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Episode 18 – Ascendance of a Bookworm Part 3: Adopted Daughter of an Archduke

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Compared to the last couple of weeks of loosely linked vignettes, this week’s episode shows how that sort of structure can work with just a bit of effort at interconnective tissue. It’s hardly a new lesson—that’s how the stronger episodes of Adopted Daughter of an Archduke have come through. But regardless, it’s nice to get back to after a stumble.

Rosemyne’s growing authority and influence that comes with her new position has powered so much of the season. For instance, there’s a follow-up on the mysterious magic letter that Rosemyne sent off previously. Turns out it went to Sylvester’s sister, and he’s a bit annoyed about the complications it’s introduced! I’m sure this character will personally step in soon, but Sylvester’s reaction already lays out the delicate diplomatic situation that she represents. She was connected to the previous High Bishop for his influence, and now she could seek the same benefits from Rosemyne.

It’s a bit more of a dry, political pass at the power Rosemyne has already had to learn to use in points like the disciplining of Hasse. Not everything’s going to be as intense as that, but it’s also impossible for her subjects not to have an angle in mind when they interact with her; it’s just the nature of the social structure. This even includes extensions to those Rosemyne thought she was completely cordial with, like Brigitte and Damuel, as shown later in this episode. But even before that, Rosemyne’s getting a crash course in the layers of options available in these situations as Sylvester unveils another maneuver by having Ferdinand return to the ranks of the nobility.

What’s funny to me about this situation is how well Rosemyne parallels the audience (well, me in the audience, anyway) in terms of probing Ferdinand for a reaction to this development. As had been guessed and is now detailed by Sylvester, Ferdinand’s position in the cathedral is mostly due to his abusive mother—him finding a way to get out from under her, specifically. If Ferdinand yearns to be free of that situation, to be able to get out and live life on his own terms, he certainly doesn’t show it in discussion of this move. As with so many of the decisions he’s made while Rosemyne is watching, he lets it come down to pure pragmatism and maneuvering for functionality. While I would like a little emotional interiority from Ferdinand, this reaction still tells its own story about the use of this influence as Bookworm has been doing so far. Plus it mitigates the point with a little amusement value when Rosemyne is also futilely hoping for a bit more drama out of her mentor on this front.

As far as expectations go, the other point is that I somewhat naturally presumed this plot of Ferdinand moving up was a distant development being prepped, but no, it happens at the ceremony in the very next scene! This means the whole point of the characters’ shifted influence is fully ready to go, and the meaning of the moves starts coming through immediately. Of course, the first point is that, with Ferdinand technically being Rosemyne’s official guardian through this and being on the market for a mana-compatible partner, it’s floated that he could just wait and marry Rosemyne once she comes of age. I told you, I’ve been side-eyeing this series about that possibility since the beginning. At least Rosemyne and Ferdinand’s synced-up opposed reaction is cute and funny. Is it a sign that they doth protest too much? I won’t think about it.

The real point is that, couple or no, Rosemyne and Ferdinand are a real power duo now, and people are going to keep coming to them for those political benefits. The looming opposition of the Veronica Faction is brought up, but the examples now are much more workaday negotiations. It’s also one of the main cases this episode where the various subplots come together under this thematic umbrella. See, this episode at last sees the official public debut of Brigitte’s fancy new dress and her pursuit of a partner. Before Damuel makes his move, she’s got to deal with her ex-fiancé, who had been after her brother’s position and power of Illgner. She stands him off on her own (go Brigitte!) but then later said brother is working with Rosemyne and Ferdinand to shore up Illgner’s prospects via paper-making. It’s opportunism through the characters’ positions, but at least it’s a generally positive example.

I also found it funny that the whole segment about Brigitte blowing off her ex and getting proposed to by Damuel had to be told in flashback since it happened after Rosemyne’s bedtime. At first I thought this might be another case of the Bookworm anime blithely gliding over a development, but no, it’s delivered in full, just in a necessarily novel way. And Brigitte hasn’t even realized that Damuel’s proposal was out of earnest interest. She just assumes it’s also a pragmatic political maneuver. Even the littler bits tie into the bigger idea of this episode!

Admittedly, I can be a sucker for this sort of dry politicking in a story when it’s done well, so seeing Ascendance of a Bookworm properly shift into something like a period drama for a moment works for me in this episode. It’s just nice to have that throughline keeping everything feeling consistent, apart from the checklist feeling of other episodes. The status quo shifts aren’t directed with seismic gravitas—they’re simply presented with the resulting changes as evident in how the characters react to each other. It’s good showing in a plot that still necessitates plenty of verbal telling, and makes for a brisk, enjoyable entry about all this politicking.

