed as a feature film. Liu has signed on to executive produce both the feature and short film from production company SPL Max.

The short film, set in a near future, stars Olivia Liang (The CW’s Kung Fu) and Sam Song Li (Netflix’s The Brothers Sun). In a society where citizens are physically reset to six years old at the age of 65, Reset “follows a young woman who must care for her newly reset mother and find her estranged father before the state intervenes – only to discover that healing her family means reparenting the child her mother never had the chance to be,” reads a synopsis. “Inspired by the filmmakers’ families and their experiences with inherited trauma, the film explores intergenerational cycles through the lenses of karma and the psychology of empathy.”

“Supporting Reset has been a true joy,” said Liu. “Seeing such gifted filmmakers bring their vision to life is a powerful reminder that storytelling remains our most enduring form of art.”

Tien and Hsu said: “Inspired by our families’ lived experiences, Reset became a way to examine the inheritance of trauma and empathy across generations. We wanted to ask the question: Do we ever really grow up?”

Julien Soros produced the short, with cinematography by Charles Xiuzhi Dong. Branton Choi, formerly of the Russo brothers’ AGBO, Eva Li Hsieh, Care.com founder Sheila Marcelo, Trip.com founder James Liang, and Adam Marcelo also served as executive producers.

The short was awarded the Silver Audience Award for best international short film at Fantasia. The feature adaptation of Reset is currently “in active development,” according to the creative team.

THR can also exclusively premiere the official teaser trailer for Reset. Watch it right here.

The Hollywood Reporter can unveil an exclusive clip from Ollie Gardner and Jake Harvey’s The State of Us, ahead of its premiere in competition at Edinburgh International Film Festival on Friday.

Led by California Schemin‘s Samuel Bottomley and It’s a Sin breakout star Callum Scott Howells, the British indie follows a boisterous tearaway called Frankie (Bottomley), who is struggling to come to terms with the inevitability of losing his best friend Taylor (Howells) to cancer. Frankie impulsively breaks Taylor out of hospice care for one final night of fun and debauchery, but what promises to be a night of hedonism quickly becomes something much more complicated.

In the clip, Bottomley’s character can be seen cajoling Howells’ Taylor into having a drink and letting loose at a house party. On the dance floor, Taylor feels some semblance of relief as he reconnects with his childhood best friend.

The characters in The State of Us are loosely based on Harvey’s childhood friendship group, in particular a friend called Jake Andrews, who died from cancer at the age of 18. Harvey and Gardner first met at university before pursuing careers in the arts — Harvey in TV, Gardner in theater — and with this movie, make their feature-length debuts. Co-starring with Bottomley and Howells are Frances Barber, Safia Oakley-Green, Seamus O’Hara, and Duggal Ram.

Gardner told THR ahead of the film’s premiere: “I think it’d be quite nice for young men to see this film and see themselves in it from a perspective of, ‘Oh I can joke around and I know where the line is, but I also can really tap into the love that I feel for those male friendships.’ This is one very small seed that we’re trying to [plant] in the discourse of masculinity. We really want to dig into it because it’s such an incredibly complex and complicated theme.”

Harvey added that he also hopes the humor lifts audiences heading to watch the film in the Scottish capital. “I think there’s a version of our film which was probably a bit more arthouse, a bit more serious, and more lends itself to that contemporary British type of independent cinema. But actually, [we’re] trying to do something that feels accessible,” he said. “It’s got its jokes and it’s dark humor, [and we hope] that it could actually reach the audience that it needs to speak to.”

The 2026 Edinburgh International Film Festival runs from Aug. 14-21, and kicks off on Thursday with Louis Paxton’s The Incomer. Festival director Paul Ridd told THR he thinks it’s their greatest competition slate since they rebooted the event three years ago. “I’ve been very proud of everything we’ve done in 2024 [and] 2025… But this one, I think, is really kind of surpassing expectations.”

Take a look at Samuel Bottomley and Callum Scott Howells in a clip from The State of Us below.

Warner Bros. held a series of press screenings for its high concept sci-fi survival feature The End of Oak Street in the last few days, and the early reaction on social media suggests the studio may, finally, have a film to get it out of its box office rut in 2026.

The logline for The End of Oak Street reads, “After a mysterious cosmic event rips Oak Street from suburbia and transports their neighborhood to someplace unknown, the Platt family soon discovers that their very survival depends on them sticking together as they navigate their now unrecognizable surroundings.”

Anne Hathaway, Ewan McGregor, Maisy Stella and Christian Convery star as the Platt family. The cast also includes P. J. Byrne and Chris Coy.

The film was written, directed and produced by David Robert Mitchell, the filmmaker behind the highly rated 2014 horror film It Follows and A24’s 2018 black comedy Under the Silver Lake. Notably, The End of Oak Street is produced by J.J. Abrams as well as Hannah Minghella, Jon Cohen, Matt Jackson and Tommy Harper.

There has been some online chatter that The End of Oak Street is secretly connected to Abrams’ Cloverfield franchise. Alas, Abrams shot down the speculation “The only connection to our Cloverfield movies is that Ewan’s partner is Mary Elizabeth Winstead, who was the star of 10 Cloverfield Lane, who we were very lucky to get to work with and who I adore,” Abrams told The Hollywood Reporter. “So there was that, but other than that, people are just making connections that they happen to see.”

Full reviews of The End of Oak Street are embargoed until Aug. 12, ahead of the film’s wide theatrical release on Aug. 14.

For Warners, there’s an added pressure for The End of Oak Street to succeed at the box office. The studio had a stellar 2025, when Sinners, A Minecraft Movie, Superman, Final Destination Bloodlines, Weapons and One Battle After Another all made hay at the global box office —and in the case of Sinners and OBAA dominated the Oscars. However, Warners has struggled this year, with The Bride!, Mortal Kombat II and Supergirl all proving to be huge bombs at the box office, with only Wuthering Heights finding any success.

See a selection of social media reaction to The End of Oak Street from the various screenings below.