After a historic domestic opening weekend of $360M, in addition to $932M worldwide, here’s a tally of all the records that Sony and Marvel Studios’ Spider-Man: Brand New Day broke at the weekend box office.

Box office records

Biggest opening at domestic box office at $360 million, besting Avengers: Endgame‘s $357.1M opening in April 2019

Biggest weekend at domestic box office for all films at $430M, ahead of the final weekend of April 2019, when Avengers: Endgame led all titles to a $402M frame (per Rentrak)

Biggest domestic and global opening for Sony Pictures, ahead of Spider-Man: No Way Home‘s North American start of $260.1M and worldwide debut of $600.5M in December 2021

Biggest domestic and global opening in the Spider-Man franchise, ahead of Spider-Man: No Way Home

Biggest U.S./Canada advanced ticket sales at $150M as of Thursday before opening, outstripping Avengers: Endgame‘s reported $120M-$140M (EntTelligence)

Biggest U.S. previews of all time at $72M, ahead of Avengers: Endgame‘s $60M Thursday night record

Biggest Friday (including previews) at domestic box office at $169.8M, besting Avengers: Endgame‘s $157.4M

Biggest domestic and global opening for director Destin Daniel Cretton, ahead of 2021’s Shang-Chi and the Legend of the 10 Rings’ domestic three-day of $75.1M and global start of $140M in September 2021

Biggest domestic and global opening for Zendaya, ahead of Spider-Man: No Way Home

Biggest domestic and global opening for producer Amy Pascal, ahead of No Way Home

Biggest domestic opening for Tom Holland, ahead of Avengers: Endgame.

Biggest domestic opening for Marvel Studios President & Chief Creative Officer Kevin Feige as a producer, ahead of Avengers: Endgame

Biggest opening weekend in U.S. admissions in post-Covid era at 24M, ahead of Spider-Man: No Way Home’s 20M turnout in its opening weekend (according to box office stat company EntTelligence, which launched during the pandemic)

Biggest global weekend for AMC Theaters in overall box office and concessions revenues with a circuit record of 10.2M admissions; beating turnout during Avengers: Endgame‘s opening weekend

Biggest global 4-day weekend for Regal Global Entertainment theater circuit with $160M+ in box office and concession revenue (that’s for Brand New Day and The Odyssey combined)

All-time opening records in territories including France ($26.6M, beating 2008 local title Welcome to the Sticks), India ($31.8M, No. 1 for a Hollywood picture ahead of Avengers: Endgame), Brazil ($23.8M, ahead of Avengers: Endgame), Spain ($15.6M, ahead of Avengers: Endgame), Peru ($8.6M, ahead of Avengers: Endgame), Colombia ($6.8M, ahead of Inside Out 2), the United Arab Emirates ($6.8M, ahead of Avengers: Endgame), Saudi Arabia ($5.4M, ahead of Spider-Man: No Way Home), Chile ($5M, ahead of Avengers: Endgame), Turkey ($4.7M, ahead of Avengers: Endgame), Ecuador ($4.1M, ahead of Spider-Man: No Way Home) and Belgium ($4M, ahead of Avengers: Endgame)

38th Marvel Cinematic Universe title to open No. 1 globally and domestically, with all 38 movies grossing a combined $33.3 billion worldwide

Biggest global opening for ScreenX and 4DX formats combined at $31M. Broken out that’s $14.4M global for ScreenX, for which Brand New Day was shot, and $17M global for 4DX. Domestic for ScreenX, also a record, was $7M ahead of Super Mario Galaxy‘s $2.7M, while 4DX’s opening frame was $5.2M.

Biggest Dolby Cinema opening weekend domestically at $11M+, along with the biggest per-screen average in Dolby Cinema history at $63,000, and the highest presales ever for the large-format exhibitor with nearly two-thirds of available tickets sold for opening weekend before Thursday previews began

Other milestones

Second biggest global opening ever at $932M, behind Avengers: Endgame‘s $1.22B and ahead of Avengers: Infinity War‘s $640.5M

Second biggest Saturday domestically with $101.5M, behind Avengers: Endgame‘s $109.2M.

Second biggest Sunday domestically with $88.7M, behind Avengers: Endgame‘s $90.3M.

Sony Pictures is flying high after Spider-Man: Brand New Day, starring Tom Holland and Zendaya, swung into the record books with its spectacular opening weekend at the box office.

Director Destin Daniel Cretton‘s film launched to $360 million domestically, leaping past 2019’s Avengers: Endgame for the biggest North American debut ever. Sadie Sink, Jon Bernthal and Mark Ruffalo also star in Brand New Day, which focuses on the title Marvel superhero’s lonely life as he sets out to stop an invisible new foe.

In a conversation with The Hollywood Reporter, Sony Pictures chief Tom Rothman admits that there have yet to be significant talks about Holland returning as Spider-Man for a fifth film: “No, not in any concrete sense — only aspirational.” In light of Holland having told THR at the Brand New Day premiere that he would be open to reprising his role, Rothman says, “I can tell you when I heard that Tom said that, I jumped for joy. All I will say is that hope springs eternal. I really hope so.”

He also quips, “All the geniuses who said that theatrical movies were dead, they’re not necessarily right. Actually, the theatrical marketplace is booming right now, and I’m excited about it. So I’m very optimistic.”

The exec sees the nearly five-year gap since 2021’s Spider-Man: No Way Home — which marked the previous feature to star Holland as the web-slinger — as having created a sense of scarcity that built excitement for Brand New Day. Rothman also recalls the filmmaking team feeling a sense of uncertainty at first about how to follow No Way Home, which created buzz with the return of past Peter Parkers in Tobey Maguire and Andrew Garfield before collecting a global total of $1.9 billion.

“[Initially,] the problem for a while was, ‘How do you top that?’” he says. “What do we do next when we just put in all our Spider-Men? The strategic decision was — rather than trying what we all thought would be perhaps an empty effort of going quote, unquote bigger — we just went deeper. That was a very conscious choice to focus on how we could make the audience feel. We were fortunate enough to have a director who was able to balance emotion and spectacle.”

Sony’s upcoming slate for the next few months includes Insidious: Out of the Further, Resident Evil and the Social Network follow-up The Social Reckoning. The studio closes out the year with Dwayne Johnson, Jack Black and Kevin Hart reprising their roles for Jumanji: Open World, hitting theaters on Christmas.

“It’s hilarious,” Rothman gushes about Jake Kasdan’s movie that will close out the Jumanji trilogy. “It’s the best of the three. It’s very smart because it brings them to the real world, which people want to see, and then it has new twists on the gag.”

In the meantime, Rothman travels this week to the London set of director Sam Mendes‘ forthcoming four-film project about The Beatles that will hit theaters in April 2028. Production continues on the movies that star Harris Dickinson as John Lennon, Paul Mescal as Paul McCartney, Joseph Quinn as George Harrison and Barry Keoghan as Ringo Starr.

“We’re probably a little more than halfway through shooting, and it’s remarkable,” he says. “It is an unprecedented undertaking. I feel about it what I feel about the Spider-Man movie, which is, everybody knows the broadest outlines of the Beatles story, but [with] Sam and the depth of character, in addition to the most incredible music ever, it’s a really emotional story. So I’m excited about it, but it’s a big undertaking. It’s a year of shooting and then a year of post.”