Rating: 4


Ascendance of a Bookworm Part 3: Adopted Daughter of an Archduke is currently streaming on
Crunchyroll.

Chris is back to hit the books. You can see him posting about anime, transforming robots, and other quality reading material over on his BlueSky.


The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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86 Anime Returns to Crunchyroll After Being Delisted – News

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Anime was delisted sometime in between April, May earlier this year



86kv1
Image via 86 anime’s website

Crunchyroll added the television anime of Asato Asato‘s 86 light novel series last Friday. The series was previously available on the service, but was removed sometime between April 7 and May 23 earlier this year according to the Internet Archive.

Crunchyroll delisted seven other anime from its service sometime earlier this year without announcement.

The 86 anime premiered in April 2021. The anime aired for two cours (quarters of the year). The two cours were split, and the second cours premiered in October 2021. Crunchyroll streamed the series as it aired in Japan, and it also streamed an English dub.

Yen Press is publishing the 86 light novel series in English, and it describes the story:

The Republic of San Magnolia has been attacked by its neighbor, the Empire. Outside the 85 districts of the Republic there is the “non-existent 86th district,” where young men and women continue to fight. Sheen directs the actions of young suicide bombers, while Lena is a “curator” who commands a detachment from a remote rear. The story of the tragic struggle between these two begins!

Asato launched the 86 light novel series under Kadokawa‘s Dengeki Bunko imprint in April 2017. Shirabi (The Ryuo’s Work Is Never Done!, Myriad Colors Phantom World) is drawing the illustrations, and the artist I-IV (Aldnoah.Zero, Re:CREATORS) is in charge of mechanical design. Asato had revealed in the 13th novel volume in January 2024 that the novel series was entering its final arc, titled “titled “District 86,” in the next volume. Kadokawa published the 14th volume on September 2025.

Source: Crunchyroll


Disclosure: Kadokawa World Entertainment (KWE), a wholly owned subsidiary of Kadokawa Corporation, is the majority owner of Anime News Network, LLC. One or more of the companies mentioned in this article are part of the Kadokawa Group of Companies.


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Pokémon Horizons: Season 3 – Rising Hope Anime Series Review – Review

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The Pokémon Horizons: Season 3—Rising Hope batch of episodes doesn’t immediately pick up where the last batch left off. The first three episodes of Season 3 are their own self-contained arc, focusing on Roy and Ult’s first meeting during the one-year time skip in Lumiose City. While this inclusion is awkward because it comes out of nowhere, it still works as a self-contained story, highlighting the beginning of Roy’s arc during the season.

Technically, this is the first time we get to see Roy separated from the Rising Volt Tacklers on his own, and it’s refreshing to go back and see him a little more childish, especially in his first introduction to Ult. While there isn’t anything new about their relationship that couldn’t have already been inferred from the series thus far, it’s nice to see the start of that sibling rivalry. More context is given to Ult’s backstory, like how he seems to have grown up without his family, which later ties into more complicated feelings about the Dragonite that was left for him. It also ties the phenomenon of mega evolution directly to the character arcs that Roy and Ult both go through throughout the extended season.

There is also a lot of proper weight given to this mysterious shiny Lucario. While there’s the cynical part of my brain that can see the marketing potential in giving Roy this Pokémon, the show at least makes it feel like an earned accomplishment. I do wish the show highlighted a bit more of Lucario’s personality since it feels a little like a prize he won rather than its own character. However, what Lucario lacks in character, Roy himself firmly makes up for. Not sure if this was always the intention, but this batch of episodes starts and ends by firmly positioning Roy in the leadership position for the next generation of the Rising Volt Tacklers while also giving a lot of layers to Ult and his development as a character. Like I said last time, even though Roy and Ult are sort of representing different shades of the standard shōnen protagonist, there is solid writing here to make them feel more than your typical carbon cutouts.

Back in the modern day, the rest of the season focuses on the training and development of the Rising Volt Tacklers at Blueberry Academy. If you were a fan of that DLC in Pokémon Scarlet and Violet, then half of this season was made for you. Not only does the season show off a lot of the fun gimmicks that DLC really focused on, like double battles, but the introduction of the game characters here feels the most integrated into the main plot compared to previous outings. I love how Lacey and Drayton’s dynamic ties directly into Roy and Ult’s development specifically. Special shout-out to Rida Mei for giving Lacey a bit of a Texan accent, which ties into her background as Clay’s daughter, which is something that a lot of die-hard Pokémon fans know.

I know I have talked mostly about Roy and Ult during this review because they are the de facto focus of this season, but it is great that the episodes also give Liko and Dot something to do as well. Liko trains with her new Charcadet while also learning more about her Pokémon dynamics, while Dot continues to look for what she can do as support for the team. Nobody feels like they’re a background character during this season, and it feels like the show finally has found a way to balance its main cast with the supporting cast, leading to one of the more engaging parts of this entire arc thus far.

