
Entertainment
Dutton Ranch Review: Beth and Rip’s Slowburn Yellowstone Spinoff
Those tuning into “Dutton Ranch” expecting to pick back up where “Yellowstone” left off may need to adjust their expectations slightly. The new entry to Taylor Sheridan’s modern Western extended universe is decently entertaining, but is lacking the momentum of the flagship series — and takes place in an entirely new setting.
It’s not a flop, but you’ll need to come in with an open mind to showrunner Chad Feehan’s slower-burn approach — and hope the payoff is worth it.
“Dutton Ranch” departs from its Montana roots completely by following “Yellowstone” characters Beth Dutton (Kelly Reilly), Rip Wheeler (Cole Hauser) and their informally adopted son Carter (Finn Little) down to Rio Paloma, Texas, for a fresh start after their ranch back in Montana is destroyed by a fire. Starting over in Montana is expensive and they’ve been there, done that (and buried a few bodies along the way) — they get a tip about an Angus ranch down south with a decent reputation that holds promise for their new life.

Beth and Rip snatch the land from under the Jackson family’s thumb, the local big dogs in town that seemingly have a monopoly on the ranching industry, led by matriarch Beulah Jackson (the Annette Bening), who quite quickly rubs Beth the wrong way. Beulah’s family has their own demons, though, including a very scary loose cannon of a son, 10-Petal Ranch foreman Rob-Will (Jai Courtney), who helps cover up a murder with fellow cowboy Chet (Hart Denton) in the pilot.
“Yellowstone” used to grapple with existential questions about how a family could survive on expensive land that is constantly sought after for some kind of exploitation or corporate development — and how this was intertwined with a clear-eyed understanding of Indigenous land sovereignty (i.e., who the land really belongs to). This brought in pulse-racing storylines and massive shoot-out scenes, while always having peripheral storytelling about the nearby Native community.
“Dutton Ranch” sets up something of a ranch-to-ranch standoff instead, but with our ragtag group trying to make do with what they have, which isn’t much — it’s made clear that Beth and Rip have poured pretty much their entire savings into making this new life work.
In the four (out of nine) episodes provided to critics, “Dutton Ranch” sets up something of a slow burn, which can’t help but make everything feel sanded down when compared to “Yellowstone,” especially when it comes to Beth.

Here, she’s much more hands-on than she’s ever been before, wrangling cows on the ranch like she’s one of the cowboys. But her edge, the kind of off-the-rails explosiveness we’ve come to know from her character, is replaced with unexpected patience and a steely confidence.
Whether or not Feehan and his writing team caved to Beth’s haters or decided that after murdering her adopted brother and losing both her father and sister-in-law, she had evolved and found some kind of zen in her life, the result is less exciting to watch. This was once the unpredictable woman who yelled “I hope you die of ass cancer” in another woman’s face. That said, Reilly still delivers a very watchable performance with the material she’s given, and the show simply wouldn’t work without her. Hauser also remains a delight to watch on screen, but Rip is a man of few words who wouldn’t be able to anchor the show without his counterpart.
This mellowing of the “Yellowstone” tone bleeds into the rest of the show — by the end of the fourth episode, it’s still unclear what the central conflict is, aside from financial survival. Beulah is thus far too sympathetic to be a straightforward villain, and the pilot’s murder gets relegated to a bookmark (at least for now).

We are definitely signing up for a slower burn that is more invested in building out new characters, like the two cowboys on the Dutton Ranch: Azul (J. R. Villarreal), whose father used to work on the ranch before him, and Zachariah (Marc Menchaca), who returns to the ranch after being released from prison. To “Dutton Ranch’s” credit, these characters do feel more fleshed out than the peripheral cowboys on “Yellowstone,” who rarely got much to do other than throw out one-liners and rough-house with each other.
It’s tough to judge a show’s entirety from four episodes, though. The slower pace aside, there is still plenty here to enjoy: “Dutton Ranch” definitely invests in Carter, who is coming into his own as he starts dating Oreana (Natalie Alyn Lind) and navigates whether or not to finish his high school education at 19 years old.
Ed Harris is also fantastic as Everett McKinney, the local veterinarian who becomes a helpful ally for Beth and Rip, and whose past is deeply intertwined with the town. Scenes he shares with Bening are magnetic, their first time working together since the 2013 romantic drama film, “The Face of Love.” Some viewers might also get a kick out of country music artist Morgan Wade recurring as Carol, the local bartender (although she doesn’t get much to do except crack open beers, at least so far).

