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‘Hijamat’ Director on Karlovy Vary Film, Jafar Panahi, Iran

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The world premiere of family drama Hijamat will be a bittersweet moment for Iranian writer and director Nader Saeivar (The Witness, No End, Namo). After all, the film was produced and edited by his long-time friend and creative collaborator Jafar Panahi. The auteur duo co-wrote Cannes 2025 Palme d’Or winner It Was Just An Accident, but only Saeivar will get to travel to the world premiere of Hijamat in the Crystal Globe main competition at the 60th edition of the Karlovy Vary International Film Festival (KVIFF) on Wednesday, July 8.

Saeivar left Iran for Berlin in the middle of the shoot for Accident, making Hijamat his first feature fully made outside of the country. Karlovy Vary was hoping to welcome Panahi as part of the delegation for the film, but the filmmaker had returned to Iran following the Accident Oscar campaign. Recently, Iranian authorities took his passport, and he faces another prison term in Iran, following a verdict that found him guilty of “propaganda against the regime.”

In Hijamat, multihyphenate Kida Khodr Ramadan plays Murad, who struggles to protect his younger brother Kerem (Jael Cem Ilhan) when he finds out that the young sibling is gay. Long-buried secrets soon threaten to tear his deeply religious Muslim family and their life in Berlin apart. Nicolette Krebitz, Aziz Capkurt, Moritz Bleibtreu and Nastassja Kinski also feature in the film.

“Hijamat” is an ancient therapeutic practice also known as wet cupping, which is designed to draw out small amounts of blood from the body for pain relief and detoxification.

Nader Saeivar, courtesy of KVIFF

Ahead of the movie’s world premiere, Saeivar talked to THR, via an interpreter, about the inspiration for Hijamat, how his personal journey plays into the film, talking to Panahi every day and why everyone needs hijamat.

In fact, the idea that people can their minds is core to the film. “I believe that we have to really tackle the issues that are like a wall that we have built around ourselves,” Saeivar says of the inspiration for the film. “Without that, we cannot change any political issues. It’s like the ‘dirty’ blood in the back of our bodies, as we see in Hijamat. If we don’t get rid of it, if we don’t tackle it, nothing changes!”

Hijamat marked a change from the filmmaker’s more outside-focused activism. “My three previous films are about social issues and people’s objectives,” he tells THR. “But for this film, I stopped thinking about that and instead thought about the roots of these problems. And in fact, this film is like my story in the present time.”

Indeed, his personal journey and experience mirror the themes explored in Hijamat. “Moving to Berlin helped me think about myself, my inner feelings…” says Saeivar. “When I moved from Iran to Berlin after 50 years of my life, suddenly I realized that all those wrong beliefs I had — they broke down within one night. I suddenly realized that I was just wasting my energy on such wrong and rigid beliefs.”

'Hijamat' film still
‘Hijamat’

Such as his take on the Iran-Iraq relationship. “In the ’80s, in Iran, we believed that we had an eight-year war with Iraq, and we believed that if we went to that war and we fought, that would be the right thing, and we should die for our beliefs,” Saeivar recalls.

“I was a child, and I believed it strongly,” he continues. “I really wished to grow up fast to go to war and become a martyr. Just imagine what it was like when I later realized that all that war was due to political gains for some?! Imagine how I felt. Where was God? Where was paradise?”

Fear of questioning one’s beliefs is as much a hurdle for change as is propaganda, he adds: “There are still many people in Iran who believe in those things, and even if they know about it, they are afraid of putting them aside and changing their mind.”

Importantly, Hijamat may be set in the Turkish community in Berlin, but its themes are universal. “I used this issue in a small community as an excuse to tackle something global – the rigid beliefs that we have in our minds that we have built like a wall around ourselves,” explains the director. “In the East, we can say that this wall around us is formed by religion and religious beliefs, but in the West, the wall is built by memories of the past. The Eastern person is broken under the weight of religion and rigid beliefs, but the Western person is broken or strangled by remembering the glorious past. Until you take this load off your shoulders, you will never reach real freedom. That’s why I believe that everybody needs hijamat.”

That is why Hijamat shows Murad, in one scene, being taken to the cellar of a building as if to dig deep and look inside himself.

