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Tom Holland to Make $100 Million From Spider-Man: Brand New Day

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Tom Holland stands to make over $100 million for starring in Sony and Marvel’s global hit “Spider-Man: Brand New Day,” a massive haul that puts him in the rare category of Hollywood’s top-earning actors and already comes on top of a payday from his other 2026 global hit, “The Odyssey.”

According to three individuals with knowledge of Holland’s deal, the actor scored a base salary of at least $20 million up front — an increase of $10 million from his last Spider-Man gig — with the potential to earn upwards of $100 million when backend bonuses are factored in as “Brand New Day” zooms towards a final global box office haul of over $2 billion.

Even more remarkable: Holland’s backend bonus is not capped, so there’s no ceiling to how much he may ultimately make, one individual added. “Spider-Man” crossed $2 billion at the global box office this weekend, and is only in its third week of release.

“He will make at least” $100 million, said this individual, who declined to say how high that payday might soar.

A representative for Sony Pictures said the studio does not comment on cast salaries. Representatives for Holland did not respond to TheWrap’s request for comment.

That’s a tremendous payday for the 30-year-old Holland, who earned just $250,000 for his first outing as Spider-Man in 2016’s “Captain America: Civil War” and subsequently established himself as a fan-favorite Peter Parker through standalone Spidey pics and MCU crossovers.

Tom Holland made between $20 million and $25 million as a base salary for "Spider-Man: Brand New Day"
Tom Holland made between $20 million and $25 million as a base salary for “Spider-Man: Brand New Day.” (Credit: Christopher Smith for TheWrap)

The lucrative backend deal is commensurate with Holland’s spectacular track record over the last decade. With seven appearances in total, his MCU version of Peter Parker has lasted longer than any other cinematic incarnation of the character and, in doing so, left a legacy that is not just unique among Spider-Men but among Marvel’s stable of beloved performers as well. Notably, his appeal has endured even as enthusiasm for superhero films has taken a sharp downturn.

Holland earned $500,000 to star in 2017’s “Spider-Man: Homecoming,” Sony’s proper reboot of the franchise. For 2019’s sequel “Spider-Man: Far From Home,” Holland earned $4 million and for 2021’s “Spider-Man: No Way Home,” Holland banked $10 million.

But bringing Holland back for “Brand New Day,” which was a new deal after his previous Spider-Man contract expired with “No Way Home,” required a significant pay raise.

Holland’s WME agents Andrew Dunlap, James Farrell and Liam Buckley and lawyer Robert Offer negotiated the deal.

Sony and Marvel’s “Spider-Man: Brand New Day” exploded to a $932 million global box office opening weekend, broke the record for the biggest domestic opening of all time with $360 million and blasted past $1 billion worldwide in mere days. Its total now stands at over $2 billion worldwide and counting.

The film, directed by Destin Daniel Cretton, earned the best reviews for a Marvel movie in years, and Holland has spoken at length about wanting to push the franchise into more mature, personal territory with this fourth film. The evolution paid off — literally.

When he first landed the Spider-Man role, Holland’s original contract with Sony Pictures and Marvel Studios was a six-picture deal, which included three standalone “Spider-Man” movies produced and distributed by Sony and several appearances in Disney-released Marvel Studios movies.

Tom Holland in "Spider-Man: Brand New Day"
Tom Holland in “Spider-Man: Brand New Day” (Credit: Sony Pictures)

“Brand New Day” is not the first time Holland has participated in backend bonuses. In fact, in recounting how he mistakenly received a check meant for Tom Holland for “Avengers: Infinity War,” actor Tom Hollander revealed on “Late Night With Seth Meyers” in 2024 just how big those Marvel bonuses can be.

“It was an astonishing amount of money. It was not his salary. It was his first box office bonus. Not the whole of it, the first one. And it was more money than I’ve ever — it was a seven-figure sum,” Hollander said.