Based on these first few episodes, it’s not totally clear what “Dutton Ranch” wants to achieve as a series away from the lush mountains of Montana, and might need to pump up the conflict going forward if they want fans to stick around. Hopefully by investing so much in its characters and slowly building out this world, “Dutton Ranch” will have a strong foundation to navigate twists and turns in the future — without Feehan, who was reportedly fired from his showrunning duties due to interpersonal conflict on set.
Nonetheless, it is always a pleasure to spend time with Beth and Rip. It is completely understandable why Sheridan felt these two characters could anchor their own spinoff, and it does feel there is more promise here than “Marshals,” which waters down “Yellowstone’s” edge with the simplicity of a case-of-the-week format and some clunky writing. “Dutton Ranch” is definitely more polished, but without being steeped in “Yellowstone” nostalgia, it’ll need more juice to really get going. Luckily, the promising cast makes a strong case for tuning in.
“Dutton Ranch” premieres Friday, May 15, on Paramount+ and Paramount Network.
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movies
Tim Daly & Téa Leoni Take A Quick Trip To The Altar In ‘Newlyweds’ Trailer
NBC has dropped the first trailer for Newlyweds, starring real-life married couple Tim Daly and Téa Leoni.
The trailer opens with Jeanie (Leoni) and James’ (Daly) first meeting at a valet stand.
“Dan didn’t tell me you were stunning,” a clearly already-smitten James tells Jeanie. “He didn’t tell me you have great taste in women,” replies Jeanie as the two rush off on what appears to be their first date.
Per the logline, Newlyweds is a later-in-life love story about a free-spirited woman, Jeanie (Leoni), and a buttoned-up professor, James (Daly), who marry impetuously after a whirlwind courtship. Recently divorced, James accidentally runs into Jeanie at a valet stand and is so taken with her beauty and spirit that they wind up having dinner together anyway. Tony soon realizes that his life with Jeanie is not going to be the quiet, stay-at-home lifestyle he enjoys, but he also knows he’d rather change his ways than live without her.
Jamie Lee Curtis, Emma Meisel, Ignacio Diaz-Silverio, Bill O’Neill and Al Madrigal co-star.
Curtis plays James’ ex-wife Claudia, Meisel and Diaz-Silverio play Jeanie’s children, Poppy and Lolo, respectively, O’Neill plays Arvid, James’ assistant in the philosophy department at the University of Oslo, and Madrigal plays Dan, James’ divorced best friend whose plans for single life are derailed by James and Jeanie’s impulsive wedding. As the matchmaker behind the couple, he also earns the ire of James’ ex, Claudia (Curtis).
Newlyweds is co-created by Gail Lerner and Curtis, both of whom also executive produce. Additionally, Lerner will serve as showrunner. Pam Fryman directed and executive produced the pilot episode. Executive producers also include Eric and Kim Tannenbaum and Jason Wang for The Tannenbaum Company, Scott Schwartz and Lionsgate Television. Universal Television, a division of Universal Studio Group, is the studio.
Newlyweds premieres Friday, October 23 on NBC.
Check out the trailer above.
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Entertainment
Movie Theaters Invested $2.7 Billion in Refurbishments Since 2024
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movies
Kevin Feige Accepts Pioneer Of The Year Award At Will Rogers Foundation
It seems appropriate that Kevin Feige was the honoree at a dinner that would became the most successful for the philanthropic Will Rogers Motion Picture Pioneers Foundation Assistance Fund in 22 years.
It appears everything the producer and Marvel Studios president touches turns to gold. The annual Pioneer of the Year dinner raised $1.9 million, the biggest haul since 2004 for the group that helps those in the motion picture distribution and exhibition industry in dire need.
And yes, there was lots of talk about money when extolling the virtues of this year’s Pioneer of the Year, with Focus Features distribution head Lisa Bunnell and Disney chairman Alan Bergman both among those on stage noting the record-breaking box office success of Feige — particularly just after a weekend where a reissue of Marvel’s Avengers: Endgame managed to top the charts against all new movies and earn another $80 million globally.
Bunnell also mentioned the most recent achievement of Spider-Man: Brand New Day becoming the biggest movie of all time at the domestic box office, among other records set. Feige’s 38 films as a producer for Marvel have all opened to No. 1 earning a collective $35 billion. It is nice he could extend that streak for this worthy cause.
“The Will Rogers Motion Pictures Pioneers Foundation makes an extraordinary difference for the people in this industry, and it’s a mission I’m very, very honored to stand behind. And of course, to be mentioned in same breath as Will Rogers is incredibly humbling,” Feige said as he accepted the award.
A tradition for more than 75 years, the Pioneer of the Year Award is bestowed upon esteemed and respected members in the motion picture industry whose leadership, service to the community, and commitment to philanthropy are exceptional. It is one of the most distinguished honors in the entertainment industry and within the philanthropic community. All proceeds raised at the event benefit WRMPPF’s Pioneers Assistance Fund, the only charity of its kind in the nation which provides financial assistance and social services to individuals in the motion picture distribution and exhibition community in times of need.

