
movies
John Turturro on Joining Oscar Race and ‘Severance’ Season 3
Hot on the heels of his Golden Eye award ceremony on Saturday night, John Turturro entertained another crowd at a Zurich Film Festival masterclass on Sunday.
The Emmy-winning U.S. star has been recognized for his performance in Noah Segan’s The Only Living Pickpocket in New York, a project that is already garnering awards buzz. In the film, Turturro plays Harry, a seasoned pickpocket whose carefully controlled life is thrown into turmoil when a job goes wrong, setting off a tense chain of events that unfolds over the course of 36 hours.
In a career-spanning conversation with Deadline‘s Melanie Goodfellow — the actor’s shining Golden Eye trophy neatly nestled between them — Turturro discussed growing up in an immigrant household, his decades-long friendship with Spike Lee, and the transition from acting to filmmaking.
Turturro, who has steadily become one of the industry’s most formidable actors yet to put “Oscar nominee” on his resume, was asked about joining the best actor race this year with the Sundance success The Only Living Pickpocket in New York. “I never really have gone the whole hog with it,” he responded about the upcoming awards campaign. “But now I’m the lead in the film, so I’m going to support the film because I love the film.”
He explained that being pulled into awards conversations is “helpful to help you do the next thing.” Turturro continued: “Is it nice to be acknowledged? Great, but that’s not why you do it. […] Just because a film is really popular doesn’t mean it will have staying power, but it’s nice to be in the conversation. I don’t look upon myself as being a competitive person. I’m competitive with myself,” he added. “I want to get the most out of what I can do, but it’s not sports!”
However, he admitted to feeling surprised by the positive critic reaction out of Sundance. “Finally,” he thought, “I’m in something that people will see… My job is I like to try to improve, and I feel like being an actor is one of the few things you can improve in. You may not be able to run as fast as you did when you were younger, but I have a lot of life experience, and as you get older, you accumulate that, and you can distill things in a way that you couldn’t do when you were young, because you didn’t really experience all those things. And now I’ve experienced life, death, loss, being a parent, being married — what it is to really love someone versus falling in love. That’s a huge difference,” he giggled.
Turturro regaled attendees with stories about his impressive stage career. He naturally came on to two major TV performances of his in the last decade: HBO’s The Night Of and Apple’s Severance.
He coyly confirmed a return for his character, Irving Bailiff, in season three of the Emmy-winning Severance with Adam Scott. “Yeah,” he (eventually) told the room. “As long as they give me interesting things to do, then I’m interested.” He swiftly took the opportunity to gush over friend and colleague Christopher Walken, whose character, Burt Goodman, began a romance with Turturro’s Irving in season one. “‘Who’s going to be my love interest?’” Turturro asked before joining the show. “And they were like, ‘All these younger guys.’ I said, ‘Well no, I’ve worked with Chris Walken,’ and I said, ‘I want Chris, because I love Chris.’ And I don’t have to act that I love him because I love him.”
Though Walken “didn’t understand a lot of the show,” Turturro was able to guide him through their authentic, real-life friendship. “I said, ‘Don’t worry about it. You just look at me.’ We have so much fun because I directed him like three times, and we’ve acted, and we’ve worked together a lot. And he’s a wonderful theater actor, and people obviously think he plays only strange [characters] but he can do a lot of different things. He’s also very sensitive, but he has a childlike joy in his work, and when that happens, anything is possible.”
Turturro received a round of applause when discussing the HBO crime drama The Night Of, which ran for one season in 2016 and co-starred Riz Ahmed. It would later win five Emmys, and Turturro was nominated for his role as the eczema-stricken defense lawyer John Stone. “The Night Of is something I’m very proud of,” said Turturro on Sunday. “It was originally a BBC thing, which I actually never watched because I didn’t want to be influenced.”
He even confirmed that he actually wanted to do another season of it. “But they couldn’t agree on what the story would be,” revealed the actor. “But I loved doing it. It was one of those great experiences in my life.”
Turturro’s career spans four decades, having worked with acclaimed directors such as Spike Lee, the Coen brothers, Martin Scorsese, Robert Redford, Robert De Niro, Nanni Moretti and Pedro Almodóvar.