The new Marvel lynchpin

Holland’s pay raise makes him one of Marvel’s highest-paid actors and is in line with the trajectory that Robert Downey Jr. followed when he starred in the first MCU film “Iron Man,” which became a lynchpin for the entire franchise. After earning $500,000 for the first movie, Downey Jr. received a $10 million base salary and a handsome backend deal on “Iron Man 3,” which netted him $50 million for the 2013 sequel when all was said and done.

When Marvel worked out Downey Jr.’s contract that would conclude his character arc in “Avengers: Endgame,” the actor’s reps negotiated a massive deal that included $10 million for less than 10 minutes of screentime in “Spider-Man: Homecoming” and a backend structure that netted him over $100 million for “Avengers: Infinity War” and “Avengers: Endgame.”

Of Holland, one top media mogul mused: “He’s the new Robert Downey Jr.”

Scarlett Johansson is another MCU vet who followed a similar trajectory. She earned $400,000 for her first appearance as the Black Widow in 2010’s “Iron Man 2.” Two years later, in 2012’s “The Avengers,” she banked between $4-$6 million.

Following her six appearances in the MCU as Black Widow, the actress got $15 million upfront for 2018’s “Avengers: Infinity War” and 2019’s “Avengers: Endgame.” For 2021’s standalone “Black Widow” movie, Johansson received $20 million upfront for starring and becoming the first Avenger to become an executive producer on a Marvel film. However, she sued Disney for simultaneously releasing the movie in theaters and on Disney+, which affected her backend bonuses, and settled for $40 million.

Similarly, Chris Hemsworth scored a reported $20 million payday for 2022’s “Thor: Love and Thunder.”

While Holland, Marvel’s Kevin Feige and Sony’s Tom Rothman have all expressed enthusiasm about continuing the actor’s Spider-Man journey beyond “Brand New Day,” it’s unclear whether further films are contracted or if another movie would offer a new opportunity for Holland to renegotiate after his latest record-shattering success.

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Curtis Lum Joins ABC’s ‘The Rookie: North’ & Prime Video’s ‘Cross’

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EXCLUSIVE: Curtis Lum (The Night Agent, The Audacity) will join the cast of ABC‘s The Rookie spinoff series The Rookie: North and Prime Video‘s Cross for Season 3.

Expanding the universe, The Rookie: North introduces Alex Holland (Jay Ellis), who believed his midlife wasn’t worthy of a crisis. But after a violent home invasion ignites a dormant purpose, Alex battles a lifetime of failed commitments by joining the Pierce County Police Department as a rookie. Policing from the urban coast to the rural forest where backup isn’t just five minutes away, Alex must prove to his skeptical training officer, his fellow rookies, and himself that he’s finally found something worthy of the fight.

In a recurring role, Lum will recur as Officer Charley Furst. Furst is a cheerful and relaxed officer who has a reputation for always finding the path of least resistance when it comes to the job. 

The series also stars Chris Sullivan, Karen Fukuhara, Froy Gutierrez, Janet Montgomery, Mya Lowe, and Malik Watson. It is set for premiere in 2027.

Alexi Hawley will serve as executive producer and writer of The Rookie: North, with Fillion, Mark Gordon, Bill Norcross, and Michelle Chapman also executive producing. Ellis is a producer.

On the third season of Prime Video’s Cross, Lum will guest star as F.W. Jung. Jung provides discreet, ever-changing services for powerful clients, solving problems with meticulous planning and quiet efficiency. Pragmatic and unemotional, Jung views every situation as a problem to be resolved. By the time he speaks, the outcome is already in motion.

Cross, based upon characters created by James Patterson, is a Washington, D.C.-based crime drama that follows Alex Cross (Aldis Hodge), a brilliant homicide detective and forensic psychologist, uniquely capable of digging into the minds of serial killers in order to identify and catch them. In Season Three, the hit thriller will continue to expand the high-stakes world of its lead character.

