movies
‘Don’t Say Good Luck’ Review: Sunny Sandler, Melanie Lynskey netflix
After showing genuine talent opposite her father Adam Sandler in 2023’s Netflix comedy, You Are So Not Invited To My Bat Mitzvah, Sunny Sandler 100% confirms that talent runs in the family with another Netflix film produced by Happy Madison (her father’s production company) and right in line with the heartfelt coming of age films the Sandler dynasty is turning out along with the expected more raucous comedies.

Don’t Say Good Luck is based on a true story that actually happened to screenwriter Laura Hankin, who wrote the first draft and collaborated on the script with Jordan Horowitz and the film’s director Julia Hart. Sandler plays high school drama student Sophie who is angling for a part in her school’s production of the Broadway hit Waitress and gets more than she dreamed when she lands the lead role. But unfortunately life gets in the way of this triumphant moment in a young person’s life when her mother Elizabeth’s (Melanie Lynskey) cancer returns.
Hart’s sensitive direction deftly balances the trials of a mom facing the end of her life much too soon with a major moment in the life of a teenage daughter just hitting her stride at the same moment in a family turned upside down. Shifting from the dynamics of the making of a high school musical, the budding attraction to her leading man, and the anguish of her mom’s worsening condition just as it collides with what should be a joyous time is at the crux of this surprisingly mature and engaging film that ultimately shows the healing power of art against the raw reality of the curves life can throw at you. In lesser hands this all could have been a minor YA story of the sort we have seen played out so many times before, but in it is a much deeper and emotional dive thanks to the two lead performances of Sandler, and the incomparable Lynskey whose caring mom is determined to keep her terminal diagnosis a secret from her daughter as perhaps a final gift just when Sophie needs it most. Of course eventually this decision causes conflict when things get really rough for Elizabeth, her determination finally getting the best of her.
Structurally the film goes back and forth between the devastating family drama, and the rehearsals of Waitress (and by the way if only I got to do sophisticated musicals like this one in my high school shows) where Sophie is playing a character who is pregnant. That plot development alone smartly allows for an intimate discussion between Sophie and her mother that won’t leave a dry eye in the house when the school’s drama teacher (Stephanie Beatriz) unknowingly suggests that to find deeper meaning in the role she ask her mother what she felt when she was expecting Sophie.It is just one of several scenes that make this movie rise above the pack of typical teen coming of age movies.
Hart, who seems to specialize in movies about young people including finding a little known Timothee Chalamet to play a student in an earlier film about a high school drama class called Miss Stevens, knows how to break hearts without cloying sentiment. In the hands of Sandler (who also displays an impressive but naturally believable singing voice in performing several songs from Waitress in varying points in the rehearsal process leading all the way to a poignant final and very personal performance), we see that Sophie is a good person devastated because her mom can’t even be there for this hallmark in her life, but growing up in the process and learning it doesn’t always go the way we planned. Lynskey, an actress who can do no wrong, is exquisite playing a loving parent caught up in her own crisis but doing everything she can to help her daughter against all odds.
The film belongs to both of them, but there is fine support from Max Greenfield as her father, Jack Champion as the handsome love interest in the play who uses the kissing scenes as an entree for something a bit more, and the lively Elyse Bell as the effervescent drama student who vied with Sophie for the lead but has her back all the way. Veterans Bebe Neuwirth and Steve Buscemi also get some key moments they deliver memorably. This is a movie that also just may want to make you see Waitress again, or for the first time. The Sara Bareilles songs soar.
Producers are Adam Sandler, Jackie Sandler, Horowitz, Brian Kavanaugh-Jones, and Fred Berger
Title: Don’t Say Good Luck
Distributor: Netflix
Release Date: August 14, 2026 – Streaming
Director: Julia Hart
Screenplay: Laura Hankin and Jordan Horowitz & Julia Hart
Cast: Sunny Sandler, Melanie Lynskey, Max Greenfield, Jack Champion, Stephanie Beatriz, Elyse Bell, Scarlett Estevez, Emma McNulty, Bebe Neuwirth, Steve Buscemi, Jon Lovitz.
Rating: PG13
Running Time: 1 hour and 50 minutes
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movies
‘The Lowdown’ Gets Season 2 Release Date At FX
We now have a date for the return of FX‘s The Lowdown. Sterlin Harjo‘s noir series starring Ethan Hawke and new cast members Tommy Lee Jones and Betty Gilpin, will premiere its second season on Wednesday, October 14 on FX and Hulu and Disney+ internationally. New episodes of the eight-episode season will drop weekly each Wednesday. FX also released two new images for Season 2 featuring Jones and Gilpin, which you can see above and below.
Created, written, executive produced and directed by Harjo, The Lowdown follows the gritty exploits of citizen journalist Lee Raybon (Hawke), a self-proclaimed Tulsa “truthstorian” whose obsession with the truth is always getting him into trouble. Lee lives and works in a rare books store tucked in the heart of Tulsa – a local refuge and unofficial community hub. While Lee’s no idealist, he’s fiercely committed to exposing corruption and unearthing the city’s hidden rot, even when it puts him at risk.
Here’s a look at what’s ahead:
As Season 2 begins, Lee’s recent story on the life and untimely death of Dale Washberg (as seen in season one) earns him a local citizen journalist award. Unable to process things going well for a change, Lee self-medicates and, unsurprisingly, makes a less than stellar showing at the ceremony. But his wildly unfiltered speech grabs the attention of beautiful and brash public defender Ginger (Gilpin), herself a crusader for truth.