He first gained international recognition through his collaborations with Lee, appearing in Do the Right Thing and Jungle Fever. With Joel and Ethan Coen, he acted in Miller’s Crossing, Barton Fink, O Brother, Where Art Thou? and The Big Lebowksi, in which Turturro created the iconic Jesus Quintana. For his lead performance in Barton Fink, he won best actor at the 1991 Cannes Film Festival, an experience that Turturro reflected on at his Zurich masterclass. He even confessed to feeling like he lands “more normal” roles in Europe than across the Atlantic, and said he has turned down scripts “again and again” that involve his character being violent towards women.
At his Zurich Golden Eye ceremony Saturday night, Turturro collected the award and quoted Italian novelist Cesare Pavese. “[He] once said that the only great thing in life is to begin. I still consider myself a beginner in many ways,” said the star. “I’m very fortunate. I wanted to make a living doing something that interested me and to do interesting work — to share that with an audience, [and that] wouldn’t diminish their intelligence at the same time,” he laughed. “I consider this an encouragement to continue.”
Turturro joins 2026 Zurich honorees Julianne Moore and Tom Hiddleston. The 22nd edition runs Sept. 24-Oct. 4.
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movies
Diablo Cody Movie Always, Roxanne In Works With True North (EXCLUSIVE)
EXCLUSIVE: Diablo Cody has lined up familiar faces as partners for her next film project, Always, Roxanne: The film will be produced by Nathan Kahane via his True North banner, as well as Mason Novick, Deadline has learned.
Cody’s script follows Roxanne, an obsessive high school senior who goes to her ex-boyfriend’s college campus to win him back, only to wage war on his new girlfriend and accidentally find the first person who truly understands her.
The film, which does not yet have a director, extends a longstanding creative partnership between Cody and Novick, who have now worked together on over 10 projects: Novick was Oscar-nominated for producing Cody’s Best Picture nominee Juno and is currently working with her on a sequel to her cult classic Jennifer’s Body.
Kahane worked with Cody & Novick on the films Juno and Young Adult during his time at Mandate Pictures. He told us, “I couldn’t imagine a better time to reunite with my former collaborators Diabo Cody and Mason Novick than a moment when younger audiences are rediscovering the joy of the theatrical experience.”
Best known for breakout with Juno, the coming-of-age romance that brought her the Academy Award for Best Original Screenplay, Cody’s filmography also includes titles like Tully, Ricki and the Flash, Lisa Frankenstein and more, in addition to those previously mentioned. She is represented by WME and MXN Entertainment.
While at his previous companies Mandate and Good Universe, Kahane shepherded the Neighbors and Harold and Kumar comedy franchises, as well as films sfuch as This Is the End, Don’t Breathe, Good Boys and Stranger Than Fiction. Prior to launching True North, he was President of the Motion Picture Group at Lionsgate.
Other credits for Novick include (500) Days of Summer and the recent Forbidden Fruits.
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movies
‘Tulsa King Season 4 Trailer’: “Bad Things Are Going To Happen”
“Thing happen, they change the course of a man’s life,” says Sylvester Stallone‘s Dwight at the opening of the Season 4 trailer for Tulsa King. “If I find out whose fault this is, bad things are gonna happen to bad people,” warns the beaten-down Dwight.
Per the Season 4 logline, Dwight (Stallone) fights to legitimize his empire and protect his crew as corrupt politicians, dangerous new enemies, and a crushing personal loss hit from every direction. However, every hard-won gain comes with even harder truths: about loyalty, leadership and the cost of ambition. Each move drags Dwight deeper into the street instincts he left behind in New York – turning Tulsa into a battleground and Dwight into the one threat no one can afford to underestimate.
“Everything I own is gone,” Dwight laments a bit later in the trailer. “I’m not ready to fold.” he confidently asserts. “I’m gonna get it all back.”
We also see a bit more of new cast member Gretchen Mol in the trailer. Mol plays Amanda Clark, a Tulsa politician. When asked by a reporter, “Has the mob come to Oklahoma?” she replies sternly, “It may have come, but it sure as hell ain’t staying’.”