Cross was developed for television by showrunner and executive producer Ben Watkins and produced by Amazon, MGM Studios, and Paramount Television Studios. Season 2 was executive produced by Craig Siebels, Patterson, Sam Ernst, Jim Dunn, Aiyana White, J. David Shanks, Owen Shiflett, Bill Robinson, Patrick Santa, and Hodge.

Lum was recently featured in the third season of the Netflix series, The Night Agent, from creator Shawn Ryan. He can currently be seen in the AMC series, The Audacity, playing Tim Kwan. He will reprise the role in the show’s upcoming second season. On the film side, Lum will next be seen in the action thriller film Karoshi from Lionsgate, and making his leading role in a feature film debut in The Chinatown Diner from Lawrence Le Lam. Next year he will also lead an ensemble cast in New Diamond Restaurant from Milton Ng, for which Lum is also a producer. Lum is repped by Artium Talent and Trisko Talent in Canada.

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David Krumholtz Clarifies Status of Career After Shocking Announcement

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After revealing that he was “frustrated, fried, fed up” with acting and had sent the “definitive email” to put his career on hold, David Krumholtz has taken to Instagram to clarify his now viral comments.

“Firstly, I am very well. And I feel very loved. Secondly, I never used the word ‘retiring’ or ‘quitting.’ Instead, I said that I decided to put my career on hold,” he explained in a post shared Wednesday morning, close to 48 hours after the initial post. “I don’t expect anyone to understand, but the outpouring of support for my decision has been deeply heartwarming. I am wildly grateful, as more than one of my biggest dreams have come true as a result of being an actor. Grateful to all who support and believe in me. However, a time has come where the weight of those dreams and ambitions has become surprisingly oppressive.”

He followed that up by stating that the oppressiveness is “a me problem, not a Hollywood as a whole problem.” With an “amazing career” comes “a small handful of triumphs, but not without a mountain of disappointments,” and while Krumholtz said he loves that mountain, he’s human and the disappointments are “starting to sting more than it used to.”

As a result, he’s made a decision to step back. “Need time to figure that out, let it heal. My mental health is vital to my family. My career has run the gamut. I’m in disbelief. But I find myself at a crossroads between the inherent self involvement being a professional actor requires, and a burning desire to give more of myself to others in need, in whatever way I can. And so, for the time being, I’m pursuing that goal. There’s still more work to come. Stuff to be seen. And as always, I really hope you enjoy what I’ve put out there. Just … gimme a sec.”

Krumholtz’s new post also generated tons of traction with his fellow actors, notably Oscar winner Jamie Lee Curtis who weighed in by writing, “THIS IS A DANGEROUS BUSINESS. It’s also a business in flux and shapeshifting in front of our eyes. Technology combined with the continued fallout from the pandemic and the artistic corporatization industrial complex of the art form we all love, has resulted in many many many many many many many artists losing opportunities and hope. Protect your mental health and find your bliss and know that you are respected as an artist and as a human.”

Jillian Bell called Krumholtz one of her favorite actors, and she’s waiting on the day he says, “Put me back in coach.” Neil Brown Jr. also chimed in: “Take the time champ, you’ve earned it and many of us understand completely.”

The clarification came in response to a flood of comments and news stories after Krumholtz posted and deleted the career news on Threads. “I kinda sorta put my acting career on hold the other day. It’s been something I’ve been petrified to do for years. Specifically, the fear was that I’d go broke and not be able to handle being out of the game. But I sent the definitive email,” he posted on Threads. “And gotta say, a huge wave of relief washed over me. Not sure what I’m going to do for money instead, or how I’m going to do it, but I just removed a humongous burden, one that I truly didn’t fathom the weight of until it was gone. Frustrated, fed up, fried.”