About the choice of Ramadan as the protagonist in the film, Saeivar tells THR: “He is very well known in Germany and in the Arab and Turkish community in Berlin. We have a saying in Persian: ‘If you want to conquer a village, you have to see the mayor first.’ And Kida is like that mayor. I thought if I want to reach this community, it’s better if he talks, not me. And he was like a brother by my side. I believe that he’s an actor not only by skills but also by heart. He reminds me of the best of Jean Reno, the French actor.”

When Panahi came to Berlin to do the editing, “he was amazed by his work,” Saeivar recalls about his famous friend’s reaction to Ramadan’s work. “And he said, ‘Wow, what a good choice! This guy is really amazing.”

Panahi’s absence from the Karlovy Vary premiere hangs over the conversation. “Unfortunately, he won’t be there,” Saeivar says simply. “He cannot leave Iran.”

Yet the two remain as close as ever. “I speak to him every day. We speak at least one hour per day because he’s just getting bored in Iran. He can’t do anything. He’s very busy with the judiciary, going to court and seeing a lawyer every day etc. Instead of spending his time on a new project, he has to spend all his time and energy on these issues.”

The bond between them shows no sign of fading. When Saeivar and several colleagues from It Was Just an Accident were accepted into the Academy, it was Panahi who picked up the phone first. “He called me to congratulate me,” Saeivar recalls. “And every time I have a new idea, Jafar Panahi is the first person I speak with.”

'Hijamat' film still
‘Hijamat’

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Jesse Eisenberg on Polish Citizenship, Working More in Europe Than US

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Jesse Eisenberg (The Social NetworkA Real PainWhen You Finish Saving the World) will in the coming days receive Polish citizenship and hopes to spend more time making movies in Central Europe because the kind of films he likes to create are more and more difficult to make in Hollywood, he said on Saturday.

The actor, writer and director shared the news as he received a standing ovation and massive collective hug, figuratively speaking, at the Karlovy Vary International Film Festival (KVIFF) in the Czech Republic on Saturday. The actor, writer and director was honored with the fest’s President’s Award before a screening of The Double, directed by Richard Ayoade, in which Eisenberg plays the lead role. 

Holding the award statuette in the Grand Hall of the Hotel Thermal, the “headquarters” of the Czech festival, Eisenberg said: ”Being here has particular meaning for me right now, because in exactly one week I am receiving my Polish citizenship. I pursued Polish citizenship because of my family’s heritage, but also because I want to spend more time in my life and my career working in Europe, specifically Central Europe.”

Eisenberg continued: “In America, many of the kind of films that I love so much – human scale, strange mid-budget films – have become increasingly difficult to make, but in Europe, those movies are thriving and celebrated.”

He called it “wonderfully strange” to introduce The Double, “a film we made over a decade ago that owes so much to Central European cinema.”

The star is one of many big names in the spotlight during the double anniversary 60th edition in the 80th year of the Czech fest, which runs July 3-11.

Jesse Eisenberg received the KVIFF President’s Award on Saturday, courtesy of Georg Szalai

During Friday’s opening night ceremony of KVIFF 2026, Dustin Hoffman (The Graduate, Kramer vs. KramerRain Man) was honored with the fest’s Crystal Globe for Outstanding Artistic Contributions to World Cinema, while Maggie Gyllenhaal (The Bride!, The Lost DaughterSecretaryThe Honourable Woman) received its President’s Award. Harvey Keitel (Mean Streets, Taxi Driver, Reservoir Dogs) was also among the famous names walking the expanded red carpet of the festival in the Czech spa town.

Eisenberg’s upcoming film as a writer and director, The Debut, stars Julianne Moore and Paul Giamatti. Eisenberg also co-stars in and wrote the music and lyrics for the film’s musical-within-the-movie. The film will be released in the fall by A24.

When KVIFF unveiled a month ago that Eisenberg would be honored this year, it called him “one of the most multifaceted figures in contemporary cinema.” It highlighted: “His first role was in the 2002 film Roger Dodger, which earned him an award for most promising young actor at the San Diego film festival. His performance in Noah Baumbach’s family drama The Squid and the Whale (2005) earned him nominations for the Independent Spirit Award and the Critics’ Choice Award. The apocalyptic horror comedy Zombieland (2009) was a box office hit. … In 2010, Eisenberg played Mark Zuckerberg in The Social Network, which earned him his first nominations for an Oscar, a Golden Globe, and a BAFTA Award.”