From left, Asad Ayaz, Alan Bergman, Kevin Feige, Josh DAmaro, Louis DEsposito and Andrew Cripps attend the 2026 Will Rogers Pioneer of the Year Dinner honoring Kevin Feige on Sept. 30, 2026 in Beverly Hills, California. (Photo by Ryan Miller/Capture Imaging)
The Beverly Hilton ballroom was packed Wednesday night to celebrate Feige, and before the man called “the most successful producer in the history of motion pictures” hit the stage, his Guardians Of The Galaxy star Chris Pratt appeared to sing his praises. “Kevin and I, we go way back. I auditioned for this man honestly, probably seven or eight thousand times before he said, ‘You know what? This guy just might be able to act’, either that or he just really needed a third Chris to complete the set,” he laughed. “And to be fair, when I was finally cast in Guardians Of The Galaxy, it took someone with real vision to look at me and say, ‘Yeah, that’s a guy that can guard the galaxy, since at that point, all anyone knew me as was Andy Blair from Parks and Recreation. Yeah, nobody was thinking that there’s an action star who carry a big sci-fi film franchise.”

Before he presented the award to Feige, Iron Man director Jon Favreau shared his stories about the man of the hour, especially during the making of that very first Marvel giant hit which actually was a negative pickup, essentially an independent movie at the time. He said they didn’t always see eye to eye in the editing room, even as Favreau fought to save scenes. “They were very nice scenes, and Kevin would just be like, ‘cut this, cut this, get out there. I think you don’t even need that scene’. And I would just turn to him and I would say to him, ‘why do you hate movies?’ And he would laugh. Eventually, of course everything that he suggested (worked), but not because he forced me to, but because he was right. And I learned like later that you know you got to keep things moving. You can’t be too indulgent when you’re making movies,” he said. “If there’s one individual who has been quality control central in this kind of thing Kevin was a personification of what pioneers are because he had this vision of putting together films that were going to be part of a total universe. Not only do the films have to stand on their own, but they had to connect, not by plot but by character. He loves films and always wants it to be the best it could be. His love of storytelling and storytellers is who the guy is.”
Feige thanked everyone for making the evening possible, but said his initial thought was to turn it down. “This cause, of course, is important. But the truth is, when the team first called and told me about it, my instinct was absolutely to be flattered and to be honored and to say I’m too busy. And then they sent me a picture of that statue. And my wife knows that I have a mildly concerning habit of collecting a lot of things, and collecting toys and action figures because I want to find a way to bring movies home with me, and I think that’s one of the coolest action figures I’ve seen in a while. It’s real bronze,” the Marvel President marveled while assuring the crowd he is just getting started. “I love movies. It’s the greatest privilege of my life that I get to make movies. The motion picture industry has given me my career, my closest friends, and my sense of purpose. So this award means something to me-not just a recognition for the work, but a reminder of the responsibility that comes with it.”
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