It’s also the best looking part of the arc thus far. While all the battles still feel a little bit stilted from time to time, nothing is as bad as a lot of the awkward or off-model movements from when this saga started. There is some decent choreography, especially with the introduction of the double battles as a standard, and it feels like the show is getting back to utilizing the fun particle effects of the previous saga. The show hasn’t hit any massive highs yet, but it is a definitive step up from what I had been slowly getting used to, so I hope this is a sign that things will get even better moving forward.

Considering that this part of the show focused on the protagonist leveling up, I think it’s fitting that the character development also leveled up here. It feels like this was getting back to basics, both narratively and production-wise, so that the show could focus on what it was doing best. I like how this part better firmly establishes Roy as the main character of the saga and everyone gets to grow in their own way while also showcasing plenty of that classic Pokémon fan service. The pacing is still a bit uneven, but I am looking forward to seeing what all of these stepping stones build toward, both for the larger plot as well as for the individual characters when the bad guys are defeated.

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Episode 8 – Mushoku Tensei: Jobless Reincarnation III

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When I first started thinking about what to say about this episode, I was at a bit of a loss. Many things happen; our heroes meet the legendary figure, Perugius, the Armored Dragon King, explore his giant flying fortress, and eat some nostalgic food. They get to ask the burning questions they’ve had about the state of the world and learn about teleport magic. Rudeus even learns a good bit about what’s happened to his mother (even though he didn’t really need to make the trip to see Perugius to gain that information). But the issue is that it’s all just kind of… there.

With one single exception (which we’ll talk about in a bit), none of what we see or learn this episode has any immediate impact. Is it interesting in a world-building sense? Sure. But it does nothing to further the plot.

…Well, at least as things stand now.

I have a feeling that this episode is one that will become much more meaningful in retrospect. At the moment, it feels like starting a jigsaw puzzle—you know, the moment when you dump all the pieces out on the table for the first time. Sure, you can see all the pieces and their shapes but you have no idea how they connect to each other or contribute to the overall picture.

Little throwaway lines about the mural in the basement or Sylvaril asking about the Man-God may turn out to be insanely important in the near future. And what we learn about Zenith from Elinalise will no doubt be vital at some point in the story—even as it leaves us wondering what Zenith’s gift and curse may be.

The sole aspect of this episode that actually moves the story forward is something that’s been foreshadowed quite a bit recently: Nanahoshi’s health. While it’s been treated by the characters in the story as if shes sick due to overwork, the fact that she doesn’t seem to get better for long even after magical healing has been a big hint that things are far worse for her than anyone knows.

What’s nice about the whole situation is that we’ve gotten enough nuggets about Nanahoshi over the years that it’s not hard to guess at what’s wrong with her—or at least guess why something is wrong with her. Unlike Rudeus, Nanahoshi wasn’t reborn in this world. She was physically transported. That means that her body is wholly alien as far as the fantasy world is concerned.

The most obvious sign of this is her inability to use magic—as Nanahoshi’s body is the product of evolution in a world without it—but things don’t necessarily end with that. There could be any number of diseases that everyone born into this world has antibodies for that Nanahoshi lacks. We’ve seen in our real world during the age of colonization the devastation caused by non-native diseases upon an unsuspecting populace.

That said, the relationship between magic and Nanahoshi’s body is likely at the core of the problem—as it’s Sylphie’s attempt to magically heal her that causes such an explosive reaction at the end of the episode. And so, with blood covering our heroes, we get our new call to adventure. Rudeus’ peaceful life is officially at an end.

Rating:



Random Thoughts:

  • Rudeus, homie, my main man, when your newlywed wife is barred from entering somewhere due to blatant racism, you don’t simply ditch her and go in without her—even if she says it’s okay.
  • My heart breaks for Sylphie. She so wants to believe that Rudeus won’t cheat on her again but the fear of it is eating at her hard.
  • I completely understand Nanahoshi’s tears this episode. Sometimes, even a pale imitation of something you long for can hit you as hard as the real thing.
  • Perugius feels kind of miscast to me—like his tone of voice and words don’t quite match. Perhaps it is because there is a voice actor who is famous for voicing this type of arrogant king: Tomokazu Seki (Gilgamesh in the Fate franchise). Or maybe it’s because I watched Daemons of the Shadow Realm right before this, and Rikiya Koyama plays the brutish muscleman Right in that anime.


Mushoku Tensei: Jobless Reincarnation III is currently streaming on
Crunchyroll.


The views and opinions expressed in this article are solely those of the author(s) and do not necessarily represent the views of Anime News Network, its employees, owners, or sponsors.

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