Terence Winter is head writer and executive producer. Sheridan and Stallone executive produce, along with David C. Glasser, Ron Burkle, David Hutkin, Bob Yari, Thomas Kelly, and Keith Cox.
The series, which premieres Friday, October 16 on Paramount+, is produced by Paramount Television Studios and 101 Studios and distributed by Paramount Global Content Distribution.
Check out the trailer above and see first-look photos here.
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movies
Richard Linklater Gives Major ‘Merrily We Roll Along’ Update
Upon accepting his career achievement award at an intimate Zurich Film Festival ceremony, beloved U.S. auteur Richard Linklater was swiftly asked for an update on his musical film, Merrily We Roll Along.
Based on Stephen Sondheim’s 1981 show, Linklater’s movie is set to shoot over a 20-year period, similar to his Oscar-nominated Boyhood, with stars Paul Mescal, Ben Platt and Beanie Feldstein aging in real time.
Before a screening of his iconic Before Sunrise, Linklater sat for a 45-minute discussion with Zurich Film Festival CEO Christian Jungen to reflect on his entire career, from his early interest in cinema to making Dazed and Confused with Matthew McConaughey and later, School of Rock with Jack Black.
Toward the end of the conversation, an audience member asked for a status update on Merrily We Roll Along, to which the American filmmaker responded that it’s proving a little trickier to be discreet compared to 2014’s Boyhood (shot over 12 years). “When I was doing Boyhood, we worked in complete anonymity. No one knew about the film. This one, on the other hand, because it’s a Stephen Sondheim musical and it’s very public, I have to answer this question for 20 years while we’re making it,” he laughed.
“But my progress report,” continued Linklater, “is it’s [shooting] nine sections in 20 years. And in a few months, we’re filming the fourth section. So see you in 2040,” he added, the room applauding.
Linklater also dismissed concerns about “tempting fate” with such a long shoot. “It worked on Boyhood, […] and that’s just the way the film should be made and that’s the only way to tell the story. And people were like, ‘Well, what if someone died?’ There’s always an extreme thing that would prevent it from being made. But I was like, ‘Well, that usually doesn’t happen,’ and you gotta believe in collaborating with the future of some kind. So definitely got lucky [with Boyhood] and hoping to get lucky this time. But it’s been so fun so far. It’s very different. I have music already — it’s a great score. We’re adapting it step-by-step. I’ve always made music films. … But it’s fun to be making a full-on musical. But it’s about friendship, long-term.”
Merrily We Roll Along is based on the 1934 play of the same name by George S. Kaufman and Moss Hart, follows Franklin Shepard, a talented composer of Broadway musicals that abandons his friends and career to become a producer of Hollywood movies. The story begins at the height of his Hollywood fame and moves backwards in time, showing important moments in Frank’s life.
Naturally, Linklater was probed on how he came to cast Ethan Hawke and Julie Delpy in the cult Before trilogy, and regaled the audience with anecdotes about making the Vienna-set romance. When Jungen cited an interview with Delpy where she said she’d been “only made a third” of what Hawke was paid, Linklater responded: “That’s not true. I actually remember fighting for it because I knew how hard the actors were going to have to work. And I did have some producers saying, ‘Oh, Julie has no American credits. We don’t have to pay her that much. We can get her for scale. ‘ And I was like, ‘Let’s get them closer.’ It was definitely the most she’s ever made, but it was a little less than he did. But not [by] much.”
Upon receiving his career achievement award, Linklater, director of Hit Man, Nouvelle Vague and, more recently, Blue Moon, told the crowd: “I feel so lucky to be in this world, to work with people in the film culture — not just filmmakers, but the film culture that we all live in too. Film festivals, curators, teachers of film, just film lovers everywhere, film societies,” he said, alluding to his launching of the Austin Film Society in 1985.
He continued: “I’ve been so lucky all these years now to awaken every day in that world where it’s optimistic, because film is optimistic. It’s people who want the best, who want to see something great, who want to make something great, and we try to help each other in that. And it’s the best people, too.”
The evening was celebratory from the moment Linklater walked in to his picking up Zurich’s Golden Eye Award. He joins 2026 honorees Julianne Moore, John Turturro and Naomi Watts. The 22nd edition runs Sept. 24-Oct. 4.
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