While he said that he had enjoyed “every single minute” of exercising his acting muscle, he had grown disillusioned with what comes with it. “I’ve enjoyed the fanfare. There was a time when being competitive and self-involved really served my pursuit. That time has passed. Much to MY overwhelming surprise. There will always be great joy in the exercise. But for me, the profession has lost its gleam.”

Fellow actor Garret Dillahunt was among those who responded to Krumholtz: “This is sad news for me. But I am happy for you. I understand completely.” Krumholtz wrote back and further elaborated on his next moves: “Ain’t over, rather, redefining my terms. Hoping to find a new, more rewarding passion. Me, my product, and [my] mentality is not working anymore. I want to try to be of service. No crystal ball.”

The 48-year-old veteran actor hails from New York and has worked consistently since breaking into the business on both the big and small screens with parts in Law & Order, Life with Mikey, Addams Family Values, The Santa Clause franchise (playing the beloved Head Elf Bernard) and The Ice Storm, to name a few early roles. He had regular roles on such shows as Monty, Chicago Sons, The Closer, The Trouble With Normal and Numb3rs, the latter of which lasted the longest with 119 episodes.

He also starred in high-profile movies like Slums of Beverly Hills opposite Natasha Lyonne, 10 Things I Hate About You, The Mexican, Sidewalks of New York, Ray, the Harold & Kumar Go to White Castle franchise, Crazy for Love, Bobby, Superbad, This is the End, Hail, Caesar! and more. He played Isidor Rabi in Christopher Nolan’s best picture winner Oppenheimer, which earned him rave reviews, and had a busy last couple of years starring in Springsteen: Deliver Me From Nowhere and opposite Seth Rogen in The Studio and Sausage Party: Foodtopia. Most recently, he played Zor-El in Supergirl.

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Vanessa Guillén: Film Biopic In The Works About Murdered Soldier

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EXCLUSIVE: U.S. production company Mighty Aphrodite Pictures has secured an option agreement to make an authorised narrative feature drama based on the life and legacy of U.S. Army Specialist Vanessa Guillén.

Developed in collaboration with the Guillén family, the project will chronicle the life of the young army recruit whose 2020 disappearance and murder at Fort Hood sparked a nationwide outcry and calls for reform within the U.S. military. The film seeks to celebrate Guillén’s life while honoring the tireless advocacy of her family, whose campaigning inspired lasting legislative change and amplified the voices of military families.

Guillén had long had the goal of serving in the Army but, after being assigned to Fort Hood, told friends and family of being sexually harassed by a superior. She did not report it officially for fear of retaliation. She would soon be bludgeoned to death by fellow soldier, Aaron David Robinson. Guillén had been missing for more than two months before some of her remains were found buried along the Leon River. Robinson fled Fort Hood after learning of the discovery. When law enforcement tried to apprehend him he fatally shot himself.

The events were previously spotlighted in Netflix’s 2020 documentary I Am Vanessa Guillen and in an ABC 20/20 episode from the same year.

This is far more than an opportunity to make a film, It’s a responsibility,” said Jorge Xolalpa, founder and CEO of Mighty Aphrodite Pictures, which specialises in projects with a Latinx focus, and who will direct the film. “From the very beginning, our commitment has been to honor Vanessa’s life with honesty, compassion, and authenticity. We are deeply grateful to Mayra and the Guillén family for placing their trust in us. Our promise is to tell Vanessa’s story in a way that preserves her legacy and inspires audiences for generations to come.”

The option agreement was facilitated by Palomera Group and Levy Law PLLC, the team repping Vanessa Guillen’s sister, Mayra Guillén. Mayra Guillén and Alejandra Palomera will serve as executive producers.

Joining Xolalpa on the project is Jolene Rodriguez of Broken English Productions who will produce with Xolalpa. Beyond the Vanessa Guillén film, Xolalpa and Rodriguez have entered into a three-film producing agreement. Xolalpa’s recent credits as director include features Union Station and Lolita, starring Johnny Ortiz, Alexis Vazquez and Eric Roberts.

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