Though uncommonly immune to his charms, Ginger does accept Lee’s help on a case. One of her clients has gone MIA from the state penitentiary – but how can a man go missing in prison? The situation turns out to have all of Lee’s favorite ingredients: power, corruption and malfeasance among the wealthy elite. It’s a perfect next story for The Heartland Press, where Marty (Keith David) is now Managing Editor, much to Lee’s chagrin.
Bumbling his way through the investigation with Ginger, Lee reluctantly enlists the assistance of Johnny (Rafael Casal), a jujitsu-trained dentist with a heart of gold, who is also new husband to Lee’s ex Samantha (Kaniehtiio Horn), and co-parent to Lee’s teenage daughter Francis (Ryan Kiera Armstrong), who longs for more time with her ever-busy father. Lee loves Francis more than anything in the world, but the urgency of this new case pulls him away from her more often than either of them would like. Things on the homefront get even more complicated when Lee’s estranged grifter father, Lee Raybon Senior (Jones), unexpectedly arrives in town – especially awkward since Lee has always told Francis that her grandfather was dead.
The show’s debut season was honored with an AFI Award as a TV Program of the Year and rated 98% Certified Fresh by Rotten Tomatoes.
Harjo executive produces with Garrett Basch, Ethan Hawke, Ryan Hawke, Duffy Boudreau and Scott Teems. The series is produced by FX Productions.


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movies
Neon Sets 36-Hour Screening Of Alex Ullom’s ‘It Ends’ In NYC
Alex Ullom’s debut feature It Ends will run on a 36-hour loop at NYC’s Metro Private Cinema in what Neon’s calling a theatrical endurance challenge timed to the release.
The film has an 87-minute run time, so that’s about 25 showings.The unique marketing move offers escalating cash payments to audience members based how long they stay put.
The Endless Screening: New York runs from 7 pm ET on Aug. 21 through 7 am ET Aug. 23 at Metro Private Cinema in Chelsea, the upscale new venue from Alamo Drafthouse founder Tim League.
In Ullon’s film, a group of recent graduates heads out on a late-night drive for food, hoping to enjoy one final hangout before their paths diverge. Instead, they accidentally turn onto a never-ending, two-lane hellscape surrounded by untold horrors and cosmic forces beyond their understanding. Trapped together inside a Jeep Cherokee with the miles stretching infinitely ahead, they face a choice: embrace their new existence or fight it.
The Endless Screening invites four-person teams to a Last Person Standing competition, challenging them to remain inside the theater for the full 36-hours, with designated breaks throughout. Each group member will receive 25 cents for every minute they remain in the competition, up to $540 a person. If every member of a group makes it through the entire 36-hour marathon, each wins an additional $500.
Participants will also receive a $250 theater credit toward concessions during the marathon (excluding alcohol).
The contest is open to NYC residents 21 years of age or older. To enter, groups of four people must submit one video of up to a minute on Instagram (#ItEndsMarathonContest) “explaining why they have what it takes to go the distance,” Neon said. The deadline is 11:59 ppm PT on Aug 17. Neon welcomes all interested independent theaters to partner.
The End, which world premiered at SXSW last year, stars Phinehas Yoon, Akira Jackson, Noah Toth, and Mitchell Cole. It opens in New York and LA Aug. 21 with a national expansion to follow.
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movies
Keegan Allen, Conor Husting, Rio Mangini, More Star In ‘Small Talk’
EXCLUSIVE: Vincent Young has wrapped on the Los Angeles shoot for his directorial debut, Small Talk, a period music drama starring Keegan Allen (Pretty Little Liars), Conor Husting (The Expanding Universe of Ashley Garcia), Rio Mangini (Wolf Pack), Sophia Del Rio (72 Hours) and Austin North (Outer Banks).
Set against the late ’70s Los Angeles rock scene, Small Talk follows a young band on the edge of success as ambition, romance, and addiction threaten to destroy the music that brought them together. The film traces the relationships surrounding the band as their sudden rise begins testing the friendships and loyalties that helped create it.
Young directed from a script written with RJ Zabasky, based on a story he conceived with Douglas Young, also producing alongside Kristifor Cvijetic and Zabasky. Douglas Young exec produced, with Brian Yuran, Evan Sorlien and Chris Kim serving as co-producers.
The supporting cast includes Sophie Swiszcz, Shaun Holmes, Ruben Vernier, Doug Locke, Jamison Jones, Ross Gallo, Kavan Reece, Maury Morgan, Liam Martinez and Michael Paré. Dean Fronk and Donald Pemrick handled casting.
Young told Deadline, “At its core, Small Talk is really about what we leave behind in other people. The title came from this idea that so much of life can become noise, such as the things we say, the things we chase, and the way we present ourselves. However, none of that carries the same weight as what we actually do for someone we love. I was drawn to exploring characters who are still figuring that out, and I wanted to tell that story inside a world that felt completely alive and specific, as though we had stepped into Los Angeles in the late ’70s rather than recreated it from a distance.”
Allen is repped by IAG, Creative Talent Group, and Jackoway Austen Tyerman; Husting by Brave Artists Management and CESD; Mangini by LBI and Pallas Management Group; Del Rio by Luber Roklin Entertainment; and North by Buchwald, Luber Roklin and Myman Greenspan.
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