Karlovy Vary also noted his work as a filmmaker. “Eisenberg made his screenwriting and directing debut with the feature film When You Finish Saving the World, starring Julianne Moore and Finn Wolfhard as a mother and son trying to navigate their relationship,” it highlighted. “The film had its premiere at the Sundance and Cannes Film Festivals. Eisenberg subsequently aroused great attention with his second film, A Real Pain (2024), in which he and Kieran Culkin play cousins in search of their heritage. Eisenberg was nominated for an Oscar and a Golden Globe for best screenplay, and his screenplay won a BAFTA Award, the Waldo Salt Award at the Sundance Film Festival, an Independent Spirit Award, and numerous other prizes. He was also nominated for a Golden Globe for best actor, and Kieran Culkin’s performance garnered an Oscar for best supporting actor.”

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‘Against Nature’ Film Trailer: Axel Bertha Debut at Karlovy Vary 2026

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If you think that your partner, your co-worker or your neighbor can at times be enigmatic, you haven’t met Jonás yet. After many years away, he returns to the countryside to start work as a stonemason in Against Nature, the feature directorial debut of Mexican filmmaker Axel Bertha that will world premiere in the Proxima competition program of the 60th edition of the Karlovy Vary International Film Festival (KVIFF) on Thursday, July 9.

The silent protagonist is as mysterious as the movie that wanders along the cinematic edge between the physical and the spiritual worlds. After all, the KVIFF website tells us, “he opens himself up to something intangible – a force that permeates the landscape, bodies, and time itself.” The man’s enigmatic nature “stems from the dark side of humanity and from his contact with the sacred,” it adds.

Without traditional storytelling but a focus on sound design and a hypnotic visual style, Against Nature promises “an absorbing cinematic experience that explores human cruelty as part of a cycle of destruction from which humanity has yet to find a way out,” as the KVIFF website notes.

Press notes for the film hint at a looming catastrophe. Jonás eventually finds himself “enacting a drama that seems born out of nature itself, hurtling toward a stark unraveling from which humanity, since its origins, has not been able to escape.”

Against Nature, written, directed and produced by Bertha, comes from Mexico-based production companies Domme and Cárcava Cine and U.S.-based Love Song. Fernanda de la Peza of Cárcava is the other producer. The movie was co-produced by The Lift and Carlos Reygadas. Edited by Óscar Enríquez with cinematography by Flavia Martínez and Edson Reyes, Against Nature features music by Ela Minus and Ariel Guzik, with sound by Andrés Silva.

‘The film draws from a police report of a murder that I found in a local newspaper in Mexico,” Bertha explains. “If we observe our recorded history, expansion, dominion of resources and violence are constant forces in the human story. Is human progress taking us away from nature and the world or bringing us closer to it?”

Jonás “navigates a world he feels he does not have access to, haunted by a past that keeps coming back, and an incapacity to communicate his feelings,” the filmmaker adds. “We shot on 35 millimeter on a very limited amount of film, in the surroundings and locations in the area where the real incident happened, under difficult weather conditions and with a cast of local non-actors.”

The writer-director even lived in the location for six months prior to the start of filming, “immersing myself in the landscapes and the rhythms of daily life there,” he shares. With “our markers to understand the world” at risk, “I wanted to make a film that questions and helps us regain our relationship with reality, with each other, and bring us closer to our hearts and dreams.”

THR can now exclusively premiere the trailer for Against Nature. It mentions hatred for the world, alienation, evil and “that black sphere.” After all, Against Nature is all about the unsettling atmosphere and the senses. Watch the haunting trailer below with care.

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Taylor Swift & Travis Kelce Officially Married

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After days and days of speculation, intrigue and multi-million-dollar charity donations, Taylor Swift and Travis Kelce are now officially married. The ceremony was officiated by no less than Adam Sandler himself.

With both the bride and groom wearing Christian Dior haute couture and Christian Louboutin shoes, the 14x Grammy winner and 3x Super Bowl champion were hitched within the last half hour at Madison Square Garden in New York City. The “Love Story” singer and Kansas City tightend made it official in front of an A-list, invite-only crowd of approximately 1,000.

With guests including ex-Disney CEO Bob Iger and wife Willow Bay, Hugh Grant, Jason Sudeikis, Abby Wambach and wife Glennon Doyle, Swift and Kelce opted not to have bridesmaids or groomsmen.

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