Entertainment
Jordan Klepper, Ronny Chieng: Satire Is ‘Responsibility’ of US Comedians
As “The Daily Show” celebrates 30 years on the air, correspondents Jordan Klepper and Ronny Chieng reflected on why the political satire program has managed to endure, and why the genre is “almost a responsibility” for American comedians.
Klepper and Chieng discussed the Comedy Central show’s longevity and the relevance of political satire in a Monday YouTube video, joking about just how long “TDS” has managed to stay relevant. “Thirty f–king years of this. Can you believe it? Of this kind of banter,” Klepper said.
“I feel like this show has outlasted America,” Chieng quipped. “We’ve outlasted quite a few things.”
Klepper then noted that while “The Daily Show” has been on the air for three decades, it is also part of a relatively unique television tradition. The pair pointed to “Meet the Press” as one of the longest-running television programs, but argued that a TV show devoted to political satire is a different kind of achievement.
“We’re also a show that’s like a current affair show kind of, you know, political satire,” Chieng said. “So, I do feel like there’s always a place for political satire, though, don’t you think?”
Klepper agreed, arguing that satire has long been intertwined with major cultural and political moments, even if televised satire is a relatively recent development. “I always think — I do think — like, satire is a part of every cultural moment and movement,” he shared.
Klepper pointed to historical satirists like Jonathan Swift and Mark Twain, joking that they likely would have embraced the medium had television existed during their careers. He also singled out Gore Vidal, who frequently appeared on talk shows, as someone who would have thrived as a television satirist.
For Chieng, the U.S. is particularly well positioned to sustain a daily political satire program because of a combination of factors: its protections for free speech, entertainment industry infrastructure, comedy culture and, perhaps most importantly, its often-chaotic political landscape.
“I always felt that if America couldn’t do a daily political satire show, nobody can do it,” he said. “You know what I mean? Like, if this is the country that has the most freedom of speech, the most money, entertainment, the most comedy infrastructure, nurturing writers and comedians, and we have the craziest politics … if those four things doesn’t combine to form a daily political satire show, if this isn’t a country that can do it, then no one can do it.”
Klepper took the argument a step further, suggesting that American comedians have a particular responsibility to turn the country’s political and cultural contradictions into comedy.
“Also, I think satire is almost a responsibility of like the American comedian,” Klepper said. “I think our American society is full of all of these things swarming into it with the freedoms that we have and the power that we have, the capitalism that we have … you’re swimming in it.”
Chieng then emphasized that they couldn’t discount that the show’s ability to exist in its current form is itself tied to America’s First Amendment. While political satire exists around the world, he noted, the legal protections afforded to American comedians help create an environment where a show like “The Daily Show” can thrive.
“Don’t discount the freedom of speech that we have as well,” Chieng said. “I think a lot of Americans don’t understand that this show is able to exist because of strong freedom of speech protections that most other countries don’t have.”
“You just see the freedoms that we have in America and the ways in which we express that,” Klepper concluded.
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Entertainment
‘God of War’: Dave Bautista in Talks to Play Kratos After Ryan Hurst Exit
Prime Video’s “God of War” adaptation may have found its Kratos.
Dave Bautista is currently in talks to take over the main role in the live-action TV adaptation of the popular PlayStation game series. This news comes weeks after Ryan Hurst, who had already begun filming as Kratos, suffered a bicep injury on set that caused the production to recast the role.
Ronald D. Moore created the live-action adaptation and serves as showrunner. The show is produced by Sony Pictures Television, Amazon MGM Studios, PlayStation Productions and Tall Ship Productions.
Deadline first reported this news.
More to come …
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movies
UFC, WWE Parent TKO Sees Solid Q2, Raises Full-Year Guidance
TKO Group, the home of UFC and WWE, saw revenue jump 18% to $1.5 billion for the three months ended in June, beating Wall Street forecasts.
The stock, which has been taking its knocks this year, jumped in late trading after the earnings report, which included higher 2026 forecasts for full year revenue and adjusted ebidta, key metrics for investors.
“Despite a challenging global environment, TKO delivered solid results in Q2, with strong momentum heading into the back half of the year,” said executive chair and CEO Ariel Emanuel. “Premium live content and experiences are heating up in an increasingly AI-driven world, and our businesses are well positioned to fully capitalize on societal secular tailwinds.”
At UFC, revenue rose by $120 million to $536 million. Higher UFC media rights fees reflected the impact of a distribution agreement with Paramount that began in January. The league also saw new partners and an increase in fees from renewals vs the year before largely driven by the UFC Freedom 250 event held at the White House in June. Ticket sales fell, since none were sold for the high-profile event, and there was one less numbered event in the quarter from the year earlier.
At WWE, revenue rose by $64.7 million to $621 million.
TKO’s IMG segment saw sales up by $48 million to $354.7 million.
TKO net income grew $31 million to $304 million on higher revenue partly offset by increased expense, including $98 million of legal fees and settlement costs associated with stockholder litigation related to WWE.
The company’s adjusted ebitda rose 23% to $649.9 million. Free cash flow of $349.6 million fell by $25.3 million
TKO shares closed up 1.2% ahead of earnings and are about 2% after, at $187.
“From UFC Freedom 250 to the FIFA World Cup, TKO continues to deliver on the biggest stages and this quarter reinforced our 2026 execution story,” said TKO president and COO Mark Shapiro, saying its move to raise full-year guidance reflects “both our performance to date and our confidence in TKO’s multi-year trajectory,”
“Our global fan base is expanding, and we are capitalizing on the commercial promise across ticketing, premium hospitality, marketing partnerships, and financial incentive packages. The demand in the experience economy is undeniable and positions us well for multi-year growth, margin expansion, and overall value creation.”
Execs are hosting a call with analysts at 5 pm ET.
More to come
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movies
Jill Blankenship Writing Castle Action Movie For Sony, Chris Bremner
EXCLUSIVE: Sony Pictures has inked a deal for Jill Blankenship to pen Castle, a medieval action film stemming from an original idea from Chris Bremner‘s Unknown Quantity.
Plot details are being kept under wraps. Bremner will produce alongside his partner Jeff Arkuss, who we’re told was instrumental in the deal.
A TV showrunner jumping into film for the first time, Blankenship with Castle becomes the rare female scribe invited to tackle muscular action within the studio space. Alongside Ava DuVernay, she previously co-created superhero drama Naomi for The CW, also serving as showrunner.
Blankenship has developed multiple times in television, including shows for Amazon and Netflix. She started her career on TNT’s The Last Ship, and in the Berlanti camp, before going on to work on Sweet Tooth for Netflix and Daredevil: Born Again for Marvel/Disney+. She also has the Black List thriller Trapped set up with Sarah Bremner and Noah Oppenheim’s Prologue Entertainment and is repped by WME, Kaplan/Perrone, and attorneys Abel Lezcano and Chris Namba.
After writing Sony’s recent hit Bad Boys films, Bad Boys for Life and Bad Boys: Ride or Die, Bremner’s Unknown Quantity was signed to a writing and producing deal with the studio. As a producer, Bremner has several projects set up at Sony Pictures, including Permission by Dan Roe and You Up by Gabe Delahaye. Bremner and Unknown Quantity are repped by WME, Kaplan/Perrone, and attorneys Greg Slewett and Deb Lintz.
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