The weekend before summer 2027 is getting quite bulky, so Warner Bros is shifting the release date of its special forces commando pic F.A.S.T. to mid-May next year, specifically May 14, a frame where it launched Final Destination: Bloodlines and more recently Mortal Kombat II.

The film, which reps the feature directorial debut of TV episodic director Ben Richardson (Mayor of Kingstown, Tulsa King, 1923), follows a former special forces commando tapped by the DEA to lead a black-ops strike team against CIA-protected drug dealers.

Brandon Sklenar, Sam Claflin, Juliana Canfield, Trevante Rhodes, LaKeith Stanfield and Jason Clarke star in a movie that’s written by Taylor Sheridan. Producers are David Heyman and Jeffrey Clifford of Heyday Films and Sheridan and Jenny Wood of Bosque Ranch Productions.

F.A.S.T. moves away from Amazon MGM Studios’ Spaceballs: The New One and Neon’s Chloe Dumont thriller A Place in Hell and to a weekend where it’s currently the only major studio wide entry.

It had previously been slated for April 23, 2027.

After a historic domestic opening weekend of $360M, in addition to $932M worldwide, here’s a tally of all the records that Sony and Marvel Studios’ Spider-Man: Brand New Day broke at the weekend box office.

Box office records

Biggest opening at domestic box office at $360 million, besting Avengers: Endgame‘s $357.1M opening in April 2019

Biggest weekend at domestic box office for all films at $430M, ahead of the final weekend of April 2019, when Avengers: Endgame led all titles to a $402M frame (per Rentrak)

Biggest domestic and global opening for Sony Pictures, ahead of Spider-Man: No Way Home‘s North American start of $260.1M and worldwide debut of $600.5M in December 2021

Biggest domestic and global opening in the Spider-Man franchise, ahead of Spider-Man: No Way Home

Biggest U.S./Canada advanced ticket sales at $150M as of Thursday before opening, outstripping Avengers: Endgame‘s reported $120M-$140M (EntTelligence)

Biggest U.S. previews of all time at $72M, ahead of Avengers: Endgame‘s $60M Thursday night record

Biggest Friday (including previews) at domestic box office at $169.8M, besting Avengers: Endgame‘s $157.4M

Biggest domestic and global opening for director Destin Daniel Cretton, ahead of 2021’s Shang-Chi and the Legend of the 10 Rings’ domestic three-day of $75.1M and global start of $140M in September 2021

Biggest domestic and global opening for Zendaya, ahead of Spider-Man: No Way Home

Biggest domestic and global opening for producer Amy Pascal, ahead of No Way Home

Biggest domestic opening for Tom Holland, ahead of Avengers: Endgame.

Biggest domestic opening for Marvel Studios President & Chief Creative Officer Kevin Feige as a producer, ahead of Avengers: Endgame

Biggest opening weekend in U.S. admissions in post-Covid era at 24M, ahead of Spider-Man: No Way Home’s 20M turnout in its opening weekend (according to box office stat company EntTelligence, which launched during the pandemic)

Biggest global weekend for AMC Theaters in overall box office and concessions revenues with a circuit record of 10.2M admissions; beating turnout during Avengers: Endgame‘s opening weekend

Biggest global 4-day weekend for Regal Global Entertainment theater circuit with $160M+ in box office and concession revenue (that’s for Brand New Day and The Odyssey combined)

All-time opening records in territories including France ($26.6M, beating 2008 local title Welcome to the Sticks), India ($31.8M, No. 1 for a Hollywood picture ahead of Avengers: Endgame), Brazil ($23.8M, ahead of Avengers: Endgame), Spain ($15.6M, ahead of Avengers: Endgame), Peru ($8.6M, ahead of Avengers: Endgame), Colombia ($6.8M, ahead of Inside Out 2), the United Arab Emirates ($6.8M, ahead of Avengers: Endgame), Saudi Arabia ($5.4M, ahead of Spider-Man: No Way Home), Chile ($5M, ahead of Avengers: Endgame), Turkey ($4.7M, ahead of Avengers: Endgame), Ecuador ($4.1M, ahead of Spider-Man: No Way Home) and Belgium ($4M, ahead of Avengers: Endgame)

38th Marvel Cinematic Universe title to open No. 1 globally and domestically, with all 38 movies grossing a combined $33.3 billion worldwide

Biggest global opening for ScreenX and 4DX formats combined at $31M. Broken out that’s $14.4M global for ScreenX, for which Brand New Day was shot, and $17M global for 4DX. Domestic for ScreenX, also a record, was $7M ahead of Super Mario Galaxy‘s $2.7M, while 4DX’s opening frame was $5.2M.

Biggest Dolby Cinema opening weekend domestically at $11M+, along with the biggest per-screen average in Dolby Cinema history at $63,000, and the highest presales ever for the large-format exhibitor with nearly two-thirds of available tickets sold for opening weekend before Thursday previews began

Other milestones

Second biggest global opening ever at $932M, behind Avengers: Endgame‘s $1.22B and ahead of Avengers: Infinity War‘s $640.5M

Second biggest Saturday domestically with $101.5M, behind Avengers: Endgame‘s $109.2M.

Second biggest Sunday domestically with $88.7M, behind Avengers: Endgame‘s $90.3M.

“The Devil Wears Prada 2” is a big streaming hit. The sequel starring Anne Hathaway, Emily Blunt, Stanley Tucci and Meryl Streep sashayed to 15.2 million global viewers in five days across Disney+ and Hulu, the company shared Monday.

The strong viewership makes this the biggest live-action movie premiere on Disney+ and Hulu since “Deadpool & Wolverine.”

More to come…